Shoutout to Clint. Dude was making sick, underrated videos on TH-cam then disappeared. I didn’t know it was because he eventually joined Erra, what a switch up 😂 you rule, Clint
the rhythm dude has won my heart in about 30 seconds of watching this, the paint job on that 7 is OUTSTANDING lol. And I love the ink as well, hell yeah
@@JMRxYMComparing art is already a dumb idea let alone putting it for competition. These bands, despite being inspired and derivative, are trying to create their own sound and own uniqueness.
Seems like a no brainer for Ibanez to drop a Jesse cash or an invent animate - 7 string, 27’, evertune, classy looks - seems there’s a big audience for one
Or for the love of god at least give us something with a 27" scale , 7 strings and an evertune as a starting point. Jackson, im looking at you as well (yes I know the Josh Smith signature exists but that ain't it for me haha)
Rig rundowns need to dive deep into the signal chains and setting of digital modelers as it’s equivalent to analog chains you would normally see in a rundown !!!
thanks a lot for covering ERRA , great to see these sorts of bands getting coverage on here , if you could cover Botch and Misery Signals before they split up, that would be incredible 🙌kudos for the great work
I play Quad Cortex, but as a fan in the crowd it’s the worst experience w/o cabs on stage especially if you’re sitting in the front all you get is drums. If you wanna go to the show and sit by the sound guy or the very back it sounds great
@@stevenhammerle that may be true as well but depending on the venues you’re playing you’re expecting them to have enough to cover the room and have more on stage. A lot of us aren’t so lucky to play extravagant venues. So if I can provide any time of help to carry my sound to make sure it’s just not a drum show imma do it lol
@@stevenhammerle most venues aren't built with having no cabs in mind for that kind of sound. but i also never sit up front really because I'd rather go to a pit or move around.
Side nite for the 7 string nerds out there: those locking tuners are Tone Ninjas and the post is bored out to like. 074 or .08, so you can put beefy strings on it. They're also pretty affordable!
I thought titans were much tighter than they are hot, so I wonder if his set wasn't defective or installed incorrectly. Fantastic run down tho thanks so much for this! God damn that XL is too beautiful...
The lag happened because kemper was switching entire presets (due to delay fx bpm syncing and stuff) while the quad is probably using your 'scenes' or whatever you call it which seems seamless. Kemper had a recent update where you should be able to set it up for lag-less switching.. But since I had the stage version a couple years back I could really tell there's not much to explore FX wise. Also - with the QC you can create great copies of your pedals, not just amps. So well worth it i guess.
The old Toshiba laptop part was so relatable. I feel akin to Jessie. I love to just write. I use my phone to capture most of my ideas, and I just let the pros mix/master my shit. 🤣
Clints thoughts when the other dude said "it goes back to factory settings when you turn it off": JUST PRESS SAVE (twice) haha. Both smart in their own way
All their tones come from other artists packs who make similar music. Lol. Thats why so many bands start to sound the same these days. All using the exact same plugins for their tones. Misha, plini, etc. same with drum packs.
I use GP5 to program all my drums and synth parts (and to tab the guitar and bass parts for my band mates), then I bounce it to MIDI and create the sounds in my DAW.
Well, the whole digital thing is cool. What happens when that completely shits the bed or your laptop not working that day. And become so reliant on computers to do their switching and having click tracks in their ears and all that if you took all that away, they wouldn’t know what to do.
That happened with Periphery on one of their first big tours...with Dream Theatre I believe. The answer is power redundancy, backup laptops and hard drives. At the time Periphery only had just the one laptop and it almost ruined their shot when it shit the bed.
They all keep getting better and reliable. That’s the point. Manufacturers of these digital equipments aren’t just sit on the problems and do nothing 🤦
Tf? Northlane hasn't be remotely listenable since 2014. They haven't even been metalcore for a decade, they're some awful electronic dubstep track looping garbage ever since Adrian left. Why would any respectable band want to copy the trash that Northlane's put out?
It's a shame that these kids that grew up with digital modeler/profilers don't even care about the quality of hearing themselves on stage and think everything should be "on the beat". Maybe if you only want robotic music!
They are totally oblivious to how insane that sounds. I honestly feel bad for them sometimes. I get this style of music is almost meant to be “robotic” but still.
