Want to start selling your music and merch like I do? Try Bandzoogle's free trial now! - bandzoogle.com/?pc=elevated If you feel like supporting my efforts here on the channel directly, you can grab my full discography with over 300 tracks here elevatedjamtracks.bandcamp.com Stay classy and happy jamming! 🎸
Best backing tracks on TH-cam hands down!!! You're seriously a talented musician, hope ya know that. Thanks for making these free to practice with. I'm learning lead guitar so this really helps me be able to practice what I've learned. Really do appreciate the work you put into these, know that brotha!! Happy shredding!!
fucking great backing track dude, i played all over it, and when it finished i realised it's fucking 10 minutes long, i thought i played like 4-5 mins man, this is just too good
Amazed mine is still in place. Just hammered it for ten minutes with loads of full tone bends. What a cool track. Just the right blend to give soft noodling then rip into some fast shreds…!! (Well as shreddy as my clumsy learner fingers will do 😎)
@@80Days its when you get greedy with those full tone bends and try and turn them into an out of tune "grinder" as i've always called them. you know, somewhere between 3rd and 4th semitone (my guts says its like 3.333 recurring for some reason, literally no logic to this, its basically a superstition lol). i snapped my high e on this jam track about a year ago and had to change the strings on my edge zero trem for the first time. Memorable experience haha!
I like your Drummer,lol Very good Musician you are. I am always impressed with your precision,l like too add my musical melodious too jam tracks,l often no space in your tracks,who knows l could be wrong. Be open too leave stuff out,there you may have more attractive user's. That's a good thing.Anyways cheers An many thanks Elevated Jam Tracks. Keep up the soul full goodness,don't be too perfect all the time😂😂 Shareing is careing
You're confused because It Doesn't work as it's not truly in B minor. It switches back and forth between B Dorian and B minor. Its those E major chords and that E/ab (which really is a passing chord between A major and G Major) that's throwing you off. In short, play a Dorian Mode (or just make sure you're playing G#/Ab) during those E major and E/Ab Chords. Switch back to G Natural when the G major chord comes up again. Its a great track, but the Aeolian Tag is Misleading.
Thanks for making the track, it's very nice to jam to, but I wanted to make a few points to hopefully help some others here after looking at the chords and scale written in the video: First - From a theory point of view, the E/Ab chord should be written as E/G# as G# is the major third within an E Major chord. An Ab is out of context as it's a diminished fourth which is not included. The chord is a first inversion triad (or slash chord) with the third in the bass instead of the root which is voiced higher in the chord. Secondly - It's misleading to write B Aeolian as the scale that can be used over this progression in its entirety. Whilst you can think modally and use B Aeolian over the Bm chord, the note of G will sound completely 'outside' over an E Major triad. As explained above, there is a G# in an E Major triad so playing a minor (or flat) third instead of the major third over that specific chord will give you a very dissonant sound. If you are looking for a scale the fits better you can use B Minor Pentatonic over most of the chords except for any E Major chord where you can target the triad arpeggio (E, G# and B). For reference, E and B are included in Bm Pentatonic but G# is not, so targeting that note will give you a contrast to the pentatonic scale used over the other chords. Third - The chart is written incorrectly with the bar lines in the wrong places. The first line should be written: 1 2 3 4 1 2 3 4 I Bm A I E/G# G A I Hope this helps some others playing along! Thanks again.
You can really use any of the modal "shapes" over this. It's about the choral and non chordal tones in each. You can use B minor pentatonic on this. E Dorian/pentatonic too. Use your ears to tell you what works.
don't use many notes, go for rhythm and feeling. 1 and m3 intervals are enough for the beginning, then extend for 5 and m7. It is much better to use one meaninigful note and to really feel that you make sense and that you joined the music and jumped on the train, chop the note or mute it or sqeeze it or break it, roll the rhythm off beat onbeat whatever or importantly do not to play the note when not desired, just for need of making a sound. It is also important, that you can execute the note in exact time you intend to. So finaly, are you able to play a sound exactly on the beat with the track? just simple 1...2...3...4...? If not just forget about any notes, and learn to make sound on time:-) Hope it helps you a little.
@@theexplodingmothfromhell8012 It should be E/G#. G# is the 3rd of the chord: E G# B. It is also the 3rd degree of the scale you're most likely to use over the chord given the context, E mixolydian: E F# G# A B C# D. Most E triads should pretty much never have anything to do with Ab. If you don't know why, then it applies 100% of the time.
@@andrelousada Good point. Could show up as an Ab on a bass player's chart, ie. as a melody note that resolves down a semitone. But in the context of harmony (like, for soloing over like this), I know the Ab makes things more difficult for me than if I saw a G#.
