If you're intending on processing a lot of stereo signals, you probably want a stereo filter and stereo IO instead of doubling up. Also, I'd recommend something like an OPTx or ES-9 to make passing signals to and from the computer easier.
Four words: sound to noise ratio. I started in broadcast nearly 50 years ago. For some reason today people a) like to insert artful (and even just white just because) noise in their creations because physics prevents nonlinear increase of noise in digital “amplification” and b) don’t seem to know physics prevents analog amplification without nonlinear increase of noise. Would be interested to discover your noise observations from your new Eurorack adventure compared to maybe VCV Rack counterpart modules (as available) “in the box”
Thanks for an opinion! Adding "artistic" noise is an expression of being tirev with digital culture and cleaniness, I believe. People want their music dirty, organic, because they're rediscovering the fact it actually sounds... better! :) Cheers!
@@FoliaSoundoh don’t misunderstand me, I agree analog distortion real or synthesized can be used as a compelling production element. When I worked on open reel tape decks they were maintained meticulously against wow flutter tape bias frequency etc. What could never be lowered though was the 13-bit theoretical best case possible s/n ratio. Home cassette recorders couldn’t exceed a 6-bit noise floor. Analog noise floors are something they may have to be dealt with, and can be an unhelpful surprise depending on the project goals.
Heeey! What do you think about my build? Having a modular already? Planning to get into it? Lemme know down below!
If you're intending on processing a lot of stereo signals, you probably want a stereo filter and stereo IO instead of doubling up. Also, I'd recommend something like an OPTx or ES-9 to make passing signals to and from the computer easier.
See the other modular vid I dropped on Sunday. My setup works flawlessly! :)
Four words: sound to noise ratio. I started in broadcast nearly 50 years ago. For some reason today people
a) like to insert artful (and even just white just because) noise in their creations because physics prevents nonlinear increase of noise in digital “amplification” and
b) don’t seem to know physics prevents analog amplification without nonlinear increase of noise.
Would be interested to discover your noise observations from your new Eurorack adventure compared to maybe VCV Rack counterpart modules (as available) “in the box”
Thanks for an opinion! Adding "artistic" noise is an expression of being tirev with digital culture and cleaniness, I believe. People want their music dirty, organic, because they're rediscovering the fact it actually sounds... better! :) Cheers!
@@FoliaSoundoh don’t misunderstand me, I agree analog distortion real or synthesized can be used as a compelling production element.
When I worked on open reel tape decks they were maintained meticulously against wow flutter tape bias frequency etc. What could never be lowered though was the 13-bit theoretical best case possible s/n ratio. Home cassette recorders couldn’t exceed a 6-bit noise floor.
Analog noise floors are something they may have to be dealt with, and can be an unhelpful surprise depending on the project goals.
super my friend a great show!!
Thanks, James!
Miłej zabawy życzę
Dzięki, Artur!