Mai ek sal se tanpure pr practice kr rha hu sir lkn aj apne jo sikha diya isse tanpure ko sunne ka najariya hi badal jayega. Bht bht dhanyawad apka sir🙏🙏 Eagerly waiting for volume2☺️
Sir I just can't explain in words how thankful I am to you for these amazing tutorial This is my 4th time watching this same tutorial and now I am bit able to understand the concept thank u very much sir again
You are so blessed and talented and when I say so I know there is lot of hard work behind it too...all those who have you as guru and are taught by you in person are so lucky
हम आभारी है आप सर छोटे गांव के रसिक ओर जो शिख रहे है उनके ढेरो आशीर्वाद ले रहे है। ये भी दिखाई नही देंगे। ये फील करने की बात है बस आप ही की तरह। हम ह्रदय से आभारी है। ह्रदय से प्रणाम 🙏💖🎧
Ashwinji, you are doing a wonderful job explaining to your flute fans some of the basic concepts, which are so essential to know for all bansuri enthusiasts. Just want to mention 2 points. It is also essential for all flute players to know something about flute harmonics. I did the following video several years ago: th-cam.com/video/X0iM9Z7LlM8/w-d-xo.html The second point (not for everyone here!) is to whet the appetite of those more analytically inclined. You mentioned, in relation to just intonation, the “cycle of 5ths”. This cycle produces multiples of the ratio “3/2”, giving you successively 3/2, 9/8, 27/16, etc (pa, shudh re, shudh dha, etc..). However, the just intonation used in Indian music is a combination of the 3/2 cycle, the 4/3 cycle and the 5/4 cycle. Reason is this. The 4th in the “3/2” cycle is 81/64 for shudh ga. However this fraction is getting complicated. Our ears prefer simple ratio of numbers. So shudh ga is taken as 5/4, which is equal to 80/64, slightly less than 81/64. Similarly, the shudh ma produced by the 3/2 cycle will represent too complex a fraction. The ear prefers 4/3 which is very close to it.
It also indirectly gives the science of chord progression in western... i have to study more to clear my confusion about these production of harmonics(so far i knew that harmonics are multiples of main freq up to infinity, fourier decomposition )... now i think i was wrong😅😅... thanku u taught not only music but physics.... your insights are awesome and so deep!!!
Just now finished this video. I don't know how to say thanks for sharing this kind of information that too for free in such a simplified manner. Only music students can understand what he gave in this video. Thanks a lot sir....
Lot of people are commenting and sharing their respect and love for you.But i don’t know the proper language to show my gratitude to you. You your way of teaching your everything touches me so much that i cannot help falling in love with the instrument more and more. God bless you. Pranam Guruji.
Superb exposition! Gives a very deep insight which is essential for a strong foundation. Getting to know about the 5th overtone of each tonic was fascinating.It was almost like attending a physics class.Please keep up the wonderful work.
I think no one tells us on TH-cam about the swara(shruti) production in tanpura such detail way.I think vidyadhar oke ji tell about all 22 shrutis but it can't be for normal listener or new learner.thanks a lot for everything sir. ❤️❤️❤️❤️❤️🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻
It's was one of the best lessons of music which I have discovered on TH-cam. Only a student of music can understand the value of this video. Thank you so much for teaching us such a valuable lesson.
Tanpura Tuning Is Perhaps The First Most Important 'Fann' Each & Every Musician Should Learn! And You Did A Great Great Job By Providing Such A Detailed Teaching Learning Video
Exactly what I was looking for about Tanpura details for more than 3 years. Aapke charno me naman Sirjee. Had you started teaching few months back, I would have definitely come to you. Now I am committed to another Guruji who is teaching me from few months. May you succeed in whatever definition of success you are seeking.
