Phish Free Live In Brooklyn ► 6-17-2004 Jam Analysis & Trey Anastasio Solo with Guitar Tab
ฝัง
- เผยแพร่เมื่อ 16 มิ.ย. 2017
- In this video, we'll discuss techniques that Trey Anastasio uses when leading jams into uncharted territory with Phish, and the way that Mike Gordon, Page McConnell and Jon Fishman react to each other to spontaneously compose legendary improvisations.
For the downloadable PDF guitar tab for this solo, check out amarguitar.com/song-studies/tr.... The guitar tab for this solo will eventually be broken up to approximately 20 separate Trey licks.
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About this video:
Trey Anastasio's guitar style has always been an enigmatic, evolving lynchpin of Phish' music. In this video, I try to decode some of his approaches by analyzing the 6.17.04 version of Free, as played by Phish and featured on the Phish Live In Brooklyn DVD/CD set.
No copyright infringement is intended, I only use video/audio portions of Phish's official content to educate and inform fellow fans and musicians. - เพลง
![บุษบา - เมนทอล [Official MV]](http://i.ytimg.com/vi/IGnWPokSEis/mqdefault.jpg)
Video series should be called “why people hate phish and why people hate me”
Since it is pinned and displayed prominently at the top, I hope this recognition of your ignorant comment has helped open your eyes and perhaps help you to pass the fourth grade that obviously has you hog-tied & confused enough to say that.
its kiddy music for kids that dorks ho cant get laid pretend is more sophisticated than it is..its just generic rock jam bullshit
Said the ignorant guy, Guy.
What a tool. Trolling make you feel better about your situation? Nice muscles tho! Must have a muscle where your brain should be 💥
I'm sorry you feel like people hate you, I got a hug for you bro
I am not a guitar player but I love Phish. I could watch these vids all day. Amazing quality and I really appreciate the effort you put into this.
Since "Live in Brooklyn" got released, that version "Free" has been one of my all-time favorite jams, nice work! Would love to see one of these for the "Walfredo" from Trey's acoustic tour back in March.
I’m 6 years late, but the Ventura Free from 97 leads into a divine Bowie > Cities > Bowie. Anybody looking for good versions, look no further
Amar I just want to say these videos you're making are super interesting and appreciated. As a long time fan who almost never bothers to get close enough to actually see how each member is constantly feeding and reading the others without and words being spoken. Seeing exactly how they're bouncing between related chords, communicating all the while improvising for minutes on end....I honestly can't really respect them anymore than I already do but wow...your videos are showing me exactly why I've been a fan since the very first time I heard them.
I see you haven't posted in over a year - hope you're well brother.
Amazing work on these analyses! I'm now going to shout "RESOLUTION" when the boys peak in Raleigh this summer. :)
As a guitar player obsessed with Phish, these videos are pure gold. Thanks for taking the time to put all this together man. Please keep them coming. Liked and subscribed. 👍🏼
Amar
In case its not clear many of us say your jam analysis amazing.
Appreciate not only your analysis but your willingness to share your thoughts. Much of what you say in many ways goes through my mind (though not the technical knowledge)...but the desire to look at every little piece of a jam and talk about it.
Please keep doing, In small way you making many peoples day better with this analysis....your work is acknowledged and appreciated.
Peace
I don't know how or why I haven't discovered your channel unti now, but I am so gratedful! I am a music teacher, classically trained pianist, and have advanced degrees inn music theory, and am a HUUUUGE phish fan. I've been transcribing phish (for piano and analysis) for decades, just for fun. I would love to share and discuss! I'm about to binge watch all of your videos! This is my geek-out paradise! :)
Ive been paying attention to Phish since 93 and I have learned so much from watching you videos. Thanks for expanding the music I love even more. Great job. Love that you are having fun putting all this together!
Duuuude these jam analysis and anatomy of a jam vidoes are amazing!! Keep it up
playing along with the transcription at the end is seriously killer stuff, man. these series are outstanding
Can't tell you how valuable it is to see a breakdown like this, the end of the playthrough with tabs is a godsend to figuring out how Trey goes through patterns, thank you!
Thank you man! I am so grateful for you hard work.
