So glad you did this! I loved your original performance post of this song and you were kind enough to explain your chords to me in the comments. The G riff works for me but I have trouble with the C riff. I will work on this more.😀 Fun!
I learned to play this when my band played my daughter's wedding a few years ago. There's a really nice lesson for this from Jason Read which also includes the horn riffs, though his shuffle pattern is not a nice as yours. What you are playing for the shuffle looks like a variant on the Keef Richards pattern. The C chord alternates with what is almost an F chord (it would be if the 1st string is not sounded), likewise the G chord alternates with the C. Handy for playing any shuffle in C without having to barre.
there's another tutorial posted by Jam Class which covers the piano and horn parts too. Take a little from all three, especially if you have two guitars playing, and it can sound really impressive.
Hi man I just look after rockabilly tricks on accoustic guitar on the net and find your Channel…. Thks its awesome….. iam already a huge fan. I was looking for some brian setzer licks on rock this town….. can you help ?🙂 whatever u can do pls keep on the good work 🙏
Thanks very much! I don’t play any Brian Setzer style guitar I’m afraid. He’s a great player, but I’ve always preferred the 1950s original rockabilly. Brian’s playing is a little to jazzy for me.
@@RocknRollSongbook you are absolutely right with Brian style. A little bit more jazzy with thé straycats much more with the big orchestra. Anyway it’s good music.
I've noticed you are no longer jamming on the J45 and have moved on to I think a J-00...very jangly. Is there a reason for this or do you have a wide collection? I'm having a slight issue with my J45 feeling the action is high but worried about losing the bass if I adjust.
I loved my J45, but I found it was hurting my right shoulder. It’s a big, fat guitar, and I like to play with my guitar quite high up, and I play a lot. I now have two Gibson L00 ‘s - a ‘Studio’ and a ‘Standard’ . They’re smaller and not quite as loud as the J45, but still have something of that J45 sound and feel - particularly the Standard that I’m playing in this video. I prefer these smaller guitars nowadays.
Very well explained and very helpful. I'm trying to work out whether you look like Harry Hill or he looks like you.😂. But perhaps it's irrelevant. Thanks for the tutorial.
Thanks! In some contexts you might call that chord shape an Fmaj7. In this context it would be most accurate to call it a C6sus4 - you're adding a 6th and 4th to the basic C triad. The distinction is determined by what you consider to be the root note of the chord - a C in this instance.
Yes, an Fmaj7 was what I thought it was called. So, the chord name changes depending on from where one starts? Interesting. It's all new to me. Thanks. Cheers
@@tyanez Yes, that's correct. Here are another couple of examples of this: xx0000 could be considered either an Em7 or a G6, and xx2010 could be considered a C or an Am7. If a bass player were playing along with you, then the root note they picked would change the interpretation of the chord. It's a little like how a C# may be considered a Db, depending on the key in which you're playing.
Thanks for the request. And your confidence in me 😊 I’ve got a lot going on at the moment (house moving ‘n’ stuff). I’m hoping to get more tutoring videos done once things have settled down. 👍
Great lesson for this song. Excellent! Thank you.
Thanks very much!
Excellent work my friend.... Great lesson.... Thank you so much for posting this.... You're an excellent teacher....😊
Thanks very much Colin!
I believe this is excellent. THANK YOU SIR.
Thanks very much!
Great cover. Keep our rock and roll alive 🇺🇸
Thanks very much!
Beautiful song
Thanks very much Lawrence!
Great thanks
Such a fun tune and a wonderful lesson. Thanks Jez😀
Thanks very much!
Love the sound of that guitar
Thanks very much Mark!
Great stuff!!
Thanks very much!
Thank you for another excellent video, Jez! You create some of the best tutorials on TH-cam!
Thanks very much Kelley! You’re very kind.
Bonjour mon ami, Merci pour ce tuto 👍👍
Great job Jez. Thank you 🙏
Thanks very much!
Really useful - and fun. Many thanks for this!
I’m glad you found it useful. 👍
Excellent tutorial, thank you
Thanks very much!
Well Jez certainly know how to make life fun , top marks yet again kind regards Pete 🤓
Thanks very much Pete!
Lovely Jez! Thanks for a concise tutorial and the memories! Cheers from Cyprus!
Thanks very much! 👍
Good stuff.. thanks 🤠
Thanks very much!
Muchas gracias !
Saludos.
Love this tune.