बहुत ही महत्वपूर्ण जानकारी सर पहली बार किसी किसी को देखा जिसका शास्त्रीय संगीत और लाईट मुजिक मे इतनी अच्छी पकड़ है वाह बहुत सुंदर सर तानपुरा लिया है तो एक बंदिश भी सुना दीजिएगा कभी
Pronam 🙏 sir, I live Tripura. Being in a remote state I don't get a Guru for my flute learning. Your TH-cam channel has given me the inspiration and guidance to continue with my flute practice. You are a very generous and humble person sir. Your in-depth knowledge of Indian classical flute and vast knowledge of Indian classical are helping us to stay motivated in our music journey. I used your Riyaz with me M1 and M2. This is my humble request, please, keep creating the videos and keep developing more Riyaz with me module.🌷🌷🌷🙏Love from Tripura
बहुत समय देते हैं आप संगीत शिक्षा को सभी मे जाग्रत करने के लिये। बहुत ही उत्कृष्ट और उम्दा अध्याय रहा। संगीत की जो सेवा आप कर रहे हैं सर्वविदित है एक अनूठा ही अपने आप में न केवल योगदान है, बल्कि किसी के लिए ऐसा करना है मानो वह सीधे तौर पर गुरु के सानिध्य में सीख रहा हो। आप धन्य हैं..👍 जहाँ एक ओर छोटे से वीडियो को बनाने में कितना समय और परिश्रम लगता है, वहीं आप सरलता से विषयों की गहराइयों को अधिकाधिक समय दे कर समझा देते हैं। परम् पिता परमात्मा आपको बल बुद्धि और संगीत से हमेशा भरे रखे, ऐसी हमारी मनोकामना आपके लिए।। प्रभु का आशीर्वाद सदैव आपके साथ ।। 💐💐
Bahut bahut dhanyawad aapka itni achchi knowledge k liye Aap ne kaha mai new songs ni janta Jabki aap a r Rahman sir k sath play karte hain Mahan hain aap Salute to you sir
पंचम-पंचम से ये समझ मे आया की ये सभी तानपूरे के साथ resonate करते हैं। दादा, सा-गा-पा concept के बारे मे क्या विचार हैं? आपको बहुत बहुत अभिनंदन, आप क़तई offline topic को online ले आये हो। प का प रे, तो म का म -कोमल नी ना?
Is the this also similar to sympathetic vibrations of a string to which it has a harmonic likeness? Like Sa has to Pa ? Kinda similar to when sitar chikari strings tuned properly to a Raaga aroha sargam notes can produce wonderful harmonics soothing to ones ears. Very nicely explained, thanks.
Waiting for volume 2 on Tanpura. I experimented this concept with Guitar, I set C to the thickest string of guitar, and other 2 strings thick strings are set to G, when I pluck C string, I could notice that G strings are also vibrating, C note has G harmonics as well, fascinating! Thank you for the info sir.
I must say, the mic set you are using is perfect accompaniment for such a detailed analysis. Really admire your efforts and Thank you yeh hamein yeh sab sikhane keliye. I also feel bina original Tanpura ke, Tanpura app se sirf yeh poora cheez nahi sikha ja sakta, is it so? Also, I have seen artists like Ashwini Bhide Deshpande Ji using Six stringed tanpura, could you say something about that as well?
मुझे प्रसन्नता और गर्व है कि आप जेसे गुणिजन यूट्यूब पर सीखा रहे है।
बहुत ही अच्छा.
Best wishes
#chinmaygaur
Arrey chinmay sir☺️
Dono guruji ek jagah
@@shubhamchoubey8017 ❤️ acche se sikhna
@@Chinmaygaur 🙏🙏🙏
Chinmay sir ji
I am also your big fan
❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️
Seekh rha hu sir..
Aisehi sb kripa banaye rakhiye
This is one of the best explanations on Tanpura hands down. Eagerly waiting for Vol 2.
नमस्तेजी.
बहुत बेसिक चीजे सीखनेकी सुविधा आपके जरिये उपलब्ध हो रही है,सरजी.
