P3 D65 DaVinci Resolve Test (HDR)

A test of HDR Rec.2020 PQ (P3-D65 limited). The colors as seen on our LG OLED and MacBook Pro (late 2021) when editing in Resolve are virtually indistinguishable from those of the video uploaded to TH-cam.
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Sony a7s III
Sony FE 50mm f/1.2 GM
ProRes RAW HQ, S-Gamut3.cine/S-Log3
ISO 640, f/4
Edited in DaVinci Resolve 17 Studio
LG 55CX
MacBook Pro (late 2021)
Uploaded to TH-cam in HEVC10
Download ProRes RAW HQ sample footage: www.mediafire....
DaVinci Resolve HDR10 Workflow here: daejeonchronic...
The a7s III is not just a warmed-over a7 III: it has vastly improved color science, uncanny autofocus that surpasses that of any rival mirrorless camera (especially when recording RAW and log at two stops over); full pixel readout 4K 120p with no line skipping or overheating; the highest resolution EVF of any hybrid camera; a wide choice of codecs to choose from with manageable file sizes; and improved image stabilization.
Comprehensive Final Cut Pro HDR10 Workflow here: daejeonchronic...
Download free a7s III 4K 60p ALL-I 600Mbps 4:2:2 S-log3/S-Gamut3 HDR sample footage (608MB) here:
www.mediafire.c...
"Yvette" by Monolog Rockstars
Source: freemusicarchi...
License: creativecommon...
visit my blog at daejeonchronicles.com

[@JonPais]

To learn more: daejeonchronicles.com/2022/02/14/bt-2020-or-p3-d65-limited-part-2/

[@rohansairongala]

Hey I use M1 Max mbp, I would like to grade in hdr, can you please guide me with which time line & output colorspace should I use?

[@JonPais]

Here’s my guide: daejeonchronicles.com/2021/03/02/comprehensive-workflow-sony-a7s-iii-s-log3-hdr-10-in-davinci-resolve-studio-17-part-i/