There's a place for every different style of music. There's nothing superior or inferior about Erra compared to, say, a classic rock band that just "feels the beat" and plays with 120dB of stage volume. Some people don't mind being deaf by the end of their set, and others play songs that are intricate enough to need everyone perfectly synced up to pull it off. I guarantee these guys have done it both ways, and the setup they've landed on is what's optimal for them.
Lots of guitarists will call the running whatever displays on their tuner lol. Nothing wrong (in practice) with saying Drop G#, and for a lot of guitarists it keeps other guitarists from being confused since not everyone knows what a flat is lol
@@JordanfromOhio - They sound the same. In between G and A, but function differently. I would label it in flats since it’s tuned down from standard. Labelling it sharps would be placing a capo somewhere and going up. Technically.
@Burnt_Gerbil lol you're a total idiot, it's the same tuning. Nowhere does labeling a note as a sharp insinuate it's tuned up. We number the octaves already for this reason dummy. If it was tuned up it could be labeled g sharp (3) pr g sharp (4) and still be correct. In guitar we usually go by sharps to keep things simple because that's what all the tuners use is sharps not flats.
Why? Because they're more concerned with writing and performing insanely great music instead of relying on obnoxious personality traits and appearances instead?
@@Geetarishie I love these types of comments 😂 Completely missed the point because emotion is more keen to you than logic - even with full evidence right in front of your face.
They use the QC to shift tunings down below G# and according to Clint, a lot of their core tones and sounds are based around a STL Tones DZL Herbert import for rhythms, Neural’s Misha Mansoor Archetype for leads, and their Plini Archetype for cleans.
![Periphery Rig Rundown with Misha Mansoor, Mark Holcomb & Jake Bowen [2023]](http://i.ytimg.com/vi/exNDGUQBCYM/mqdefault.jpg)
![Periphery Rig Rundown with Misha Mansoor, Mark Holcomb & Jake Bowen [2023]](/img/tr.png)
Shop ERRA's Gear:
Ibanez Prestige RG2027XL - sweetwater.sjv.io/k01Nnv
DiMarzio D Activator 7 Humbuckers - sweetwater.sjv.io/KjMoON
Ibanez Prestige 752. - sweetwater.sjv.io/75vWng
Jackson Pro Plus Series DK Modern EverTune 7 - sweetwater.sjv.io/q4aemY
Fishman Fluence 7-String Modern Humbuckers - sweetwater.sjv.io/xkg0r1
Neural DSP Quad Cortex - sweetwater.sjv.io/5gmox9
Sennheiser EW G4 IEM Wireless - sweetwater.sjv.io/QyMRAo
Shoutout to Clint. Dude was making sick, underrated videos on TH-cam then disappeared. I didn’t know it was because he eventually joined Erra, what a switch up 😂 you rule, Clint
I literally was about to say this, his little videos helped heaps!!
His contents were great!
thats true dudeee, his editing is insane too, didnt know he join erra while disappearing
he also play bass for babymetal
He also made all the album art, which is so sick imo.
Gained a ton of respect for Clint, going from TH-cam to ERRA and being relied on almost immediately for the technical know how is impressive
the rhythm dude has won my heart in about 30 seconds of watching this, the paint job on that 7 is OUTSTANDING lol. And I love the ink as well, hell yeah
Clint
Erra are incredible. New album absolutely crushes
I know they're from different years but I didn't think ERRA could match IA's Heavener as far as a cohesive album. This past project was insane
@@JMRxYM Did I miss something, or you just went out of your way to bring up Invent Animate to an Erra's video?
@@yokisullivan8647 it's not "out of the way" to compare art lmaooo I love both bands jfc
@@JMRxYMComparing art is already a dumb idea let alone putting it for competition. These bands, despite being inspired and derivative, are trying to create their own sound and own uniqueness.
They gotta give Jesse a signature guitar, come on Ibanez.
Weird, isn't it?!
Seems like a no brainer for Ibanez to drop a Jesse cash or an invent animate - 7 string, 27’, evertune, classy looks - seems there’s a big audience for one
I remember from the Josh Smith interviews that he said they worked on his for around two years, so they might still be prototyping Jesse's.
