So yeah, I watched the Netflix Cowboy Bebop and I had a lot to say... Also, if you're interested and you want to see me do more videos, you can support me on my Patreon: www.patreon.com/kazetalks
I agree with you 100%. I did not like how much exposition dump there was in the Live Action. I also didn’t really enjoy that it tried to tell a different story. As much as I loved the casino scene, I was a bit disappointed that they didn’t include the iconic grocery store scene.
Yeah, it’s really hard to appease fans of the original, especially considering how much the original is loved. But even then, there’s still a lot to scratch your head about…
Spike cared about Jet and Faye, but being together with the crew was not the most important thing to Spike. Julia was. He made the choice he did, because ultimately his life was tied to the woman he loved. Ultimately, in keeping his love and confronting his enemy, he found salvation and was released from suffering.
In Session 1, Laughing Bull foretells of Spike's death being brought on by a woman. Laughing Bull: Swimming bird will meet a woman. The bird will be hunted by this woman. And then death. Spike: One more time. Laughing Bull: What's that? Spike: I was killed once before by a woman. Spike is speaking of Julia. Losing her love was so painful as to be considered a form of death. He was left in a detached dream-like purgatory from that day on. In Session 26, Julia is shot in front of Spike. White doves fly by in slow motion. Horror, shock, and agony are expressed in Spike's left eye. He screams her name, drops his weapon, and runs to her. He takes her in his arms. Hears her last words, which are inaudible to the audience. Spike looks down at his lost love and then up to the sky. The camera is now focused on Spike's right eye, which is shaking in a disturbing manner. The camera zooms into Spike's pupil and everything fades to black. The next scene is of Laughing Bull predicting Spike's imminent death. Holding Julia's coat, Vicious speaks of Spike. Vicious: A beast that has lost his place. He has nowhere to return to now. He will come. Vicious is both right and wrong. Spike will come, but he does have somewhere to return to one last time. Two rose petals are shown blowing away in the wind. Spike returns to the Bebop and tells Jet a story. An allegory about his life which he uses to explain why he will never return. Spike: There once was a tiger striped cat. This cat died a million deaths, revived and lived a million lives, and he was owned by various people who he didn't really care for. The cat wasn't afraid to die. Then one day the cat became a stray cat, which meant he was free. He met a white female cat, and the two of them spent their days together happily. Well, years passed, and the white cat grew weak and died of old age. The tiger striped cat cried a million times, and then he died too. Except this time, he didn't come back to life. Jet is keenly aware that Spike's death looms in the horizon. He is wary of the tale's implications. When Spike gets up to leave, Jet asks him one last question. Jet: Is it for the girl? Spike: [beat] She's dead. There's nothing I can do for her now. This is true. Julia is dead. There is nothing Spike can do for her. This does not lessen the impact she has on the events that are about to unfold. Jet understands this. Upon hearing of Julia's death, he has a resigned if devastated reaction. He knows exactly what this means for Spike. Faye confronts Spike while holding him at gunpoint. She knows that he is marching towards his death. Faye: Where are you going? Why, are you going? You told me once, to forget the past, ‘cause it doesn’t matter, but you’re the one still tied to the past, Spike! Spike does not deny this. Instead, he explains the truth about his eyes. The camera spans from his left eye to his right eye. Spike: Look at my eyes, Faye. One of them is a fake because I lost it in an accident. Since then, I've been seeing the past in one eye and the present in the other. So, I thought I could only see patches of reality, never the whole picture. Faye: Don’t tell me things like that; you’ve never told me anything about yourself, so don’t tell me now! Spike: I felt like I was watching a dream I could never wake up from. Before I knew it, the dream was all over. This is not the first time Spike has expressed this sentiment. One of his most revelatory quotes was said in the teaser for Ballad of Fallen Angels. Spike: The music box is broken, or is it? It starts to play, and a haunting tune fills the air. I wake suddenly from my dream. There is no music box! And yet there it is. A tiny one nestled in my hand. And I awaken from my dream again. As if I were peeling an onion. It’s a dream no matter how far I go. I can never reach reality. Trapped in an endless nightmare. Spike is so affected by the loss of the woman he loves that even an item she once possessed haunts him. It is her death that has finally woken him from his detached dream-like state. Faye shares with Spike that her memory has returned. She explains that there was nowhere for her to go back to. She pleads with him to stay. Spike ignores her please and instead leaves her with these parting words. Spike: I’m not going there to die; I’m going to find out if I’m really alive. I have to do it, Faye. Faye is not comforted by this statement. The audience