Mozart, "Turkish March," Rondo Alla Turca
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- เผยแพร่เมื่อ 23 ส.ค. 2017
- W. A. Mozart's Rondo Alla Turca ("Turkish March") from piano sonata no. 11 in A major, K 331, performed by Paul Barton, accompanied by an animated graphical score.
FAQ
Q: Where can I learn more about the performer?
A: Here is his TH-cam channel ...
/ @paulbartonpiano
... here's his video of this piece (showing his hands) ...
• Mozart "Rondo Alla Tur...
... here's his Patreon page ...
/ paulbarton
... and here's his art website ...
www.paulbartonartist.com
Q: What do the colors indicate?
A: Colors are assigned by pitch, according to a scheme called Harmonic Coloring; you can read about it here ...
www.musanim.com/HarmonicColoring/
Q: I find it hard to follow this video.
A: I wonder why that is. As an experiment, I've made a second version, in which I show the barlines and the positions of the notes in the treble and bass staves ...
• Mozart, "Turkish March...
Does this make it easier to follow? If you're reading this on the second version, here's a link to the original ...
• Mozart, "Turkish March...
Q: I appreciate the animated graphical scores you make; how can I help?
A: There are many ways you can support my work:
free: watch my videos, like them, and share them with friends
¢¢¢: buy me a coffee ko-fi.com/musanim (one-time)
$$$: become a Patreon patron: / musanim (per-video/per-month)
!!!!: underwrite the production of a video: www.musanim.com/underwriting
Q: Could you do a MAM video of _________?
A: Please read this:
www.musanim.com/requests/ - เพลง
Love the visualization
I really like the mix of the different animations, rather than overcommitting to a single one. It comes together quite nicely that way, and it fits the piece.
I really enjoyed the interpretation of the left hand at 0:45
I like the curl shapes; they fit the feeling of the music. You did a good job with this one.
I don't like/nie podobają mi się :(
Turkish march one of the best songs in history
Completely agree!
Love the little ripple-esque deal you have going on here, and the music too, as always.
Fabulous - thank you! One of my real favourites by Mr Mozart!
One of my favourites. Thanks.
Love the cat-whiskers.
Classic piece. Simple, iconic, loved.
Exactly how I experience this piece. Happy curls in combination with strict march. And some fireworks
i dig the cool spiky explodey dealies youve put into part of it. a satisfying piece of animation.
Did I ever say something to you..(not that you don't know, but still) .....you are doing a GREAT job !! Thanks for these amazing work.
Thanks! Would you like to support my work? If you'd like to consider it, please see the FAQ.
Thank you for this. I also have been wanting you to put it on, but realised that I had to be patient! One of my favourite pieces by Mozart, and the animations are great too. :-)
Incredible, great representation
I love the fact that every single animation you make has an original animational motiv such as this snail like line. Benn waiting a long time for the Turkish March!! Thank you for this!
Actually, there are many more animations than there are techniques. There are more than five hundred videos on this channel, but fewer than one hundred techniques (see www.musanim.com/renderers/ for a list).
smalin Yes, of course, but that doesn't deny the originality of your ideas.
I'm not saying I'm not original (though, for any of my ideas, I could tell you where they came from, so "original" is a relative term), I'm just saying I'm not creating new animation techniques for every video.
smalin Well I guess you're right. Can I just ask you what made you choose the snail like line for the Turkish March?
For me, one of the "seeds" from which the Turkish March grew was the "turn" (en.wikipedia.org/wiki/Ornament_(music)#Turn ). This reminded me of the "Coil" renderer (which I originally developed for Björk's "Black Lake" and subsequently used for this Bach fugue th-cam.com/video/k2d-s8U1tfM/w-d-xo.html ), so I used it for that. Later, I decided to expand its application to other fast-moving motifs in the piece.
I love this! Especially the curlicues!
I adore this.
MUCHAS GRACIAS. Eres mi canal favorito de youtube, definitivamente. 😍
:-)
Pienso igual, aunque quizás no entiendas lo que escribamos en español
Totally trippy!
