Learn how to support and place your voice so that YOU can freely mix your TA and CT coordinations for a healthy and powerful mixed voice. Join my free course! chrisliepe.com/free-your-voice/
I have been waiting for this exact video truly explaining both the CT and TA muscles, AND PHYSICALLY showing how they work. I finally have the answer I've been looking for for years. THANK YOU!!! BTW...A lot of your fry in head voice, with a more back or rear placement, sounds like that's where Axl liked to live a lot. Great video!!!!
Wooohooooo Chris!! yeah man! It may be nerdy but WOW, your demonstrations are so over the top helpful. I've been learning this stuff over and over and kept stumbling around with getting it. You've taken so much important information and presented it in a way that made just made a whole bunch of of puzzle pieces come together in a way that I can use and understand. So so so cool! Thank you so much for this video. You, your videos and your courses have helped me make huge progress in my enjoyment and production of my voice. Thank you.
long time lurker. this was eye opening. totally lines up with the way i feel my voice. seeing that the 2 resonances seem to have their corresponding muscle, and understanding that “mix” uses both of them
Excellent instructional video 🙌🤩 My inner singing geek is doing a happy dance. The video images, diagrams, easily understandable descriptions and thorough demonstrations makes this the most helpful video on mix that I’ve seen. Thank you for your consistent quality instruction in these free YT videos as well as your outstanding online courses and group coaching course that have helped me personally and many others do exactly what you claim, free and discover our voice, at a level we didn’t know was possible. 🙏🥰
Love this. I'm just beginning to explore mixed voice with my tutor. I'm not so good when it comes to theoretical approaches to the physical manipulations we're trying to achieve, so this is incredibly helpful for me.
Almost all singers do drugs and smoke cigarettes. You can force your techniques and style. Yeah it'll probably ruin your voice and you'll get nodes or worse but those things do not necessarily kill your voice. It's not the same mechanism killing it
Great one, Chris. You continue to put your students first and remain results-driven as you quest for more approaches that resonate with more people. I appreciate that and all of your work. Sorry for blowing off your emails for so long. I signed up for your course a long time ago but I'm not a singer I'm an engineer so it's not the highest of priorities for me. Being a good singer is still something I want for personal projects and various producer situations I take on so I plan on doing the course eventually. I recommend you to all of my clients though.
Hey Chris, happy New Year!! I think according to a 2013 study, more TA≠more chest quality, and more CT≠more head quality, in fact, for the SAME NOTE, a chest voice has significantly greater CT activity compare to a chestmix. The study showed pitch level has greater impact on the CT and TA ratio than register(chest or head). This is not meant to be a "gotcha" comment, I think your demonstrations and vocal advices are excellent.👍🏻 Especially the fry in between the chest and the head voice, it's a very practical way to find the spot to extend your range. But once you attribute it to CT and TA ratio, then you might start derailing from practical singing mentality, and put yourself in a scientifically highly debatable position. Because CT and TA are not like our fingers where we can control them individually, they always work together, we can mentally think more CHEST to change how we sound, but we can't think more TA like we move a finger. Plus TA dominant only happened below 300hz(D4), once you get pass D4, whether you know how to sing or not, it's always CT dominant regardless which register you're in. The study I cited is called 《Cricothyroid Muscle and Thyroarytenoid Muscle Dominance in Vocal Register Control: Preliminary Results》you can look it up if you like. But if new study had came that over turn this result, then forget about my comment.😄Anyway, I think you're an excellent teacher/singer, and I wish you the best.😄
Thanks so much for your professional, positive approach to engaging in this discussion! I really appreciate it! And this: "The study showed pitch level has greater impact on the CT and TA ratio than register(chest or head)" is exactly what I hope I'm clearly demonstrating with all my dumb sounds :) As I feel it, and have studied it (doesn't mean it's right or wrong, just observed) For someone who is engaging their voice in a healthy way (not straining in chest voice to raise pitch) the statement I quoted from you is the best way to put it! But as I've worked with students over the years... The temptation to push push push in chest voice without feeling that "rocking" sensation associated with CT engagement enables, causes the above statement in quotes to be a bit grey. In fact, all muscle engagement around the body... especially in the vocal tract are so dependent