should not be comforted either. Spike's words eerily echo what Jet said to him in session 25. Jet: Men only think about the past right before their death, as if they were searching frantically for proof that they were alive. Faye cries and shoots off her gun. Spike walks away from Faye without looking back. The song "See You Space Cowboy" plays as Spike leaves the Bebop. "Everything is already over", You say with closed ears The words only flow Towards a tomorrow without peace "There's nothing that won't change" Even if my life ends This love will not disappear It's something that will live forever Even if dreams are hidden in darkness I got a rainbow Rainbow in your hands... The camera focuses on Spike's left eye. The eye that sees Spike's past. The lyrics begin as Spike is recalling romantic memories of Julia. He thinks of the first time he saw Julia and was captivated by her beauty. He thinks of a time when he made love to Julia and she cradled him in her arms. In The Real Folk Blues Part 1, Spike confided to Jet that Julia was a part of him, that she is his other half. The image shows Julia and Spike joined as one in body and soul. Spike: She was a piece of me I had lost. She is my other half that I had longed for. The song continues to play as Spike attacks the syndicate. It is a ballad of undying love alluding to lovers being reunited in the afterlife. When Spike faces off against his hated rival, Vicious makes a proclamation. Vicious: So, you're finally awake. I told you before, Spike. I'm the only one who can kill you and set you free. Spike does not deny this. But makes a proclamation of his own. Spike: Those words apply to you as well, Vicious. During their fight, there comes a moment where the two disarm each other by swapping weapons. Vicious getting Spike's gun and Spike getting Vicious's katana. It is at this moment that Spike makes a statement of great significance to both men. Spike: Julia passed away. Let's end it all. Vicious: If that's your wish. The rivals return their weapons. Spike shoots Vicious but gets sliced across the abdomen. Vicious's death comes quickly, while Spike lingers as was foreshadowed. Vicious: Don't forget, a snake's venom poisons slowly after the bite. Spike watches Vicious's body fall to the ground, spends but a few seconds looking at him, then looks up to the night's sky. The camera is focused on Spike's right eye. Now calm. Spike sees Julia. This is the first time in the entire series that Spike is shown seeing Julia with his right eye. The eye that sees his present. In session 13, during an auditory flashback, Spike and Julia discuss his eyes. Spike: My left eye sees the past. Julia: What about your right eye? We do not hear his response. We only see the red rose on screen. In the penultimate scene of the series, we are specifically shown what Spike sees with his eye that sees his present. He sees her. In Spike's vision, Julia is cast in a white light. She says her last words to Spike, this time they are audible to the audience. Spike is shown reflected back in Julia's eye. He glumly concurs with her. Spike is then completely engulfed by a blinding white light. The scene fades to white. This light is reminiscent of the divine light that is cast upon a soul that is ready to ascend to heaven. Julia: It's all a dream. Spike: Yeah. Just a bad dream. From white we transition to the final scene of the series. It is now day. A white light is now cast over the entire syndicate. Spike smiles, points a finger gun at the remaining syndicate goons and says "bang". This is a callback to Wen from session 6. As Wen was dying he asked Spike if he understood the relief that came with one's own death. He did not at the time. In response, Spike threw Wen's harmonica up in the air, pretended to shoot it while saying "bang". When Spike says "bang" this time he is acknowledging that he now understands that relief. Spike falls to the ground. He is never shown moving again. White doves are shown flying over Spike's body. White doves also flew by Julia when she died. The camera follows an ascension into the heavens, while the song "Blue" plays. The song's lyrics allude to a soul ascending to heaven. Free Wanna be free Gonna be free And move among the stars You know, they really aren't so far Feels so free Gotta know free Please Don't wake me from the dream It's really everything it seemed I'm so free No black and white in the blue Everything is clearer now Life is just a dream, you know That's never-ending I'm ascending At the end of the credits a star goes out but never falls. In session 13, Laughing Bull informs the audience to what a falling star truly is. Child: A star just fell from the sky. Laughing Bull: That is not an ordinary star, my son. That star is the tear of a warrior. A lost soul who has finished his battles somewhere on this planet. Child: What warrior is it? Laughing Bull: A pitiful soul who could not find his way to the lofty realm. Where the great spirit awaits us all. Given that the star we are shown does not fall, the soul the star belonged to did make its way to the great spirit that awaits us all. In Buddhism, a soul that has broken away from the cycle of death and rebirth will never return to mortal life. This was foreshadowed to happen to Spike in the fable of the tiger striped cat, who followed his love into death and never returned.
