7:04 it's better to shoot at the lowest possible on the high base iso for low light. There are many technical videos about it, but it's rather simple: base iso gives you a balance between highlight and shadow dynamic range, while going below gives you more range in the shadows and going above gives you more range in the highlights. I think 1000 is the highest for the range of the 400 base, and 1250 is the lowest for the 3200 base. So, in broad daylight, shoot at 1000 for the best coverage of the highlights, and in the dark, shoot at 1250 (or 100 ofc) for the best coverage of the shadows.
Finally, an actual film DP using it the way it was meant to be used. Thank you. As a DP with over 20 years experience and 10 feature films under my belt.. I got so sick of all the wedding shooters and TH-cam guys bytching about this camera. I mean, don't like it, DON'T BUY IT. 🙄Anyway, I just ordered mine. Can't wait to shoot my next film coming up, with it. Seeing this, gave me more confidence to place my order. Thank you brother. Good luck with the rest of shooting the film. Oh, 400 ISO is the sweet spot for high end cinema cameras. One!
Blackmagic to me has always been the most similar to Alexa. Have seen it used as a B or C cam many times next to Arri. After seeing wandering DPs breakdown of it and yours now, it seems like that stays true with the Pyxis and even expands a bit. Happy BM finally gave us the box form factor we always asked for! Cheers!
the one most important thing most people dont account for is rolling shutter. alexas have them at 6 ms what is blackmagics? thats the first thing i look for in a camera since we are filming motion
@@KittyGuerrillaFilms true. The Pyxis is only average in the rolling shutter department. However, the advances in Davinci and especially gyro flow have made rolling shutter easily correctable with little to no crop in needed. It’s a relatively painless process as well. Obviously it’d be nicer to have fast readouts like the Alexa and ursa 12k, but it’s nice to know that it can be relatively easily corrected on shots where it’s noticeable with the Pyxis.
@@cfl4286 readout affects all motion - how faces and bodies move in a frame. how a frame moves into the next frame - that to me is as important as how a still frame feels.
@@KittyGuerrillaFilms would that not be solved by correcting it? Regardless, sounds like you’ve made up your mind about the Pyxis. A different camera would probably suite your needs better.
Bro forget rolling shutters it’s a minute part of camera . Nobody shoots whole time in rolling shutters. Everybody shoots in normal cinematic conditions. Pyxis is good camera I luv pyxis
While the Pyxis does demonstrate ARRI style quality, it takes exceptionally talented people to capture the footage I just saw in this video. Amazing work brotha! ❤
would love to see a full breakdown of the rig. Looks awesome. It would be great to name all Kondor Blue parts attached 🤟🎥 to rebuild the rig for my own Pyxis setup
thanks, I will try it! I think there will be a bit of Cropping mit maybe just as much as needed to correct the rolling shutter? ...but this information is really helpful for me, thanks!
@@timzander for me, it doesn't crop at all - the rolling shutter is corrected by simply "rolling the shot up" the other way around. Thanks to the gyro data, that's possible
Been using the false color with the blackmagic stuff since the day the pocket 6k original came out and felt the same way ever since. I shot exteriors for a shudder/amc feature with my p6k and Pentax takumars that match matched the Alexa a roll.
As a new film maker in the business I am looking into buying my first own cinema camera and with all the specs and features the Canon C400 seems to be the ultimate choice. It really has any feature you could ask for, but it is quite pricy compared to something like the Pyxis. You could even get either 2 Pyxis' or 1 C400. But breaking it down like this would be unfair to Canon, because the C400 doesnt require you to use external ND filters all the time. Sure you could bring a 0.3 and a 0.15, but stacking these, using only one or none is really all you'd need because you got a 0.6, 1.2, 1.8, 2.4 and 3.0 already built into the camera, while also being able to switch between 3 base ISOs, which are also all exactly 2 stops apart with the lowest base being at 800 rather than 400. The Dynamic range is aperantly as advertised 3 stops greater and you get many other great features. I was wondering if anyone of you guys believe the C400 is actually reasonable worth twice as much as a Pyxis for just the body.
