La bohème - O soave fanciulla (Puccini; Sonya Yoncheva, Charles Castronovo; The Royal Opera)
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- เผยแพร่เมื่อ 5 ก.พ. 2020
- Find out more: www.roh.org.uk/tickets-and-ev....
Puccini’s music and Richard Jones’s production capture the joy and heartache of young love in Paris. Sonya Yoncheva, performing Mimì, and Charles Castronovo, performing Rodolfo, sing 'O soave fanciulla'.
Richard Jones perfectly captures the blend of tragedy and comedy in La bohème, and provides an acute analysis of Puccini’s young would-be artists and their lovers, the soulful Mimì and spirited Musetta. Spectacular designs by Stewart Laing evoke both the poverty of the bohemians’ attic home and the splendour of Paris’s shopping arcades on Christmas Eve.
Puccini’s score is one of his most beautiful, with highlights including Rodolfo and Mimì’s introductory arias and love duet in Act I, ebullient music for the chorus and soloists in Act II, and Mimì’s poignant death scene, over which the composer himself wept. La bohème received its world premiere at the Teatro Regio, Turin, on 1 February 1896, and its Covent Garden premiere the following year. It is currently one of the best-loved operas worldwide, and the opera most performed at the Royal Opera House. - บันเทิง
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Goosebumps Guaranteed 📣📣📣📣
IMO, one of the most romantic scenes in opera history. Thank you, Giacomo Puccini, Sonya, Charles, and ROH!
Beautifu voices! Bravo! Bravo both!
Both singers bring such emotion to the duet. C❤❤❤
Great Castronovo. Much better this Boheme than the one streamed from Munich with Kaufmann as Rodolfo.
Mi piace molto questo duetto, bellissime voce👏🌺👏🙏🙌
What wonderful duet!
Bravos! 👏🏾
Beautiful.
Beautiful!
Bravissimi!!!!!! Infiniti applausi!!!!!!!
Heartbreaking beauty.
Bravissimi
Wowzers
Sonya Yoncheva fue un auténtico descubrimiento para mí en este montaje del Real que además me pareció precioso. Pude ver la ópera completa a través del canal Mezzo. Me emocionó hasta hacerme llorar. Maravillosa obra, música sublime y unas interpretaciones impecables
BRAAAAVOOO!
Please upload this to the channel!!!!!! 🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻
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Wow 👏🏾👏🏾👏🏾
😍😍😍
Belle voci e bella esecuzione secondo partitura, senza quell'orrendo urlo di cappone sgozzato alla fine. Così è di una malinconia e di un incanto veramente struggenti.
lieb
En vivo, creo que esa escenografía interfiere con la óptima expansión de las voces.
Castronovo is a spitting image of Lin-Manuel Miranda. It's slightly spooky... Incredible tenor though.
Incredible tenor maybe for your standards. I don't know what they are but he doesn't have a single note that it's solid and stable. His voice trembles and wobbles and he has a hard time on the easiest passaggio. I think he should probably change maestro or technique.
You must. Be blind. He’s handsomer! And an excellent tenor.
@@alvarodecampostabacaria4223 And you sing where?
@@paragod333 YOU SHOULDN`T NEED TO SING TO KNOW ABOUT SINGING.... THAT SHOWS YOUR LACK OF KNOWLEDGE ABOUT IT.... THE COMMENTARY DIDN`T ATTACK THE TENOR....IT ONLY REMARKED SOMETHING TECHNICAL.
@@clarkepaul837 My comment was directed at Sr Tabacaria who was very technical and didn't like one note of the tenor. That's just out and out silly. That's why I questioned his knowledge (which is very faulty).
bizim uzun havalara benzemiş😂
Tous les deux trop tôt dans les rôles de mimi et rodolfo ! Il y a des passages jolis ... mais manquent de stabilité vocale !
Michael Fabiano and Nicole Car are far superior in this ROH production. Their performance is charming and mellifluous.
Yoncheva keeps going off pitch and sounds strident and clashes audibly with Castronovo, whose style is....meh.
Meh.... th-cam.com/video/pzPW8mXX3bg/w-d-xo.html
Not everything can live up to a classic performance - there's usually something to admire about each one.
Meh 2 th-cam.com/video/EVI_G5bGTCM/w-d-xo.html
@@AllieB-11.11 I agree with you, but a tenor need to be confident and solid when singing. Not a note he's taking is clear, solid and stable. I don't think the voice would be that bad, but his technique is not good at all.
@@alvarodecampostabacaria4223 I have no idea of what you mean by solid, confident and stable when it comes to technique, and I doubt that you do either.
@@paragod333 what you assume is not my problem , as to assume I don't know what I'm saying is somehow an arrogant and silly comment. His notes are trembling and wobbling. This happens when tenors don't have a solid knowledge of how to use their vocal instrument,or their technique is not a right one. If this is not clear we can converse in Italian, since this is an Italian art.
He is good, but Yoncheva eats him alive xD.
🎼, like she did as medee 🤭 but they sound brilliant together ✨🖤✨, 🐧
The ROH continues to waste tax payers money. They had an excellent production of this opera and didn’t need to waste subsidy on this replacement. Post Covid-19 is going to be tough and maybe the exchequer will be looking at ways to cut subsidies?
Oh my God this tenor needs to study a bit more. Not a single clear and stable note.
If you give me your address, I'll send you a hearing aid.
@@paragod333 I suggest you get a tiny bit of extra knowledge on the opera subject, widen up your horizons and only when you have a clear picture write comments. You talk as if this piece of aria is good or nearly perfectly performed, and this shows how partial your knowledge is. Listen to opera from the first recordings up to the 50s,and then so on until nowadays and maybe you get a better understanding of Italian composers and how they should be interpreted. I'm sure you're an open minded gentleman with a thirst for knowledge.
I'm so sorry that I haven't the time to waste responding to you in Italian, Spanish, French or Farsi which is my second language (really first). I have been going to (and working at) the Met since the early fifties and heard my share of great tenors. I do know that whatever I say, you will have a smug, sarcastic know-it--all response and I have better things to do with whatever time I have left than to waste it responding to you. Buona fortuna e tanti auguri.
@@paragod333 it's a pity, because since you have all the above experience it could have been nice to have an honest and open conversation about this tenor. Or an exchange of ideas. But you chose the wrong approach from the start so.. Have a nice day
@@alvarodecampostabacaria4223 And you have nothing but sarcasm to offer. Plus a lot of knowledge of what someone else is thinking. Bon Chance!
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