Anything in the VST world that get's close to this? I could probably emulate with a tape emu vst and vintage sounding delay, but there's nothing quite like this in terms of functionality as far as I know. So if you know anything close... Anyway, some nice textures you created there bruv.
The best tape emulation I've used is U-he Satin. You can't do tape looping / tape speed tricks with it like on the hardware, but I guess you could do that in software. Cubase has an algorithm for repitching based on tape speed.
Seriously, yours are the videos I always look forward to most. Not only do you choose the most fascinating gear, you also never miss doing something absolutely stunningly musical with it. You thrilled me again with this one!! Big fan!!
Yes, they combine very nicely. I assume they designed it specifically for the MS range. I don't know any other tape delays with speed CV and feedback kill via trigger.
Fab video with brilliant sounds and useful information. I have to revive my MS 10 and MS 20 as well as my Korg SE 300, they are great instruments. And I really like your playing, too...
Thank you for making this and showing us this very cool device and neat ways to use it. My favorite parts were the layered sound on sound slowed to mush, and the last bit made from a forced loop is simply brilliant :) Thanks for giving me so much inspiration, looking forward to the next one!!
The sound on sound demo, by virtue of the chords you chose, really had a Frippertronics vibe to them. Beautiful! And loved the MS-10 getting its day in the sun. I love mine dearly. Yes, he only has one oscillator, but he can do PWM, unlike his cooler bigger brother. ;)
Alex, you ALWAYS put out such interesting and inventive videos! Makes me want to collect all of my synths, effects, gadgets and make something. You make it it look easy and I usually get frustrated in my own experimentation since I either find I’m missing a needed effect or just don’t have the technical skills. Thanks for the videos!
Thanks for tuning in. I know the feeling, if something isn't flowing the interest drops very quickly. I think the trick is to just start with something simple and uncluttered and then build on it, otherwise it easily becomes a bit overwhelming and like wading through treacle.
Great job Alex. Your videos are consistently interesting and educational. I noticed the auto-generated closed captioning on TH-cam translated some of your speed adjustment experiments as "Applause"; seems appropriate.
Me a short while ago: “I’m not interested in space echoes, I might give it a miss” Me a shirt while later: Enthralled, and fascinated (and a big fan of whoever kept the original packaging 😁)
Well, this is a space echo that has secret skills! Original packaging - I saw someone selling an MS-20 that not only had the original packaging, it also had the original transparent overlay that worked as a kind of quick-start guide. I assume that was some long-lost relative of yours. 😉
We’re actually a small subset of the Illuminati. Rather than being set upon world domination, our goal is just to get everyone keeping things as though they’re brand new. Like I say...small subset.
Cheers Alex, lovely sounding and rather intriguing delay with the control possibilities. MS20 sounding glorious too. Overall I rate this video absolutely scrumptious. *drools slightly*. :)
2 years ago there was one of these on Craigslist for 200 dollars. Dude needs money for Christmas presents. I kick myself every time one of these is mentioned. Really dropped the ball on that one.
Argh! That's annoying. I passed over an Oberheim DMX and Linn 9000 that were both very cheap a number of years back. Didn't have space and thought the samples were basically the same. Kick myself now.
No idea exactly what BOC uses (Boards of Canada, not Blue Oyster Cult... when acronyms go awry!), but definitely was the first thing that came to mind. Excellent vid!
iirc Boards Of Canada use cheap consumer grade reel to reels such as the ones from Grundig. They bounce loads of stuff down to tape and then sample the results with an old Akai.
I’ve seen these creep up on Reverb for reasonable prices (probably not reasonable anymore though). I went with the Roland RE-201 Space Echo because serviceable parts are still readily available. Wish the 201 had a Sound On Sound feature. You have to physically cover the erase head to achieve it. Maybe there’s a mod that can be done....
Fantastic GAS-fuel as ever Alex! Why on Earth don't Korg (or Roland) seem to understand that there is clearly a huge market for reissues of their tape delay units (no, Roland, we don't want another simulation in pedal form thank you)?
Alex, this is probably the best tutorial i have seen! I liked a lot the drums in the end (not to mention the Juno slowed down) , do you remember what did you use to do it? Thanks a lot!! Marco
Great presentation Alex and a really nice SE-500. I have one that’s not in bad condition but really needs a service but finding someone to do it is proving difficult. Any ideas? Rob
Man, I used to fight with my damn space echo on stage; a true nightmare. Yeah, sounded teets tho! And, yes I'm very old. I moved to digital in the late 80s and never looked back!
