Johann Sebastian Bach - Prelude and Fugue in A minor BWV 543 - Violetta Khachikyan
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- เผยแพร่เมื่อ 9 ก.ค. 2015
- Johann Sebastian Bach (transcription by Franz Liszt)
Prelude and Fugue in A minor BWV 543
performed by Violetta Khachikyan
The IX International Paderewski Piano Competition, Bydgoszcz, Poland
November 3rd - 17th, 2013
The Competition is organized to commemorate Ignacy Jan Paderewski, a remarkable pianist, virtuoso, composer, politician and statesman.
The Competition is organized by :
- the I. J. Paderewski Music Association,
with the co-participation of:
- the Ministry of Culture and National Heritage,
- the Marshal’s Office of the Kuyavian and Pomeranian Province of Bydgoszcz
- the Bydgoszcz City Hall
Partners:
- The F. Nowowiejski Music Academy
- The I. J. Paderewski Philharmonic Hall in Bydgoszcz
The Competition auditions shall be open to the public and shall take place in the concert halls of the Music Academy and the Pomeranian Philharmonic Hall in Bydgoszcz.
The Competition is open to pianists of all nationalities, born between 1981 and 1997.
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Sensational performance. The audience didn't have a clue.
3:20 Fugue
By all the Saints and every elemental spirit of the Earth. This was a true performance of beauty.
Danm right Kneetrembler, Remarkable performance. Mesmerising stuff.
My heart just fell into pieces.
I love that fugue! I wish I can play at that level one day!
Браво, Хачикян! Блестяще!!!
Clarity of the voices - absolutely wonderful. Bravo! Bravo!
You are right! Though "bravo" for a female is "brava".:)
that's just in italian :) in french and other languages is it the same, i think ;P
Oktay Duman since its an italian word you cant say in other languages its different.
beautifully played, especially the fugue. like your articulation
One of my favorite pieces of all time. I grew up listening to Virgil Fox play this on the organ. There's such passion in it and how you play it is the best I've ever heard on the piano. BRAVA.
The prelude reminds me of the unraveling of time/Alice in wonderland down the rabbit hole/ matrix blue pill of red pill
It is the first time that I hear this Prelude and fugue on the piano, this is very nice, Liszt really loved Bach when we see all the transcriptions of his pieces he made !
Busoni too, and if organ is, of course, the best instrument for the organ pieces, it is also a great pleasure to hear transcriptions for the piano, democratising the organ pieces.
Grande Bach, grande Liszt, grande Violetta !
Magnífica interpretación de un colosal preludio y fuga: seriedad y expresividad, potencia y delicadeza. A mi parecer, en estas transcripciones el piano puede igualar e incluso superar al órgano, obteniendo un mejor y más rico resultado, lo que la pianista ha sabido aprovechar logrando un sonido muy limpio. Felicitaciones a ella, las octavas de la mano izquierda fueron increíbles, por cierto.
i love it!... goosebumps :-)
She nailed it .
I liked your interpretation of this great piece.Awesome! you are already a great PIANIST and MUSICIAN
Amazing!!!!
absolutely breathtaking!
My favorite Bach piece. Love it. Thank you!
Awesome performance!!!
Bravo !!
wonderful
sensational!!
Wow!
Wonderful performance.
No comments about the strange man in the painting yet?
That would be Ignacy Jan Paderewski, the remarkable Polish pianist, composer and statesman.
Now there is.
Jaja
Merci !
Superb
Bravo! Wonderful performance. I played this prelude and fugue in one of my exams for piano teacher, I know it very well and every difficult of this masterpiece. Wonderful performance!!
the prelude sounds better on organ and the fugue sounds better on piano. On the organ the prelude is more impressive than the fugue. The chromatic motive is more assertive and the alteration of timbre with the stop makes it have even more character. But the clarity of the piano makes the fugue way more listenable. The piano version sounds way more emotional and romantic, yet with greater clarity, while the organ has more character and presence....perhaps it has less emotion or less fluctuation of emotion, but sometimes pieces sound stronger without the moodiness.
I take it then you don't like the organ.
both sounds better on organ
Bravisimmo.
Superbe!!!
well played!
WHat wonderful playing - so clear , precise, and refined! WHo is that menacing portrait behind the pianist?
Ah! I think it's Paderewski
yeah it looks like Paderewski
Great interpretation. Beautifully played.
I love you
Great! Apparently the audience of 8 people liked it also.
👏👏👏👏👏👏
👍
pour moi cet la plus belle version actuelle , elle fait sonner le piano dans toute son etendue , on dirais meme dans certain passage qu il y a deux pianos qui se reponde : tres beaux !! merci : pierre-xavier de chassot
Здорово сыграно. Думаю, сыграть оригинальный вариант (не переложение) на рояле с этим произведением не получится, а жаль. А вот токкату и фугу ре минор почти можно (изредка нижний голос приходится на октаву переносить, а так можно)
¿En donde puedo conseguir la partitura?
OOOOOOOO)))))
That was sick! Loved how you mastered it!!
Is this lady an organist? She certainly plays piano like one.
muznich how so?
Silly.
Ignacy Jan Paderewski
avec c'te music, Bach signe sa Magistrature!!!
A very good pianist, maybe the tempo is not always stable, if I dare express my opinion.
SUBASTA ME
Incredible! But why oh why such a lame response from the audience?
Oi Suenya Quando Vi Que Você Não Tem Problema Para A Realização Da Vinci De Acordo. A Partir Do Jeito. Sair, Mas, O, A, O Que Bom Dia Brasil E No Caso Do Minha Mãe Me Desculpe. A Partir De Acordo. A Partir Do Jeito. O Que Eu
Generally, I dislike transcriptions from Organ to Piano (but, not for the reasons you might expect); rather, most such transcriptions are perfectly fine, it's 'just' that the performer, then, tries to 'sound' like an Organ while playing the Piano, {8~/ , the "whole" point of playing it on a Piano is to hear that piece of music played "on" a Piano - if one wishes to hear it banGed out LoUd like an Organ, then - $%#(&^% - PLAY IT ON AN *ORGAN*-!!!
Regarding this video-clip, Maestra Violetta Khachikyan does a "better than average" [such] performance, however she lets loose like all the other *pianorganists* in certain parts {esp. at the end} and overwhelms the "clear, crispiness of each note" ...once again pushing the poor piano to sound [almost] like an orgAn; ...too bad.
Otherwise, she is, without a doubt, a fantastic pianist ~ please, remember, I was only commenting on "my" opinion of what `I' like; ....I am *not* critical of the amaZing, Maestra Khachikyan. (( I'm think, *style-wise*, Glenn Gould; i.e. no pedaling 'at all', or Grigory Sokolov. ))
You have to keep in mind though that it is not the most natural transcription. So I think it makes sense to play it as one might the Bach Busoni Chaconne
Chapeau! I never felt involved in the emotional subtext of a comment like with yours. You masterfully exploit the full palette of ASCII characters to the fullest. Not sure how to interpret the in-fix capitalization, though.
Also I entirely agree with your comment.
Fugue actually sounds very clumsy