Or for the love of god at least give us something with a 27" scale , 7 strings and an evertune as a starting point. Jackson, im looking at you as well (yes I know the Josh Smith signature exists but that ain't it for me haha)
@@Craigs_mums_bush Ibanez is allergic against making 27" scale guitars.. They seem to think 26.5 is enough for some reason.
This one was a blast & I hope everyone enjoys this episode! Jesse and Clint are righteous dudes with talent for days
These guys are criminally underrated, awesome band, their singer JT is a beast, and the new album is phenomenal.
Not to mention Jesse sings cleans fucking awesome and writes great riffs. Great mix.
how? they just rip off Periphery, and even repackage Tool riffs but worse, these guys blow
Rig rundowns need to dive deep into the signal chains and setting of digital modelers as it’s equivalent to analog chains you would normally see in a rundown !!!
Literally.. defeats the whole point, we’re trying to copy these guys settings!
Check out STL tone hub, the Deizel Herbert model he mentioned - preset Bank 03 Hex something... Sounds just like their tone.
Jessy is so oldschool, he still writes the 2000-2010 way. So cool.
One of the best live bands I've seen in recent history. Great band!
Just saw ERRA in Denver with Make Them Suffer and Novelists. That show slapped. I had a great time and the bands were on point all night.
Love these guys, met Jesse after a concert, such a sweet and sympathetic soul
thanks a lot for covering ERRA , great to see these sorts of bands getting coverage on here , if you could cover Botch and Misery Signals before they split up, that would be incredible 🙌kudos for the great work
I love these two. I could sit and talk gear stuff with these dudes for hours. Great vid, gang!
You guys need to do EMPLOYEE RIG RUNDOWN'S! Can't believe you haven't done it yet
Employee? Is that a new band?
“It sounds good” is all guys like Jesse and Keaton from IA need to know and that’s the most rock star shit ever 😂.
past life persona is EVERYTHING to me! It's so melodic and beautifully written! Love the lyrics also!!
Awesome rig rundown! Erra are a great band! 🤘
I'm not a fan of bright colors especially on guitars but man Jesse's ibanez is beautiful, the pearloid pickguard makes it look so clean and classy.
Thank you SO MUCH PG I’ve been waiting to see these guys on here
I love this chill interview. Kudos Chris Kies
I play Quad Cortex, but as a fan in the crowd it’s the worst experience w/o cabs on stage especially if you’re sitting in the front all you get is drums. If you wanna go to the show and sit by the sound guy or the very back it sounds great
100% we run ours through cabs.
Periphery started using cabs for that reason if I'm not mistaken
That's a lack of proper coverage from the PA more than the lack of cabs on stage.
@@stevenhammerle that may be true as well but depending on the venues you’re playing you’re expecting them to have enough to cover the room and have more on stage. A lot of us aren’t so lucky to play extravagant venues. So if I can provide any time of help to carry my sound to make sure it’s just not a drum show imma do it lol
@@stevenhammerle most venues aren't built with having no cabs in mind for that kind of sound. but i also never sit up front really because I'd rather go to a pit or move around.
My most listened album of the year along with knocked loose. Love Jesses writing style - didn’t know much about Clint but he seems like a cool dude
ERRA will be always in my watchlist
Tabit is the best. Idk what I would do without that program. So cool to see some professional artists still using it.
Dude shoutout Tabit! I used to write everything with that!! Almost forgot about it!
I was just vibing to their introduction and then I get slapped outta nowhere with the greatness that is the Cure chorus. Goddamn XD
My Fav band ever. Thanks for this
Side nite for the 7 string nerds out there: those locking tuners are Tone Ninjas and the post is bored out to like. 074 or .08, so you can put beefy strings on it. They're also pretty affordable!
I thought titans were much tighter than they are hot, so I wonder if his set wasn't defective or installed incorrectly. Fantastic run down tho thanks so much for this! God damn that XL is too beautiful...
The lag happened because kemper was switching entire presets (due to delay fx bpm syncing and stuff) while the quad is probably using your 'scenes' or whatever you call it which seems seamless. Kemper had a recent update where you should be able to set it up for lag-less switching.. But since I had the stage version a couple years back I could really tell there's not much to explore FX wise. Also - with the QC you can create great copies of your pedals, not just amps. So well worth it i guess.