Yo, that rig looks like a Plasma Canon, jk. I bought a few accessories for my rigs in the past two months. By looking at your rig confirms I made the right decision in buying the Hollyland Pyro S ($450 on Amazon) and Deity TC-1 3 Pack. I see you guys are using the Pyro 7, that's next item on my bucket list this month and the DJI Focus Pro. $3k for this camera is a great price, I might buy it, in the future
No built-in ND filters. Maybe for full production, but for run and gun I see this as another competitor beat out by the Ronin 4D. The price difference is negligible by the time you kit both of them out when you're shooting full-time... the ROI of faster setup time pays for itself. As always, your colorgrade is always killer!!! - TW
The ND’s were the game changing value proposition of these cameras and removing it is crazy. I was going to order but now I will skip for sure. They are just so useful in the 6k pro. Where I live an Fx6 will get you hired and the nd is amazing. Twice the cost but should pay for itself fairly fast. I wish I knew if Sony was dropping new cameras in the spring.
Did you have any problems with noise in those moodier environments? I was pretty dissapointed when I saw the camera tests between the new full frame sensor and the now older 6k and 6k pro.
I actually got quoted about $11,300 euros to upgrade my Alexa Plus 4:3 to an Arri Alexa SXT Plus,which offers 6:5 Anamorphic in 4K Cine and 2K prores, along with Open Gate 3.4K and 4K cine. Glad I held off when Pyxis announced Open Gate mode, along with 6:5 Anamorphic. Those are my 2 top reasons to buy the PL mount version, along with the external monitor and EVF. For about $7.5K in price for those add-ons.I can't complain with those features.
Great video as always. I have been doubtful about blackmagic cameras in terms of their “robustness”. I don’t know how far they have come but the cinema cameras were awful, felt cheap and didn’t hear good things about URSA either. I was planning to buy an fx3 but then this one came out with a reasonable price. However my past experiences are not so good with BM-Cameras, so I am not sure whether I should take the risk or not. And you mentioned also the weird noise in shadows which is a BM classic.
Great review. I do think built in NDs and a fast readout would have made this a much more compelling offering. When it comes to the rolling shutter, it’s not so much that viewers will say, “oh, that fence looks like it’s leaning”… For the most part such details are only noticed by those doing the production. However, the viewer will feel the effects of the rolling shutter by becoming nauseated when viewing the footage. In my opinion this is a bigger concern.
If you use spherical lenses instead of anamorphic the issue is gone. Anamorphics amplified significantly rolling shutter artifacts because they optically distort the periphery of the image just too much. In my oipinion, you shouldnt use anamorphics on these types of scenes (guys fighting) where there is a lot of camera movement and panning, unless you are using a global shutter sensor.
Nice Video and nicely lit shots, but shooting in Braw (with exposure index and not Iso) does just shift your dynamic range by changing the iso. The highlights dont clip that quick, they are actually saved when you shoot and expose to higher iso. The comment abt the native Iso is actually, just wrong and oc everyone has their style to expose their sensor and image, but sum of the advice and info here is actually wrong :/ sensors do behave like they behave, every single one is different
Except rolling shutter performance. That’s one of the cinematic feelings from high end cameras like arri. Try to do handheld style action like extraction with pyxis, see how that goes
I always try to shoot 800 on daylight or dark interiors with sunlight blasting through the windows. I'm not entirely sure why you don't push up the ISO range, since any issues with noise are easily overcome with light denoising
@@TreyMotes There is no issue if you can denoise anyway. Some shooting conditions have extreme highlights and dark shadows, like the interior of a restaurant or a house. It's not a good idea to be enslaved to one particular ISO number.
Few things for anyone considering this camera: 1. Image quality is identical to the Full Frame pocket which goes for a fraction of the cost of pixys and had a built in screen that you can actually use. 2. Image (especially dynamic range) is on par with any previous blackmagic pocket cameras from 4k and up (I have them all and much more). 3. You will get the roughly same image as any other mirrorless cameras on the market some are less than half the price (your exposing, lighting and grading skills is the issue if you think otherwise). 4. Claiming that this camera is same as Alexa. I mean yeah they all are that good even a $500 Panasonic S5 is as “good” as Alexa for that type of shooting so… So if I was looking for a camera for 3k or about that figure and wanted all that rigging fetish - I would go for a used Komodo instead for all the reasons the pixys suck and Komodo does not.