on the technique of the actual individual that it's REALLY tough draw lines in the sand or paint things black and white. I've learned this from studying too many throat cameras to count as well as training in exercise science and physical therapy. This is why, in most of my videos, I prefer to teach off of sensation that leads to sounds rather than getting into the weeds with terms. Terms, after all, only have meaning because we assign them meaning. We see this all the time with the term "vocal fry" or the term "fry scream". They mean different things to different people. And no one is really wrong or right if the language they are using helps them find the sensations that lead to the sounds they want. I agree with this study you've highlighted! I also agree with the resources I used to present this video. They co exist very well together as long as you make allowances for the fact that a singers vocal technique ultimately dictates how the muscles are used. Look at Will Ramos's Throat cam video and observe his crazy one-of-a-kind constrictions and use of supporting muscles and tissues. (the twist) Then look at mine and how I use false cords/arytenoid cartilage as a means of compression and distortion with primary cord engagement. You could write studies with opposing views on how the vocal tract works just from those two scopes! It doesn't mean that either study caries more weight... Only that they were studying different samples to arrive at their results.
@@chrisliepe Hey Chris, I didn't expect you would spend the time to give a lengthy response, and I hope everyone that walk by can be benefit from it. And yeah, I completely agree with you going with the physical sensation route is a much better/practical way to get to the target sound, which is how you usually do thru out many of your tutorial videos. So when I saw this video I was a bit surprised, thinking: "really? you wanna go with CT:TA?"🤣 I personally would leave the science/debate to the scientists, as a musician/singer, I would just focus on the singing part, because after reading a bunch of voice science research, I've just loaded a bunch of interesting facts into my memory, it did not help my singing at all.🤣 And for "push push chest", it happens ALL around the globe, regardless of ethnicity, culture, and style.🤣 I think not because untrained singers love/want to push, I think they just don't have many options to choose, or they mis-interpret the sound that they hear. But I think you gave a very good demonstration on how to use the fry to lock down the flip and start developing your range thru that spot, because that's exactly how I develop my high note.🤣 Anyway, it my pleasure to talk to you. And I hope your channel will thrive.😁
Another great video Chris.. Your videos have helped me no end, to the point I can actually enjoy listening back to my Vocals and I now enjoy exploring my voice. As a natural baritone I have obsessed over trying to sing high, But lately I have embarrassed my deeper voice and found to use all your techniques to add colour. So big thumbs up 👍..
This is exactly what I've been working on lately, fry, creaky door, high head voice and trying to learn mix, even Flagolet, it's coming along but still have a long way to go😂 I'll be using this video now for help, thanks Chris😊
Chris you're the best vocal teacher. Thank you so much for sharing your useful knowledge! One thing I still can't feel how to hold back air by false cord constriction. Could you explain how to do it?
Thanks! I give you the complete roadmap for how to engage your false cords as well as various other related constrictions in this course. Hope you can check it out! www.mymusicalvoice.com/p/the-aggressive-vocalist-s-master-plan-of-attack
The spot where CT and TA try to work together over a break/fry is super important. IMO, every vocal training should focus on that region, through messa di voce exercises. This is everything. When you exercise that musculature, you can activate CT muscles in a TA-dominant setup to sing with extreme ease, which is mixed voice. Every single part of good singing comes from that balance. Messa di voce is extremely underrated.
I like your idea of a "setup" for your voice, much like a mastering board. Combining engagements and resonances and postures and everything, into one cohesive tone. There're so many factors that influence the final sound, and it's like we can reach out and touch different techniques while maintaining the same setup
@@WageSlavery Exactly. When you are able to sing in mixed voice, then everything else is just an "effect" on top. That's why I don't like CVT modes, it focuses on the wrong thing.
hi! I love you're videos helped me soooo many times can you please please please make a vocal analysis of Beth Hart her vocals is a masterpiece and I want to know more of how she does it
Awesome content. Do you have more footage from inside your larynx? It would be cool and informative to see more in detail how the larynx moves in all the different modes, like chest voice, head voice, mixed voice, compression, distortion, fry and when the voice breaks.