Im watching this vid not gonna lie just realizing I'm about to see them live in a few hours. 🤣
Great band, Nice video. I'm gonna go make a 3 egg omelette now, I'm craving one for some reason
how was it big dawg
Premier guitar, I agree with the comments below, there needs to be a segment on digital modellers and plugins as that's the future of guitar gear.
The old Toshiba laptop part was so relatable. I feel akin to Jessie. I love to just write. I use my phone to capture most of my ideas, and I just let the pros mix/master my shit. 🤣
I really wish they did a rig run down of Connor’s setup and his bass guitars .
I don't even know what to think of Jesse and ERRA any more.
Nice job.
Incredible & Hilarious! I still use TabIt as well... vocals get tabbed using the "clarinet" sound XD
- Cliff
Not an Ibanez guy but that is a real nice looking piece!
Another great band mentions TabIt. Bring it bakc!
Clints thoughts when the other dude said "it goes back to factory settings when you turn it off": JUST PRESS SAVE (twice) haha. Both smart in their own way
Interesting what ir erra use?who know it ?
Can we get a Polaris Rig Rundown?
Clint still doing galactic empire stuff?
Imagine evertune bridge is such a help for jesse's writting skills.
I can't believe he mentioned tabit. I use it as well.
The amp modeler is killing the rig rundown
Evertune rules!!!
My dude literally just said their holes are filled in by each other with a straight face
ADTR and MESHUGGAH RIG please, live sounds so fckn greeaatt
7 years old but
th-cam.com/video/B72ZvE6bOOg/w-d-xo.htmlsi=nWXxlaQFD0moTCYG
Best Ibanez LACS ever
YESSSS!
Ibanez model names will suffice for any password strength requirement... just saying
Dang!! That purple dinky 🔥
All their tones come from other artists packs who make similar music. Lol. Thats why so many bands start to sound the same these days. All using the exact same plugins for their tones. Misha, plini, etc. same with drum packs.
I feel like Jesse by still using guitar pro 5 in 2024
the best feature of the newer versions is you can export to gp5 😂
I use GP5 to program all my drums and synth parts (and to tab the guitar and bass parts for my band mates), then I bounce it to MIDI and create the sounds in my DAW.
@@fromdepthswerise3024 that's exactly what I do
I'm still using guitar pro 5.2 😂
Damn how tall is Clint 😂
Well, the whole digital thing is cool. What happens when that completely shits the bed or your laptop not working that day. And become so reliant on computers to do their switching and having click tracks in their ears and all that if you took all that away, they wouldn’t know what to do.
That happened with Periphery on one of their first big tours...with Dream Theatre I believe. The answer is power redundancy, backup laptops and hard drives. At the time Periphery only had just the one laptop and it almost ruined their shot when it shit the bed.
never heard of backups before?
@@jimmymht01 some ppl aren’t the brightest…
@@jimmymht01 exactly, and laptops are getting cheaper while the amps most people use are getting more and more expensive
They all keep getting better and reliable. That’s the point. Manufacturers of these digital equipments aren’t just sit on the problems and do nothing 🤦
ERRA! ERRA! ERRA! OH WAIT...
These kids today are so......nice. Where are the dirtbag Rock-n-Rollers???
Problems with Kemper l have seriously NEVER heard from anyone else. It’s ALL good l suppose. QC rocks.
Wait why are people getting mad if yall hold their guitar? Lol whatttttt
Kemper needs a new product BAD. Just about every band is moving to Neural DSP.
These guys sound like 2007 even more than they look it
Tabit Supremacy
Rig Rundowns are so boring now that every one is using modelers
It’s the easiest way to have a good sound without 300 kilos of equipment 🎉
@denverwalker9078 Agreed. I get that touring costs are out of control, but there’s no point to these videos whenever everyone is using the same stuff.
Don't watch them?
It would be much better if they showed the signal chain on the modellers at least.
