We probably should not say "sharp eleven" for this scale. Looking at the basic scale itself, It is actually a raised fourth. The raised note is not an ornament extension of the basic triad, which is when we typically say "sharp eleven". The raised note is built into the scale, fundamentally; therefore, it is a sharp/raised fourth. An important semantic, contextual distinction, i think. Although, when the scale or chord pop up in different contexts, the note may, indeed, be perceived as a raised 11th.
The triads (around 4:30) really helped me to understand the scale. And I LOVED the examples of songs that illustrate each lick. You are a fantastic teacher!
I found this video gem searching Lydian Dominant after watching Joe Satriani giving a lesson. I'm working out Arpeggios for top 3 strings, bottom 3 and full octave spanning the fretboard, with scale bits and full chords. Fun work. Great instruction here.
I'm a guitar player..My best lydian dominant use in a song is from the Days of Wine and 🌹 Roses.. Wes Montgomery does a great version in chord melody and improvisation....this is great to get another perspective...thnx...
And this was suggested even though I don't know much about playing piano beyond knowing the notes.But I did play some piano notes yesterday at the guitar store(I'm a guitar player).However these modes can be used in guitar too.
We are looking at it as if we stacked all the notes in the scale when we call it #11. 1357 are the chord tones and 9,11,13 are the extensions. When viewing the scale you are not stacking in thirds and are not focusing on chord tones, so it is just #4 there.
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00:00 - Intro
00:24 - Lydian Dominant Scale
00:56 - Scale Construction
02:45 - Associated Chords
05:21 - 4 Lydian Dominant Licks
05:29 - 1. Scaler Approach
07:31 - 2. Arpeggiated Chords
09:52 - 3. Motific Lines
11:54 - 4. Triadic Approach
13:41 - Conclusion
We probably should not say "sharp eleven" for this scale. Looking at the basic scale itself, It is actually a raised fourth. The raised note is not an ornament extension of the basic triad, which is when we typically say "sharp eleven". The raised note is built into the scale, fundamentally; therefore, it is a sharp/raised fourth. An important semantic, contextual distinction, i think. Although, when the scale or chord pop up in different contexts, the note may, indeed, be perceived as a raised 11th.
This is inspiring. I'm applying this to Progressive and Neoclassical Metal.
Sitting with a notebook on the guitar stool.
Awesome!
The triads (around 4:30) really helped me to understand the scale. And I LOVED the examples of songs that illustrate each lick. You are a fantastic teacher!
Nice. I'm transferring this stuff to the guitar
Awesome!
I found this video gem searching Lydian Dominant after watching Joe Satriani giving a lesson.
I'm working out Arpeggios for top 3 strings, bottom 3 and full octave spanning the fretboard, with scale bits and full chords.
Fun work. Great instruction here.
wow, you are the best piano ive ever seen!!! Thank you
Amazing lesson
I'm a guitar player..My best lydian dominant use in a song is from the Days of Wine and 🌹 Roses.. Wes Montgomery does a great version in chord melody and improvisation....this is great to get another perspective...thnx...
Thank you,John and Jonny🌹🌹🌹🌹Learned a lot!!!
Great lesson. Thanks man.
Thanks for watching!
Great lesson，really helps me a lot😊
Good stuff.
Would love to see some more walking bassline movements that relate to specific tunes
And this was suggested even though I don't know much about playing piano beyond knowing the notes.But I did play some piano notes yesterday at the guitar store(I'm a guitar player).However these modes can be used in guitar too.
Nah modes don't work on the guitar man.
Thank you so much sir ❤️
I just wanted to see what the scale is. This is out of my pay grade, but I'll be back when I've got more chops.
Thank you very much!! Excelente 😊
Please sir make all modes video ❤❤
Great! thank you, and now in 12 keys :)
This mode feels warm and fuzzy
I found this scale by just messing around with D Lydian. And replaced the C# at the end with a C.
Awesome!
Im not sure of the rule...i see the #11 actually is just a # 4th...what makes it one and not the other??
Scale degree
We are looking at it as if we stacked all the notes in the scale when we call it #11. 1357 are the chord tones and 9,11,13 are the extensions.
When viewing the scale you are not stacking in thirds and are not focusing on chord tones, so it is just #4 there.
❤❤❤❤
Where's the real Johnny???
It is also a team, relax…
Its always the where but not how is Johnny 😔😔
Hey he is as good as Johnny....