Arpeggiometry

แชร์
ฝัง
  • เผยแพร่เมื่อ 24 ธ.ค. 2024

ความคิดเห็น • 251

  • @filho4437
    @filho4437 2 หลายเดือนก่อน +13

    Finally, a guitar video I can watch with my friends when I'm trip sitting.

    • @whodemclan
      @whodemclan 15 วันที่ผ่านมา

      Engrave that music theory into your mind like some mkultra brain washing

  • @opoopolo
    @opoopolo 2 หลายเดือนก่อน +18

    This channel is criminally underrated. Thank you so much for this!

  • @zenlandzipline
    @zenlandzipline 2 หลายเดือนก่อน +3

    This is gold. Especially the “flipping the script” part. This journey we are on is strange. Sometimes concepts have been right in front of your face, and you figure them out on your own. And other times, somebody like Mark comes around and shows you something like this, and yer like “damn…that was so obvious, right in front of me for decades and I never looked at it like that!”
    This video has enough info to keep me busy for a while.
    Thanx Mark.

  • @damienkphoto
    @damienkphoto หลายเดือนก่อน +7

    This is like the craziest trip lmao, you are on another level!

  • @cj.mccarthy
    @cj.mccarthy 2 หลายเดือนก่อน +2

    as a self taught "intermediate" guitarist, thank you.
    this channel is a gem.

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน

      Much appreciated!

  • @mbongenimapipa3450
    @mbongenimapipa3450 หลายเดือนก่อน +6

    The trick in understanding something is to hear it from different perspectives 🙏👏

  • @Sewersyrup
    @Sewersyrup 2 หลายเดือนก่อน +5

    This channel is criminally underrated. so much great stuff, here hoping the algo finally picks it up.

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน +1

      Thanks! Hope so too!

  • @theunsuccessfultrader5681
    @theunsuccessfultrader5681 หลายเดือนก่อน +2

    There is an absolutely beautiful message in here, i know im just not ready to hear it. I can just tell this is a top notch lesson.

  • @mariomansuelli8967
    @mariomansuelli8967 2 หลายเดือนก่อน +2

    Wow, this is deep music thinking! I will spend the rest of my life to study and apply what you explain in this charming video.

  • @dakotaclark9718
    @dakotaclark9718 2 หลายเดือนก่อน +3

    this is wonderful content, liked and subscribed.
    thanks for not just doing the guitar the charts were very helpful

  • @ryanmoon3947
    @ryanmoon3947 หลายเดือนก่อน +4

    Wow! What a great video. Love the depth and complexity of your work. Thank you so much.

  • @Lolo-ck1xb
    @Lolo-ck1xb 2 หลายเดือนก่อน +3

    Wonderfully done. A very novel approach and if people take long enough to listen, they'll realize it's extremely helpful.

  • @rouxfan
    @rouxfan 2 หลายเดือนก่อน +4

    I want to understand this so badly but i'm an old guy and it takes time and focus for new things to sink in. Thanks for giving me this puzzle to study and work out.

  • @NoLeakz
    @NoLeakz 2 หลายเดือนก่อน +2

    These graphics and illustrations are amazing!!

  • @MaximeTanti
    @MaximeTanti หลายเดือนก่อน +4

    Awesome video. I loved the middle section around 10:00 when you leaned into the philosophical and metaphysical aspects.
    I love using these long form arpeggios myself, so this resonated and deepened my understanding. Thank you.

  • @max_johns_
    @max_johns_ 2 หลายเดือนก่อน +1

    This really opened my mind as a self taught player and being able to put a name on the melodies I hear in my head is an eye opener. Thank you for your dedication to the guitar and the breakdown of this incredible knowledge.

  • @HallamStudios
    @HallamStudios 2 หลายเดือนก่อน +3

    Well sir my head just exploded! One of the best and most valuable lessons I have ever seen anywhere. Liked and sub'd Thank you!!!

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน

      Welcome and thanks!

  • @Joshua-sp1kd
    @Joshua-sp1kd หลายเดือนก่อน +6

    4:07 talking about modes and waiting for the mode-r-cycle

    • @Newstetter
      @Newstetter  หลายเดือนก่อน +1

      🏍️ LOL! Wish I'd thought of that! ... The cycle of modes!

