Your performance was beautiful, awesome for your young age, and considering the health issues you mentioned in your post. Why did you stop performing? Because of this performance, that you, as an demanding, not self-indulging musician, did not find to be at your level ? Even the greatest soloist did sometime play out of tone when on stage. But it is also known that the great Galamian did have the ambition but not the nerves for performing. Could it be your case? Don't give up, even if you're teaching as well!
I'm sorry Mr. Lee. I have to confess to an error on my part. It was not Erica Morini,, but Gioconda De Vito who recorded the 78 album on the HMV label. I last heard it many moons ago and at my age, (92,) time sometimes plays tricks on me. Please forgive me.
It's nice over all. She is moving to much to make her performance look better, but it's actually made play out of tune. Also she wasn't able to keep her tempo and lost the orchestra at some points. It almost seemed like to play at better level than she could...
Noting wrong with her intonation. The orchestra always spoils this piece and, in this case, it is overpowering her as she doe not have a very strong tone. Well done - on the whole.
It is a piece which is extremely difficult play in perfection technically and still more in the interpretation. She gave a good performance but one is spoilt by the marvelous interpretation of David Oistrach. Well, she is so young and will improve and play it also on the level of a master.
Mr. Lee. How you can hear bad intonation while being distracted is beyond me. Her "Movements", simply showed her emotions and intensity, while her overall playing is magnificent, with a fine orchestra behind her...And let's not forget Vitali. Haunting music, interpreted with love for the music. I have an old 78 album by Erica Morini, also with organ accompaniment of this wondrous opus. If you ever saw Heifetz play, you would swear off violin music. He was very cold and dry, with really no feeling for the music he played, even if he may have been one of the greats..
A lot of people say Heifetz was cold and dry. If you only watch, that's true. he moved only what was necessary. If you closed your eyes and listened, that's where the true emotion was in his music.
This is a very new concept... That you need to shake around and move your body with your playing to convince the audience that you're "feeling" the music. Look at all the old masters like Heifetz, Oistrakh, Menuhin, Elman, etc., who played with so much emotion (In my opinion, more so than the modern violinist) and stood practically still and moved only what was necessary. It's just become a social norm now that if you're to play emotional music, you must dance. I'm not saying this dancing is necessary bad (there may be a point where it's too much), I mean some of the old greats moved around on certain passages. What I'm trying to say here is that minimal movement doesn't mean minimal emotion.
Had a couple mistakes in a few places and could've shown some improvement in intonation. However, sounded pretty good. Also, try not to move around as much as it is distracting
• I enjoyed the movement in her body. She was like a flickering flame on a candle, kinda like the love portrayed in this love song, struggling to stay lit.
WHO ARE YOU? I don't know where you're getting your information from. You must be that occasional guy who thinks he knows about music. Look, just because it sounds like a "love song", which you clearly don't know the criteria for, necessarily means it was a love song. I find your comment very idealized and bizarre. Name me one love song in classical music without looking it up (which you most likely will)
Hey I'm just tryna say to understand this piece correctly and prevent further misconceptions. If there's one thing I don't want, it's misconceiving this masterpiece as a love song. Also, I never mentioned me being smarter than you at any point. I will indeed have a nice life, thank you very much.
+Won-Ho Lee • You'd have to know what love is first, in order to comprehend the wholeness of a song or anything. Music is a reflection of the condition of ones heart. This song in particular has an extreme feeling of heart ache and pain.
This schmalzy modern orchestration of Tomaso Vitali's chaconne for violin and continuo is barely recognizable as a work of the late baroque. You people who are drooling over this performance probably don't have a clue that it was composed for solo violin and continuo. Many of you are probably so clueless that you don't even know what "continuo" is.
That was beautiful.. I can feel your emotions to the song
この曲に関して、最も魅力を感じる演奏だと思います。数多くの演奏家を凌駕しています。技術だけで嫌味な演奏とは一線を画しています。素晴らしい！
Your performance was beautiful, awesome for your young age, and considering the health issues you mentioned in your post. Why did you stop performing? Because of this performance, that you, as an demanding, not self-indulging musician, did not find to be at your level ? Even the greatest soloist did sometime play out of tone when on stage. But it is also known that the great Galamian did have the ambition but not the nerves for performing. Could it be your case? Don't give up, even if you're teaching as well!
I'm sorry Mr. Lee. I have to confess to an error on my part. It was not Erica Morini,, but Gioconda De Vito who recorded the 78 album on the HMV label. I last heard it many moons ago and at my age, (92,) time sometimes plays tricks on me. Please forgive me.
A beautiful performance of a wonderful piece of art.🙏🏽🌷🕊♥️
One of the most beautiful pieces ever in my opinion ❤❤
And the only which can give me chills I think
This is so beautiful. I recently lost my mother and this performance helped me process some of that pain locked away.
Amazing job. Thank you for this.
It's nice over all. She is moving to much to make her performance look better, but it's actually made play out of tune. Also she wasn't able to keep her tempo and lost the orchestra at some points. It almost seemed like to play at better level than she could...
Noting wrong with her intonation. The orchestra always spoils this piece and, in this case, it is overpowering her as she doe not have a very strong tone. Well done - on the whole.