Great demo Alex! Superb track at the end too. I've always been in love with delays and this is no different, great box, but way too big for my space. ;-)
Love mine. Have the 300 still, and had the fancy Roland, but the Korg sounds better than the Roland (especially the spring in the 300) so i happily sold the Roland because i’m not a collector i’m a musician. The Roland looks absolutely gorgeous, but sorry folks, the Korg just sounds better.
That speed modulation, instant flashbacks to 70s Sci Fi TV series! Loving that sound. I've always wondered why these go for so much less than the Rolands on Ebay, they seem to be just as good.
@@AlexBallMusic was also very surprised they implemented a sound on sound feature...that seems way ahead of the time and something which Robert Fripp pioneered with his Frippertronics, or am I missing something?
hey Alex, is that an ARP Avatar behind you??? If so, let me know how did you modify it. I assume you use it as a standalone synth, and not as a guitar synth... please let us know
An old trick is gating the echo. You insert a reverb or echo in-between the filter and VCA of a monosynth. With the ARP 2600 and it's built in spring reverb I got a sound _almost_ like playing chords but only when you played at just the right tempo. It worked even better with a digital delay pedal.
I appreciate the effort and I love your videos in general, but you _really_ should not start with long decay phase sounds for this. Please begin with short, percussive sounds to demonstrate the exact sound of the module before moving on to atmospheric, but mushy sounding patches. The way it is, it is very difficult to tell the sound of the dry signal and how much of this is the delay unit. Other than that, great work and thank you for going to all the trouble of digging up and featuring these oldies.
That's a very fair point, I'll bear that in mind. I did do a more percussive sequence for the S-Trig demos, but you're right; a blast of that at the start would have been a better introduction.
Alex this thing is extremely rad. Some really great features, but most importantly really great sound. Also, congrats on your essentially new MS-10, what a fat score.
Yeah it's cool isn't it! The MS-10 is borrowed. Nice to try one as I've never had a play before. Can't understand why it has PWM but the MS-20 only has manual control of PW despite that patch bay.
Don't demo delays with keyboard swells, it's impossible to hear the original signal separate from a repeat. Use something with a clear attack, so that each repeat is distinct and its sound quality can be easily assessed. A guitar is ideal, or a percussive synth sound if you only have keyboards.
This is SOOOOOOO cool. Can't think of a way to punify it, though. My memory reverberates with faint echos of a band I worked with who had an Echoplex. I never used it myself, but I remember the bassist showing me the tape loop inside. If I recall, it only had one play head that you could slide back and forth to provide the echo delay. I also know that Jerry Goldsmith used it more than once on the scoring stage (Alien and Patton come to mind). Question: the tape has to wear out at some point. Where do you get more analog 1/4 inch tape in this age? Is it even still manufactured? Perhaps in small runs, like 35mm motion picture film. Anyway, great video. Love the tune at the end!
The Echoplex has one of the coolest "futuristic" logos ever. Never used one though. Yes, that's right, Goldsmith did run the woodwinds through on in Alien. Became an identifying motif in the score and I was pleased to hear it in one of the more recent sequels. Guess they require maintenance, have a lot of moving parts and are bulky, so manufacturers can't see a practical market for them. The El Capistan from Strymon is absolutely excellent though and emulates it very nicely (and in stereo).
@@AlexBallMusic Not sure mate. I know that our sound guy had the balanced in and outs going through the desk, but I can't remember what the hell he was doing with the external control. Knowing his attention to detail, I wouldn't doubt that he was using it in one respect or another. Our sound guy was Terry Cooney who was the sound-tech manager with Jands in Sydney, Australia. I haven't seen or heard from him in a bloody long time and you've given me some incentive to chase the old bugger up.
Skipped to 15 mins - The bass sound / sequence on the MS 20 is probably one of the most satisfying bass sounds heard in my whole life, and that is through my iPhone speaker! - clicks subscribe on the strength of that 10 seconds viewing 😁
It’s incredible how you manage to produce such a variety of video content in your channel. Always informative and pleasantly produced! Keep them coming Alex!! Can’t wait for the ARP doc 🙂
Thank you. I'm fortunate with what I'm able to borrow, which gives me new material to work with. Patreon - thanks. I've not considered asking people for donations, but if there was something specific that everyone benefitted from then I'd maybe do something crowd funder esque.