Wow! Unbelievable. First, I’ve been obsessed with this version of Free forever and it’s so cool that you like it too...second, dude..you NAILED this...so good! And thank you for this video...can’t wait to get into this this weekend :)
GREAT ANALAGY DUDE, you did a fantastic job on this
Wow man you really break these down in a way that anyone can understand. Thank you!
Can i just say a MASSIVE thank you. What a gift to the phish guitar community!
I cant seem to ofind the lessons breaking down the solo to this free you mention in the anatomy vid.
Either way, i'll get there with the vision and tab you provided!!! Thanks again!
Really cool that you showed the jam signals and how they communicate. Great channel and great videos! LOVE the lessons!
Thanks for watching Dalton, I appreciate the kind words!
This is amazing! Thank you for sharing your knowledge! Please keep the videos coming!
I'm so glad you enjoyed this video, Luke. I'm going to make this an ongoing series : )
Hey Amar! Thank you so much for this. I’ve been playing guitar ( in a more shred style ) for years which is nice but the jam band scene was never a focal point for me. It is now, thanks to you! It feels great seeing & learning from your videos. I have subscribed to your channel and thoroughly enjoy your work. Keep it up! Later.
This is awesome man - they're one of my favs and this is a great insight on the inner workings on how they build and construct their jams. Great transcription! If you're still taking requests, would love to see your transcription of Izabella from the BD run!
Dude it's about time someone did this! Your amazing!
Thanks so much for watching and the kind words, Blake!
Hi Amar ... was passed your Great Went vid. From one musician and Phish enthusiast to another, your videos rock on so many levels. I didn't think my appreciation could be deepened... and rarely have I seen complex music ideas shared so fluently without dumbing down or getting to wordy or snobby. Nice frickin' job!!! And.. making a great video isn't easy either! I hope Phish get to see your work... kudos!!
Great to hear that you enjoyed this, Travis, and thank you for the kind words
This is heat, love the analysis on the whole band that goes very unnoticed in almost all other Phish/Dead guitar lessons. Once you start playing w a regular group you realize how much another member's playing can lift up your own
Thanks for watching, James. I completely agree with what you said - there's a wonderful synergy that starts to develop when you're playing with other musicians regularly
Bravo my friend. Thanks for sharing!
Hey there, I am a Luke warm Phish fan but if I keep watching these cool videos that you make I’m probably going to end up following them on tour!!
You're the Summoning Salt of jams
This is truly a compliment of immense proportion. I love salt.
Dayyumm these videos r the best ever!! Thanks k you
I know I’m three years late to this video, but I just wanna day how awesome all the videos you’ve done on Phish are amazing. Also I feel as if 2004 often gets overlooked for a few reasons. First it started with the disaster that was Vegas and was bookended by another one in Coventry. But if you forget this shows and dive into the June and August shows, you will find so much incredible music. I didn’t miss a single show between 7/29/03 -3/8/09. While Starlake > IT was easily the best week of shows between that time, June 04 was absolutely awesome. A perfect example is the Julius from 6/20/04. Trey shredded it so hard, he broke a string onstage for the first time in like 20 years
The Piper from 6/19/04 is one of the most unbelievable jams I’ve ever heard. Wish i could’ve seen it
Hi Amar,
Your work is so strong that you have caused me to break my "I never comment" rule. I am deeply impressed. You have managed to work into your video aspects of a good music theory conference presentation, a good pedagogical system for comprehending the band's non-verbal cues, and multi-platform resources, including your transcription of Trey's solo.
I can only assume that you have a strong background in music theory?
Great work. As one PRS lover (and owner) to another, keep making that axe sound like a Languedoc! If you have a free moment, I would like to make some helpful constructive criticisms, with the intent of helping to make your very good work even stronger. Let me know if there is a way to reach you.
Thanks again! Very inspiring work.
Hey Mr. Sebulsky, thank you for going out of your way and taking the time to comment! I really do appreciate your feedback. To answer your question, I don't have a formal background in music theory but I've been lucky to study privately with a lot of great teachers since I started playing guitar twenty years ago. It's great to hear from another Paul Reed Smith lover! What kind of PRS do you own?