  • @davidsorge7008
    @davidsorge7008 2 หลายเดือนก่อน +1

    love the excitement in your talk ... I can realy see the utter importance and the tension inside of it ❤

  • @kokotovicmile
    @kokotovicmile หลายเดือนก่อน +3

    I practiced it as a 'circle of thirds,' and it was very useful to me. What I noticed is that 9, 11, and 13 are actually just the minor triad of the next arpeggio in the sequence.
    For example, if we add D, F, and A (the minor triad of D minor) to the Cmaj7 arpeggio, we get C9, C11, or C13.
    If we add the minor triad of the next chord in the sequence (E minor) to Dm7, we get Dm9, Dm11, and Dm13. And so on.
    Thank you for the useful lesson. 🙏

    • @familydiscount-ne5nz
      @familydiscount-ne5nz หลายเดือนก่อน

      I was just about to say it’s the circle or 3rds👌🏾💯 figured this out a while ago and a well versed pianist I know looked at me like it was a CRAZY idea.

  • @34rn357
    @34rn357 2 หลายเดือนก่อน +1

    Long-awaited and well worth the wait! Thanks, Professor!

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน

      You’re welcome!

  • @ryanmcgeary4939
    @ryanmcgeary4939 หลายเดือนก่อน +2

    Arpeggiometry kicks ass great job, nice way to think of things

  • @NewAgeSam
    @NewAgeSam 2 หลายเดือนก่อน +1

    one of the best videos for music education i've ever seen!

  • @jonjeziorski5354
    @jonjeziorski5354 2 หลายเดือนก่อน +5

    This reminds me of George Benson’s Secret of the Two Chords & Pat Martino’s Dorian ideas from the Linear Expressions book. This is among the best music theory videos I’ve ever seen

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน +4

      Martino and Benson are both geniuses on the instrument ... If I can offer even a small percent of what they have given I'll be happy.

  • @Chaletcreek
    @Chaletcreek หลายเดือนก่อน +1

    Wow this not only opened up my fretboard but opened a whole new door into harmonic arrangement with just simple arpeggio extensions! It makes for wonderful new triad harmonies. The number system is great as is the alternating Major/Minor concepts and the arrangement of modes into fifths sounds great played in sequence🤙Thank you!!

  • @Borzovik
    @Borzovik 2 หลายเดือนก่อน +2

    It’s just WOW! Thank you so much. I’m your subscriber now and ever

  • @williambreckenridge4582
    @williambreckenridge4582 2 หลายเดือนก่อน +2

    Great teacher & presentations!

  • @mattsuwak3759
    @mattsuwak3759 2 หลายเดือนก่อน

    I've been playing for a few years and I'm stubborn about it. I want to learn it my way, mostly through trial and error and tons of practice. My knowledge of theory is all over the place, but through practice I am learning what questions to ask and how to ask them. It works for me and has gotten me to a happy place in life.
    This video has SO MUCH information in it. I can't absorb it all, but I can hear what you're saying more clearly than any other lesson I've taken. Well presented material that I will be referring to frequently during my learning. Thank you.

  • @nextphase7481
    @nextphase7481 2 หลายเดือนก่อน

    What a well-presented lesson on musical theory! There is a whole lot to digest and I expect to be returning to this video many more times. Thanks!

  • @dougsmith8430
    @dougsmith8430 2 หลายเดือนก่อน +1

    Masterful ! You Sir, have a very keen approach to Guitar. Very rare to see a Teacher that can make the complicated understandable! Thank you for this, I have saved this lesson, and have a feeling I will be going over many times in the coming weeks. Just subscribed to your channel… Doug from Denver.

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน

      Let me know if any questions. Welcome to the channel!

  • @TaoGroovewitch
    @TaoGroovewitch 2 หลายเดือนก่อน +1

    I'm excited to find concepts that I'm starting to stumble into accidentally lol let's goooo! 🔥🤘🏾🔥

  • @mbrightmusic
    @mbrightmusic 19 วันที่ผ่านมา +1

    Beautiful comprehensive presentation

    • @Newstetter
      @Newstetter  18 วันที่ผ่านมา

      @mbrightmusic Thank you!

  • @danhusband6154
    @danhusband6154 2 หลายเดือนก่อน +1

    wow, wow,wow…I’m watching this at 7 a.m. and I’m running to grab my guitar in my robe with my morning coffee to get this under my fingers. My wife thinks I’m nuts…Subscribed!