![[UNCUT] “บอสณวัฒน์” ลากไส้!! ใครหนุนหลัง "แม่ตั๊ก ป๋าเบียร์" I คนดังนั่งเคลียร์ I 30 ก.ย. 67](http://i.ytimg.com/vi/QlD7mU2KKRk/mqdefault.jpg)
0:00 - Intro
0:40 - SE-500 Control rundown
2:15 - Look Inside
2:32 - DEMO // Basic Delay 1
3:06 - DEMO // Basic Delay 2
3:44 - External Control S-Trig Explanation
4:42 - DEMO // S-Trig to Effect Off
5:08 - DEMO // S-Trig to Feedback Off
5:44 - External Control Tape Speed Explanation
6:18 - DEMO // Keyboard CV modulating tape speed
6:42 - DEMO // Envelope modulating tape speed
7:07 - DEMO // Inverse envelope modulating tape speed
7:30 - DEMO // LFO modulating tape speed
8:10 - Assessing External Control
9:29 - Sound on Sound Explanation
10:19 - DEMO // Sound on Sound Bed
13:13 - Explain final experiment
14:27 - DEMO // Trippy tape loops
15:52 - Outro
Thanks for watching!
Anything in the VST world that get's close to this? I could probably emulate with a tape emu vst and vintage sounding delay, but there's nothing quite like this in terms of functionality as far as I know. So if you know anything close... Anyway, some nice textures you created there bruv.
The best tape emulation I've used is U-he Satin. You can't do tape looping / tape speed tricks with it like on the hardware, but I guess you could do that in software. Cubase has an algorithm for repitching based on tape speed.
6:42 and on generated some stink face over here. Oh my. It's like the DX7 "Evolution" + mod wheel on steroids.
My heavens. That sound on sound loop is ethereal.
Yeah, totally. Especially when you get a little tape flutter here and there.
The best part is from 0:00 to 16:35
Thanks :)
@@AlexBallMusic that last second was a real stinker though
Great video. The organic textures you can get from analog technology are absolutely entrancing!
Thanks! They're lovely bits of kit for sure.
Seriously, yours are the videos I always look forward to most. Not only do you choose the most fascinating gear, you also never miss doing something absolutely stunningly musical with it. You thrilled me again with this one!! Big fan!!
Thank you very much!
Looks like the Korg Stage Echo is the MS-20’s soulmate. The triggering modulation/varispeed effects sounded fantastic.
Yes, they combine very nicely. I assume they designed it specifically for the MS range.
I don't know any other tape delays with speed CV and feedback kill via trigger.
The sound on sound bed was like relieving an itch in my brain. So satisfying. Great video!
This thing is just killing Space Echo IMHO!
It was marketed as having a longer delay than any of the Roland tape echoes.
That first demo in particular was absolutely cosmic. What a great sound.
Fab video with brilliant sounds and useful information. I have to revive my MS 10 and MS 20 as well as my Korg SE 300, they are great instruments. And I really like your playing, too...
What an incredible box!!!
What a great combo with the synth and the stage echo! I get serious gear envy watching your vids (and man, i miss my old juno 60)
And I _really_ dig the trusty S-Trig! 👊🏻
Thank you for making this and showing us this very cool device and neat ways to use it. My favorite parts were the layered sound on sound slowed to mush, and the last bit made from a forced loop is simply brilliant :) Thanks for giving me so much inspiration, looking forward to the next one!!
The sound on sound demo, by virtue of the chords you chose, really had a Frippertronics vibe to them. Beautiful! And loved the MS-10 getting its day in the sun. I love mine dearly. Yes, he only has one oscillator, but he can do PWM, unlike his cooler bigger brother. ;)
Great Alex. that sounds so good and I love your funky composition.
That sound-on-sound option should be good for getting your inner Fripp out.
Are you chinese?!
@@annother3350 WTF!? HTH is that relevant? WTH gave you that idea?
You tried to say Flip out
@@annother3350 I was referring to Robert Fripp, you twit!
@@Desmaad It was a silly joke, I know
"so you get this dissonant cacophony" said like it's a bad thing. some of us have sold albums of it! :-)
*Slowly nods in approval* 👍
The voltage control of the parameters is really, really amazing.