If its the same as the pocket 6k Pro, if you go above 640iso just jump straight to 1250iso I find 1250 is pretty clean, hopefully its the same on the Pyxis.
I Think your upper body could benefit from balancing the camera better on your shoulder. Looks super front heavy. Also - base iso 400 is like shooting 500t, just light the set bro
😂😂😂 ...yeah magic ! bmcc6k full frame....nothingn ! lets make it into a box ! Clowns on TH-cam: Wow feels like Alexa ! Looks like Alexa ! My pronouns are.... 😂😂😂
Old blackmagic pocket cinema camera has much better second band iso. At ISO 3200 BMPCC6KPro was completely usable. When I tried BMCC6K .... gosh, the fullframe sensor is actually much worse than S35
5:55 crazy cuz I'm looking for the rolling shutter and its not an issue. Is it great? no. Is it unuseable? no. would I pay thousands of dollars more for better RS? no.
Find a rental place and rent them both. Judge for yourself. Me personally I love the flexibility of Internal braw the texture and color it produces and the unmatch clean AF menu UI. It's why I simp black magic.
Same output of the 6k. Lenses lighting Workbflow and grading will determine what your outcome will be. They are each fantastic cameras. The pyxis and komodos would yield less digital as they can output raw. Braw and the HQ out of komodos are fantastic to work with when originally exposed properly. Nad footage from any of them is the result of the user not understanding how their respective sensors behave.
As a former BMCC6K owner that used it in more in tight shooting windows without a team(solo shooter), I was overall disappointed with it. I think the image can look amazing, especially for the price, but that 400 base ISO is just not good enough for the type of shoots I'm on and 3200 is unusable to me. I think overall the PYXIS is confusing because for the types of jobs its best suited for, you're generally renting something better anyways. Maybe it makes sense for a b/c cam if you're shooting with the new URSA 17k, almost like a crash cam or something but I just don't get it. For most lower level content creators, you're 100% better off with an a7s3 or s5iix because that 4% better image quality isn't going to make a difference to your clients and those other cameras will just make your life easier.. Glad to see a BM cube camera though, they just need a new sensor in the next iteration to sell me on it.
![EVERYONE is WRONG About the Blackmagic PYXIS 6K! [Review]](http://i.ytimg.com/vi/QgVw4oq8Wj8/mqdefault.jpg)
![EVERYONE is WRONG About the Blackmagic PYXIS 6K! [Review]](/img/tr.png)
![Chris Langan - The Interview THEY Didn't Want You To See - CTMU [Full Version; Timestamps]](http://i.ytimg.com/vi/9miVG2xT5jY/mqdefault.jpg)
7:04 it's better to shoot at the lowest possible on the high base iso for low light. There are many technical videos about it, but it's rather simple: base iso gives you a balance between highlight and shadow dynamic range, while going below gives you more range in the shadows and going above gives you more range in the highlights. I think 1000 is the highest for the range of the 400 base, and 1250 is the lowest for the 3200 base. So, in broad daylight, shoot at 1000 for the best coverage of the highlights, and in the dark, shoot at 1250 (or 100 ofc) for the best coverage of the shadows.
This is an amazing Work, Color... BlackMagic PYXIS 6k... is killing it.
I think we need more cat commentary in future videos, their insight into the world of cinema brought me to tears.
Absolutely
That rig looks fire, footy looks fire
Great work guys
Thank you king
But won't beat the KX... Right....? Right.... ? Ooooooorrr........???...
@@DanielTihonov haha I’m keeping my kx! Pyxis looks like a nice offering for a lot of folks tho
@@thomas.kovacik😄🙌
👍🙏
The most beautiful rig I’ve seen in a while that. The top handle. The blue cables. Chefs kiss.
Only the best!
Finally, an actual film DP using it the way it was meant to be used. Thank you. As a DP with over 20 years experience and 10 feature films under my belt.. I got so sick of all the wedding shooters and TH-cam guys bytching about this camera. I mean, don't like it, DON'T BUY IT. 🙄Anyway, I just ordered mine. Can't wait to shoot my next film coming up, with it. Seeing this, gave me more confidence to place my order. Thank you brother. Good luck with the rest of shooting the film. Oh, 400 ISO is the sweet spot for high end cinema cameras. One!