  • @enriquepittaluga1164
    @enriquepittaluga1164 หลายเดือนก่อน +1

    What a fantastic exploration of arpeggios 🎉 thanks for this wonderful video

    • @Newstetter
      @Newstetter  หลายเดือนก่อน

      @enriquepittaluga1164, Thanks so much!

  • @khannarmurr
    @khannarmurr 2 หลายเดือนก่อน

    Just echoing everyone else and saying this is the single best music theory video I have ever seen

  • @jimbeaux4988
    @jimbeaux4988 2 หลายเดือนก่อน +1

    Great idea and ends up with some really nice lines. Good way to break out of arp rut.

  • @tommyjohnw82
    @tommyjohnw82 2 หลายเดือนก่อน +2

    You are the one Neo!

  • @michaelsimon8260
    @michaelsimon8260 2 หลายเดือนก่อน

    Brother, thank you so much for your exhaustive exploration of the diatonic system!! This was seriously mind expanding. You just saved me years of fumbling in the dark

  • @averagereviews3389
    @averagereviews3389 หลายเดือนก่อน +2

    I just learned to play the Major and Minor scales ascending descending, horizontally, vertically and diagonally. I’m still working on the modes after 15 years of playing.
    After watching this video I feel just as lost about this concept as I did picking up the guitar day one.

    • @Newstetter
      @Newstetter  หลายเดือนก่อน +3

      @averagereviews3389
      There are always stages to learning and no matter how much you've learned there will always be more.
      When you find yourself stuck it's sometimes useful to approach the subject from a different angle. It seems that modes are one of the more confusing aspects of theory. Some of the confusion arises due to the way modes are often presented as scales rooted in the same note. I do so in this video to simplify the process of learning the fingerings for these arpeggios. It's a common approach so that you can see the relative differences between the sequences in parallel.
      With scales you might find modes all rooted in C ... in that method, Ionian is C D E F G A B C ... Dorian is C, D, Eflat, F, G, A, Bflat, C ... Phrygian is C, Dflat, Eflat, F, G, Aflat, Bflat, C ... etc. Of course, the actual function of modes happens within each individual key. In the key of C the modes simply begin and end on each successive step of the key: Ionian= CDEFGABC, Dorian=DEFGABCD, Phrygian+EFGABCDE, etc.
      The trick is to know the interval structure. Almost every aspect of key structure can be made easier by focusing on intervals instead of notes. The right notes are result of playing the right intervals as you go from one note to the next.
      You may want to check my video on modes: th-cam.com/video/8wY5mcxJYuQ/w-d-xo.html
      And my blog: fretography.blogspot.com/search?q=modes
      Hope this is helpful!

  • @Thorgue
    @Thorgue 2 หลายเดือนก่อน

    This clicks so much! Thank you!
    I'm a visual thinker. Never understood it through all that circle of fifths stuff. Now I do. Last bit is super useful for soloing!

  • @jtbutlerjr
    @jtbutlerjr 2 หลายเดือนก่อน +1

    Thank you, Mark. This will be very useful after I internalize it. 👍🏾👍🏾

  • @patrickblay7684
    @patrickblay7684 2 หลายเดือนก่อน

    Thank you Mark for this very Original and different way of Teaching .

  • @Lordcamilli
    @Lordcamilli 2 หลายเดือนก่อน

    This way of teaching this concept is just absolutely amazing, I’m gonna quote you and use it with my students, and of course refer them to your Chanel!

  • @coolblues14
    @coolblues14 หลายเดือนก่อน +1

    Damn! That was a awesome, I’ve saved probably thousands of TH-cam lessons and that was one of the best/ the diagrams are awesome/I must be a visual learner. Thanks Mark for all the effort putting this together

    • @Newstetter
      @Newstetter  หลายเดือนก่อน +1

      @coolblues14, I couldn't ask for higher praise! Thanks for watching!

  • @anandaurora
    @anandaurora 2 หลายเดือนก่อน

    Fantastic tour of harmonic science.. Lots of material to internalise.. Thank you

  • @mrfigorin776
    @mrfigorin776 2 หลายเดือนก่อน +2

    illuminating, thanks a lot!

