This is one of my favorite things she's ever sang with or without anyone else. She very rarely sings in this breathy style but it sounds so good when she does.
je viens un peu tard connaitre ce Monsieur, et, franchement bravo/ Celine Dion on la connait mieux c une excellente chanteuse. Merci M. Pellerin magnifique
She can sing anything and adapt her voice to any situation. It was Fred's moment and she was harmonizing. It wasn't time to upstage him and belt it out (although the key was not that high for her at all), but it was a moment of tenderness. She's just great.
Ça lui va mieux cette balade de Willie Lamothe avec sa belle liberté! Céline non, toute pognée comme toujours... Faut dire que je n'aime pas trop non plus son genre sans enlever son potentiel de voix.
I don't know who Fred Pellerin is. But what the heck instrument is he playing? I first heard this charming song, by Isabelle Boulay (and very much prefer that version). However, I am pleased to have the words printed out in this recording by Celine D and Fred P. They seem like a very neat piece of poetry from M. Joly. EXCEPT: "Tu ne peux pas savoir comme je peux t'aimer" feels so awfully clumsy. Two words break the rythm of the song. And this is, after all, the song's punch line. 1) "ne". OK. We can hide this one. 2) The second "peux". It is horrible to use the same word TWICE in the same sentence. And it feels as if we have bitten off more than we can reasonably chew in the space created for us by the delightful melody. We could throw out this additional mouth stuffing word, if we could alter the meaning of the phrase to: "Tu (ne) peux pas savoir comme je t'aimais". I think this works. Without this strange awkwardness, I would be prepared to award the song the greatest possible accolade. Namely, that it should be sung by the greatest female pop singer of our age - Helene Fischer.
Ah Ah! :) This is so funny how you "analyse" and "correct" French Canadian lyrics of a song that has been anchored in our minds for decades (and lyrics that work very well - may I correct you - no matter the so called repeated word "peux"!) . It's not an awkwardness at all. Because, first, your version : "comme je t'aimais" wouldn't have the same meaning (it's past tense, and it's not the case, he's telling her: "you can't know how much I can love you"). And second, this is how we speak. And if we were to correct all the lyrics in American Country songs from the South, with all the twang and the local expressions, we wouldn't be finished... So, a lot of poetic licence. But in this case, "Mille après mille" is perfect. :) P.S. Fred Pellerin is a "conteur"., like in the old days. "Conteurs" are artists who tell stories orally without any support other than their knowledge, their imagination and their talents for improvisation. Fred tells amazing stories in his shows and introduces songs along. And he plays the YUKULELE.
I found the following TH-cam notification in my email inbox. Carole Fleury Ah Ah! :) This is so funny how you "analyse" and "correct" French Canadian lyrics of a song that has been anchored in our minds for decades (and lyrics that work very well - may I correct you - no matter the so called repeated word "peux"!) . It's not an awkwardness at all. Because, first, your version : "comme je t'aimais" wouldn't have the same meaning (it's past tense, and it's not the case, he's stelling her: "you can't know how much I can love you"). And second, this is how we speak. And if we were to correct all the lyrics in American Country songs from the South, with all the twang and the local expressions, we wouldn't be finished... So, a lot of poetic licence. But in this case, "Mille après mille" is perfect. :) But when I came to look at the original TH-cam comment - it had been deleted. Now Carole, this is ALMOST the most intelligent reply I have EVER received ON ANY SUBJECT AT ALL. So please do not be ashamed of it. I don't agree with it. But I REALLY appreciate it. So please do not hide away in the shadows. Step forward. I shall let you into a secret. My ONLY qualification to speak French is a Brtitish "O-level" GCE examination which I passed in 1965. And only with a "grade three". So Prennez votre courage, my dear lady. You will not offend me.
