Brahms: Schicksalslied, op. 54 - Radio Filharmonisch Orkest o.l.v. Karina Canellakis - Live Concert
ฝัง
- เผยแพร่เมื่อ 13 ก.ย. 2020
- Het Radio Filharmonisch Orkest en Groot Omroepkoor bestaan 75 jaar! Om dit te vieren, openden het orkest en koor op vrijdag 11 september op feestelijke wijze het nieuwe seizoen van Het AVROTROS Vrijdagconcert. Ze speelden onder meer Brahms krachtige 'Schicksalslied'.
Op het programma:
Johannes Brahms - Schicksalslied, op. 54
De uitvoerenden:
Radio Filharmonisch Orkest
Groot Omroepkoor
Karina Canellakis [dirigent]
Opname: Het AVROTROS Vrijdagconcert van vrijdag 11 september 2020, in de Grote Zaal van TivoliVredenburg te Utrecht.
www.nporadio4.nl/avrotrosvrij...
Meer AVROTROS Klassiek:
♬ Facebook: / avrotros.klassiek
♬ Twitter: / klassiekonline
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The Radio Philharmonic Orchestra and The Netherlands Radio Choir are celebrating their 75th anniversary! The party took place during the opening of the brand new season of The AVROTROS Friday Concerto, a series by Dutch broadcaster AVROTROS. Among other works, they performed the powerful 'Schicksalslied' by Brahms
On the musical program:
Johannes Brahms - Schicksalslied, Op. 54 (Song of Destiny)
The musicians:
Radio Philharmonic Orchestra
The Netherlands Radio Choir
Karina Canellakis [conductor]
Recording: The AVROTROS Friday Concerto of Friday the 11th of September 2020, in the Great Hall of TivoliVredenburg in Utrecht, The Netherlands.
More AVROTROS Klassiek:
♬ Facebook: / avrotros.klassiek
♬ Twitter: / klassiekonline
♬ Instagram: / avrotrosklassiek - เพลง
Form the first notes.chords of the Brahms, like his German Requiem, one feels like God is talking. Canellakis and the orchestra channel it beautifully!
No one seems to be acknowledging the superior work of the Chorus Director. Most people seem to think that Karina, the conductor, prepared the Chorus. Not so. She may have added some "final touches" in the dress rehearsal but the Netherland's Radio Choir's performance was because of the Chorus Director. He trained them. I say this because so often the Chorus Director is completely ignored -- as seems to be the case in these comments -- and all credit for his work goes to the conductor. Chorus Directors get a little tired of that, understandably so. This is not meant to take away anything from Karina. She's an excellent conductor. I'm just saying to give credit where credit is due. In any performance where a Chorus is on stage, their performance is because of the Chorus Director who trained them. Glad to see he was brought out more than once at the end of this performance to be acknowledged for his hard work. That's very good. It's not all about the conductor and conductor-worshipping. Even the finest conductors can only do so much with the musicians they have to work with. In this case, Karina is fortunate to work with stellar musicians, both Orchestra and Chorus.
Absolutely! Love Karina, but the fact that the Choir Director is not even mentioned is negligent. I suspect it may be Benjamin Goodson, Chief Conductor of the choir, but perhaps...?
Yes, it is Benjamin Goodson, acknowledged at 17:58, and presented with a bouquet.
@@chambermuses7802 You are so right. Thanks for mentioning it.
C’est quoi la 😊😊
Das ist so eine großartige Musik!! Seit 2020 höre ich mir immer wieder diese Aufführung an und bin jedesmal tief berührt. Dazu trägt u.a. in besonderer Weise die Dirigentin bei - die Frau ist einfach klasse!!!
Superbe Brahms ! Ses battements de timbales, ici, sont très apparentés à ceux de son Requiem. Et puis, les choeurs de Brahms, on reste coi... Bavo er merci, Karina !
Wij gaan met het Oost-Nederlands Kamerkoor o.l.v. Rob Vermeulen aan de slag met dit werk.
Toine, mooi om dat thuis samen met jou te oefenen.
Carina Canellakis dirige corps et âme et transmet tout autant aux spectateurs qu’aux Musiciens toutes ses émotions.
Bravo !
Exceptionally beautiful and moving performance. Very sensitive conducting, Ms. Canellakis pulls the living breath of Brahms out of each of the musicians. Very special.