Beautiful music,and very moving
violonist
Very nice,maybe slightly too ''romanticised'' .This piece is one of my projects at present, and I listen to Milsteins version.
She is a great performer and beautiful as well.
Excellent performance of my favorite piece!
For all those mfcks...IT WAS VITALI
Intonations....mmm
Tf u mean she was perfect LMAO
I only heard a few mistakes in the piece but for anyone who isn’t trained to hear this like the audience it sounds beautiful 💀she’s very young too
I thought it is only me, she is just out of tune ...
고소현꺼 보고 다 챙겨보는중.. 오케스트라 연주도 좋다~
Wow can’t wait to learn it 😬
何度聴いても涙が溢れるよ。素晴らしい演奏です。
Oh my god ...
Very beautiful!!
Thank you for the wonderful performance.
It is a piece which is extremely difficult play in perfection technically and still more in the interpretation. She gave a good performance but one is spoilt by the marvelous interpretation of David Oistrach. Well, she is so young and will improve and play it also on the level of a master.
Wow. I’m playing this same thing and I showed this to my mom and she loves mine and wanted to listen by herself. What state are you in
palo alto is in california
Parabéns, muito bom!
Sua musicalidade foi incrível.
One of the most beautiful pieces ever in my opinion ❤❤
She is really good, but I find the orchestras playing very distracting. Poor orchestration which clashes with the soloist.
逹到琴与人合ㄧ高境界。琴音傷感卻帶有熟度揮弓不断加上。她自己突破力道。甩脫捆礙傷情。
お上手です！
This performance helped me see the beauty of the piece. Thanks a lot, it was really beautiful.
Outstanding young lady. Bravo. That 1st chair violin was an intriguing looking chap. Chewbaka at the violin.
He must be gay, otherwise he be drooling on this exquisite beauty.
@@wric01 Oh listen at you.
Estupendos, Gracias, gracias, gracias.
Very nice. Bravoooo.
Bravo 👏🏻 👏🏻
she is the most beautiful women i've ever seen.
your taste is complete shit
TH-cam.音樂影片。個人新收到的。小提琴小小年纪之成熟演奏之ㄧ才華女傑。
Sounds great, Jennifer!
She is beautiful
인형같다
She likes doll
깔끔합니다.^^
소리가 깔끔하다
Jennifer, you play so beautifully. I'm sorry the orchestra tried their hardest to throw you off.
Mr. Lee. How you can hear bad intonation while being distracted is beyond me. Her "Movements", simply showed her emotions and intensity, while her overall playing is magnificent, with a fine orchestra behind her...And let's not forget Vitali. Haunting music, interpreted with love for the music. I have an old 78 album by Erica Morini, also with organ accompaniment of this wondrous opus. If you ever saw Heifetz play, you would swear off violin music. He was very cold and dry, with really no feeling for the music he played, even if he may have been one of the greats..
A lot of people say Heifetz was cold and dry. If you only watch, that's true. he moved only what was necessary. If you closed your eyes and listened, that's where the true emotion was in his music.
This is a very new concept... That you need to shake around and move your body with your playing to convince the audience that you're "feeling" the music. Look at all the old masters like Heifetz, Oistrakh, Menuhin, Elman, etc., who played with so much emotion (In my opinion, more so than the modern violinist) and stood practically still and moved only what was necessary. It's just become a social norm now that if you're to play emotional music, you must dance. I'm not saying this dancing is necessary bad (there may be a point where it's too much), I mean some of the old greats moved around on certain passages. What I'm trying to say here is that minimal movement doesn't mean minimal emotion.
most gorgeous classic i have ever heard
Had a couple mistakes in a few places and could've shown some improvement in intonation. However, sounded pretty good. Also, try not to move around as much as it is distracting
• I enjoyed the movement in her body. She was like a flickering flame on a candle, kinda like the love portrayed in this love song, struggling to stay lit.
WHO ARE YOU? I don't know where you're getting your information from. You must be that occasional guy who thinks he knows about music. Look, just because it sounds like a "love song", which you clearly don't know the criteria for, necessarily means it was a love song. I find your comment very idealized and bizarre. Name me one love song in classical music without looking it up (which you most likely will)
+Won-Ho Lee • You're smarter than me no matter what I say? Have a nice life.
Hey I'm just tryna say to understand this piece correctly and prevent further misconceptions. If there's one thing I don't want, it's misconceiving this masterpiece as a love song. Also, I never mentioned me being smarter than you at any point. I will indeed have a nice life, thank you very much.
+Won-Ho Lee • You'd have to know what love is first, in order to comprehend the wholeness of a song or anything. Music is a reflection of the condition of ones heart. This song in particular has an extreme feeling of heart ache and pain.
オーケストラと合ってない感じがした。（個人の意見）笑笑
This schmalzy modern orchestration of Tomaso Vitali's chaconne for violin and continuo is barely recognizable as a work of the late baroque. You people who are drooling over this performance probably don't have a clue that it was composed for solo violin and continuo. Many of you are probably so clueless that you don't even know what "continuo" is.
Everyone is entitled to their own opinion. I personally do not like my own performance that day.