I loved the live action too, but you are right actually, and you are the only one who can tell why ! rest of the people just hating, swearing about it.
Thank you for doing a decent & more thoughtful review of the series. I wouldn't be able to summarize exactly what is wrong with the series as you did. My criticisms would have been limited to ... 1.) What they did to Ein was unforgivable! 2.) Where are the space battles? 3. What they did to Ein was unforgivable!
Hi again! Well, I liked your video, but definitely, you are at your best when you talk about what you appreciate or love, which is not the present case. Live-action adaptations of animated shows are seemingly bound to fail, as we can see at Avatar, the legend of Aang (a great cartoon, of which Netflix is threatening us to make a second adaptation after the total failure N.Shyamalan did), or the anime Death Note (another total failure in live-action). But being fair, at least is definitely a good point of this new Netflix production, namely that it was rehearsed along with the anime, which is a must-watch and previously unknown to me. I will not bother of going into the live-action, and it seems is only worth for those who think that only live-action is valuable, something I deeply disagree with. One of your points of criticism is better "show, don't tell", throught cinematography means. I agree, but for this animation is at large a much better media for this. Naoko Yamada is, by-the-way, really great on this (as we see at A Silent voice or Liz and the bluebird). But western cinematography, at large, seem to have forgotten the wish or the ability to do so (the western cinema classics had a great deal of that, but not nowadays).
All great points. Thank you for writing this. I definitely prefer talking about the things I love, but I really wanted to talk about this and also address the issues I have with remakes / live action adaptations. Really enjoyed reading your comment.
So yeah, I watched the Netflix Cowboy Bebop and I had a lot to say...
Also, if you're interested and you want to see me do more videos, you can support me on my Patreon: www.patreon.com/kazetalks
I agree with you 100%. I did not like how much exposition dump there was in the Live Action. I also didn’t really enjoy that it tried to tell a different story. As much as I loved the casino scene, I was a bit disappointed that they didn’t include the iconic grocery store scene.
Yeah, it’s really hard to appease fans of the original, especially considering how much the original is loved. But even then, there’s still a lot to scratch your head about…
@@KazeTalks yep
At least Yoko Kanno came back.
Made a guitar cover video for the ending theme, The Real Folk Blues.
Spike cared about Jet and Faye, but being together with the crew was not the most important thing to Spike. Julia was. He made the choice he did, because ultimately his life was tied to the woman he loved. Ultimately, in keeping his love and confronting his enemy, he found salvation and was released from suffering.
In Session 1, Laughing Bull foretells of Spike's death being brought on by a woman.
Laughing Bull: Swimming bird will meet a woman. The bird will be hunted by this woman. And then death.
Spike: One more time.
Laughing Bull: What's that?
Spike: I was killed once before by a woman.
Spike is speaking of Julia. Losing her love was so painful as to be considered a form of death. He was left in a detached dream-like purgatory from that day on.
In Session 26, Julia is shot in front of Spike. White doves fly by in slow motion. Horror, shock, and agony are expressed in Spike's left eye. He screams her name, drops his weapon, and runs to her. He takes her in his arms. Hears her last words, which are inaudible to the audience.
Spike looks down at his lost love and then up to the sky. The camera is now focused on Spike's right eye, which is shaking in a disturbing manner. The camera zooms into Spike's pupil and everything fades to black.
The next scene is of Laughing Bull predicting Spike's imminent death.
Holding Julia's coat, Vicious speaks of Spike.
Vicious: A beast that has lost his place. He has nowhere to return to now. He will come.
Vicious is both right and wrong. Spike will come, but he does have somewhere to return to one last time.
Two rose petals are shown blowing away in the wind.
Spike returns to the Bebop and tells Jet a story. An allegory about his life which he uses to explain why he will never return.
Spike: There once was a tiger striped cat. This cat died a million deaths, revived and lived a million lives, and he was owned by various people who he didn't really care for. The cat wasn't afraid to die. Then one day the cat became a stray cat, which meant he was free. He met a white female cat, and the two of them spent their days together happily. Well, years passed, and the white cat grew weak and died of old age. The tiger striped cat cried a million times, and then he died too. Except this time, he didn't come back to life.
Jet is keenly aware that Spike's death looms in the horizon. He is wary of the tale's implications.
When Spike gets up to leave, Jet asks him one last question.
Jet: Is it for the girl?