![ตีสิบเดย์ [FULL] | เปิดใจ "อาจารย์ เบียร์ ฅนตื่นธรรม" นักสนทนาธรรมสายดุดัน!](http://i.ytimg.com/vi/vqaBI_mnoDk/mqdefault.jpg)
Want to start selling your music and merch like I do? Try Bandzoogle's free trial now! - bandzoogle.com/?pc=elevated
If you feel like supporting my efforts here on the channel directly, you can grab my full discography with over 300 tracks here elevatedjamtracks.bandcamp.com
Stay classy and happy jamming! 🎸
This is my first backing track experience and yet this me feel like I was in Heaven.Thanks a lot man and keep up the good work.
Absolute stonker of a tune to jam to..in fact im going for another run through..cheers!!
I love this one. I use it to show students the minor scale and then the added dorian note in the break G# in the e chord.
Best backing tracks on TH-cam hands down!!! You're seriously a talented musician, hope ya know that. Thanks for making these free to practice with. I'm learning lead guitar so this really helps me be able to practice what I've learned. Really do appreciate the work you put into these, know that brotha!! Happy shredding!!
Great to hear man! Keep at it 🤘
Elevated truly is the tip top of the mountain. Thank you for the hours of help.
Jamming on this song track has been a soulful experience. Thank you very much for this.
I improvised using the normal B Minor Pentatonic, sounded good. thank you so much for doing this :)
Wow, this is so good, 10 min flew away!
I crushed this w/ B pentatonic I just learned!! nice track man!
u mean b minor pentatonic?
i rarely comment on yt videos. but for this one, i'll make an exception.
this track is awesome. thank you very much for sharing this!!😉
bro. I picked up my guitar, started jamming and wrote an emotional solo over this. thank you so much, this is an amazing track
This is one the best I've found.
Thanks for the jam! Your backing tracks make me sound like a pro
Amazing
So good.
O.M.F.G!!!! LEGIT JUST DID THE BEST WORK OUT ON MY GUITAR TO THIS. BEST ONE YET WITHOUT A DOUBT!!!!!
Great to hear! 🤘
Best tracks in town!! 10/10 would recommend
This is a great track to jam over. I'm kinda rusty so having the notes on the fret board really helps. Liked and subbed.
These jams tracks got me ELEVATED
Haha. Nice pun
How could they demonetise your account? Absolutely ridiculous approach from TH-cam. Your content is inspiring, and original.
Gracias! From Argentina
Great backing track, sir.
🎼🎵🎙🎸🎛🤘🤘🤘🤘🤘
just the best elevated jam
blues 🤘👍
Tysm! This is good
THE best jam tracks
Best backing tracks here ..
Awesome track ! Thanks
Gawd damn it's so easy to jam over
fucking great backing track dude, i played all over it, and when it finished i realised it's fucking 10 minutes long, i thought i played like 4-5 mins man, this is just too good
Woo! 🤘
Holy crap why did I just ascend playing this track
dude A mixolydian works so well and I don't know why
This is such a fun track to rock out to, thanks for sharing it!
Great Backing Track, feels dorian to me
Jammin` along with your tracks makes me uplifted so much, thanks a lot
Love it❤
Be careful...this is much more in B Dorian than B Aeolian. Use the Dorian except when this piece lands on the G chord....then you can use the Aoelian.
No need to be careful at all, both work just fine.
carefulness is un necessary
Over analysis is paralysis
@@ezumach Proper analysis is freedom.
Just have fun with it...
Amazing track !!! Thanks again ❤️
Man I ripped a great solo over this. Awesome.
Fantastic. Thank you!!!
If you have an e maj should you play Dorian not natural minor?
Nice
This is identical to The raconteurs You don't understand me. Great track, thanks!
Is that what 2pac sampled for Hit Em Up? Definitely the same.
how is this not on Spotify? :( best backing track I have listened to so far.
awesome jam track!
Two year anniversary!
Nice. Thanks bro.
jammed so hard that my high e string broke..🤣
Ha!
Same
😂😂
Amazed mine is still in place. Just hammered it for ten minutes with loads of full tone bends. What a cool track. Just the right blend to give soft noodling then rip into some fast shreds…!!
(Well as shreddy as my clumsy learner fingers will do 😎)
@@80Days its when you get greedy with those full tone bends and try and turn them into an out of tune "grinder" as i've always called them. you know, somewhere between 3rd and 4th semitone (my guts says its like 3.333 recurring for some reason, literally no logic to this, its basically a superstition lol). i snapped my high e on this jam track about a year ago and had to change the strings on my edge zero trem for the first time. Memorable experience haha!
Top!
you can also play Dorian over the E
Is e major in key with b minor ?
I could be wrong, but I think it is D major that's in key with B minor
I like your Drummer,lol
Very good Musician you are.
I am always impressed with your precision,l like too add my musical melodious too jam tracks,l often no space in your tracks,who knows l could be wrong.
Be open too leave stuff out,there you may have more attractive user's.
That's a good thing.Anyways cheers An many thanks Elevated Jam Tracks.
Keep up the soul full goodness,don't be too perfect all the time😂😂
Shareing is careing
sharing is caring(no "e")
Don't know much to anything about theory, so can you explain why a E/Ab chord works with a Bm scale, when Ab is not a note in that scale?