Hey dude thank you so much! You’ll love the camera, at least I do.
Blackmagic to me has always been the most similar to Alexa. Have seen it used as a B or C cam many times next to Arri. After seeing wandering DPs breakdown of it and yours now, it seems like that stays true with the Pyxis and even expands a bit. Happy BM finally gave us the box form factor we always asked for! Cheers!
the one most important thing most people dont account for is rolling shutter. alexas have them at 6 ms what is blackmagics? thats the first thing i look for in a camera since we are filming motion
@@KittyGuerrillaFilms true. The Pyxis is only average in the rolling shutter department. However, the advances in Davinci and especially gyro flow have made rolling shutter easily correctable with little to no crop in needed. It’s a relatively painless process as well. Obviously it’d be nicer to have fast readouts like the Alexa and ursa 12k, but it’s nice to know that it can be relatively easily corrected on shots where it’s noticeable with the Pyxis.
@@cfl4286 readout affects all motion - how faces and bodies move in a frame. how a frame moves into the next frame - that to me is as important as how a still frame feels.
@@KittyGuerrillaFilms would that not be solved by correcting it? Regardless, sounds like you’ve made up your mind about the Pyxis. A different camera would probably suite your needs better.
Bro forget rolling shutters it’s a minute part of camera . Nobody shoots whole time in rolling shutters. Everybody shoots in normal cinematic conditions. Pyxis is good camera I luv pyxis
Looking forward to seeing the final piece mate, looks awesome! Loving the look! It's great to see the Pyxis in so many different sets/hands.
I’ve been loving it, thanks man!
Yup, that side monitor is awesome. Once I saw it, I instantly thought of not always having to look at a top monitor. For interviews, it's great.
Interviews is an amazing point
I've seen a bunch of YT reviews of the Pyxis. Your footage with original color looks 1000x better than their footage with final color. Bravo!
Wow, Swapping the FX6 for a Pyxis is quite the endorsement!
Brady is a really great guy to work with. Really genuine. We got some cool footage in Montana.
You’re the best Tyler thank you!
While the Pyxis does demonstrate ARRI style quality, it takes exceptionally talented people to capture the footage I just saw in this video. Amazing work brotha! ❤
The build your 1 AC and yourself put together is just perfectt, and beautiful :)
i would like to see a detailed rig build of your setup 😊
Another informative video from a talented individual 😌
I appreciate that!
We need to see the build setup omg its beautiful!
More Pyxis Content to come!
It's one of the Reason I choose Blackmagic because of its footage, feels like Arri footage
These images look so clean. the camera build was sick, I just prefer it blacked out!
You had me at "Atlas Mercury", Brady LOL
I can't wait to get one for myself and throw all kinds of anamorphic lenses on it!!!!
Always love the content and appreciate your opinion. Do you feel like the dynamic range limits the footage?
thanks for the review :)
What's that top handle setup ? I see it's Kondor Blue, but can't find it on their website
Thanks !
The upcoming BM Pyxis monitor (should be shipping around November 20th) will make the Pyxis even better!
Excellent Work, Brady, and that film set looks Awesome!! I'm looking forward to seeing this movie. Cheers, Brother 🔥
That Kondor Blue top handle is MASSIVE ! Don't know how I feel about it lol. Nice video tho man, the footage looks great.
It’s nice for big builds that’s all
Can’t find that top handle on Kondor blue‘s website 🤔 where can I buy one?
@@bluminhioit was a prototype. Will be on website soon!
I think the Handle looks the perfect size for weight distribution. I've used a similar one and camera was super light and agile
@@KONDORBLUE Keep us posted!
would love to see a full breakdown of the rig. Looks awesome. It would be great to name all Kondor Blue parts attached 🤟🎥 to rebuild the rig for my own Pyxis setup
I saw you having the poco on it. Does the Kondor blue cage hinder the ability to take out the vnd?
6:07 the feature works 100% WITHOUT cropping in. Camera gyro and strength set to 0, then hit stabilize. No rolling shutter AT ALL.
Sorry but I own one, and a FF. And It crops even at zero.
thanks, I will try it! I think there will be a bit of Cropping mit maybe just as much as needed to correct the rolling shutter? ...but this information is really helpful for me, thanks!