बहुत बहुत धन्यवाद.
Sir, thanks a lot for making such a detailed tutorial. I appreciate you with my whole heart.
Mai ek sal se tanpure pr practice kr rha hu sir lkn aj apne jo sikha diya isse tanpure ko sunne ka najariya hi badal jayega.
Bht bht dhanyawad apka sir🙏🙏
Eagerly waiting for volume2☺️
Sir I just can't explain in words how thankful I am to you for these amazing tutorial
This is my 4th time watching this same tutorial and now I am bit able to understand the concept thank u very much sir again
You are so blessed and talented and when I say so I know there is lot of hard work behind it too...all those who have you as guru and are taught by you in person are so lucky
Thank you sir 👍❤️
Sir Vandan aapne mujhe tanpura kya hai ki samaj dikhai old age me ye mere liye muskil tha.......... thanks sir again
Background and lights are outstanding sir!
Hello Sir,
Watching from Bangladesh.
Regards.
Thank you very much for doing this for us . This makes many things fall in place . Provides as an excellent starting point . Very grateful 🙏
हम आभारी है आप सर छोटे गांव के रसिक ओर जो शिख रहे है उनके ढेरो आशीर्वाद ले रहे है। ये भी दिखाई नही देंगे। ये फील करने की बात है बस आप ही की तरह।
हम ह्रदय से आभारी है।
ह्रदय से प्रणाम 🙏💖🎧
Ashwinji, you are doing a wonderful job explaining to your flute fans some of the basic concepts, which are so essential to know for all bansuri enthusiasts.
Just want to mention 2 points. It is also essential for all flute players to know something about flute harmonics. I did the following video several years ago:
th-cam.com/video/X0iM9Z7LlM8/w-d-xo.html
The second point (not for everyone here!) is to whet the appetite of those more analytically inclined. You mentioned, in relation to just intonation, the “cycle of 5ths”. This cycle produces multiples of the ratio “3/2”, giving you successively 3/2, 9/8, 27/16, etc (pa, shudh re, shudh dha, etc..). However, the just intonation used in Indian music is a combination of the 3/2 cycle, the 4/3 cycle and the 5/4 cycle. Reason is this. The 4th in the “3/2” cycle is 81/64 for shudh ga. However this fraction is getting complicated. Our ears prefer simple ratio of numbers. So shudh ga is taken as 5/4, which is equal to 80/64, slightly less than 81/64. Similarly, the shudh ma produced by the 3/2 cycle will represent too complex a fraction. The ear prefers 4/3 which is very close to it.
Excellent tutorial. Very informative. Sir please upload some more videos.
Thank u ji... the most awaited subject from you... and u taught me very well....
Thanks this is ps informative.
It also indirectly gives the science of chord progression in western... i have to study more to clear my confusion about these production of harmonics(so far i knew that harmonics are multiples of main freq up to infinity, fourier decomposition )... now i think i was wrong😅😅... thanku u taught not only music but physics.... your insights are awesome and so deep!!!
Beautifully explained!! Thank you!!
Pranaam Guruji 🙏
Thanks for such a great learning Video. Circle of fifth ab samajh aaya🙏
Namasthe.....'' ji
Guru ji parnaam ❣️🙏🏼🙏🏼🙏🏼🙏🏼 चरण स्पर्श
बहुत हि ज्यादा फायदेमंद
Sir, you are great.
Pranam sir 🙏🙏🙏
Just now finished this video. I don't know how to say thanks for sharing this kind of information that too for free in such a simplified manner. Only music students can understand what he gave in this video. Thanks a lot sir....
Agreed completely.
Lot of people are commenting and sharing their respect and love for you.But i don’t know the proper language to show my gratitude to you.
You your way of teaching your everything touches me so much that i cannot help falling in love with the instrument more and more.
God bless you.
Pranam Guruji.
🙏 Thank you.
Thank You for this 🥺🙏🏼
Never stop sir.
