So glad Origin made this. I own a pair of 50’s 5E3 Deluxes(a ‘54 & ‘56) and love them. I’d much rather buy one of these than take a valuable vintage amp to a gig. I thought about getting one of the Universal Audio version but their spotty craftsmanship put me off. Craftsmanship is what defines Origin Effects so I have no qualms about ordering one of these. Now off to Sweetwater to buy one…
Tweed Deluxe has such a great, classic tone. There are many records and live artists I love who have used them. In terms of what I personally like to use, I admit I’ve always struggled with that flubbiness you mentioned. When it comes to cranking an amp up, I personally always need to be able to at least cut bass. I find myself wishing the Deluxe had the same tone stack as a tweed Bassman. But then it wouldn’t have the same character that people love about the Deluxe.
will there be a "reverb deluxe" or "Twin" someday? I'm not happy with the feel and response with digital stuff, and I'm a "clean tone" palayer with archtops, and semi-accoustics : )
You never know what the future holds, we certainly want to do more amp pedals! Naturally these things take a lot of time to develop and nail down. So patience is always going to be the game.
@@veers0r no, that's the reason why I'm referring to Princeteon reverb deluxe and Twin. (and thats why I sell the Magma57 and keep the strymon iridium)
It would have been nice to have a control knob to adjust the "crossover distortion amount" of the power tubes/FETS. If you want zero crossover distortion or a crossover distortion Hump between the Positive Cycle and Negative Cycle push pull. Adding in a 2nd footswitch to go from a very Jangle Cleans like Mike Campbell to a Neil Young Fuzzy Collapsing which 2nd footswitch would allow switching between the two settings. A 2nd footswitch makes its easier to use the pedal for going from a Jangle Cleans 12AT7 or 12AU7 setting to a Fuzzy Collapsing 12AX7 setting
You have repeated the waveform, but not the pattern of harmonics! Without this, the sound will remain cold and flat. I'm telling you as the owner of your three pedals. And try to use the transformer completely, and not the primary winding on the drain load.
We've done quite extensive design and test work to ensure the pedal and the amp are as close as can be, and the DELUXE55 is our most advanced guitar Amp Recreation to date. The waveform is a representation of the harmonic content of the signal. The DELUXE55 performs as the amp does in this regard. Were the pattern of the harmonics different, the waveform of the signal would also differ to reflect that. The DELUXE55 doesn't contain a transformer as it is unnecessary in recreation of the sonics and feel.
Is this a similar method of analog amp design that quilter uses? By recreating the signal with Jfets and opamps instead of tubes then matching sign waves of the harmonic content? That's very hard to do I believe origin deserves massive props... credit for hard work and creativity !
![Building Robben Ford’s Latest Pedalboard [For Autumn & Winter 2024 Gigs]](http://i.ytimg.com/vi/SIDI-s7BS6g/mqdefault.jpg)
![Building Robben Ford’s Latest Pedalboard [For Autumn & Winter 2024 Gigs]](/img/tr.png)
Consciously dropping this on Neil’s birthday? Bravo, sounds great!
So glad Origin made this. I own a pair of 50’s 5E3 Deluxes(a ‘54 & ‘56) and love them. I’d much rather buy one of these than take a valuable vintage amp to a gig. I thought about getting one of the Universal Audio version but their spotty craftsmanship put me off. Craftsmanship is what defines Origin Effects so I have no qualms about ordering one of these. Now off to Sweetwater to buy one…
Tweed Deluxe has such a great, classic tone. There are many records and live artists I love who have used them. In terms of what I personally like to use, I admit I’ve always struggled with that flubbiness you mentioned. When it comes to cranking an amp up, I personally always need to be able to at least cut bass. I find myself wishing the Deluxe had the same tone stack as a tweed Bassman. But then it wouldn’t have the same character that people love about the Deluxe.
Great sounds! Can’t wait to try one.
will there be a "reverb deluxe" or "Twin" someday? I'm not happy with the feel and response with digital stuff, and I'm a "clean tone" palayer with archtops, and semi-accoustics : )
You never know what the future holds, we certainly want to do more amp pedals!
Naturally these things take a lot of time to develop and nail down. So patience is always going to be the game.
They have a brownface deluxe with the deluxe61 if that's clean enough.
@@OriginEffectsUK I'm a huge fan of your pedals. Please do a deluxe, twin, super, or vibrolux. Actually, pricenton!
@@veers0r no, that's the reason why I'm referring to Princeteon reverb deluxe and Twin. (and thats why I sell the Magma57 and keep the strymon iridium)
Knocked it out of the park with this one!
Any plans for a dedicated super lead pedal? I guess you have all the ingredients at this point. :)
It would have been nice to have a control knob to adjust the "crossover distortion amount" of the power tubes/FETS. If you want zero crossover distortion or a crossover distortion Hump between the Positive Cycle and Negative Cycle push pull. Adding in a 2nd footswitch to go from a very Jangle Cleans like Mike Campbell to a Neil Young Fuzzy Collapsing which 2nd footswitch would allow switching between the two settings. A 2nd footswitch makes its easier to use the pedal for going from a Jangle Cleans 12AT7 or 12AU7 setting to a Fuzzy Collapsing 12AX7 setting
Awesome
I feel like these are lost on players or overlooked thinking they’re just distortion pedals, which models have built in IRs?
6v6 preamp pedal? Balderdash!!
The pedal itself is modelling (in analogue) the 6V6 people amp of the Tweed Deluxe. The pedal itself contains no valves.
This guy sounds like Richmond Avenal from I.T. Crowd comedy sitcom.
👍🏿🤘
You have repeated the waveform, but not the pattern of harmonics! Without this, the sound will remain cold and flat. I'm telling you as the owner of your three pedals. And try to use the transformer completely, and not the primary winding on the drain load.
We've done quite extensive design and test work to ensure the pedal and the amp are as close as can be, and the DELUXE55 is our most advanced guitar Amp Recreation to date.
The waveform is a representation of the harmonic content of the signal. The DELUXE55 performs as the amp does in this regard. Were the pattern of the harmonics different, the waveform of the signal would also differ to reflect that.
The DELUXE55 doesn't contain a transformer as it is unnecessary in recreation of the sonics and feel.
Is this a similar method of analog amp design that quilter uses? By recreating the signal with Jfets and opamps instead of tubes then matching sign waves of the harmonic content? That's very hard to do I believe origin deserves massive props... credit for hard work and creativity !
The ego has entered.