so what? I am Medea!!! only Callas is able to give all those feelings of pain , agony,. betreal sadness tendernss and madness in such a short period of time, She is a true complete artist! No one else can ever reach her artistry.Her memory is eternal. Thank you for posting this!
Medea was her artistry at summit ! However the people after Callas are cowardly avoid to mention this opera, because they afraid of compare, compare to this demi-god legend
La divina..hight priestess of opera and her art ! HER OWN WORDS NO BODY CANT DOUBLE LA CALLAS and its thrue until today.. Even those little voices by moscet try to DOUBLE her ! Haha ha i say to them. First prodous every singel word clear and remember to be as well actress on stage ! God luck Bocca il lupo !
I regret to say it took me a long time to appreciate Medea but more so Medea by Callas. Since l do not understand Italian, l too often rely on the beauty of the music to transport me into the realm of the composer. However lately l found myself listening to her as if she was speaking to me and l must say, there lies the magic! I still can not understand Italian but somehow it seems no longer necessary for l am join with her, face to face and all that comes out of her mouth is so expressive, so melodious, so true that l can finally say I love this opera! Thanks for sharing, be safe.
Carlo Pietroniro, la sera prima c'era stata la Wally con la Tebaldi che inaugurava la stagione con scarso successo...la sera dopo, assieme alla direzione e concertazione tagliente, travolgente e infuocata e a senso unico di Bernstein, fu un trionfo assoluto. Quella sera Maria fece capire definitivamente che non ce n'era piu' per nessuna. E come dici tu pare di essere lì...e siamo lì.
This recording is magnificent and tragic in every sense. Magnificently sung, but so were many others, by Simionato, Tebaldi, and others.Tragic because Walter Legge should have instead chose Macbeth, Armida, Medea, to name the three most obvious, or even Turandot.
There's a studio recording around here on TH-cam with Callas (complete opera) as Leonora in Il Trovatore/von Karajan conducting. I think it's also from the '50's and she gives a beautiful performance. The range of her repertoire is amazing, going from Leonora to Medea, that's quite a leap.
A leap indeed: during 1952 alone she sang Elena in Vespri Siciliani, Norma, Konstanze in Seraglio (her only Mozart role), Elvira in Puritani, Armida, Gioconda, Traviata, Tosca, her first Lucias, her only Gildas in Rigoletto, Norma again for her ROH debut, the Trovatore Leonora, and Lady Macbeth at La Scala. Medea would follow in 1953. The term Assoluta never found a better justification. Look up her Torino concert for RAI in February 1952, available here on TH-cam, to observe the versatility and excellence.
da brividi! Medea come Gioconda sono personaggi che appartengono di diritto alla Callas. Tutte le altre interpretazioni prima e dopo di Lei non hanno senso.
This is the famous Medea under Bernstein, Scala 10 December 1953. The prompter is audibly feeding her lines. Maria is tremendous, somewhat more refined than her Promethean first Florence Medea in May of that same year but still very passionate. She will repeat the feat with a leaner physique and instrument, but in excellent vocal form and a more human interpretation, in Dallas five years later.
This the complete live performance: Act I: th-cam.com/video/KmfTMhQitTY/w-d-xo.html Acts II and III: th-cam.com/video/sTdCEZFvM3w/w-d-xo.html This is the studio stereo version: Act I: th-cam.com/video/JyiLHSslNl0/w-d-xo.html Acts II and III: th-cam.com/video/KVQ5c7Itn_g/w-d-xo.html
so what? I am Medea!!! only Callas is able to give all those feelings of pain , agony,. betreal sadness tendernss and madness in such a short period of time, She is a true complete artist! No one else can ever reach her artistry.Her memory is eternal. Thank you for posting this!
💫🎆💎💎💎🎆
💎💎💎💎💎💎
Unica! Ogni parola, ogni respiro! Incredibile!
Da brividi!
The genius of Callas is that she can act with the voice alone. You know exactly what the character is feeling just by hearing her.
Callas=Medea. Ella ha sido y será única, la gran soprano de la historia.
Callas at her best! Incomparable interpretation! Emotion and music combined in one. Divina, immortal.
The best Medea!
... she had this Midas gift, taking up whatever the composer had put into music and turn it into pure gold ... sheer magic 🙂
Medea was her artistry at summit ! However the people after Callas are cowardly avoid to mention this opera, because they afraid of compare, compare to this demi-god legend
La Callas al massimo della forma vocale e interpretativa. Un ruolo scritto per lei!
Exactly. 1953 is the most balanced Callas in terms of vocals and interpretation.