Hey Chris, long time watcher. I think you really need to check out 9Lana since you like Ado so much. You will find a lot of similarities in their vocal style and even in some of the production. I recommend either 'Chinchiro Rhythm' or 'Proposal' as your first songs to look into. Hope you have time to check her out but regardless I love your videos and how you break down songs in ways I never would have noticed.
Please please make a reaction to a mongolian singer : tenger - heaven (from the singer 2018 show) there's so much to talk about that man ability and control to sing. I know it was a song from many years ago, but when it comes to inspiration and knowledge, then it doesn't matter right? Thank you for your respon to my humble request. I am still not able to make many support to you by now but I hope you understand my love to this channel. Thank you
Flipping between intensities in mixed voice. Enar from Leprous comes to mind (Check out "Below", "The Cloak", "Alleviate"). He's constantly changing around intensities regularly). That would make a great reaction video. PS. Anyone else think "Below" could be a James Bond movie theme tune? 😆
Hey Chris! Could you analyse Remington Leith’s voice from Palaye Royale? I think he has really interesting tone and his distortions and screams are superb.
I try to train what you show on the mast phrase of Singing for Absolution from Muse. It's getting better but I still have issues withe last word "exhumed" coz it's a U, it looks easier with a forward placement.
Hey Chris, please analyze the singing of a Japanese singer named Fujii Kaze. He is a wonderful singer. Please look at the LIVE version of the song Shinunoga E-Wa. Please do the live version.
Hi Chris! So I can easily belt in my CHEST voice, but adding power & volume to my MIXED voice, isn't as consistent as my belting chest. It's like I've got the support in my chest, but not necessarily in my mixed. Am I just lacking proper support? What am I doing wrong???!!!
I’d have to hear and see you in order to offer valuable instruction and advice. Have you considered my group coaching program? It’s called Song Together 365 and you can find more info about it at mymusicalvoice.com
Hey Chris! This video is fantastic! I do have a question though. There are times where I feel like I have 2 breaks! The first one going from chest to mix which seems to be a bit easier and the second one going from mix to head voice which seems to be more difficult. Any thoughts or suggestions?
^^^^ Can your break happen in different areas of your range? Different breaks for different "sub-ranges"? I feel like I've been trying to find my break for a long time, and it's like half an octave wide. LOW CHEST>MIX Coming from a low chest to a upper chest/mixed feels very different than going from upper chest into head. From the bottom of my chest to the break, it feels like a wall, so I usually slide into mix. I usually don't jump right into head from this break, because mix gets the job done. MID CHEST>HEAD But from the middle of my chest range, I can more easily jump into head without hitting such a hard wall. Usually, if I'm starting from mid chest, it takes much less work to push through this break. I've also noticed other "breaks". A falsetto break at the top of my head. Fry breaks here and there, especially while using compression, and the lower part of my head voice has a break, but it wants to let out air instead of engage my chest voice
When I try to fry by being in between TA and CT, it feels almost exactly (or exactly) how the same as what a “false chord” scream is, with a lot of breath needed. Is this correct or am I doing it wrong?
So you also send the voice back and up? I havw noticed that if i dont do thst i cant stretch my vocals. My cvt vocal coach keeps telling me go push the sound forward and in the mask... it always make me break... but as soon as i havw the yawn sensation in place and direct the sound in the back and forward it connects....
I’ve been thinking about mixed voice as a way to extend beyond my head voice range, which is very short, is that wrong? Or in order to achieve that I would have to mix head voice with falsetto or something like that?