Moreover. Thanks to my indefatigable researches, I found ONE (and only one) recording which did not suffer from the "double peux" problem. The recording is by Gerald Joly himself, recorded shortly after he had written his wonderful song. Here it is: th-cam.com/video/Pz9n5Cy9GyM/w-d-xo.html Listen attentively to the punch line in M Joly's own version. He sings: J'ai tellement besoin de toi, cherie. Is there a higher authority to which I could possibly appeal? And please note that, unlike the inferior versions, it RHYMES. So, I have one piece of advice to Canadian singers of the French persuasion. It is: "Get your acts together!". And don't even get me started on "Barbara".
Sublime chanson je.n’arrête pas.de.me.dandiner,j’adore avec l’accent,du.quebec😂😂😂😂😂
J'écoute cette chanson tous les soirs
un moment de Paix qui fait du bien .
Bravo Fred et Céline
This is one of my favorite things she's ever sang with or without anyone else. She very rarely sings in this breathy style but it sounds so good when she does.
Vive le Québec
En 2022 je trouve cette chanson toujours aussi magnifique version francophone de Jolis mots
QUI ECOUTE ENCORE CETTE CHANSON EN 2023???
Moi !
Moi ❤
Eh bien...comment dire ?
Moi, par exemple ❤
Indémodable !! Reprise par de grands artistes !
ta yeule
je viens un peu tard connaitre ce Monsieur, et, franchement bravo/ Celine Dion on la connait mieux c une excellente chanteuse. Merci M. Pellerin magnifique
Princess c'est ce voyage que je ne peux faire pour te faire rêver pour perdre l'ennui le temps au temps 😢
Moi
Le voci di Céline e Fred si accompagnano alla perfezione!❤
Finalement nous autres les immigrants on ne vous connaît pas assez...et je vais de surprises en surprises de trouver tant de talents
L’originale c’est Willy Lamothe si vous voulez chercher sur internet !!!
I like violin,Celine french singing,And Fred is nice
Une émotion tout en retenue qui n'en est que plus bouleversante 💘
Fred Pellerin , ce talent , tu es beau dans le cœur, et Celine au Québec en quebecoise , ça fait du bien , merci à vous deux beaux artistes
Superbe interprétation... On en veut plus, plus, plus....
Céline respecte tellement nos origines. Incroyable!
Telkens geniet ik van deze twee mensen en wat kunnen ze fantastisch zingen!
Het is een pracht van een lied!
❤❤❤
Liefs uit Holland
Un moment inoubliable...tellement beau
Celine looks so happy here🥰
Honnêtement c'est pas la première fois que je la fais jouer et tout revient au beau Fred ❤
Le vrai francais
Je reviens toujours écouter cette chanson adorable.. merci Fred merci Celine
Jai ete tellement blessé apres 10 maintenant je suis mieux merci papa
Trop beaux! Si seulement il y avait des chansons comme sa aujourd'hui. Quelle bonheur de la réécouter. Merci Internet
This song clearly doesn’t match her voice but I love to see Céline singing these traditional songs of Québec 🥰😍
She can sing anything and adapt her voice to any situation. It was Fred's moment and she was harmonizing. It wasn't time to upstage him and belt it out (although the key was not that high for her at all), but it was a moment of tenderness. She's just great.
En 2023, je découvre ce gar il me fume
Même combat bro 😆
Beautiful song
Merveilleux ❤ ❤❤❤❤❤❤
Magnifique bravo
Tes cool mon Fred ! Je vais maintenant mettre ta chanson Rester debout qui est tout simplement sublime et qui me rejoint 🌹
🎉et merci TH-cam
❤❤❤❤❤❤❤
MOI ! ❤️
🥰
🎶🎶🎶🎶🎶♥️🎶🎶🎶🎶👌
Moi !!!!
😉😉🫶🏻🫶🏻🫶🏻🫶🏻🫶🏻🫶🏻👍👍👍👍👍
Ça lui va mieux cette balade de Willie Lamothe avec sa belle liberté! Céline non, toute pognée comme toujours... Faut dire que je n'aime pas trop non plus son genre sans enlever son potentiel de voix.
