The 'Lizard Hop", describes the flow or movement of the notes, featured in that technique. Thus (like a lizard) leaping from the chord 6 Major to the 2 minor. The "Crystal Blurry" in the 7-3-6 movement, highlights that the idea of the technique is "Crystal" clear or unambiguous(simple 7-3-6). However the chords used to execute the move appearing quite (blurry) or unanticipated, especially due to the fact that the 7, 3 and 6 notes are not consistent in the move. Ie, the chords are rootless. 😊
@@EasyKeysPiano *you and I share the same concept of “naming” what we do when it comes to learning the language of Music!* *For instance, in regards to chord triad inversions, each inversion has a specific shape and finger number on the root of that chord!* *EXAMPLE:* *C Major 1st inversion, the 5th finger is on the root so I would write “5C”* *C Major in 2nd inversion, the 3rd finger is on the root =3C* *I’ve even learned my scales as specific patterns of keys* *after getting back into practicing and just getting out of my way and just PLAY, as long as you have basic theory in chords, scales, patterns and relationships with the key …you can make an inanimate object sing!*
@@GoaWay4Sanity Amazing to hear! Music is really nothing until we make it. Thus, music is peculiar to the MUSICian. It cannot create itself without an intentional creative mind. Am glad you individualize(orignalize) your music too, (same as all the PROs out there), and that right there is the bedrock of endless creativity. 🤜🏽🤛🏽🎹
![The SMART Way To Think About Chord Names and Labels [+FREE PDF] [MUSIC THEORY LESSON]](http://i.ytimg.com/vi/2SeN9W1CIrI/mqdefault.jpg)
Wow…🔥🔥🔥🔥🤯🤯🤯 I’m happy to learn this on Key C ❤️🔥❤️🔥…wow !! So powerful _Sound so ooooooo advance I love it and I will share it to my friends ❤️💯❤️💯
Thanks a lot Louis! Am glad you love it. Sit tight, more of these coming up! 😉👍🏼🎹
0:41 -*theres that same string background again! Now I have more of it* 🤓👍🏾
😉👍🏼🎹🔥 u bet!
All I need!!!!❤❤❤❤ I'm glad I came across this channel
👑 👑 👑
nice job boss, please do a tutorial on your inner movement and left hand nuances,God bless you
Got you Gabriel. I will do a lesson on inner voicings as well as left hand nuances. Stay tuned.
@@EasyKeysPiano We can't wait , thanks 🙏
Great
Thanks Grace 🙏🏽
I'm speechless man
Thanks Theo 😉👍🏼🎹
BROTHER YOU ARE BLESSED!!!!!!
Much appreciated fam! 🙏🏻👑
Wow!!!
😉👍🏼
I was enjoying that singing o. 👍
😄 thanks Sis E! 🤜🏽🤛🏽
Wow,,great concept,,would you please do a tutorial on voice leading and inner voice movements..
Thanks Grace. Got you. I would do a tutorial on voice leading and inner voice. Stay tuned 😉 like, subscribe, share 🙏🏻
@@EasyKeysPiano OK,, thanks so much..
Always welcome 🙏
Awesome 👏
Thanks Midasty 🙏🏼
Excellent tutorial 🙌
Appreciate it 🙏🏽
I just saw ur site today.I like the way you teach.
Thanks Philemon 🙏🏼
These are just so good !!!
Appreciate it 🙏🏽
I can’t wait to practice this and use this chords on Sunday morning! God bless u soo much for this content 🙏🙏🙏🤗I love how u play
Thanks bro. Always a pleasure 🙏
wow...Learning all the way from KENYA ..Great teacher❤❤💥💥💥 ...can you do the same rendition of Alpha and Omega in the Key of F major.Thank you
Much appreciated fam 🙏 And yes I can do it on F. I'll use it to teach another concept in my coming videos.
Thank you.
Good evening is it possible for you to break down that string intro
Greetings Sir. Yes I can and plan to.
@@EasyKeysPiano a thank you!
*”Lizard Hop Technique and now “The Crystal Blurry Technique” - how do you come up with the names of these?*
The 'Lizard Hop", describes the flow or movement of the notes, featured in that technique. Thus (like a lizard) leaping from the chord 6 Major to the 2 minor.
The "Crystal Blurry" in the 7-3-6 movement, highlights that the idea of the technique is "Crystal" clear or unambiguous(simple 7-3-6). However the chords used to execute the move appearing quite (blurry) or unanticipated, especially due to the fact that the 7, 3 and 6 notes are not consistent in the move. Ie, the chords are rootless. 😊
@@EasyKeysPiano
*you and I share the same concept of “naming” what we do when it comes to learning the language of Music!*
*For instance, in regards to chord triad inversions, each inversion has a specific shape and finger number on the root of that chord!*
*EXAMPLE:*
*C Major 1st inversion, the 5th finger is on the root so I would write “5C”*
*C Major in 2nd inversion, the 3rd finger is on the root =3C*
*I’ve even learned my scales as specific patterns of keys*
*after getting back into practicing and just getting out of my way and just PLAY, as long as you have basic theory in chords, scales, patterns and relationships with the key …you can make an inanimate object sing!*
@@GoaWay4Sanity Amazing to hear! Music is really nothing until we make it. Thus, music is peculiar to the MUSICian. It cannot create itself without an intentional creative mind. Am glad you individualize(orignalize) your music too, (same as all the PROs out there), and that right there is the bedrock of endless creativity. 🤜🏽🤛🏽🎹
What piano vst are you using ?
Wasnt using any vst for that tutorial.