👍
Nice lesson!
Thanks very much Tim!
So glad you did this! I loved your original performance post of this song and you were kind enough to explain your chords to me in the comments. The G riff works for me but I have trouble with the C riff. I will work on this more.😀 Fun!
Thanks very much! I’m glad you found this useful. 👍
Great!
Thanks Barry!
Excellent song and interpretation, I liked it a lot, congratulations from Madrid and see you soon
Thanks very much!
I learned to play this when my band played my daughter's wedding a few years ago. There's a really nice lesson for this from Jason Read which also includes the horn riffs, though his shuffle pattern is not a nice as yours. What you are playing for the shuffle looks like a variant on the Keef Richards pattern. The C chord alternates with what is almost an F chord (it would be if the 1st string is not sounded), likewise the G chord alternates with the C. Handy for playing any shuffle in C without having to barre.
there's another tutorial posted by Jam Class which covers the piano and horn parts too. Take a little from all three, especially if you have two guitars playing, and it can sound really impressive.
Excellent Jez & chord riff useful for other songs too
Thanks very much! Yes 👍I use those chord riffs quite often.
👌merci 👍
👍
Nice guitar too.
Thanks very much!
Nice
Thanks very much!
TOP!!!❤
Thanks very much Martin!
Hi man I just look after rockabilly tricks on accoustic guitar on the net and find your Channel…. Thks its awesome….. iam already a huge fan. I was looking for some brian setzer licks on rock this town….. can you help ?🙂 whatever u can do pls keep on the good work 🙏
Thanks very much! I don’t play any Brian Setzer style guitar I’m afraid. He’s a great player, but I’ve always preferred the 1950s original rockabilly. Brian’s playing is a little to jazzy for me.
@@RocknRollSongbook you are absolutely right with Brian style. A little bit more jazzy with thé straycats much more with the big orchestra. Anyway it’s good music.
@@blueberry2a 👍
Tu es imbattable dans ce domaine 👍👍👍
Merci beaucoup!
Excellent stuff.
Any tabs for the solo--I know its not on a guitar, but would sound good on one.
Thanks very much! Sorry, I haven’t.
Nice video! Guitar sound is fantastic. Wich guitar is it?
Thanks very much! I’m playing a Gibson L00 Standard.
👏👏👏👏👏👏
Thanks very much Nicolas!
❤❤❤🎉
👍👍😊👏👏
Thanks Paul!
Any chance you can play this on electric guitar
I've noticed you are no longer jamming on the J45 and have moved on to I think a J-00...very jangly. Is there a reason for this or do you have a wide collection? I'm having a slight issue with my J45 feeling the action is high but worried about losing the bass if I adjust.
I loved my J45, but I found it was hurting my right shoulder. It’s a big, fat guitar, and I like to play with my guitar quite high up, and I play a lot. I now have two Gibson L00 ‘s - a ‘Studio’ and a ‘Standard’ . They’re smaller and not quite as loud as the J45, but still have something of that J45 sound and feel - particularly the Standard that I’m playing in this video. I prefer these smaller guitars nowadays.
👍
👍
Very well explained and very helpful. I'm trying to work out whether you look like Harry Hill or he looks like you.😂. But perhaps it's irrelevant. Thanks for the tutorial.
Hehehe. Thanks Douglas! I love Harry Hill.
Very cool. Not that it matters, but wouldn't that variation of the C chord be considered in F chord?
Thanks! In some contexts you might call that chord shape an Fmaj7. In this context it would be most accurate to call it a C6sus4 - you're adding a 6th and 4th to the basic C triad. The distinction is determined by what you consider to be the root note of the chord - a C in this instance.
Yes, an Fmaj7 was what I thought it was called. So, the chord name changes depending on from where one starts? Interesting. It's all new to me. Thanks. Cheers
@@tyanez Yes, that's correct. Here are another couple of examples of this: xx0000 could be considered either an Em7 or a G6, and xx2010 could be considered a C or an Am7. If a bass player were playing along with you, then the root note they picked would change the interpretation of the chord. It's a little like how a C# may be considered a Db, depending on the key in which you're playing.
Jez We need I'm In Love Again by Fats and We need it bad. I am 100% certain You can do it.
Thanks for the request. And your confidence in me 😊 I’ve got a lot going on at the moment (house moving ‘n’ stuff). I’m hoping to get more tutoring videos done once things have settled down. 👍