Spike: [beat] She's dead. There's nothing I can do for her now.
This is true. Julia is dead. There is nothing Spike can do for her. This does not lessen the impact she has on the events that are about to unfold. Jet understands this. Upon hearing of Julia's death, he has a resigned if devastated reaction. He knows exactly what this means for Spike.
Faye confronts Spike while holding him at gunpoint. She knows that he is marching towards his death.
Faye: Where are you going? Why, are you going? You told me once, to forget the past, ‘cause it doesn’t matter, but you’re the one still tied to the past, Spike!
Spike does not deny this. Instead, he explains the truth about his eyes. The camera spans from his left eye to his right eye.
Spike: Look at my eyes, Faye. One of them is a fake because I lost it in an accident. Since then, I've been seeing the past in one eye and the present in the other. So, I thought I could only see patches of reality, never the whole picture.
Faye: Don’t tell me things like that; you’ve never told me anything about yourself, so don’t tell me now!
Spike: I felt like I was watching a dream I could never wake up from. Before I knew it, the dream was all over.
This is not the first time Spike has expressed this sentiment. One of his most revelatory quotes was said in the teaser for Ballad of Fallen Angels.
Spike: The music box is broken, or is it? It starts to play, and a haunting tune fills the air. I wake suddenly from my dream. There is no music box! And yet there it is. A tiny one nestled in my hand. And I awaken from my dream again. As if I were peeling an onion. It’s a dream no matter how far I go. I can never reach reality. Trapped in an endless nightmare.
Spike is so affected by the loss of the woman he loves that even an item she once possessed haunts him. It is her death that has finally woken him from his detached dream-like state.
Faye shares with Spike that her memory has returned. She explains that there was nowhere for her to go back to. She pleads with him to stay.
Spike ignores her please and instead leaves her with these parting words.
Spike: I’m not going there to die; I’m going to find out if I’m really alive. I have to do it, Faye.
Faye is not comforted by this statement. The audience should not be comforted either. Spike's words eerily echo what Jet said to him in session 25.
Jet: Men only think about the past right before their death, as if they were searching frantically for proof that they were alive.
Faye cries and shoots off her gun. Spike walks away from Faye without looking back.
The song "See You Space Cowboy" plays as Spike leaves the Bebop.
"Everything is already over",
You say with closed ears
The words only flow
Towards a tomorrow without peace
"There's nothing that won't change"
Even if my life ends
This love will not disappear
It's something that will live forever
Even if dreams are hidden in darkness
I got a rainbow
Rainbow in your hands...
The camera focuses on Spike's left eye. The eye that sees Spike's past. The lyrics begin as Spike is recalling romantic memories of Julia. He thinks of the first time he saw Julia and was captivated by her beauty. He thinks of a time when he made love to Julia and she cradled him in her arms. In The Real Folk Blues Part 1, Spike confided to Jet that Julia was a part of him, that she is his other half. The image shows Julia and Spike joined as one in body and soul.
Spike: She was a piece of me I had lost. She is my other half that I had longed for.
The song continues to play as Spike attacks the syndicate. It is a ballad of undying love alluding to lovers being reunited in the afterlife.
When Spike faces off against his hated rival, Vicious makes a proclamation.
Vicious: So, you're finally awake. I told you before, Spike. I'm the only one who can kill you and set you free.
Spike does not deny this. But makes a proclamation of his own.
Spike: Those words apply to you as well, Vicious.
During their fight, there comes a moment where the two disarm each other by swapping weapons. Vicious getting Spike's gun and Spike getting Vicious's katana. It is at this moment that Spike makes a statement of great significance to both men.
Spike: Julia passed away. Let's end it all.
Vicious: If that's your wish.
The rivals return their weapons. Spike shoots Vicious but gets sliced across the abdomen.
Vicious's death comes quickly, while Spike lingers as was foreshadowed.
Vicious: Don't forget, a snake's venom poisons slowly after the bite.
Spike watches Vicious's body fall to the ground, spends but a few seconds looking at him, then looks up to the night's sky. The camera is focused on Spike's right eye. Now calm.
Spike sees Julia. This is the first time in the entire series that Spike is shown seeing Julia with his right eye. The eye that sees his present.
In session 13, during an auditory flashback, Spike and Julia discuss his eyes.
Spike: My left eye sees the past.
Julia: What about your right eye?
We do not hear his response. We only see the red rose on screen.
In the penultimate scene of the series, we are specifically shown what Spike sees with his eye that sees his present. He sees her.