Wunderschöne und detaillierte Aufführung dieses spätromantischen und fein komponierten Meisterwerks mit gut harmonisierten und perfekt vereinigten Stimmen des ausgezeichneten Chors sowie perfekt entsprechenden Tönen aller Instrumente. Die geniale Dirigentin leitet das ausgezeichnete Orchester im gut phrasierten Tempo und mit perfekt kontrollierter Dynamik. Wahrlich tiefempfunden!
Absolutely magnificent. This Conductor has truly understood the depth of brooding, the melancholy that was (and is!) Brahms. I think we'll hear much more from This Lady....
세상에 이렇게 아름다운 연주가 있다니...가장 사랑하는 곡의 최고 감동과 이 경이로움
An excellent performance. Conducting, beyond words, the lady was completely immersed in her work, exuding complete confidence, sincerity; extracting the best and every bit from her orchestra. Tears of happiness rolled down the cheeks after a long, long time. Wish I could be there....🙏Wish the very best to all. The conductor will go a long way...May success kiss her every step...
Ich habe es nie gehört aber ich liebe es nun. Seit 19 90's kenne und liebe sein 'ein deutsches requiem". Gruß aus São Paulo, Brasilien.
W0rds of Brahms
Fine recording of this noble piece of Brahms shows the quality of the conductor, choir and orchestra
Me agrego a los respetuosos aplausos. Muchas gracias.
Meisterhaft. Endlich wieder ein tolles Konzert.
Damn, that so few could actually be there to celebrate mankind's soaring genius and true accomplishments...
@ Rod Luftalchimist: This being 2020-2021 and not the 1940s or 50s, I suspect the many women musicians -- including the conductor -- would appreciate being referred to as peoplekind or humankind to acknowledge their accomplishments. And the non-sexist male musicians would say the same.
Magnifique interprétation ! Brava Maestra !! 😍🫶👍
Questo Canto del Destino muove a commozione. Grande Brahms, grande Karina Canellakis.
Such a joy to see a great musical performance! Wonderful musicians forging ahead despite the plague.
Magnifique cette interprétation ! Brava Maestra 😍🫶👍
I'm in love with this performance!
좋은 연주 잘 듣고 있습니다. 감사합니다. Thank You All for your performance~!!!!! (from KOREA.south)
...wow...that was incredible
One unfortunate thing for this conductor is she's come along at a moment in music when we're seeing a lot of affirmative action. I hope no one makes such assumptions about her. This is really amazing. Wow!
すばらしい! 疲れて救われたいときにはピッタリ😂
Only Hölderlin to write such words. The best of German poets.
przepiękne wykonanie!!!!balsam dla serca !!!!
Wow! She makes it sound like a real masterpiece. Fascinating view of a post-COVID setup.
It IS a masterpiece, and it's a mid-COVID setup.
Brahms ❤️
少ない人数なのに合唱がはもりとても美しい。
同感です。 声にとても深みがあって素晴らしい合唱だと思います。
Wonderful! Thanks.
Superb performance. Thank you.
Hermosa Orquesta...bellisima Música Op.54.Recreacion a la mente🎇💞🎇💥
A sublime performance and a great privilege to experience it in the South end of the world....thanks for sharing.
2021 will be the year of Women Conductors. And Karina Canellakis will be in the in the frontline.
Men should stop conducting. Specially if they are not blonde and cute.
@@leonardoiglesias2394 Why so pessimistic? Still 90 % of this worlds conductors are men. I only think that we have to give women a chance.
An excellent interpretation and performance of this beautiful Brahms piece. It also resonated with me for another reason, though: I had become pessimistic about ever again being able to see a live concert with anything other than chamber-size music forces. This performance of a full-scale choral/orchestral piece was extremely encouraging to me. Thank you for posting this.
@ Ellwood Cushman: The Chorus in this performance *is* a Chamber Chorus (in size). They sound larger because of the mic'ing. I count 34 voices (socially distanced). Anything under around 40 voices is considered chamber. It may be the Chamber Chorus of the full Chorus (Nederlands Radio Choir) that I've seen from their other performances, such as their Elias (Mendelssohn). I do question why they all did not wear face masks -- both Orchestra (minus the winds and brass of course) and Chorus -- like the Collegium 1704 in the Czech Republic have been doing. No one's life is worth a performance.
Wonderful, perambulatory tempo, which is the right polish on the alluvial perfection of Brahms. The 4-3 appoggiatura over V reminds me a failing relationship I once endured, with the near-ex once inadvertently standing on my ear-buds, which had dropped to the floor, symbolically enough, prompting me to say, decisively, “ You’re treading on my song of destiny.”