@@Horizons_Roses I own the normal 6k. It doesn't crop at 0 for me
@@timzander for me, it doesn't crop at all - the rolling shutter is corrected by simply "rolling the shot up" the other way around. Thanks to the gyro data, that's possible
@@J.K.productionsDE Then I think it’s really down on the amount of pan / fast one you are doing in a take then.
Besides the camera, that top handle is superb! Do you have the part list for that or is it not out yet?
Not out yet but soon on our website!
@@KONDORBLUEplease drop the top and 90 degree extension asap!
Killed it Brady!
Thank you kind sir!!
Been using the false color with the blackmagic stuff since the day the pocket 6k original came out and felt the same way ever since. I shot exteriors for a shudder/amc feature with my p6k and Pentax takumars that match matched the Alexa a roll.
Those 15mm rods, are they 85mm from the center or the lens? Looks so much.
Footage looks superb. Thanks!
As a new film maker in the business I am looking into buying my first own cinema camera and with all the specs and features the Canon C400 seems to be the ultimate choice. It really has any feature you could ask for, but it is quite pricy compared to something like the Pyxis. You could even get either 2 Pyxis' or 1 C400. But breaking it down like this would be unfair to Canon, because the C400 doesnt require you to use external ND filters all the time. Sure you could bring a 0.3 and a 0.15, but stacking these, using only one or none is really all you'd need because you got a 0.6, 1.2, 1.8, 2.4 and 3.0 already built into the camera, while also being able to switch between 3 base ISOs, which are also all exactly 2 stops apart with the lowest base being at 800 rather than 400. The Dynamic range is aperantly as advertised 3 stops greater and you get many other great features.
I was wondering if anyone of you guys believe the C400 is actually reasonable worth twice as much as a Pyxis for just the body.
I will wait till they put ND's on it,but for now settling with Canon C400!!
Looks great!!!
If you’re comparing similarities and image quality/versatility to a camera that’s more than 10x its price, sounds like BM did a good job.
I also like the look of this video itself. What camera was used to shoot you using the Pyxis?
Footage Looks fantastic. Did you develop a LUT with camera tests? A lot of it says ungraded but looks pretty much locked off to me lol
Yo, that rig looks like a Plasma Canon, jk. I bought a few accessories for my rigs in the past two months. By looking at your rig confirms I made the right decision in buying the Hollyland Pyro S ($450 on Amazon) and Deity TC-1 3 Pack. I see you guys are using the Pyro 7, that's next item on my bucket list this month and the DJI Focus Pro. $3k for this camera is a great price, I might buy it, in the future
Nice work. Good review.
Oh nice - you even had the Mantis on set. How do you like it?
Dude welcome to Montana! I'm from Billings! I wish I could come meet you guys!
I love Montana man!
No built-in ND filters. Maybe for full production, but for run and gun I see this as another competitor beat out by the Ronin 4D. The price difference is negligible by the time you kit both of them out when you're shooting full-time... the ROI of faster setup time pays for itself.
As always, your colorgrade is always killer!!!
- TW
The ND’s were the game changing value proposition of these cameras and removing it is crazy. I was going to order but now I will skip for sure. They are just so useful in the 6k pro. Where I live an Fx6 will get you hired and the nd is amazing. Twice the cost but should pay for itself fairly fast. I wish I knew if Sony was dropping new cameras in the spring.
Man that rig is the sexiest rig I’ve ever seen lol
Can't believe it's so much bigger than a one day old cat
That’s what sold me tbh
Did you have any problems with noise in those moodier environments? I was pretty dissapointed when I saw the camera tests between the new full frame sensor and the now older 6k and 6k pro.
I'm just happy I was able to get the BMCC 6k FF on a good deal an to know its basically the same camera
Looks sick. Would love to see some side by side vs the fx6.
I should work on that
Probably should have jumped to 1250 or dropped to 200 ISO for those really dark scenes to save all that shadow detail. Looks great though!
Was fighting the output of the fixtures too, thank you!!
If I was only shooting narratives I'd swap out my Fx6 for this so fast
I actually got quoted about $11,300 euros to upgrade my Alexa Plus 4:3 to an Arri Alexa SXT Plus,which offers 6:5 Anamorphic in 4K Cine and 2K prores, along with Open Gate 3.4K and 4K cine.