I struggle with silent reflux as well. It is absolutely possible to access mix with any voice type and even with conditions like reflux and post nasal drip. You just need to learn how to manipulate and lean into different sensations b
And yes! Low larynx mix access is possible and I cover exercises for developing this way of mixing in my course Discover Your Voice. You can find more information at chrisliepe.com
This dosent work for me. I’ve watched an abundance of these videos but nothing. I can quite high in a weird register though. It’s where I am quite quiet and don’t have much pressure I can get a solid high sound but it’s very quiet. Is that mixed?
fun fact: i can touch my larynx due to the fact that i lack a gag reflex! i lost mine due to the fact i used to shove metal straws as far as possible down my throat for fun
Remember, in singing... there are no "should's". Only things to try and experiment with and see how they resonate and what they unlock in terms of possibility. :)
Chris, I love your vocal reaction videos and I recommend you to check up Sleeping With Sirens' Audiotree live session from two months ago. Kellin's performance is really impressive and I think you could appreciate it ❤
Learn how to support and place your voice so that YOU can freely mix your TA and CT coordinations for a healthy and powerful mixed voice. Join my free course! chrisliepe.com/free-your-voice/
Chris, im blushing. I didnt expect you to whip it out on a first date (thumbnail)
I have been waiting for this exact video truly explaining both the CT and TA muscles, AND PHYSICALLY showing how they work. I finally have the answer I've been looking for for years. THANK YOU!!! BTW...A lot of your fry in head voice, with a more back or rear placement, sounds like that's where Axl liked to live a lot. Great video!!!!
You are an amazing teacher ! Its hard to watch you without laughing but Chris makes it seriously and passionately. Thanks you
It's cool to see that even Chris, when making these videos and sharing an idea, he still seems to be learning new things his voice can do
Wooohooooo Chris!! yeah man! It may be nerdy but WOW, your demonstrations are so over the top helpful. I've been learning this stuff over and over and kept stumbling around with getting it. You've taken so much important information and presented it in a way that made just made a whole bunch of of puzzle pieces come together in a way that I can use and understand. So so so cool! Thank you so much for this video. You, your videos and your courses have helped me make huge progress in my enjoyment and production of my voice. Thank you.
You're demonstrating everything like a wizard, this is amazing for learning from you!
long time lurker. this was eye opening. totally lines up with the way i feel my voice. seeing that the 2 resonances seem to have their corresponding muscle, and understanding that “mix” uses both of them
Excellent instructional video 🙌🤩 My inner singing geek is doing a happy dance. The video images, diagrams, easily understandable descriptions and thorough demonstrations makes this the most helpful video on mix that I’ve seen. Thank you for your consistent quality instruction in these free YT videos as well as your outstanding online courses and group coaching course that have helped me personally and many others do exactly what you claim, free and discover our voice, at a level we didn’t know was possible. 🙏🥰
One of the most valuable channels out there for me.
Love this. I'm just beginning to explore mixed voice with my tutor. I'm not so good when it comes to theoretical approaches to the physical manipulations we're trying to achieve, so this is incredibly helpful for me.
Ive found that years of abuse could intercept with your vocal cords too. So kids.. dont do light or hard drugs like... kurt cobain
Almost all singers do drugs and smoke cigarettes. You can force your techniques and style. Yeah it'll probably ruin your voice and you'll get nodes or worse but those things do not necessarily kill your voice. It's not the same mechanism killing it
Great one, Chris. You continue to put your students first and remain results-driven as you quest for more approaches that resonate with more people. I appreciate that and all of your work. Sorry for blowing off your emails for so long. I signed up for your course a long time ago but I'm not a singer I'm an engineer so it's not the highest of priorities for me. Being a good singer is still something I want for personal projects and various producer situations I take on so I plan on doing the course eventually. I recommend you to all of my clients though.
Hey Chris, happy New Year!! I think according to a 2013 study, more TA≠more chest quality, and more CT≠more head quality, in fact, for the SAME NOTE, a chest voice has significantly greater CT activity compare to a chestmix. The study showed pitch level has greater impact on the CT and TA ratio than register(chest or head).
This is not meant to be a "gotcha" comment, I think your demonstrations and vocal advices are excellent.👍🏻 Especially the fry in between the chest and the head voice, it's a very practical way to find the spot to extend your range. But once you attribute it to CT and TA ratio, then you might start derailing from practical singing mentality, and put yourself in a scientifically highly debatable position. Because CT and TA are not like our fingers where we can control them individually, they always work together, we can mentally think more CHEST to change how we sound, but we can't think more TA like we move a finger. Plus TA dominant only happened below 300hz(D4), once you get pass D4, whether you know how to sing or not, it's always CT dominant regardless which register you're in.