And regarding criticisms - please feel free to reach out to me at any time, I'm very new to teaching on video so I'd love to hear any thoughts you may have. I have a contact page on my website (amarguitar dot com), or you can email me directly - amar at amarguitar dot com
These videos rule!! Thanks man👍👍👍
these videos are fantastic.
Amar, this video is solid gold man. Please keep them coming!!
I'm so glad you enjoyed this vid, it was a total experiment. I wasn't sure how it was going to turn out, but I'll definitely keep going with this series!
Well it turned out great, I really like the way you analyze things and your knowledge on music theory is fantastic. I've been playing guitar 5 years now and Trey's style is very hard to achieve but you make it very simple for me to understand. So if you could ever get around to doing the Tweezer>Caspian from Magnaball i'd be forever grateful!!!
Thank you for the wonderful feedback, I really appreciate it! My biggest goal is to inspire fellow music lovers & musicians like you, who are also passionate about bands like Phish & tGD. That Tweezer > Caspian has a very special place in my heart, I've added another vote to it in my list : )
You are the coolest Indian (origin), Mr. Amar Anastasio! Live long & prosper, Mr. Immortal!
Such a cool video!! Thanks for sharing!!
Thank you for watching, Elizabeth!
Subscribed. Your jam analysis videos are fucking brilliant. I will be sharing your channel with all my friends!
This is awesome!
Id really love to see a video like this about the Cypress Sand
Great Job! Awesome man keep it up!
Hey Ryan, thanks for watching man
Great Job, this was awesome, I like where you call out the cues and errors. Would be interesting to see other instances where they hose up a "transition" and their recovery...
Keep up the great videos!
Hey Mike, thank you! In my opinion, 90% of Phish's most legendary jams have some mistakes or missed cues. But those four guys are experts at making lemonade out of musical lemons : )
Amar, I LOVE your videos and analyzations! Could you do the 2-20-20 Free? I absolutely love this version of free and I think many people could learn from it!
I love this. Insight to how this band manages to do what they do and perpetually melt faces each show. I now must request an anatomy of the incredible RunawayJim>Antelope>Makisupa Policeman the guys threw down in Raleigh on the 10th. I was blown away out on that lawn as they "Brought it back to Jim, ah-fucking-gain." God what a night, my 19th show, and it was epic.
it took a few weeks but i can now play this solo cleanly at 3/4 speed.... woohoo! thanks, Amar! Please keep these killer Trey solos coming
Well done, Mesaman! Are you going to give it a shot at 100% speed? : )
That's a serious challenge! I'll make you a deal... I'll work my way up towards 'Trey tempo' if you post a similarly awesome lesson on the Jesus Just Left Chicago solo from Phish's Slip Stitch and Pass. ; )
haha I see what you did there! I've added JJLC to my requests list ; )
i have always wanted to tackle this beast and this video simplifies it so much! thank you!
-- And while you're taking requests... i gotta throw in one of my favorite jams ever: Riverport Gin!! I've seen a couple different voicings for it on the interwebs but i'd love to hear what you have to say about it. Your added insight in these vids makes me appreciate trey's playing even more than i thought possible
The band understands all this science with extreme precision. There is so much going on musically that the every day Phish Phan does not get on a conscious level, but he/she will really feel it deep with in. They will respond to the jam and improvisations naturally and ....
Super video
Glorious video Amar! Nice way of breaking down some group improv ideas.
I'm interested in the cues and signals used, gestures and musical, during improvisation by the members of Phish. I heard about how they practiced literally hundreds of different cues in the late 80s / early 90s. If you know more, please continue doing videos on them!
Thanks so much for the kind words and for watching, Marcus! You're absolutely right - these guys practiced a ton of different cues and exercises to hone their collective improv skills in the early days. I'm looking forward to doing more vids on Phish's approach to group improvisation : )
Right on man! It's a topic rarely discussed in detail. I look forward to getting into any video you put up!
please definitely do!
I just found this video in reddit. WOW. What a great video. I'm now hooked on your channel. glad to see other people with channels with phish and dead material. come over to my channel ...ive got.some dead and phish backing tracks. But I do not have quite the knowledge you have. sick stuff man. keep it up
Makes sense seeing you here Petti. There's also that other guy Stitch on YT who also teaches Phish and Dead, differently than Amar - less in depth analysis. Though both excellent for the style.