This is just as old as I am! Of course it’s good! 😎🤪
who dislikes an alex bell video... are you even human... D: ... great work as always alex !
That’s pretty dope those lfo’s modulating the tape
Very interesting composition at the end; good episode thank you...
Alex, you ALWAYS put out such interesting and inventive videos! Makes me want to collect all of my synths, effects, gadgets and make something. You make it it look easy and I usually get frustrated in my own experimentation since I either find I’m missing a needed effect or just don’t have the technical skills. Thanks for the videos!
Thanks for tuning in.
I know the feeling, if something isn't flowing the interest drops very quickly. I think the trick is to just start with something simple and uncluttered and then build on it, otherwise it easily becomes a bit overwhelming and like wading through treacle.
Alex Ball how very true! And that’s a good recommendation! I shall start more simply :-)
Oh boy, the envelope control over delay speed is something else. I had no idea these machines did this!
Yeah, great effect!
So cool
Reminds me of Pink Floyd style effects.
Great job Alex. Your videos are consistently interesting and educational. I noticed the auto-generated closed captioning on TH-cam translated some of your speed adjustment experiments as "Applause"; seems appropriate.
Me a short while ago: “I’m not interested in space echoes, I might give it a miss”
Me a shirt while later: Enthralled, and fascinated (and a big fan of whoever kept the original packaging 😁)
Well, this is a space echo that has secret skills!
Original packaging - I saw someone selling an MS-20 that not only had the original packaging, it also had the original transparent overlay that worked as a kind of quick-start guide. I assume that was some long-lost relative of yours. 😉
We’re actually a small subset of the Illuminati. Rather than being set upon world domination, our goal is just to get everyone keeping things as though they’re brand new.
Like I say...small subset.
@@DaveG207 The box-inati.
Superb work, once again :)
Cheers Robbie.
I LOVE doing harmonic overdubs with my old MS20. Super super rich. Doing it this way with the tape loop to me is absolutely heavenly!
Yeah, the colour of the tape is lovely. Gives a rose tinted sound.
Cheers Alex, lovely sounding and rather intriguing delay with the control possibilities. MS20 sounding glorious too. Overall I rate this video absolutely scrumptious. *drools slightly*. :)
"Intriguing delay" is the way to put it!
Pairs seamlessly with the MS synths. Almost as if they were made for one another....
2 years ago there was one of these on Craigslist for 200 dollars. Dude needs money for Christmas presents. I kick myself every time one of these is mentioned. Really dropped the ball on that one.
Argh! That's annoying.
I passed over an Oberheim DMX and Linn 9000 that were both very cheap a number of years back. Didn't have space and thought the samples were basically the same. Kick myself now.
Korg has always been mad, it will always have a special place in my heart and wallet.
I could see the external control stuff being used for making 70s cartoon or Sci-fi sound effects. At least that's what your demo reminded me of.
Last part reminds me of Laurie Spiegel's "The Expanding Universe"
The Envelope/LFO modulating the tape speed sounds awesome. Would work great for a scifi/horror soundtrack.
I feel Boards of Canada must have one of these.
Or something else tapey. But yeah, certainly drifts towards their world in a good way.
Alex Ball they used reel to reel recorders afaik
No idea exactly what BOC uses (Boards of Canada, not Blue Oyster Cult... when acronyms go awry!), but definitely was the first thing that came to mind. Excellent vid!
I was totally getting that BOC 70’s children’s program/public information broadcast feeling!
iirc Boards Of Canada use cheap consumer grade reel to reels such as the ones from Grundig. They bounce loads of stuff down to tape and then sample the results with an old Akai.
7: 34 reminiscent of Pink Floyds Echoes.... Cool demo, thanks Alex!
oh boy, are you channeling your inner eno in the sound on sound section? god would i love to pick one of these up now.
Sounds great. Some of it sounds like my wife's meditation tracks. Ommmmm....
That's given me an album idea...
@@AlexBallMusic Haha. Go for it...
I wondered when you return. i didn't know they made of version of a space echo.
I'm back (from outer space).
Yep, who knew? Korg made two tape echos. Several other companies did too. I knew little about them.
I’ve seen these creep up on Reverb for reasonable prices (probably not reasonable anymore though). I went with the Roland RE-201 Space Echo because serviceable parts are still readily available. Wish the 201 had a Sound On Sound feature. You have to physically cover the erase head to achieve it. Maybe there’s a mod that can be done....