Glad I held off when Pyxis announced Open Gate mode, along with 6:5 Anamorphic. Those are my 2 top reasons to buy the PL mount version, along with the external monitor and EVF. For about $7.5K in price for those add-ons.I can't complain with those features.
that long top handle is something I need, its not on the Kondor Blue website ! 😠I need to build that exact pyxis rig
Great video as always. I have been doubtful about blackmagic cameras in terms of their “robustness”. I don’t know how far they have come but the cinema cameras were awful, felt cheap and didn’t hear good things about URSA either. I was planning to buy an fx3 but then this one came out with a reasonable price. However my past experiences are not so good with BM-Cameras, so I am not sure whether I should take the risk or not. And you mentioned also the weird noise in shadows which is a BM classic.
i really do agree, whilst it isnt alexa footage and its definitely different, it does have that super high end feeeling to it
Hey, what is the adapter you have used for atlas mercury, I am looking to buy one but not sure in terms of fringe depth which one is the right one
Great review. I do think built in NDs and a fast readout would have made this a much more compelling offering. When it comes to the rolling shutter, it’s not so much that viewers will say, “oh, that fence looks like it’s leaning”… For the most part such details are only noticed by those doing the production. However, the viewer will feel the effects of the rolling shutter by becoming nauseated when viewing the footage. In my opinion this is a bigger concern.
If you use spherical lenses instead of anamorphic the issue is gone. Anamorphics amplified significantly rolling shutter artifacts because they optically distort the periphery of the image just too much. In my oipinion, you shouldnt use anamorphics on these types of scenes (guys fighting) where there is a lot of camera movement and panning, unless you are using a global shutter sensor.
Isn’t it the same footage from the Blackmagic 6k ff
Brady, what are your thoughts on constant quality Q0 for best quality?
Here for the cats
Agree, looks very similar
I like it
came for the PYXIS stayed for the cats
I'm very impressed of this rig build 🥹
i want want but i'm gonna hold out until either they announce one with built in ND, or until black friday lol
Fair enough
Nice Video and nicely lit shots, but shooting in Braw (with exposure index and not Iso) does just shift your dynamic range by changing the iso. The highlights dont clip that quick, they are actually saved when you shoot and expose to higher iso. The comment abt the native Iso is actually, just wrong and oc everyone has their style to expose their sensor and image, but sum of the advice and info here is actually wrong :/ sensors do behave like they behave, every single one is different
Man I fkn love the kittens.
I want to change camera and I am between the Sony Fx6 and the Pyxis, which one do you recommend?
whats the handle build
Colour is very much like ARRI but the motion cadence and frame interpolation is still a bit DSLR like to me. Still amazing camera for the price.
Except rolling shutter performance. That’s one of the cinematic feelings from high end cameras like arri.
Try to do handheld style action like extraction with pyxis, see how that goes
did.... did you watch the video?
loved the country music :)
shoulder is where a camera belongs
what is this large top handle?
¿How much does cost this amazing KB rig? WOW
I always try to shoot 800 on daylight or dark interiors with sunlight blasting through the windows. I'm not entirely sure why you don't push up the ISO range, since any issues with noise are easily overcome with light denoising
Issues with noise are easily overcome by getting your exposure right in the first place...
@@TreyMotes There is no issue if you can denoise anyway. Some shooting conditions have extreme highlights and dark shadows, like the interior of a restaurant or a house. It's not a good idea to be enslaved to one particular ISO number.
@@leebrandt8597 whooooooooooosh
Idk, I think the kittens made some valid points that need to be addressed 👀
Euhmm what top handle is that? Can't seem to find it
1250 I consider to be the second iso. 3200 is too noisy usually and 1250 has been my go to second iso for many years with BM
Few things for anyone considering this camera:
1. Image quality is identical to the Full Frame pocket which goes for a fraction of the cost of pixys and had a built in screen that you can actually use.
2. Image (especially dynamic range) is on par with any previous blackmagic pocket cameras from 4k and up (I have them all and much more).
3. You will get the roughly same image as any other mirrorless cameras on the market some are less than half the price (your exposing, lighting and grading skills is the issue if you think otherwise).