Not Right Music haha I know all about stitch.
Hey Petti, I just checked out your channel and subbed immediately - your backing tracks are absolutely awesome! I'll definitely start using them as part of my daily practice routine. And thank you for the wonderful feedback, I really appreciate it!! : )
amarguitar awesome! I especially love your jazz is dead video. wow. so good. I was at this Brooklyn show btw. both nights! I grew up in long island and was able to catch a train to this show as an 17yr old. such a great show! Great analysis
Petti Backing Tracks I love your site and Amar's. Thanks!
More of these jam breakdown please!
Many more to come!
Loving these lessons, got this one pretty close to memorized now! Still trying to get limb by limb up to speed! (Pretty accurate at 90% and pushing forward) I would love to see something that tackles trays approach to a mixolydian style jam, don't really care which song, there are a bunch!
Hey Casey, great to hear that you're getting these solos under your fingers! I'll definitely be breaking down a Trey solo that involves Mixolydian in the near future
This is fantastic. And I have zero ability to play an instrument whatsoever. Really enjoyed your analysis!
I'm so glad that this video made sense to a non-musician! Thank you for watching, Andrew : )
Your "Anatomy" Series is exactly what I drop in the laps of the ignorant folks who say things like " Phish is horrible" " Boring noodle-y guitar playing" or" Phish sucks, musically"...You give instruction and insight on how this band has managed to dazzle those who " get it" and love Phish's licorice.
MORE!!
More are on the way : )
Dude! Every time I come back to your channel it gets better and better! Love the idea of Fishman 'clearing the board' and had never thought of it like that. What led you to infer that Trey's physical step was a signal to stretch the jam out of normal territory? I've never heard or seen any indication of that before. Was it pretty common to see in 1.0 and 2.0?
Also your ear is pretty incredible. Do you have perfect pitch? It can be so hard to distinguish exactly what Trey is doing when you're listening to the rest of the band too.
Hey Alex, I'm so glad you enjoyed this vid, thank you for the kind words. To answer your question, I don't have perfect pitch but I often wish I did. I've been transcribing Trey's solos for over 20 years so I just have a lot of practice at it.
In terms of the "step", there was a really popular fan-made Phish book in the late 90s called the Pharmer's Almanac. I recall reading an article in the book where the author was talking about how Trey would often take a step away from the mic when he would start a solo, and then step back towards it when he was ready to end his solo. As it turns out, this is a really common move that isn't limited to just Trey or Phish, a lot of musicians use this kind of signal. Taking a step doesn't always mean that Trey wants to stretch the jam out of normal territory, it can mean that he wants to take it "somewhere else." That could mean ending the jam, segueing into another song, etc. In this case, he steps away from Mike, which ends the guitar/bass battle and the jam moves onto another section.
How does this have less than 20 upvotes??? Well done, sir.
Honestly, that's 20 more than I thought I'd get ; ) Thank you for watching!!
Please more anatomy of a jam. Would love to hear the IT version of Ya Mar on 8/2/03. It's on the IT DVD me thinks, they really take that one out there !!!
Thanks for the request, Daniel, I've added it to my spreadsheet. That Yamar is one of the craziest 2.0 jams I saw in person. 25 minutes of Type II madness!
You should definitely make one of these videos for the 12-28-2016 Golden Age at Madison Square Garden!
Thanks for the recommendation, Coltin. I've added it to my list of requests!
I second that motion
I just realized your the guy who taught me parts of waste lmao!
I just found this.
holy shit.
dude you really are a genius. You break everything down extremely accurately and make it so digestible. Keep on truckin!
Request: breaking down Trey heart-melting quasi-composed solos (as opposed to jams), in ballads like Corinna, Caspian, Mexican Cousin, Miss You, Farmhouse, Sample, Bug, Circus, Heavy Things, Shade, Roses, etc or in rockers like Julius, Zero, Loving Cup, 46 Days, GTBT, etc. Besides the notes/chords/modes and the tone, one of the toughest and most crucial things to get right to emulate Trey is his attack and feel of each note so would be sick to get your take on how to work towards that!