  • @LutherBaker
    @LutherBaker 2 หลายเดือนก่อน

    Fascinating! Thank you for taking the time to put this together! Video - animation - and great observations! I am studying melodies and phrasing and I feel this applies! The "algorithm" knows! lol. Subscribed!

  • @suino1433
    @suino1433 2 หลายเดือนก่อน

    I love the sound of this. I'll have to watch it a few times again.

  • @Stevie_D_Pre
    @Stevie_D_Pre 2 หลายเดือนก่อน

    What an awesome video. Was not expecting that level of production

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน

      Can't ask for higher praise! Hope can exceed your expectations with the next one as well. Thanks so much!

  • @a11pu1poj
    @a11pu1poj 2 หลายเดือนก่อน

    never seen this explained this way. Really cool way to see how the 3rds interact. good stuff here!!

  • @Bico-420
    @Bico-420 หลายเดือนก่อน +2

    okay I think I have to watch it a few more times to really wrap my head around this, but this looks like the info I needed =D thanks

    • @Newstetter
      @Newstetter  หลายเดือนก่อน

      Please let me know if any questions. Thanks!

  • @castellisports9459
    @castellisports9459 หลายเดือนก่อน +2

    Una gema... Muchas Gracias por esta sintesis.

    • @Newstetter
      @Newstetter  หลายเดือนก่อน

      Gracias, fue mi placer.

  • @drawingwithsound8022
    @drawingwithsound8022 2 หลายเดือนก่อน +1

    Yes!! Free lesson! Thank you! I subscribed! 😄

  • @markslovick9657
    @markslovick9657 หลายเดือนก่อน

    This is a great tutorial on arpeggios and how these relate to modes. This seems like a companion understanding to just learning scales.

  • @Ptitgluant
    @Ptitgluant 2 หลายเดือนก่อน

    MASTERCLASS ! more explanation please ! that's so clear & awesome !

  • @devinthegreig
    @devinthegreig หลายเดือนก่อน +1

    As a drummer with music theory knowledge who plays guitar but has no concept of individual notes on the fretboard, this is wonderfully helpful to me. I basically just go by ear of chord quality but it makes melodic playing difficult because I have no frame of reference for classic positions

  • @makisGibs
    @makisGibs 2 หลายเดือนก่อน

    Pretty solid approach to arpeggio usage!
    Thanks for sharing your thoughts and the way to look at things.
    Most of the time miracles happen when you just change perspective on things you already know!
    Greetings from a fellow musician.

  • @ElDalai
    @ElDalai หลายเดือนก่อน

    Great video! Many years ago, a teacher made me work on this and boosted my playing beyond my belief. Great content. Subscribed.

  • @fisch723
    @fisch723 หลายเดือนก่อน +1

    This is great. I’m going to have to watch it a few times to be able to digest it all.

  • @GoDrex
    @GoDrex หลายเดือนก่อน +1

    Dorian has always had my favorite sound

  • @quentinmorales
    @quentinmorales 28 วันที่ผ่านมา +1

    I was not expecting the tv show sequence :)

  • @oaties-tones
    @oaties-tones 2 หลายเดือนก่อน

    I love this new world. 💙
    These content explanations from new Creators.
    What an AMAZING piece of art. thank you for sharing this with us. I'm overjoyed to see wisdom on such a display. Brahman be with you💙

  • @teachmeguitar4149
    @teachmeguitar4149 2 หลายเดือนก่อน +1

    I'm glad I found this channel early. I think ill enjoy the ride.
    Great info and delivery.
    I love that this isn't a skits, sponsor bragging, unboxing, and guitar culture channel.

  • @reasonsreasonably
    @reasonsreasonably หลายเดือนก่อน

    Loved this. I have some new woodshedding concepts to explore. I can't thank you enough!

  • @StuartwasDrinkell
    @StuartwasDrinkell 2 หลายเดือนก่อน

    This was mind alterting! Thank you Mark!

  • @teflon006
    @teflon006 หลายเดือนก่อน

    I appreciate the explanation of the core fundamentals before diving into how this could be useful. I play other instruments and this bit of theory helps access the connections with the guitar. The interconnected nature of the various arpeggios is easier to see with the visualizations. Thank you!

  • @mrdjangofreeman5560
    @mrdjangofreeman5560 2 หลายเดือนก่อน

    Learning piano jazz, so very good and extremely key video. Thank you !

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน

      You're very welcome!