The study I cited is called 《Cricothyroid Muscle and Thyroarytenoid Muscle Dominance in Vocal Register Control: Preliminary Results》you can look it up if you like. But if new study had came that over turn this result, then forget about my comment.😄Anyway, I think you're an excellent teacher/singer, and I wish you the best.😄
Thanks so much for your professional, positive approach to engaging in this discussion! I really appreciate it! And this: "The study showed pitch level has greater impact on the CT and TA ratio than register(chest or head)" is exactly what I hope I'm clearly demonstrating with all my dumb sounds :) As I feel it, and have studied it (doesn't mean it's right or wrong, just observed) For someone who is engaging their voice in a healthy way (not straining in chest voice to raise pitch) the statement I quoted from you is the best way to put it!
But as I've worked with students over the years... The temptation to push push push in chest voice without feeling that "rocking" sensation associated with CT engagement enables, causes the above statement in quotes to be a bit grey.
In fact, all muscle engagement around the body... especially in the vocal tract are so dependent on the technique of the actual individual that it's REALLY tough draw lines in the sand or paint things black and white.
I've learned this from studying too many throat cameras to count as well as training in exercise science and physical therapy.
This is why, in most of my videos, I prefer to teach off of sensation that leads to sounds rather than getting into the weeds with terms. Terms, after all, only have meaning because we assign them meaning. We see this all the time with the term "vocal fry" or the term "fry scream". They mean different things to different people. And no one is really wrong or right if the language they are using helps them find the sensations that lead to the sounds they want.
I agree with this study you've highlighted! I also agree with the resources I used to present this video. They co exist very well together as long as you make allowances for the fact that a singers vocal technique ultimately dictates how the muscles are used.
Look at Will Ramos's Throat cam video and observe his crazy one-of-a-kind constrictions and use of supporting muscles and tissues. (the twist) Then look at mine and how I use false cords/arytenoid cartilage as a means of compression and distortion with primary cord engagement. You could write studies with opposing views on how the vocal tract works just from those two scopes! It doesn't mean that either study caries more weight... Only that they were studying different samples to arrive at their results.
@@chrisliepe Hey Chris, I didn't expect you would spend the time to give a lengthy response, and I hope everyone that walk by can be benefit from it.
And yeah, I completely agree with you going with the physical sensation route is a much better/practical way to get to the target sound, which is how you usually do thru out many of your tutorial videos. So when I saw this video I was a bit surprised, thinking: "really? you wanna go with CT:TA?"🤣 I personally would leave the science/debate to the scientists, as a musician/singer, I would just focus on the singing part, because after reading a bunch of voice science research, I've just loaded a bunch of interesting facts into my memory, it did not help my singing at all.🤣
And for "push push chest", it happens ALL around the globe, regardless of ethnicity, culture, and style.🤣 I think not because untrained singers love/want to push, I think they just don't have many options to choose, or they mis-interpret the sound that they hear. But I think you gave a very good demonstration on how to use the fry to lock down the flip and start developing your range thru that spot, because that's exactly how I develop my high note.🤣
Anyway, it my pleasure to talk to you. And I hope your channel will thrive.😁
"TOO MUCH TA!!!" Ha ha ha ha ha ha! That could be an iconic line form a movie.
Best vocal-coaching content out there.
Another great video Chris.. Your videos have helped me no end, to the point I can actually enjoy listening back to my Vocals and I now enjoy exploring my voice. As a natural baritone I have obsessed over trying to sing high, But lately I have embarrassed my deeper voice and found to use all your techniques to add colour. So big thumbs up 👍..
Now I got an better idea what mixing means. Mostly you hear "mix head with chestvioice" but i had a hard time to imagine, what that means. Thx!