Mozart in heaven seeing this song being played for babies: Look how they massacred my boy.
The curlicues are perfect for this one!
I may be late,but this is exquisite.
Mozart wrote this hundreds of years ago, so it’s all relative.
I see your a man of culture
nice pfp
felipe
Heat.
I like it, but I think the dark color choices and black background sort of contradict the lighthearted character of the piece.
Here’s to hoping you get a good partnership going with Paul Barton. A wealth of excellent performances over there!
I've done many videos based on his recordings of the Chopin etudes (all the etudes I couldn't/wouldn't/didn't perform myself).
great.
This is slightly strange. It's the only recording I've heard in a while which you can hear the pedals actuating.
Bello
Hey, I wondered how long does it take you to make one of these, especially the more recent ones. They look pretty comples.
www.musanim.com/HowLong/
Oh wow, that's surprisingly thorough! Thanks for all the info!
I just wrote it (in response to your question).
In any case this piece in particular has an enormous "rachrochement" (pardon pour le French) between the images and the music. This can only be achieved after great experience both with the possibilities of visual representation and the expressiveness of the music. After several years of this experience maybe some things are done quickly and other take longer. That depends on how the piece fits in with the authors experience and projects.
Can you do Mozart's Piano Concerto no 20 2nd/3ed movements XDZ
See "Could you please ..." in the FAQ.
Nice works!
how do you decide the color?
See "What do the colors indicate?" in the FAQ.
Thanks that's pretty coooool
smalin I like when you do pitch by color, also I really like the intervalic relationship shape connector thing shown in chopin's nocturne I think 69 no 2 but I might be completely off..
nicely played... I still have problems playing this whole piece :S:S
It seems like a opticall ilusión with music
At the bottom, is that piano making a scraping sound?
@codec haaaaaa i remember your mox of this
Nice job with the visualisation! I think I hear cuts in the audio at around 0:04 and 0:05?
I don't hear them ...
smalin it's weird, the source video doesn't have them so it could be my headphones or something.
That is weird. I got the audio from Barton's video, and I don't hear any glitches, either in that audio or when I listen to this video on TH-cam.
I hear it as well, it's just a tiny little splice.
That's really strange. Could you download the audio, confirm that you hear it there too, and email it to me?
hmmm ah my country TURKEY
I can play it but the octaves in it are pretty hard for me to play, at least quickly.
Uzun süren II. Viyana Kuşatması(1683)ndan vazgeçtik geçmesine; ama bu olay Viyana üzerinde derin izler bıraktı..
Wolfgang Amadeus Mozart(1756-1791) da bizim özellikle kahvemizin tiryakisi olmuş, mehter müziğimizin çoşkulu ritminin etkisinde kalmıştır..
Onun Türk Marşı (özgün adı: Rondo alla Turca) olarak bilinen evrensel bestesi bizim de tüm özel devlet davetlerinde ve ayrıca ülke tanıtımında kullanılmıştır..
Türk dostu Wolfgang Amadeus Mozart'u onun ölümsüz eserini dinlerken takdir ve hayranlık dolu duygularımla anıyorum. Ruhu yüce olsun!.
How does the software interpret midi data into something like this? I want to learn how this even works. That's it, I need to find out.
The software doesn't do the interpretation --- I do (and I then write software that does what I want). If you want to learn more about this project, this is a good place to start: www.musanim.com/background/
highly recommend watching while tripping
Can you describe the experience?
shit looks cool and the sounds are amazing especially the way they roll off of eachother and the way the animation illuminates with every note adding physical color and shape to the musical color and tone. i love listening to classical while tripping specifically bc i love the talent piano players have, im always blown away by the tempos their playing at given the complexity and longevity of the pieces.
This song gives me anxiety for almost no reason. It may be because I had to learn it on short notice and it really hurts your hands when you play it too fast/too often
Could you do some of Ligeti's?
th-cam.com/video/LufirJIGzo0/w-d-xo.html
smalin Thanks! Do you have any plan for modern and contemporary music?
