Sometimes when he says okay at the end of a sentence it reminds me of Mr Mackey on South Park he would just need an American Southern accent and it would be perfect.hahaha
You don't know the blues, try listen to jazz fusion, there are many Blues context going around not just about boring pentatonic stuff you listen everyday
@@zal8424 I get it, I should be more specific, in the context of this demonstration, over this chords voicings and instrumentation, and the way he is playing, it isn't working (for me), I listen to Roben Ford and Larry Carlton, I listen to jazz blues masters like Joe Pass and I've being certainly exposed to Scofield, and Scott Henderson. I don't listen at all to plain pentatonic blues. Im not saying you can't play this scale, Maybe he is using it too much in order to show it but a better demonstration would be how to do it effectively.
Look up Frank Marino and Mahogany Rush - King Bee/Backdoor Man for more context. Definitely more jazz flavored than your garden variety blues. I'd say this may be the whole point... but when everyone and their mom already does the tired box pentatonic licks... Plus you can impress your friends.
Well you started out in g calling it G7 than you went to C and then D which would be c Lydian and d mixolydian So for anyone that is trying to follow your broken modulating playing there is no way anyone with low music theory will catch thst uou are all over the board ,this is ehy guitarist dont learn
Thanks, Carlos, for showing us the tonal quality of the Lydian dominant. It really sounds cool in a meandering way.
Tom, Fantastic!
This blues application for Lydian Dominant is awesome! Exactly what I was looking. Thanks!
Very good lesson thank you. Found this after searching random scales I could think of and didn’t realise I could find something that sounds so good
Super!!!! Loved your improv as well!
Sometimes when he says okay at the end of a sentence it reminds me of Mr Mackey on South Park he would just need an American Southern accent and it would be perfect.hahaha
Very good thanks
Amazing
Man, Tom is so cool
On the D7 I like to sneak in an F#dim arpeggio
How do I buy the tabs for the demonstrated solo?
Do someone knows the name of this guy please?
Tom Quayle
Tom Quayle
Cool, but you're 8 minutes in before you play your first lydian dominant note in context.
Isn’t this supposed to be G blues
TheMrMRsmoke a mix between blues and lydian and mixoldian
TheMrMRsmoke you can solo in this progression using lydian dominant , blues , mixolydian , diminished (half-whole)
12 bar blues
It might be theoretically correct but it really doesn't sound right for the blues
You don't know the blues, try listen to jazz fusion, there are many Blues context going around not just about boring pentatonic stuff you listen everyday
@@zal8424 I get it, I should be more specific, in the context of this demonstration, over this chords voicings and instrumentation, and the way he is playing, it isn't working (for me), I listen to Roben Ford and Larry Carlton, I listen to jazz blues masters like Joe Pass and I've being certainly exposed to Scofield, and Scott Henderson. I don't listen at all to plain pentatonic blues.
Im not saying you can't play this scale, Maybe he is using it too much in order to show it but a better demonstration would be how to do it effectively.
@@saxofonistacr scott henderson would be a good example of how its used effectively
@@zal8424 you are a pud
Look up Frank Marino and Mahogany Rush - King Bee/Backdoor Man for more context.
Definitely more jazz flavored than your garden variety blues.
I'd say this may be the whole point... but when everyone and their mom already does the tired box pentatonic licks...
Plus you can impress your friends.
Well you started out in g calling it G7 than you went to C and then D which would be c Lydian and d mixolydian So for anyone that is trying to follow your broken modulating playing there is no way anyone with low music theory will catch thst uou are all over the board ,this is ehy guitarist dont learn