This is exactly what I've been working on lately, fry, creaky door, high head voice and trying to learn mix, even Flagolet, it's coming along but still have a long way to go😂 I'll be using this video now for help, thanks Chris😊
I love your enthusiasm
Chris you're the best vocal teacher. Thank you so much for sharing your useful knowledge! One thing I still can't feel how to hold back air by false cord constriction. Could you explain how to do it?
Thanks! I give you the complete roadmap for how to engage your false cords as well as various other related constrictions in this course. Hope you can check it out! www.mymusicalvoice.com/p/the-aggressive-vocalist-s-master-plan-of-attack
The spot where CT and TA try to work together over a break/fry is super important. IMO, every vocal training should focus on that region, through messa di voce exercises. This is everything. When you exercise that musculature, you can activate CT muscles in a TA-dominant setup to sing with extreme ease, which is mixed voice. Every single part of good singing comes from that balance. Messa di voce is extremely underrated.
I like your idea of a "setup" for your voice, much like a mastering board. Combining engagements and resonances and postures and everything, into one cohesive tone. There're so many factors that influence the final sound, and it's like we can reach out and touch different techniques while maintaining the same setup
@@WageSlavery Exactly. When you are able to sing in mixed voice, then everything else is just an "effect" on top. That's why I don't like CVT modes, it focuses on the wrong thing.
Absolutely brilliant teaching!! Thank you!! I’m hearing some Freddy M stuff in there!!
I wonder what my neighbor is thinking after watching Chris on max volume 😅
Hey @chrisliepe I finally managed to find my mixed by trying to mimic a parrot. They are both similar sounds
This was vastly helpful!
hi! I love you're videos helped me soooo many times
can you please please please make a vocal analysis of Beth Hart
her vocals is a masterpiece and I want to know more of how she does it
Blue October singer has a great mix. Would love to hear your take on it and maybe a bit of insight on how on earth he’s pulling it off
Awesome content. Do you have more footage from inside your larynx? It would be cool and informative to see more in detail how the larynx moves in all the different modes, like chest voice, head voice, mixed voice, compression, distortion, fry and when the voice breaks.
I do! Search Chris Liepe throat camera and you’ll find another video :)
Well, I know what I'm going to be doing during my commute now.
That's how I started!! :)
Hey Chris, long time watcher. I think you really need to check out 9Lana since you like Ado so much. You will find a lot of similarities in their vocal style and even in some of the production. I recommend either 'Chinchiro Rhythm' or 'Proposal' as your first songs to look into. Hope you have time to check her out but regardless I love your videos and how you break down songs in ways I never would have noticed.
Pre emptive thank you!
awesome video!!! GOLD!
Please please make a reaction to a mongolian singer : tenger - heaven (from the singer 2018 show) there's so much to talk about that man ability and control to sing. I know it was a song from many years ago, but when it comes to inspiration and knowledge, then it doesn't matter right? Thank you for your respon to my humble request. I am still not able to make many support to you by now but I hope you understand my love to this channel. Thank you
Thank you for the support!!
Awesome
very informative and relaxing video 👍
Flipping between intensities in mixed voice. Enar from Leprous comes to mind (Check out "Below", "The Cloak", "Alleviate"). He's constantly changing around intensities regularly). That would make a great reaction video.
PS. Anyone else think "Below" could be a James Bond movie theme tune? 😆
Awesome man. Analyze Ivan Moody?
Hey Chris! Could you analyse Remington Leith’s voice from Palaye Royale? I think he has really interesting tone and his distortions and screams are superb.
Silent Theory!!! "Wake Up Alone" and "The Cracks"
So, when are you tackling yodeling? :D
Hehe soon!
I try to train what you show on the mast phrase of Singing for Absolution from Muse. It's getting better but I still have issues withe last word "exhumed" coz it's a U, it looks easier with a forward placement.
Hey Chris, please analyze the singing of a Japanese singer named Fujii Kaze. He is a wonderful singer. Please look at the LIVE version of the song Shinunoga E-Wa. Please do the live version.
Hi Chris!
So I can easily belt in my CHEST voice, but adding power & volume to my MIXED voice, isn't as consistent as my belting chest.