Moi
Je me reprend : C'est Tenir debout 😉
I don't know who Fred Pellerin is. But what the heck instrument is he playing?
I first heard this charming song, by Isabelle Boulay (and very much prefer that version).
However, I am pleased to have the words printed out in this recording by Celine D and Fred P.
They seem like a very neat piece of poetry from M. Joly.
EXCEPT:
"Tu ne peux pas savoir comme je peux t'aimer" feels so awfully clumsy.
Two words break the rythm of the song. And this is, after all, the song's punch line.
1) "ne". OK. We can hide this one.
2) The second "peux".
It is horrible to use the same word TWICE in the same sentence. And it feels as if we have bitten off more than we can reasonably chew in the space created for us by the delightful melody.
We could throw out this additional mouth stuffing word, if we could alter the meaning of the phrase to:
"Tu (ne) peux pas savoir comme je t'aimais".
I think this works.
Without this strange awkwardness, I would be prepared to award the song the greatest possible accolade.
Namely, that it should be sung by the greatest female pop singer of our age - Helene Fischer.
Ah Ah! :) This is so funny how you "analyse" and "correct" French Canadian lyrics of a song that has been anchored in our minds for decades (and lyrics that work very well - may I correct you - no matter the so called repeated word "peux"!) . It's not an awkwardness at all. Because, first, your version : "comme je t'aimais" wouldn't have the same meaning (it's past tense, and it's not the case, he's telling her: "you can't know how much I can love you"). And second, this is how we speak. And if we were to correct all the lyrics in American Country songs from the South, with all the twang and the local expressions, we wouldn't be finished... So, a lot of poetic licence. But in this case, "Mille après mille" is perfect. :) P.S. Fred Pellerin is a "conteur"., like in the old days. "Conteurs" are artists who tell stories orally without any support other than their knowledge, their imagination and their talents for improvisation. Fred tells amazing stories in his shows and introduces songs along. And he plays the YUKULELE.
I found the following TH-cam notification in my email inbox.
Carole Fleury
Ah Ah! :) This is so funny how you "analyse" and "correct" French Canadian lyrics of a song that has been anchored in our minds for decades (and lyrics that work very well - may I correct you - no matter the so called repeated word "peux"!) . It's not an awkwardness at all. Because, first, your version : "comme je t'aimais" wouldn't have the same meaning (it's past tense, and it's not the case, he's stelling her: "you can't know how much I can love you"). And second, this is how we speak. And if we were to correct all the lyrics in American Country songs from the South, with all the twang and the local expressions, we wouldn't be finished... So, a lot of poetic licence. But in this case, "Mille après mille" is perfect. :)
But when I came to look at the original TH-cam comment - it had been deleted.
Now Carole, this is ALMOST the most intelligent reply I have EVER received ON ANY SUBJECT AT ALL. So please do not be ashamed of it.
I don't agree with it. But I REALLY appreciate it.
So please do not hide away in the shadows. Step forward.
I shall let you into a secret.
My ONLY qualification to speak French is a Brtitish "O-level" GCE examination which I passed in 1965. And only with a "grade three".
So Prennez votre courage, my dear lady. You will not offend me.
Moreover.
Thanks to my indefatigable researches, I found ONE (and only one) recording which did not suffer from the "double peux" problem.
The recording is by Gerald Joly himself, recorded shortly after he had written his wonderful song. Here it is:
th-cam.com/video/Pz9n5Cy9GyM/w-d-xo.html
Listen attentively to the punch line in M Joly's own version. He sings:
J'ai tellement besoin de toi, cherie.
Is there a higher authority to which I could possibly appeal?
And please note that, unlike the inferior versions, it RHYMES.
So, I have one piece of advice to Canadian singers of the French persuasion.
It is: "Get your acts together!".
And don't even get me started on "Barbara".
He's playing a mandolin.
@@renegadegl
Thank you.
The Chinese are everywhere, these days.
Cette version sonne bien avec des bouchons.
😅