  • @june5877
    @june5877 2 หลายเดือนก่อน

    This is such a fascinating concept.

  • @Goldilush
    @Goldilush หลายเดือนก่อน

    This is wild. I've been doing this in my noodling and havent seen it articulated before. Amazing!

  • @ChanokchaiChauychoo
    @ChanokchaiChauychoo 2 หลายเดือนก่อน

    Wow. This high quality channel i just discovered. Great work!

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน

      Thanks!

  • @donmartin9489
    @donmartin9489 หลายเดือนก่อน +1

    Thank you very much, I enjoyed the video. Even though I have ADD, but I will watch again to keep on learning.

    • @Newstetter
      @Newstetter  หลายเดือนก่อน

      I hope so. Please let me know if there's anything in the video I can clarify. Welcome aboard!

  • @michaels654
    @michaels654 หลายเดือนก่อน +1

    Yeah, I have looked at this before. It seems like improve concepts arise from this idea, only that they mix other scales like melodic minor, Wholetone, and Diminished. This is a great way to see supertonic.😊

  • @richarddriscoll666
    @richarddriscoll666 2 หลายเดือนก่อน +1

    Very well done sir a plus thank you

  • @double__4640
    @double__4640 หลายเดือนก่อน +2

    I will study this, thank you alot

  • @blake343
    @blake343 2 หลายเดือนก่อน +1

    I have been just starting to figure this out and practice it when youtube recommends this video to me. Internet algorithms r creepy sometimes

  • @Sketchup-fe6ef
    @Sketchup-fe6ef 2 หลายเดือนก่อน +1

    this is all good, i would like to know how to use this over a backing track, and learn one mode at a time

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน +2

      Start with a simple repeating ii-V change and run through the arpeggios one by one, start with the ii ... once you've got that down follow with the vi, the iii, the vii ... etc ... explore the tonality, play them ascending and descending, stop along the way ... break up the patterns by playing them as "coiled" triads, i.e.; A C E, C E G, E G B, G B D, B D F#, D F# A ...Get a sense of what sounds you like, play with timing and rhythm. It's not only about the notes, but how you approach them rhythmically. Try even time, then give them different durations ... it's a process of discovery.

    • @Sketchup-fe6ef
      @Sketchup-fe6ef 2 หลายเดือนก่อน +1

      Would like to see a video on that Mark

    • @cbaton
      @cbaton 2 หลายเดือนก่อน

      I’m trying to absorb it like using a sifter to hold liquid. I guess the virtue of rote learning lessens the sense of awe somewhat…like flying for the first time. I figure I’m in this rabbit hole for the foreseeable eternity. Thanks for lesson.

  • @saulm1257
    @saulm1257 หลายเดือนก่อน +1

    I need to watch this 8 times.

  • @jazznutz
    @jazznutz หลายเดือนก่อน +1

    This I'll have to take in pieces and slow down.

  • @zbkyuh1689
    @zbkyuh1689 15 วันที่ผ่านมา +1

    Dude. Thank you.

    • @Newstetter
      @Newstetter  14 วันที่ผ่านมา +1

      @zbkyuh1689 - You're welcome!

  • @LiquidWhisp3r
    @LiquidWhisp3r 2 หลายเดือนก่อน +38

    I just threw all my guitars out the window.

  • @GM-qz9fo
    @GM-qz9fo 2 หลายเดือนก่อน +1

    At last. Very Good.

  • @TinyBolts1
    @TinyBolts1 2 หลายเดือนก่อน

    love the video and editing

  • @terroreichofficial
    @terroreichofficial หลายเดือนก่อน +3

    Im just the right amount of high for this !

  • @thunderace4588
    @thunderace4588 2 หลายเดือนก่อน

    Thank you Mark.

  • @SolidBuildersInc
    @SolidBuildersInc หลายเดือนก่อน +3

    This is a very impressive insight on the 2 Chord having the most optimal position for staying in the sweet spot of melody.
    As I study your pattern, it appears to simply be within the Unification Pattern of the 3NPS.
    Can you share any insight from your point of view of how to apply your theory to the 3NPS pattern.
    Is it every other note in that pattern or something to that affect?
    Would appreciate your take on that and Thanks so much for a Aha moment with Guitar.