I don't have any plans, but I do have a playlist of contemporary music I've made animated graphical scores for: th-cam.com/play/PLtj_HurkS7ZyjTMCzZlHaiD7vrOMEsuks.html
NB！
I would be absolutely amazed if you did the Volodos version of this. For those of you that don't know about it, do yourself a favor and check it out!
Lol I have had the music sheet for Volodos' version for years but haven't even started yet
OK, now you've gotten *too* creative with the graphical representation of notes.
🎼🎵🎶🎉🎊🎆🎇👏👏💕
Sagen nicht allein die Türken DANKE 🤗
I kind of liked the old animations better. Its hard to actually tie the visuals to instruments they represent now.
This one's all piano. There are no 'different instruments' to represent. O_o
See "I find it hard to follow this video" in the FAQ.
I didn't say different instruments did i? I'm not talking about this video in particular. What i mean is that i liked old videos with simple bars way better because of their precision.
If you read all the comments, you'll see that some people like what I'm doing. And that's the situation for every video: some people think it's the best and others think some other approach is better. So even if I wanted to accommodate viewer preferences, I'd still have to decide which viewers to pay attention to. It's simpler to just use my own judgment and ignore everybody equally.
Fair enough. You still need to get feedback from both camps to make an informed decision though. Cheers
eeeeeeeeeeeeeeeeeeeeeee
Socrates goes Eeeeeeeeee
I would love to see some game music in this channel, especially from Shadow of the Colossus.
See "Could you please ..." in the FAQ.
Steve Harvey's Little Big Shots
LSD
What about it?
smalin nice trip
No more LSD for me, weed works out just fine😁
PLEASE DO VOLODOS TURKISH MARCH
speed - 0.75 or 1.25 enjoy
no.
No
how about NO
with the custom feature you can step up and pull back on the tempo, Lots of Fun !!
I like debussy arabesque no:1 animation the most. it is easy to follow on screen. This is just I dont know too tiring to watch
Maybe take a nap first?
smalin maybe you are right. Big fan of you!
Some of my videos are more demanding than others. My latest one (Beethoven's Große Fuge) is possibly the most demanding one so far (to match the music, which is also no stroll in the park).
You made the screen go by very fast as you probably intended. It does capture the vitality. However I think you could slow it down a little or widen the zoom without losing the vitality. The notes that happen in the recent past are very important in this piece, I think, with all the little echoes. So I am hearing phrases repeated or finishing up a little too late to see them disappearing off the side of the screen. This is what makes it tiring. All in all good video.
Update: I just saw the alternate version. It was eyeopening because I was no longer lost. I think the barlines and extra information made me chunk the information into measures and remember it better. Or, maybe I had tunnel vision due to my disorientation (I read music). I am leaning toward the former but who knows.
It's just the right speed for me, maybe because I've heard that piece many times, though I don't remember exactly where or when.
I think at 0:44 there are two notes in the thrill too much on the animation and at 2:37 there is one note too much
First Last may be, but that's not how it is played in the video
Oh pick pick pick already, can't you just enjoy it?!
Ach. Darfst nicht mehr gucken.
@@madeleinebaier5347 I agree. It doesn't have to be spot on, as long as you find it wonderful. Which I do.
finally the rondo alla turca! i've been waiting for it, but the thing I don't like is the animation.
How could you not like it.
it's because it's not really "readable", well, I really love what you do, but i would have preferred an another animation, you see?
+ThisIsMeYes and Co The thing is, the more smalin uploads videos, the more it gets conceptual and less "readable". But that's what's great with his work !
The first few hundred videos I posted on this channel were all very readable, and there are now lots of people who are doing videos like the ones I did back then (th-cam.com/users/aniMIDIfy). If you don't like what I'm doing now ... well, I guess you'll need to find somebody else to satisfy you.
smalin For me, it's a truly gratifying experience to see you try new things and enhance the way we listen and visualize music. It gives spirit and life into pieces that already had such a great amount of expression. Your visual interpretations are proving to become more like the piece itself and really exploring the true nature of the work. It's almost as though the visualization is a logical extension of the music that the composer intended. I'm not sure how to describe it.
I wonder how this got so less dislike...