Unique and essential video.
Waah❤️🙏
Thanks sir, 🙏🙏🙏🙏🙏🙏
दिल से आभार सर
इतने अच्छे से समझाने के लिए 🙏🙏🙏
khub sundor..
Thanks a ton guruji... extremely essential video..
Really great videos sir!! Such quality tutorials are rare these days. Thank you.
Thank you.
Thank you for putting time and effort to make us understand about the musical topics which are difficult to understand
Very nice guruji 🙏❤️
Wait rhega Sr apke next video ka 😍😍😍😍😍 😻🤗
Superb exposition! Gives a very deep insight which is essential for a strong foundation. Getting to know about the 5th overtone of each tonic was fascinating.It was almost like attending a physics class.Please keep up the wonderful work.
Thank you for this content sir🙏
Great
Brilliant... Ashwin ji brilliant..👏👍
you are truly genius... Sir. 🙏🙏🙏
So much to learn from you.
Ultimate sir ❤️❤️
Bahut kaam ki jankari sir🙏
I think no one tells us on TH-cam about the swara(shruti) production in tanpura such detail way.I think vidyadhar oke ji tell about all 22 shrutis but it can't be for normal listener or new learner.thanks a lot for everything sir.
❤️❤️❤️❤️❤️🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻
Excellent... Answers so many things I have been wondering about, for months🙏🙏❤️❤️❤️ Can't express my gratitude ❤️
It's was one of the best lessons of music which I have discovered on TH-cam. Only a student of music can understand the value of this video. Thank you so much for teaching us such a valuable lesson.
great stuff Ashwin
Thanks
Very precious Lecture
Clearly and Beautifully explain it..!💝🙌🙌🙌 Superb explanation..!
Hari om 🙏
Ajit kher listening your very knowledgeable video many times ...ASHWIN thank a lot
Sir .... very good n deep explain ... thank you 🙏 .
Well explained Ashwin jee,,
Very helpful ❤️🙏🏻
Thanks sr
Tanpura Tuning Is Perhaps The First Most Important 'Fann' Each & Every Musician Should Learn! And You Did A Great Great Job By Providing Such A Detailed Teaching Learning Video
Exactly what I was looking for about Tanpura details for more than 3 years. Aapke charno me naman Sirjee. Had you started teaching few months back, I would have definitely come to you. Now I am committed to another Guruji who is teaching me from few months. May you succeed in whatever definition of success you are seeking.
Very deeply explained sir 💕💕
Very helpful series to learners like me thanks🙏🙏
Thank you sir ❤️❤️
Pranaam sir ji
🙏
very nice. u r a very good teacher.
बहुत ही महत्वपूर्ण जानकारी सर पहली बार किसी किसी को देखा जिसका शास्त्रीय संगीत और लाईट मुजिक मे इतनी अच्छी पकड़ है वाह बहुत सुंदर सर तानपुरा लिया है तो एक बंदिश भी सुना दीजिएगा कभी
That baisakhi line made me like this video
Pronam 🙏 sir, I live Tripura. Being in a remote state I don't get a Guru for my flute learning. Your TH-cam channel has given me the inspiration and guidance to continue with my flute practice. You are a very generous and humble person sir. Your in-depth knowledge of Indian classical flute and vast knowledge of Indian classical are helping us to stay motivated in our music journey. I used your Riyaz with me M1 and M2. This is my humble request, please, keep creating the videos and keep developing more Riyaz with me module.🌷🌷🌷🙏Love from Tripura
