He uses the word "upstream" incorrectly. Upstream doesn't refer to horn angle, but to the angle of the airstream as it leaves the embouchure. The fact he's placing the mouthpiece mainly on the top lip makes him downstream.
@@AidanRitchie - Not moving, little to no "rotation". Doing everything on one embouchure, ..... ..... whereas Mr. Markey say to do as little as necessary, but then show how to move the piece, for example upwards on the lips while moving the jaw out for the lowest notes.
6:52 - Ko-Ichiro talked about the warm air/ colder air in a workshop.
Love the videos
Thanks so much.
He uses the word "upstream" incorrectly. Upstream doesn't refer to horn angle, but to the angle of the airstream as it leaves the embouchure. The fact he's placing the mouthpiece mainly on the top lip makes him downstream.
Increasing the air power DOES influence the tone color as well as dynamics. They are not independent.
The air is not literally hot or cold.
Very interesting - his ideas on embouchure are kind of "anti-Markey". Not better, not worse, just different. But VERY interesting.
In what way?
@@AidanRitchie - Not moving, little to no "rotation". Doing everything on one embouchure, .....
..... whereas Mr. Markey say to do as little as necessary, but then show how to move the piece, for example upwards on the lips while moving the jaw out for the lowest notes.
@@musicofnote1 I don't think Matt would disagree with any of that, he even says so
And Markey is one of the best bass trombone players on the planet and this guy is no where near that... I know who's advice I'd be trying first!
@@explodingsausage6576 that's not what I would take away at all.