In Spike's vision, Julia is cast in a white light. She says her last words to Spike, this time they are audible to the audience. Spike is shown reflected back in Julia's eye. He glumly concurs with her. Spike is then completely engulfed by a blinding white light. The scene fades to white. This light is reminiscent of the divine light that is cast upon a soul that is ready to ascend to heaven.
Julia: It's all a dream.
Spike: Yeah. Just a bad dream.
From white we transition to the final scene of the series. It is now day. A white light is now cast over the entire syndicate.
Spike smiles, points a finger gun at the remaining syndicate goons and says "bang".
This is a callback to Wen from session 6. As Wen was dying he asked Spike if he understood the relief that came with one's own death. He did not at the time. In response, Spike threw Wen's harmonica up in the air, pretended to shoot it while saying "bang". When Spike says "bang" this time he is acknowledging that he now understands that relief.
Spike falls to the ground. He is never shown moving again. White doves are shown flying over Spike's body. White doves also flew by Julia when she died.
The camera follows an ascension into the heavens, while the song "Blue" plays. The song's lyrics allude to a soul ascending to heaven.
Free
Wanna be free
Gonna be free
And move among the stars
You know, they really aren't so far
Feels so free
Gotta know free
Please
Don't wake me from the dream
It's really everything it seemed
I'm so free
No black and white in the blue
Everything is clearer now
Life is just a dream, you know
That's never-ending
I'm ascending
At the end of the credits a star goes out but never falls.
In session 13, Laughing Bull informs the audience to what a falling star truly is.
Child: A star just fell from the sky.
Laughing Bull: That is not an ordinary star, my son. That star is the tear of a warrior. A lost soul who has finished his battles somewhere on this planet.
Child: What warrior is it?
Laughing Bull: A pitiful soul who could not find his way to the lofty realm. Where the great spirit awaits us all.
Given that the star we are shown does not fall, the soul the star belonged to did make its way to the great spirit that awaits us all.
In Buddhism, a soul that has broken away from the cycle of death and rebirth will never return to mortal life. This was foreshadowed to happen to Spike in the fable of the tiger striped cat, who followed his love into death and never returned.
Nice Vid 🔥
Thanks! 🙂
Subbed! Great job.
Yay 😄
Awwww they left my doggo behind wtf?
this is a good follow-up video to Glass Reflection's video about the essence of Cowboy Bebop
Lot this video better that overrated Bum
To sum it all up, the anime was darksouls, the remake is devil may cry 2. A shallow immature journey.
As Cowboy bebop can agreed with this video should have not been made
I loved the live action too, but you are right actually, and you are the only one who can tell why ! rest of the people just hating, swearing about it.
Thank you! I’m glad you enjoyed my video 🙂
Thank you for doing a decent & more thoughtful review of the series. I wouldn't be able to summarize exactly what is wrong with the series as you did. My criticisms would have been limited to ...
1.) What they did to Ein was unforgivable!
2.) Where are the space battles?
3. What they did to Ein was unforgivable!
It was my pleasure to do so and I’m glad you enjoyed it 🙂
#JusticeForEin
Finally, the Cowboy Bebop got cancelled... what a waste of time! No tears will be dropped!
Hi again!
Well, I liked your video, but definitely, you are at your best when you talk about what you appreciate or love, which is not the present case.
Live-action adaptations of animated shows are seemingly bound to fail, as we can see at Avatar, the legend of Aang (a great cartoon, of which Netflix is threatening us to make a second adaptation after the total failure N.Shyamalan did), or the anime Death Note (another total failure in live-action).
But being fair, at least is definitely a good point of this new Netflix production, namely that it was rehearsed along with the anime, which is a must-watch and previously unknown to me. I will not bother of going into the live-action, and it seems is only worth for those who think that only live-action is valuable, something I deeply disagree with.
One of your points of criticism is better "show, don't tell", throught cinematography means. I agree, but for this animation is at large a much better media for this. Naoko Yamada is, by-the-way, really great on this (as we see at A Silent voice or Liz and the bluebird). But western cinematography, at large, seem to have forgotten the wish or the ability to do so (the western cinema classics had a great deal of that, but not nowadays).
All great points. Thank you for writing this. I definitely prefer talking about the things I love, but I really wanted to talk about this and also address the issues I have with remakes / live action adaptations. Really enjoyed reading your comment.
Jet looks like he has a pot belly.
Oh no it's freaking awful
Jokes on you... its all bad 👎
Hater