Other Jam Transcription & Analysis Requests/Ideas: Mike's, DWD, Carini, Jibboo, CDT, Sally, Ocelot, Caspian, Ghost, Simple, Sand, Wolfman's, Tweeze...and so many more!
This is great! Regarding your guitar - do you find you get fewer harmonics when playing your hollowbody compared to other guitars? I recently got one and LOVE the tone but get almost no harmonics when playing. Using the same picking technique playing the same type of things with my CE24 I get all sorts of harmonics - especially on string bends (similar to trey). Not sure if it's the guitar or the pickups in my HB.
Hey Mole! I can relate to your predicament. I fell in love with this guitar, but there are times that I felt that it suffered from a 'flat' sound. The PRS HB II has the the potential to give you incredible harmonics, but it really needs to be paired with the "right" amp. I spent years trying to find the best match, and found that the Fender family (Deluxe Reverb, Vibrolux Reverb, Princeton, etc.) is my favorite and allows this guitar to fully express all it has to offer. Also, the typical HB II pickups don't seem to be as high output as classic PAF-style humbuckers, so for the best sound it's crucial that the pickup height is set perfectly. If you aren't a pro at setting pickup height, take it to someone who is. I bet you'll see a positive difference!
Are you standing on one o them balance boards by any chance? If you are, you're pretty good at it as your motions are truly controlled. Back and forth... back and forth. I've only witnessed this kind of finesse at a Cirque Du Soleil performance.
Does anyone know what kind of pedal Trey is using to get such a thick, slimy sound right at the beginning of the solo? It cant just be two Tube Screamers can it?
Hey Patrick, I'm in the process of creating a 10 video course on how to play this solo. I'll talk more about his tone and effects in that series, but the short answer is that Trey is using his Digitech Whammy II for this solo. He has it set to play one octave down, with the wet signal at 100% and the dry signal at 0. He also has at least one of the two tubescreamers engaged
Can you do Petrichor? Would love that.
I really would like to do one on Petrichor. It would probably take me a few weeks to really dissect the tune and do it justice, but I'll get there hopefully later this year!
Understandable! Will look forward to it, if you ever have a chance to do it!
Yo man can u please do a vid on AC DC Bag 12-30-97 🙏 This jam is one of my favorites ever and at 14:12 they make a change that is ✨magic✨ Even Kuroda hits it with them perfectly 💛
m.th-cam.com/video/HmcV2452QKs/w-d-xo.html
Where is youre contrbution
He took a step to hit his pedal board
I agree. It sounds like he turns off the harmonizer.
Amar, great videos; what a jam. Is it helpful to think about what mode the different sections of the jam are in? if your interested in guitar inspired by Languedoc, check out Equator Intruments. It is a custom built guitar by a guy name David who is a very fine luthier. It is a very collaborative process and he even lets you pick out the specific pieces of wood. I love my equator, it never goes out of tune (well almost).Keep it up!
Hey Carl, it definitely can be helpful to think about what mode the different sections of the jams are. Especially in early Phish, they treat jam tonalities pretty flexibly and Trey often explores several modes. But you are correct that different jams often have one central mode. The ending YEM funk jam is predominately G dorian for example. And yes, I'm a big fan of Equator instruments - I think they're making some wonderful guitars!
Jay z knows how to work a crowd!!!
Damn straight!
That Moma before though
IMMEDIATE SUB
High pass filter... A high pass filter is your friend for your vocal mic!
Takes a step as in steps on a pedal/midi setting for boost (?)
Paige side rage side on this night.
-Seems like a lot of pre-planning for a "free jam' to me
5 thumbs down. = 5 people who are spiteful and/or angry, or perhaps are afraid of things they don't understand. Honestly, from a musical standpoint, there isn't a single reason to not like this video. It is a childish mindset, as well. Open your minds, holy fuck.
nostalgia dad rock/ jam bland B.S
Who gives a fuck? Just play the damn song! However, your critique is very thorough.
95-96 free so much better. Find the Clifford Ball free. Transcendent.
Yeah ok just admit its for the drugs and party
Hate the Jay z or whoever stuff...
Dude. Amazing breakdown, format, picking everything. HOWEVER, I cant seem to figure out how to send the pdf window for the tab to print. What am I not doing right?