It's like I've got the support in my chest, but not necessarily in my mixed.
Am I just lacking proper support?
What am I doing wrong???!!!
I’d have to hear and see you in order to offer valuable instruction and advice. Have you considered my group coaching program? It’s called Song Together 365 and you can find more info about it at mymusicalvoice.com
You should do a vocal analysis of “Idol” by yoasobi, I think you would have a field day listening to it. :)
Hey Chris! This video is fantastic! I do have a question though. There are times where I feel like I have 2 breaks! The first one going from chest to mix which seems to be a bit easier and the second one going from mix to head voice which seems to be more difficult. Any thoughts or suggestions?
^^^^ Can your break happen in different areas of your range? Different breaks for different "sub-ranges"? I feel like I've been trying to find my break for a long time, and it's like half an octave wide.
LOW CHEST>MIX
Coming from a low chest to a upper chest/mixed feels very different than going from upper chest into head. From the bottom of my chest to the break, it feels like a wall, so I usually slide into mix. I usually don't jump right into head from this break, because mix gets the job done.
MID CHEST>HEAD
But from the middle of my chest range, I can more easily jump into head without hitting such a hard wall. Usually, if I'm starting from mid chest, it takes much less work to push through this break.
I've also noticed other "breaks". A falsetto break at the top of my head. Fry breaks here and there, especially while using compression, and the lower part of my head voice has a break, but it wants to let out air instead of engage my chest voice
TLDR
When I try to fry by being in between TA and CT, it feels almost exactly (or exactly) how the same as what a “false chord” scream is, with a lot of breath needed. Is this correct or am I doing it wrong?
YES YES YES!!
i thought this was an old video 😭
Have a look at Erik Gronwall i will always love you please
So you also send the voice back and up? I havw noticed that if i dont do thst i cant stretch my vocals. My cvt vocal coach keeps telling me go push the sound forward and in the mask... it always make me break... but as soon as i havw the yawn sensation in place and direct the sound in the back and forward it connects....
I’ve been thinking about mixed voice as a way to extend beyond my head voice range, which is very short, is that wrong? Or in order to achieve that I would have to mix head voice with falsetto or something like that?
I have silent reflux. Is it possible to access mix voice on low larynx like opera singers? (I can belt/mix on high larynx to F5, but I can't mix)
I struggle with silent reflux as well. It is absolutely possible to access mix with any voice type and even with conditions like reflux and post nasal drip. You just need to learn how to manipulate and lean into different sensations b
And yes! Low larynx mix access is possible and I cover exercises for developing this way of mixing in my course Discover Your Voice. You can find more information at chrisliepe.com
@@chrisliepe Thank you very much for your answers!
This dosent work for me. I’ve watched an abundance of these videos but nothing. I can quite high in a weird register though. It’s where I am quite quiet and don’t have much pressure I can get a solid high sound but it’s very quiet. Is that mixed?
fun fact: i can touch my larynx due to the fact that i lack a gag reflex! i lost mine due to the fact i used to shove metal straws as far as possible down my throat for fun
haha... Wow!! that's kinda cool!
9 seconds ago what a timing
Bro 😂
can you react to "Brave Shine" by Aimer?
I've always been told that metalic sound should be placed forward whereas airy sound backwards... But now Chris seems to say the oposite...
Remember, in singing... there are no "should's". Only things to try and experiment with and see how they resonate and what they unlock in terms of possibility. :)
Comment for da algorithm
Streak count: 473
Chris, I love your vocal reaction videos and I recommend you to check up Sleeping With Sirens' Audiotree live session from two months ago. Kellin's performance is really impressive and I think you could appreciate it ❤
Someone should cut out all the non word sounds in this video
Hehe
th-cam.com/video/7b5Z1gk3zNY/w-d-xo.htmlsi=ftYFHjj6T-OrDsWV
Erm I know this is off topic but please react to Fake type or Tophamhat-kyo.They're really similar to Ado and made fleeting lullaby with Ado
Please, for the love of god, react to Asu no Yozora Shoukaihan by Yuaru