4. Claiming that this camera is same as Alexa. I mean yeah they all are that good even a $500 Panasonic S5 is as “good” as Alexa for that type of shooting so…
So if I was looking for a camera for 3k or about that figure and wanted all that rigging fetish - I would go for a used Komodo instead for all the reasons the pixys suck and Komodo does not.
The Komodo has the exact same drawbacks as the Pyxis. And it's a fucking pain to build
Of course our blackmagic hater will pop up in every video about blackmagic hahaha
Fraction of the cost? In the UK the pocket is £2200 and the Pyxis is £2800.
@@onursevin9504 hahaha, he is the absolute worst. he does it for attention!
Yeah when you posted that you think Dune 2 doesn't looks good I can't take any of your posts seriously any more 😂
Is this what Nickelback is up to these days?
How much rental it?
isnt it just the exact p6k camera but just in a different housing for connectivity and flow?
That was my understanding too.
Bmcc6k not p6k. P6k is s35
Haha got the same thoughts about selling the FX6 and keep the FX3 and Pyxis.
Doing the same 🔥🔥
If its the same as the pocket 6k Pro, if you go above 640iso just jump straight to 1250iso I find 1250 is pretty clean, hopefully its the same on the Pyxis.
Link ur top handle wooden camera style pls
I Think your upper body could benefit from balancing the camera better on your shoulder. Looks super front heavy. Also - base iso 400 is like shooting 500t, just light the set bro
Bad day to be a front door
💀🤣🤣🤣
If this feels like ARRI, how will the upcoming URSA CINE 12K LF feel? ;-)
Like what Imax cameras should being making them selfs instead of putting stickers on arris.
😂😂😂 ...yeah magic ! bmcc6k full frame....nothingn ! lets make it into a box ! Clowns on TH-cam: Wow feels like Alexa ! Looks like Alexa ! My pronouns are.... 😂😂😂
Old blackmagic pocket cinema camera has much better second band iso. At ISO 3200 BMPCC6KPro was completely usable. When I tried BMCC6K .... gosh, the fullframe sensor is actually much worse than S35
The dynamic range is the same as before and not really Alexa like
5:55 crazy cuz I'm looking for the rolling shutter and its not an issue. Is it great? no. Is it unuseable? no. would I pay thousands of dollars more for better RS? no.
Ye from now on I am measuring my rigs in 1 day old kittens
Not sure it has a better image compared to the FX3 or Red Komodo. That's the only way to judge this new old sensor.
Find a rental place and rent them both. Judge for yourself. Me personally I love the flexibility of Internal braw the texture and color it produces and the unmatch clean AF menu UI. It's why I simp black magic.
@@Breonnick I don't have to do that. The same sensor has been used in the BM4K. Old sensors and not getting better with the Pyxis.
Same output of the 6k. Lenses lighting Workbflow and grading will determine what your outcome will be. They are each fantastic cameras. The pyxis and komodos would yield less digital as they can output raw. Braw and the HQ out of komodos are fantastic to work with when originally exposed properly. Nad footage from any of them is the result of the user not understanding how their respective sensors behave.
@@anthonyrock5039 I agree. Nice comment.
Full frame BM camera with less IQ than the URSA 12k but with an easier form factor and a really cheap price.
Are u hozier ? 😂
As a former BMCC6K owner that used it in more in tight shooting windows without a team(solo shooter), I was overall disappointed with it. I think the image can look amazing, especially for the price, but that 400 base ISO is just not good enough for the type of shoots I'm on and 3200 is unusable to me. I think overall the PYXIS is confusing because for the types of jobs its best suited for, you're generally renting something better anyways. Maybe it makes sense for a b/c cam if you're shooting with the new URSA 17k, almost like a crash cam or something but I just don't get it. For most lower level content creators, you're 100% better off with an a7s3 or s5iix because that 4% better image quality isn't going to make a difference to your clients and those other cameras will just make your life easier.. Glad to see a BM cube camera though, they just need a new sensor in the next iteration to sell me on it.
Try the ursa 12k sensor. Fixed pattern noise has always been a problem but for those type of jobs that have great lighting it’s never a problem
First ❤
Hi:)
Build is amazing can ur ac make a video about it?
So you don’t want the fx6 eh??😏 well 📥