Klezmer Techniques with Corrado Giuffredi | Backun Clarinet Concepts
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- เผยแพร่เมื่อ 5 พ.ย. 2013
- Klezmer music is all about expressing yourself to the maximum! Corrado Giuffredi gives us an inside look into some of his favourite Klezmer techniques including: vocal harmonics, descending glissandos and breathing techniques for this often neglected genre.
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Corrado is playing a Backun Grenadila Protege Clarinet with Rose Gold Keys in this video.
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All these Backun artists are really killing it. Backun has really brought a new and improved sound concept to French system clarinets. Makes me very happy!
Sounds like I play Klezmer style, while I've had my directors telling me to stop for years. Nice to hear the growl/multiphonic outside of jazz honestly
Wonderfull playing by the way
They say the clarinet is a happy instrument. It makes me happy because my whole wind-cage is engaged and I feel as if I am playing what I am hearing. It’s a delightful instrument to relearn after setting down 60 years ago.
Klesmer Clarinet gave us freedom to play Swing & Jazz. (Benny Goodman, Artie Shaw, Woody Herman,etc grew up with this). The style is not sloppy playing. There is a meaning in the phrasing. There is so much to learn. Thank you for sharing this.
That was amazing and beautiful. For decades I was barely aware of music like this, and when I would hear it I immediately thought of Supertramps album "Breakfast in America". Now I know it's called Klezmer and hearing that guy expressing himself I think I'm going to buy a clarinet and go for it. There is just something so soulful and mischievous about those sounds, like a sly old fox who still has some tricks up his sleeve. I love it.
Hai una marcia in più con la Klezmer. Credo che non siate in molti a “vibrarla” come fai tu. Bravo, Corrado
BRAVO!!!! grazie mille!!
BEAUTIFUL
Muy interesante!!!
wow! love the expression and sound, wonderful artist! Bravo!!!
I like clarinet sound, nice¡¡¡
We need a specil video about protege clarinets please!!!!
there is a video of corrado practising the first piece with the giora feidman, two extreme talented clarinet players!!!!!!!!!
What is that second song called and how do I get the sheet music (the one that starts low and goes up like a scale)???
Beautiful! Any one know the name of that first freilach?
Тигр!!!!!
#yes
YESS!!!!
whats the name of the first song you play?
Mtro por favor explique como se logran esos efectos
Can someone tell me the mode klezmer is in? Such as the half and whole steps that make up its scale, including notes in the basic scale or mode that are skipped.
based on the little theory I know, Klezmer is based on different versions of Phyrgian. If you're doing research, The term is "Ahavah Raba" Scales or "Klezmer Scales". (btw world, not an expert, just love klezmer.)
Does the number of the reed make a difference? I have heard that Giora uses a 1 1/2.
you can tell 😂. i think you would want something really flexible. like a vandoren rue lepic
A 1-/2 … wow. Wonder if he is tonging or double (triple?) tonging it much?
bravo! ma si puo fare anche sul Fagotto?
Jo Anne Sukumaran penso di si. Ma sarà molto difficile
Come si chiama questo pezzo?
He's no Martin Fröst when it comes to Klezmer, but still, he's amazing!!!
Faking those nyuk nyuks. Come on!
Zilien Biret is correct. This is interesting playing and technically advanced, but Mr. Giuffredi is not playing klezmer. He may be playing the notes to well-known tunes, but he is not demonstrating any knowledge of phrasing, ornamentation, elaboration, or any other idiomatic element of traditional playing. This is at minimum cultural appropriation by someone who has not done any meaningful study of the idiom. If you want to know about klezmer, go listen to Dave Tarras, Naftule Brantwein, Joel Rubin, Zilien Biret, Michael Winograd, and many other traditional and contemporary players who know the tradition inside and out. It's actually quite shameful that this many would make the claim that he can "teach" klezmer when he so clearly knows nothing about it.
Zilien Biret is correct. This is interesting playing and technically advanced, but Mr. Giuffredi is not playing klezmer. He may be playing the notes to well-known tunes, but he is not demonstrating any knowledge of phrasing, ornamentation, elaboration, or any other idiomatic element of traditional playing and some of the techniques he suggests are cheap gimmicks that can be found on no traditional recording. This is at minimum cultural appropriation by someone who has not done any meaningful study of the idiom. If you want to know about klezmer, go listen to Dave Tarras, Naftule Brantwein, Joel Rubin, Zilien Biret, Michael Winograd, and many other traditional and contemporary players who know the tradition inside and out. It's actually quite shameful that this man would make the claim that he can "teach" klezmer when he so clearly knows nothing about it.
Ok this guy is a good player yes....but this has nothing to do with Klezmer, not a single ornements...nothing.....this is sad....this is good, but IT IS NOT klezmer :) So many traditions are dying because of that kind of appropriation.....
Amen! :)))