Fantastic GAS-fuel as ever Alex! Why on Earth don't Korg (or Roland) seem to understand that there is clearly a huge market for reissues of their tape delay units (no, Roland, we don't want another simulation in pedal form thank you)?
Wicked!!!
Alex, this is probably the best tutorial i have seen! I liked a lot the drums in the end (not to mention the Juno slowed down) , do you remember what did you use to do it? Thanks a lot!! Marco
woah, super cool! that sound on sound demo sounds like something Disasterpeace would produce :) love the funky chill demo track at the end too
Yeah, first thing I thought about when I heard the final result was Fez, really nice!
Great presentation Alex and a really nice SE-500. I have one that’s not in bad condition but really needs a service but finding someone to do it is proving difficult. Any ideas? Rob
cv control of tape speed sounds awesome!
Yes! Very cool idea.
Man, I used to fight with my damn space echo on stage; a true nightmare. Yeah, sounded teets tho! And, yes I'm very old. I moved to digital in the late 80s and never looked back!
A worthy battle no doubt!
Great demo Alex! Superb track at the end too. I've always been in love with delays and this is no different, great box, but way too big for my space. ;-)
Love these old delay.
Nice video Alex.
I haven’t even watched it and I know unit is excellent. I’m buying it if it gets re-released similar to the space echo.
with tapes? i highly doubt about that!
This unit is for sale btw...
I don’t know if I’ll be able to afford it, and I’d assume if they made a remake, It’d be digital with similar controls
love a bit of sound on sound looping and the slow degradation of the past musical moments saturating into the noise floor.
I want to play in your room.
the sound on sound jam is absolutely loveley, had some radioactivity vibes at some point
Real analog delay machine. Sweet. Nothing beats analog delay
There is also a companding circuit under the hood.
Love mine. Have the 300 still, and had the fancy Roland, but the Korg sounds better than the Roland (especially the spring in the 300) so i happily sold the Roland because i’m not a collector i’m a musician. The Roland looks absolutely gorgeous, but sorry folks, the Korg just sounds better.
That speed modulation, instant flashbacks to 70s Sci Fi TV series! Loving that sound. I've always wondered why these go for so much less than the Rolands on Ebay, they seem to be just as good.
Don't have a quick wizz over the controls, it might stop working completely.
Damn 6:42 sounds good. I need more of that.
I have bought some nice biscuits, choc chip enrobed with chocolate...get the kettle on
Nice, didn't realise it was so different than the Space Echoes
Same here. They did the usual Korg thing of saying "what else could we do to this to make it weirder?"
Love it.
@@AlexBallMusic was also very surprised they implemented a sound on sound feature...that seems way ahead of the time and something which Robert Fripp pioneered with his Frippertronics, or am I missing something?
@@GNeuman I think that trick had been going on in various forms since the 60s. Some earlier tape delays have it too. So not a Korg idea.
@@AlexBallMusic ah, thanks for that!
Alex Ball, official provider of sexually inspired sound demos. Sure he took that name for marketing purposes.
That sound on sound + varispeed is awesome, wish behringer would clone this
hey Alex, is that an ARP Avatar behind you??? If so, let me know how did you modify it. I assume you use it as a standalone synth, and not as a guitar synth... please let us know
I got one of these bad boys, it’s a bad boy
14:57 ms10 keeping us sane
An old trick is gating the echo. You insert a reverb or echo in-between the filter and VCA of a monosynth. With the ARP 2600 and it's built in spring reverb I got a sound _almost_ like playing chords but only when you played at just the right tempo. It worked even better with a digital delay pedal.
That's a great tip - thank you.
I appreciate the effort and I love your videos in general, but you _really_ should not start with long decay phase sounds for this. Please begin with short, percussive sounds to demonstrate the exact sound of the module before moving on to atmospheric, but mushy sounding patches. The way it is, it is very difficult to tell the sound of the dry signal and how much of this is the delay unit.
Other than that, great work and thank you for going to all the trouble of digging up and featuring these oldies.
That's a very fair point, I'll bear that in mind.
I did do a more percussive sequence for the S-Trig demos, but you're right; a blast of that at the start would have been a better introduction.
man that ms-20 sounds so much better than reproduction...glad i sold my mini
This is so amazing. Definitely great sound! Great job
Great that mr ball! Sounded bit like joe 90 somewhere in that !!!