    • @Newstetter
      @Newstetter  หลายเดือนก่อน +2

      Thanks so much for your comment and your question.
      If you're using 3nps patterns, you might have a little difficulty reconciling these particular arpeggio fingerings with them ... Since 3nps scales each cover a wider swath of the fretboard and these arpeggio shapes double back and generally remain in the same position, they are not directly tied to 3nps scales. But yes - you can work out fingerings for skipping every other note in any scale pattern and find arpeggios. Arpeggios are just every other note ... every 3rd ... if you play them all the way through the key.
      One source of confusion I've found in many 3nps depictions is the tendency for people to refer to the patterns based on mode names. The first note of a scale does not define a mode. Modes are defined by their lowest and highest note ... that note is referred to as the "Final" - which is a word you seldom find being used, but it is the correct term.
      SO ... in the key of C, for example, Aeolian mode must begin AND end on the note A. If you play a 3nps scale that goes:
      ABC / DEF / GAB / CED / FGA / BCD
      That is not strictly speaking Aeolian mode. It must begin and end on A to truly 'be' the mode, just as a C major scale must begin and end on C.
      I prefer to use key degree Roman numerals to identify my 3nps patterns ... so I call Ionian "The I", Dorian is "The ii" , Phrygian is "The iii" etc ...
      I use the mode names for these arpeggios because each one begins and ends on the "Final" of each mode. But I'll also use the key degree numeral for simplicity.
      Please let me know if I can add any clarification.
      Thanks!

    • @SolidBuildersInc
      @SolidBuildersInc หลายเดือนก่อน

      ​@@NewstetterAfter a 2nd review, it definitely appears to be an every note pattern with the 3NPS, that has a tuning shift on the 3 string.
      This is very exciting to be able to explore your theory with 3NPS.
      Thanks Again for Sharing

    • @xyzyzx1253
      @xyzyzx1253 หลายเดือนก่อน +1

      If you know your fretboard well enough the 3NPS patterns for each note of the arpeggio should be fairly straight forward,
      You need to know the scale degree under your finger and what legato phrase you want to bring out of it.
      But each 3NPS pattern will be diatonic somewhere.
      (WS, WS) will always be diatonic on the Major 1 4 5
      Where as the 3 and 7 are Hs Ws
      And the 2 and 6 are Ws Hs
      Bring those shapes out and you can flesh out the arpeggio or swap between them and use the arpeggio as a way of string skipping diatonically

    • @SolidBuildersInc
      @SolidBuildersInc หลายเดือนก่อน +1

      @@xyzyzx1253 Indeed,
      You have definitely expressed my gut feeling Sentiment very eloquently.
      If you know the 3NPS fretboard along with Triad inversions you will find 3 well defined patterns that repeat themselves to give you an Appregio track to run on. The same is true for minor keys.
      Having this approach well defined in the mind is 99% of the challenge.
      It's then just getting this under the fingers and I am finding it not to be difficult at all.
      This allows a melodic expression to be almost involuntary which is a step in the right direction for making MUSIC.
      Thanks for Sharing

  • @jesussiloh8989
    @jesussiloh8989 หลายเดือนก่อน

    Thanks Master. You had opened my mind

  • @TheDanielRusso
    @TheDanielRusso 2 หลายเดือนก่อน +2

    thank you sir

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน

      You're very welcome!

  • @Opape1Opape
    @Opape1Opape หลายเดือนก่อน +1

    I got lost. But will definitely save this.

    • @Newstetter
      @Newstetter  หลายเดือนก่อน

      I'll be glad to clarify if you have any questions. Thanks for watching!

  • @pierheadjump
    @pierheadjump 2 หลายเดือนก่อน +1

    ⚓️ Thanks Mark 🌈

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน +1

      Thank you @pierhead. Good to see you again!

  • @pianistNorganist
    @pianistNorganist หลายเดือนก่อน

    Ohh maan as a long time pianist who now turned to guitar this makes soo much sense! I get the theory 100% but I just have to learn the fretboard more 😅

  • @ldlework
    @ldlework 2 หลายเดือนก่อน +1

    The key insight I took away (I know there's more information here that I'm still trying to digest) is that by playing down from a high-pitched root, you inevitably play through the upper extensions of that chord. More generally, playing down from the root anywhere takes you through the upper extensions of that chord. Do I have that right?

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน +1

      Thats the idea ... yes.