Immense ! Phénoménal ! Magique !
que maravilla!!!! gracias maria por darle a nuestras vidas algo unico. cuanto me hubiera gustado verte en vivo.
La divina..hight priestess of opera and her art !
HER OWN WORDS
NO BODY CANT DOUBLE LA CALLAS
and its thrue until today..
Even those little voices by moscet try to DOUBLE her !
Haha ha i say to them.
First prodous every singel word clear and remember to be as well actress on stage !
God luck
Bocca il lupo !
I regret to say it took me a long time to appreciate Medea but more so Medea by Callas. Since l do not understand Italian, l too often rely on the beauty of the music to transport me into the realm of the composer. However lately l found myself listening to her as if she was speaking to me and l must say, there lies the magic! I still can not understand Italian but somehow it seems no longer necessary for l am join with her, face to face and all that comes out of her mouth is so expressive, so melodious, so true that l can finally say I love this opera! Thanks for sharing, be safe.
Un verdadero genio interpretativo. Imposible de alcanzar.
Da brividi, una spietata Medea, fantastica, mi sembra di essere li` alla Scala, che meraviglia.
Carlo Pietroniro, la sera prima c'era stata la Wally con la Tebaldi che inaugurava la stagione con scarso successo...la sera dopo, assieme alla direzione e concertazione tagliente, travolgente e infuocata e a senso unico di Bernstein, fu un trionfo assoluto. Quella sera Maria fece capire definitivamente che non ce n'era piu' per nessuna. E come dici tu pare di essere lì...e siamo lì.
@@fabriziogarzi9892 avrei dato chissà cosa per esserci, Grazie
@@rogalesi58, conosco chi ha visto tutte le recite...e' ancora sconvolto.
@@fabriziogarzi9892 bellissimo, e che Dio lo benedica che ancora riesce ad avere questi ricordi.
@@fabriziogarzi9892 anche chi porta ancora in mente il ricordo della Vestale ( capolavoro immenso) è ancora sotto shock 😉😉😉
thank you... for mr brumel... yess... me too... love rrr
This recording is magnificent and tragic in every sense. Magnificently sung, but so were many others, by Simionato, Tebaldi, and others.Tragic because Walter Legge should have instead chose Macbeth, Armida, Medea, to name the three most obvious, or even Turandot.
There's a studio recording around here on TH-cam with Callas (complete opera) as Leonora in Il Trovatore/von Karajan conducting.
I think it's also from the '50's and she gives a beautiful performance.
The range of her repertoire is amazing, going from Leonora to Medea, that's quite a leap.
A leap indeed: during 1952 alone she sang Elena in Vespri Siciliani, Norma, Konstanze in Seraglio (her only Mozart role), Elvira in Puritani, Armida, Gioconda, Traviata, Tosca, her first Lucias, her only Gildas in Rigoletto, Norma again for her ROH debut, the Trovatore Leonora, and Lady Macbeth at La Scala. Medea would follow in 1953. The term Assoluta never found a better justification. Look up her Torino concert for RAI in February 1952, available here on TH-cam, to observe the versatility and excellence.
I recitativi della Callas sono come versare dell'acido solforico su una lastra di metallo rovente. Un risultato artistico irraggiungibile da chiunque.
da brividi! Medea come Gioconda sono personaggi che appartengono di diritto alla Callas. Tutte le altre interpretazioni prima e dopo di Lei non hanno senso.
❤❤❤❤totalmente cierto. Saludos cordiales
This is the famous Medea under Bernstein, Scala 10 December 1953. The prompter is audibly feeding her lines. Maria is tremendous, somewhat more refined than her Promethean first Florence Medea in May of that same year but still very passionate. She will repeat the feat with a leaner physique and instrument, but in excellent vocal form and a more human interpretation, in Dallas five years later.
Luigi Cherubini is the Great Artist at work here!
Wonderful! Where can I listen to the live performance of this version?
This the complete live performance:
Act I: th-cam.com/video/KmfTMhQitTY/w-d-xo.html
Acts II and III: th-cam.com/video/sTdCEZFvM3w/w-d-xo.html
This is the studio stereo version:
Act I: th-cam.com/video/JyiLHSslNl0/w-d-xo.html
Acts II and III: th-cam.com/video/KVQ5c7Itn_g/w-d-xo.html
@@josemendiara thank you so much!
éternité
Humanly impossible, yet here’s the proof!
Who is chocking?
Θα ήθελα να ακούσω την αρια με μια συγχρονη σοπρανο
Her vibrato isn't that fast. There's something strange 🤔
It's the old school way of singing. Unlike the modern singers who wobbles their vibrato when singing
Does it have to be fast?