Will do! Thank you 😊🙏🏼
Thank you sir
बहुत समय देते हैं आप संगीत शिक्षा को सभी मे जाग्रत करने के लिये। बहुत ही उत्कृष्ट और उम्दा अध्याय रहा। संगीत की जो सेवा आप कर रहे हैं सर्वविदित है एक अनूठा ही अपने आप में न केवल योगदान है, बल्कि किसी के लिए ऐसा करना है मानो वह सीधे तौर पर गुरु के सानिध्य में सीख रहा हो। आप धन्य हैं..👍 जहाँ एक ओर छोटे से वीडियो को बनाने में कितना समय और परिश्रम लगता है, वहीं आप सरलता से विषयों की गहराइयों को अधिकाधिक समय दे कर समझा देते हैं। परम् पिता परमात्मा आपको बल बुद्धि और संगीत से हमेशा भरे रखे, ऐसी हमारी मनोकामना आपके लिए।। प्रभु का आशीर्वाद सदैव आपके साथ ।। 💐💐
🙏🏼😇
आपका बहोत बहोत धन्यवाद गुरु जी । मेरे मन के सारे प्रश्नों के उत्तर आपने इस वीडियो के माध्यम से दे दिये । आपका बहोत बहोत आभार । ☺️🙏👏👏🙏
Sir..🤗🤗🙇
Namaskar guruji
❤️❤️
👍
Bahut bahut dhanyawad aapka itni achchi knowledge k liye
Aap ne kaha mai new songs ni janta
Jabki aap a r Rahman sir k sath play karte hain
Mahan hain aap
Salute to you sir
Hahaha. Rahman sir ka music sunna bhi to accha lagta hai. Naye gaane baaqi sab ek jaise hi sunayi dete hain mujhe. ;)
No wonder I could hear the Re at times, and kept feeling how?❤️
🎉🙏🙏🙏🙏🙏🙏🙏
🙏🏻🙏🏻💐 nice sir
ty sir
Sir ke background alag hi level k hote hai ajkal
अद्भुत। the pa of tanpura and pa of flute will be distinct due to quality ( a technical term)
sir 🙏🙏🙏🙏🙏
पंचम-पंचम से ये समझ मे आया की ये सभी तानपूरे के साथ resonate करते हैं। दादा, सा-गा-पा concept के बारे मे क्या विचार हैं?
आपको बहुत बहुत अभिनंदन, आप क़तई offline topic को online ले आये हो।
प का प रे, तो म का म -कोमल नी ना?
🙇🙇🙇🙇🙇🙇🙇
Is the this also similar to sympathetic vibrations of a string to which it has a harmonic likeness? Like Sa has to Pa ? Kinda similar to when sitar chikari strings tuned properly to a Raaga aroha sargam notes can produce wonderful harmonics soothing to ones ears. Very nicely explained, thanks.
♥️♥️♥️♥️♥️♥️♥️♥️
Aapne apna episode ka signeture intro flute kyu band Kiya ? It is so melodious with clapping. Please add in your next videos.
Sir Tanpura ka part II ka intezar hai.... please
प्रणिपात गुरुदेव , माझा प्रणाम स्वीकार करावा .👃👃
Waiting for volume 2 on Tanpura.
I experimented this concept with Guitar, I set C to the thickest string of guitar, and other 2 strings thick strings are set to G, when I pluck C string, I could notice that G strings are also vibrating, C note has G harmonics as well, fascinating!
Thank you for the info sir.
So Beautifully Explained, so so wonderful Dear Sir Ji, Dil se khub khub Pranam 🙏🙏🙏🙏🙏🙏🙏🙏💕💕
I must say, the mic set you are using is perfect accompaniment for such a detailed analysis. Really admire your efforts and Thank you yeh hamein yeh sab sikhane keliye. I also feel bina original Tanpura ke, Tanpura app se sirf yeh poora cheez nahi sikha ja sakta, is it so? Also, I have seen artists like Ashwini Bhide Deshpande Ji using Six stringed tanpura, could you say something about that as well?
Please bring vol 2. Please
I got it!!!😇
Hi sir, waiting for lessons on what is Shruti.
Pranam guru hi 🙏
Aap Bangalore shift ho gaye mujhe bahut ummid tha ki aap se muje Mumbai me sikhunga.