  • @hlctunes
    @hlctunes 2 หลายเดือนก่อน

    Great channel

  • @djmileski
    @djmileski 2 หลายเดือนก่อน

    🤯 nice vantage point

  • @Egangzz
    @Egangzz หลายเดือนก่อน

    wow, that way more ez to remind everything, thank you, sir!

  • @brandondefalco8843
    @brandondefalco8843 หลายเดือนก่อน

    This was very cool and informative. Subbed

  • @robertbassinder
    @robertbassinder หลายเดือนก่อน

    Amazing stuff !

    • @robertbassinder
      @robertbassinder หลายเดือนก่อน

      I’m not rich but if I was I’d bless you bc your understanding and to the point way of teaching is Noteworthy! Ty so much Sir!!

    • @Newstetter
      @Newstetter  หลายเดือนก่อน

      Thank you so much as well. It's good to be appreciated for what I have to offer.

  • @stevenjones6780
    @stevenjones6780 2 หลายเดือนก่อน

    Back when I first started on guitar 47 years ago, everyone was focused on minor pentatonic. For some reason I decided to focus more on diatonic thinking instead, and I'm so glad I did! ....Also, wonder what you think of the Barry Harris things...?

    • @Newstetter
      @Newstetter  2 หลายเดือนก่อน +1

      Barry Harris is, of course, a great resource of insight into jazz theory, composition, etc. We can all learn from him. I'm especially interested in his ideas about rhythm and how to shift accents from beat to beat in sequential measures.

  • @narengarapati2556
    @narengarapati2556 หลายเดือนก่อน +1

    Amazing video. I'll need to watch this a few times to really grasp this! Is there a specific reason you decided to group the minor thirds and the major thirds together during the arpeggiometry section? Why not order them in the order of the modes instead? Thanks!

    • @Newstetter
      @Newstetter  หลายเดือนก่อน

      @narengarapati2556
      Thanks for the comment!
      If you mean where there are 4 minor 3rds and 3 major 3rds are shown ( 04:26 ) ... where the modes are being built side by side ... so the sequence of the 3rds is not within the same mode, but as the root intervals for each mode side by side.
      As shown, They are separated by 5ths and are "parallel" chord/mode structures as they ascend.
      Let me know if that's what you're referring to ... If that's not it .. could I ask you to provide the time code for the specific scene?
      I'll be glad to clarify anything that may not be clear.

    • @michael047
      @michael047 2 วันที่ผ่านมา

      @@Newstetter I thought you explained it well at ( 6:33 ), and following. The first mode in the sequence is Dorian (ii), because it has a perfectly symmetrical pattern of alternating minors and majors, since its root starts exactly in the *middle* of the diminished triad of the Locrian mode (which has two consecutive minor 3rd intervals, and is the sole exception in the diatonic scale system of a triad that doesn't alternate between minor and major 3rd intervals. Traveling clockwise in the circle of fifths, the next mode after Dorian (ii) is Aeolian (vi) and then Phrygian (iii) and then Locrian (vii^)... so the first set of modes were four *minor* modes... and after that, continuing clockwise in the circle of fifths, the next set is the 3 *major* modes in the diatonic system... Lydian (IV), Ionian (I), and Mixolydian (V). So, there were two sets of modes: 4 minor modes, and 3 major modes, which is the sequence of modes when you start on the symmetrical Dorian (ii) mode and continue along the Circle of Fifths: 2 - 6 - 3 - 7 - 4 - 1 - 5. Also interesting, since the guitar is tuned in fourths (except for the B string), the sequence of intervals on the same fret on parallel strings goes in the opposite direction (= Circle of Fourths): 1- 4 - 7 - 3 - 6 - 2 - 5. // Thanks for a great lesson!!! Also much appreciated the idea of using upper register modal arpeggios to imply chord extensions...!

  • @gregorylangston5485
    @gregorylangston5485 หลายเดือนก่อน

    This is awesome! Thanks!

  • @leascaart
    @leascaart หลายเดือนก่อน

    Great lesson. Very helpful.i’m still new at guitar. Still overwhelmed. You have a great way of explaining. There were some sections that didn’t make sense. But that’s bc I’m not sure of what exactly is going on. I need to watch this several times. Anyways. Thank you.

    • @Newstetter
      @Newstetter  หลายเดือนก่อน

      Thanks.
      Let me know of any specific things I may be able to clarify.