Alex this thing is extremely rad. Some really great features, but most importantly really great sound. Also, congrats on your essentially new MS-10, what a fat score.
Yeah it's cool isn't it!
The MS-10 is borrowed. Nice to try one as I've never had a play before. Can't understand why it has PWM but the MS-20 only has manual control of PW despite that patch bay.
@@AlexBallMusic Yeah weird huh? Too bad it's not yours, pretty sweet synth. Have you ever thought about buying a Korg 770?
8:30 - this is how you create the flanger/chorus effects
Don't demo delays with keyboard swells, it's impossible to hear the original signal separate from a repeat. Use something with a clear attack, so that each repeat is distinct and its sound quality can be easily assessed. A guitar is ideal, or a percussive synth sound if you only have keyboards.
Yep absolutely, the lesson was learned. This video was several years ago.
Good luck getting any virual instrument to sound as good as that.
The sound on sound is giving me total 2112 vibes. Cool.
The pushbutton head selector is why I'll chose this over a space echo.
Reallllly digging this video - especially your sexy song
11:00 kind of feeling a bit Vangelis to me.
That is fucking cool!
Slows down tape, Heinbach entered the chat :D
This is SOOOOOOO cool. Can't think of a way to punify it, though. My memory reverberates with faint echos of a band I worked with who had an Echoplex. I never used it myself, but I remember the bassist showing me the tape loop inside. If I recall, it only had one play head that you could slide back and forth to provide the echo delay. I also know that Jerry Goldsmith used it more than once on the scoring stage (Alien and Patton come to mind). Question: the tape has to wear out at some point. Where do you get more analog 1/4 inch tape in this age? Is it even still manufactured? Perhaps in small runs, like 35mm motion picture film. Anyway, great video. Love the tune at the end!
The Echoplex has one of the coolest "futuristic" logos ever. Never used one though.
Yes, that's right, Goldsmith did run the woodwinds through on in Alien. Became an identifying motif in the score and I was pleased to hear it in one of the more recent sequels.
Guess they require maintenance, have a lot of moving parts and are bulky, so manufacturers can't see a practical market for them. The El Capistan from Strymon is absolutely excellent though and emulates it very nicely (and in stereo).
I use to use one with my shadows tribute band
Very cool device. Sounds great.
Been waiting patiently for this! This was my band's go-to unit for effects back in the early 80's.
Did you use external control with it back in the day?
@@AlexBallMusic Not sure mate. I know that our sound guy had the balanced in and outs going through the desk, but I can't remember what the hell he was doing with the external control. Knowing his attention to detail, I wouldn't doubt that he was using it in one respect or another. Our sound guy was Terry Cooney who was the sound-tech manager with Jands in Sydney, Australia. I haven't seen or heard from him in a bloody long time and you've given me some incentive to chase the old bugger up.
Skipped to 15 mins - The bass sound / sequence on the MS 20 is probably one of the most satisfying bass sounds heard in my whole life, and that is through my iPhone speaker! - clicks subscribe on the strength of that 10 seconds viewing 😁
The sound on sound part is very much sounding like Board of Canada
it's time for Alex Ball Rig Rundown
All my videos are basically a rig rundown!
It’s incredible how you manage to produce such a variety of video content in your channel. Always informative and pleasantly produced! Keep them coming Alex!!
Can’t wait for the ARP doc 🙂
Is it me or you still don’t have a Patreon account?
I’d totally be up for that!
Thank you. I'm fortunate with what I'm able to borrow, which gives me new material to work with.
Patreon - thanks. I've not considered asking people for donations, but if there was something specific that everyone benefitted from then I'd maybe do something crowd funder esque.
"But wait theres more!" Do i hear an echo here? "No thats just the tape delay" :D
I want that dissonant cacophony
It has its uses.
Yeah!! That feedback cutoff is wildly useful.
Jarre had to use these im guessing.
Hey man! I just bought a dynachord echocord super 62. Any chance you would do a video on one? Thanks for the video:)
Very nice space sonic textures ...
sound on sound thing reminds of the plantasia album a tiny bit at parts.
i have a new appreciation for your channel today. Love the slowing down of TAPE SPEED.
Lovely video! I've been interested in learning about tape echoes and this is great! Loved your experiment with the Juno! Worked really well!