You're confused because It Doesn't work as it's not truly in B minor. It switches back and forth between B Dorian and B minor. Its those E major chords and that E/ab (which really is a passing chord between A major and G Major) that's throwing you off. In short, play a Dorian Mode (or just make sure you're playing G#/Ab) during those E major and E/Ab Chords. Switch back to G Natural when the G major chord comes up again. Its a great track, but the Aeolian Tag is Misleading.
While my guitar gentle weeps 😆😆
What tempo is this
Should be B Dorian!
fucken lit dude
stairway 2 heaven up a step
While My Guitar Gently Grooves
🤘😎🤘
👍👍
Who else feels the Althea vibe?
Thanks for making the track, it's very nice to jam to, but I wanted to make a few points to hopefully help some others here after looking at the chords and scale written in the video:
First - From a theory point of view, the E/Ab chord should be written as E/G# as G# is the major third within an E Major chord. An Ab is out of context as it's a diminished fourth which is not included. The chord is a first inversion triad (or slash chord) with the third in the bass instead of the root which is voiced higher in the chord.
Secondly - It's misleading to write B Aeolian as the scale that can be used over this progression in its entirety. Whilst you can think modally and use B Aeolian over the Bm chord, the note of G will sound completely 'outside' over an E Major triad. As explained above, there is a G# in an E Major triad so playing a minor (or flat) third instead of the major third over that specific chord will give you a very dissonant sound. If you are looking for a scale the fits better you can use B Minor Pentatonic over most of the chords except for any E Major chord where you can target the triad arpeggio (E, G# and B). For reference, E and B are included in Bm Pentatonic but G# is not, so targeting that note will give you a contrast to the pentatonic scale used over the other chords.
Third - The chart is written incorrectly with the bar lines in the wrong places. The first line should be written:
1 2 3 4 1 2 3 4
I Bm A I E/G# G A I
Hope this helps some others playing along!
Thanks again.
can i play natural minor with it?
Andrew Tyrovolas
If it sounds right, it is right.
Natural minor is the same as Aeolian
Life is fun
Thank you!
You can really use any of the modal "shapes" over this. It's about the choral and non chordal tones in each. You can use B minor pentatonic on this. E Dorian/pentatonic too. Use your ears to tell you what works.
Sloe Gin
What does it mean e/Ab
It’s an E chord with a Ab in the bass. But more importantly it means there’s a natural 6 along with the flat 6 which gives it that bluesy feel
BPM?
someone can explain me how to move accordly with the note? i miss notes :(
don't use many notes, go for rhythm and feeling. 1 and m3 intervals are enough for the beginning, then extend for 5 and m7. It is much better to use one meaninigful note and to really feel that you make sense and that you joined the music and jumped on the train, chop the note or mute it or sqeeze it or break it, roll the rhythm off beat onbeat whatever or importantly do not to play the note when not desired, just for need of making a sound. It is also important, that you can execute the note in exact time you intend to. So finaly, are you able to play a sound exactly on the beat with the track? just simple 1...2...3...4...? If not just forget about any notes, and learn to make sound on time:-) Hope it helps you a little.
You just gotta feel it Bruthah😎🤟🔥
@@davidkodym6029 thanks Dude! Good advice.
And for the original commenter, be sure you know your scales.
Legal!!!!!
"WE HIT EM UP!" rip Tupac
this is just althea by grateful dead
♥︎♛Stylish♛♥︎
Thanks! 🤘
Lol at E/Ab
LOOK AT ME BEFORE I COMMIT THIS COPYRIGHT STRIKE. THIS IS CLEARLY DRIVE BY INCUBUS UP A COUPLE OF STEPS
Thoroughly enjoyed destroying this tune with my soloing, 10/10
is similar to the theme of casa de papel
That was a quick 10 minutes 😑✊
Don’t put the ad in the middle
Soy lagoon Megaman X4
seriously who puts an ad half way threw
Good track.
Please don't ever again write "E/Ab." It is wrong.
It means an E chord with an Ab in the bass.
@@theexplodingmothfromhell8012 It should be E/G#. G# is the 3rd of the chord: E G# B. It is also the 3rd degree of the scale you're most likely to use over the chord given the context, E mixolydian: E F# G# A B C# D. Most E triads should pretty much never have anything to do with Ab. If you don't know why, then it applies 100% of the time.
@@jonathandorozowsky4005
Oh alright then haha. Thanks for the reply.
@@jonathandorozowsky4005 plus B minor or B aeolian does not have flats. :) Although... the bass does not resolve to A. It might not be THAT bad.
@@andrelousada Good point. Could show up as an Ab on a bass player's chart, ie. as a melody note that resolves down a semitone. But in the context of harmony (like, for soloing over like this), I know the Ab makes things more difficult for me than if I saw a G#.
It should be E/G sharp, not E/Ab
+++