Thats actually a great idea. @@justinvzu01
They could use a little movement. A lil stiff lol
I love Erra to death, but cmon man give Northlane their flowers lol. New stuff sounds like something Jon would’ve wrote, just a little bit harder.
they actually cite northlane as their inspiration behind their st record among other ones theyve made
Tf? Northlane hasn't be remotely listenable since 2014. They haven't even been metalcore for a decade, they're some awful electronic dubstep track looping garbage ever since Adrian left. Why would any respectable band want to copy the trash that Northlane's put out?
@@gunGrief you’re crazy if you can’t see the comparison, just listen to NL’s last 2 albums
@@gunGrief idk take it up with them? lmao
Clint is such a babe lol.
Heavy tones are becoming homogenized. There's so much gain that everything sounds the same. I would love to hear these guys with 25 or 30% less gain.
Idk if your ears are bad or if you're some sort of amateur, but their tone doesn't have that much gain.
it really doesn’t have that much gain. that’s why the tone isn’t as muddy and you can hear it well in their live mixes and songs itself.
clint absolutely has too much gain
I’m just like the guy on the right. I play an Ibanez 7 string, and don’t even have a phone.
Nobody played a note
It's a shame that these kids that grew up with digital modeler/profilers don't even care about the quality of hearing themselves on stage and think everything should be "on the beat". Maybe if you only want robotic music!
They are totally oblivious to how insane that sounds. I honestly feel bad for them sometimes. I get this style of music is almost meant to be “robotic” but still.
There's a place for every different style of music.
There's nothing superior or inferior about Erra compared to, say, a classic rock band that just "feels the beat" and plays with 120dB of stage volume. Some people don't mind being deaf by the end of their set, and others play songs that are intricate enough to need everyone perfectly synced up to pull it off.
I guarantee these guys have done it both ways, and the setup they've landed on is what's optimal for them.
Dans mixes are not good. All of the lead guitar is in the back of the mix in each song
🤣
Irreversible. Lots of different parts and still heavy.
damn havent heard about yvette young in like 5 years. she fell off hard
Tbh, I much prefer Sean Price.
Why?
🅿️❗️
i prefer alan rigdon
BLAH ...
I don’t trust anyone who tattoos their hands.
why
@@Jinroxxuxcus he's a coward
@@burneraccounthandle okay that didn’t answer my question…
@@Jinroxxux you're a coward too
@@burneraccounthandle wat how
He means Ab. It can’t be G#. There’s already a Gb on the third string. Mixing accidental. Theory lesson over. Carry on. 🤓
Lots of guitarists will call the running whatever displays on their tuner lol.
Nothing wrong (in practice) with saying Drop G#, and for a lot of guitarists it keeps other guitarists from being confused since not everyone knows what a flat is lol
I’m sorry, and correct me if I’m wrong but drop Ab and drop G# are the same thing. From low to high it would be G#D#G#C#F#A#D#.
@@JordanfromOhio - They sound the same. In between G and A, but function differently. I would label it in flats since it’s tuned down from standard. Labelling it sharps would be placing a capo somewhere and going up. Technically.
@Burnt_Gerbil lol you're a total idiot, it's the same tuning. Nowhere does labeling a note as a sharp insinuate it's tuned up. We number the octaves already for this reason dummy. If it was tuned up it could be labeled g sharp (3) pr g sharp (4) and still be correct. In guitar we usually go by sharps to keep things simple because that's what all the tuners use is sharps not flats.
@@JordanfromOhioyoure definitely right, that dude is not educated
These guys are boring af. The dude on the right is pure lazy.
Why? Because they're more concerned with writing and performing insanely great music instead of relying on obnoxious personality traits and appearances instead?
@@ElevenEightNate Shut up
@@mario23sbwho cares he makes banger music and made it further than you ever will
@@Geetarishie I love these types of comments 😂 Completely missed the point because emotion is more keen to you than logic - even with full evidence right in front of your face.
Great video, but kind of pointless to call it a rig rundown when you dont talk about their signal chain whatsoever or their presets.
They use the QC to shift tunings down below G# and according to Clint, a lot of their core tones and sounds are based around a STL Tones DZL Herbert import for rhythms, Neural’s Misha Mansoor Archetype for leads, and their Plini Archetype for cleans.
@@premierguitar huh since when does misha mansoor have an archetype
Clint said they “captured” the Misha’s JST Toneforge
i see, thanks!