if you're in a budget home studio and need talk back regularly, HIGHLY recommend an SSL interface. SSL12 has built-in talk back mic w/ an engage button. Then fully route-able in the SSL360 software before the DAW, super useful.
Hi Andrew! Love your channel! I was wondering if you could maybe make a video about headphone monitoring for like a live tracking setup? Like how you would break down individual instruments for let's say per player and them having control for the levels of each instrument/track?
I second this. A video explaining a few common ways of setting up headphone mixes for each player would be clutch. I get using a headphone amp with multiple outs _but;_ How does each player get their own mix? How do these bigger studios set it up and make it work where each player gets their own 12, 16+ channel mixer to more fully control their headphone mix? Explaining things like this with different examples, use cases, set ups would be awesome.
Also, I get using the AUX's on your main console (what you'd normally use for your monitor mixes in a live situation) but what if you need _more_ than 4, 6 or 8 headphone mixes or don't want/can't for some reason use your main console's AUX's and again, how can we make a situation that work where the _player_ can control their individual mix instead of the engineer at the console?
You have a good style of presentation. Some audio interfaces have a built in talkback system. For example, the SSL12 has a built in talk back system and even includes a built in talkback microphone. I also use an Audient 4816SE console and two SSL Big Sixes - both of which have talkback systems with dedicated talkback mic XLR inputs.
Question; since you are in multiple rooms environment, how do musicians communicate with each other between takes? Another question; What if a musician takes of his headphone or earplugs?
Please can you describe the signal flow from your interface to the behringer p16’s? Does there need to be another midas/behringer product between your interface and the P16’s?
I'd like to mention MOTU interfaces. Some of them (such as my 828es) has a dedicated talkback mic buit into them. That way you don't need to sacrifice a valuble mic input. just for the talkback.
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Camera quality is absolutely amazing. You and Colt C do it like no one else
I appreciate it. I always admire videos that go the extra mile with the video shooting quality.
if you're in a budget home studio and need talk back regularly, HIGHLY recommend an SSL interface. SSL12 has built-in talk back mic w/ an engage button. Then fully route-able in the SSL360 software before the DAW, super useful.
Hi Andrew! Love your channel! I was wondering if you could maybe make a video about headphone monitoring for like a live tracking setup? Like how you would break down individual instruments for let's say per player and them having control for the levels of each instrument/track?
I second this. A video explaining a few common ways of setting up headphone mixes for each player would be clutch. I get using a headphone amp with multiple outs _but;_ How does each player get their own mix? How do these bigger studios set it up and make it work where each player gets their own 12, 16+ channel mixer to more fully control their headphone mix? Explaining things like this with different examples, use cases, set ups would be awesome.
Also, I get using the AUX's on your main console (what you'd normally use for your monitor mixes in a live situation) but what if you need _more_ than 4, 6 or 8 headphone mixes or don't want/can't for some reason use your main console's AUX's and again, how can we make a situation that work where the _player_ can control their individual mix instead of the engineer at the console?
nice bro...
You have a good style of presentation. Some audio interfaces have a built in talkback system. For example, the SSL12 has a built in talk back system and even includes a built in talkback microphone. I also use an Audient 4816SE console and two SSL Big Sixes - both of which have talkback systems with dedicated talkback mic XLR inputs.
Great video man, I definitely know it can get awkward when we’re all playing a game of telephone in the studio 😂
Hey Andrew! I've checked the link for the gear you use but I don't see what overhead lights you're using. Can you tell me what they are? Thank you 🙏
Question; since you are in multiple rooms environment, how do musicians communicate with each other between takes? Another question; What if a musician takes of his headphone or earplugs?
Please can you describe the signal flow from your interface to the behringer p16’s? Does there need to be another midas/behringer product between your interface and the P16’s?
Andrew, what brand are those lamps you have over the desk? Could not find in your equipment list.
They are amaran p60x video lights
I'd like to mention MOTU interfaces. Some of them (such as my 828es) has a dedicated talkback mic buit into them. That way you don't need to sacrifice a valuble mic input. just for the talkback.
Excellent point. 💯
I didn’t see the link for the mic mute.
It's in the description, but here it is Mic Mute: sweetwater.sjv.io/MmJjZP