Meravellosa musica, "Cant del Destí". gran directora i orquestra.
Molto brava!
Meraviglioso!
Maravillosa!
Super !
Divino!
Mooie uitvoering ondanks Covid- afstandsmaatregelen
It's so nice to see that they are following social distancing while creating such beautiful music. May they help heal the earth.
@Goran Vukovic This was not meant to be a political statement at all. It just has do do with being sure you do not inadvertently infect another musician. Caring for fellow human beings, that's a quality you seem to lack.
excellent!
Genial...
Vielen Dank für Ihre faszinierenden Videos! Ich wurde in Frankreich geboren und spreche Französisch sowie Englisch und Amerikanisch (ich habe bereits insgesamt 12 Jahre in den USA gelebt und jetzt zwanzig in England, meine Frau und meine kleine Familie sind alle Englisch), spreche aber auch Spanisch-Mexikanisch (und einige Costa Ricaner) und wollen jetzt Deutsch lernen:
In letzter Zeit scheinen immer mehr Menschen in der Mode deutsche (sogar österreichische) Kunst, Literatur und Musik studieren oder damit arbeiten zu wollen: Betrachten Sie einige Beispiele von Menschen aus dieser Perspektive: Ludwig van Beethoven, Franz Schubert, Felix Mendelssohn, Johannes Brahms, Jean-Sébastien Bach, Friedrich Engels, Johann Strauß, Jürgen Habermas, Martin Heidegger, Max Horkheimer, Edmund Husserl, Karl Jaspers, Bertha von Suttner, Marina Faust, Gustav Klimt, Egon Schiele, Emmanuel Kant, Karl Marx, Friedrich Nietzsche August, Wilhelm Schlegel, Arthur Schopenhauer, Christian Wolff, Herta Müller, Elisabeth Schwarzkopf, Hilla Becher, Christa Wolf, Pina Bausch, Maria Sibylla Merian usw., Herta Müller, Gerlinde Kaltenbrunner, Elisabeth Schwarzkopf, Hilla Becher, Christa Wolf, Pina Bausch, Maria Sibylla Merian , Hedy Lamarr usw. Ich bin auch fasziniert von Martin Luther.
Es ist bemerkenswert, dass Deutsch immer noch die erste Sprache ist, die in der Europäischen Union gesprochen wird. Auf der anderen Seite wird es nicht nur so bleiben, es wird auch in der Welt noch stärker werden, denn aufgrund des Brexit (was ich verstehe, warum) werden Großbritannien und so viele trumpistische Extremisten in den Vereinigten Staaten Englisch als weniger Option verwenden. mindestens nicht weniger als -15%.
Beautiful !!!
very spiritual music with an ethereal sound - I'm glad the cantabile strings came through very well - very good conductor - maybe performers should keep sitting/standing 2 metres apart
Brava
Flip a coin between this piece and Nanie as to which is really the more sublime.
Beautiful
Cool
Браво!
Bravo. Bellísima composición de Brahms que no conocía. Gracias infinitas por compartir. Terminé de escucharla muy conmovida. ❤🙏🎼🌞🌸
Прекрасно!
linda versión, seria interesante ver en vivo sin edición como suena una orquesta con esa disposición ¡¡
@user-ol3dv2rj4w
vor 8 Minuten
Die letzten Sekunden: Sie ergreift etwas, was der Hölderlin-Text in keinster Weise enthält. Aber die Musik schon. Große Kunst
Очнь красиво. Спасибо большое всем
Amén...
La directora es genial: entiende la obra, le da el tempo y la expresividad que le debe dar... Pero parece que le hayan dejado dirigir la obra sólo porque debido al COVID-19 hay que mantener la distancia social y se necesitan menos intérpretes. Un poco más y la dirige como orquesta de cámara desde su casa en streaming...
Завораживающе…..
PS this piece reminds me of his German Mass. I wonder if they were written in same time period?
Requiem 1869, this in '71, so definitely his younger years
I'm not convinced by these slow tempi... It's a bit like the Adagietto from Mahler's 5th Symphony - actually the tune is quite simple, but gets rather lost if it's too slow. But they sing and play it well anyway.
It’s less than 16 minutes from start to end, that is not a slow performance of this piece.
who dropped a cymbal on 2:46
the lyrics .... holderlin ? help ?!
It is Hyperions Schicksalslied by Hoelderlin. You can find the German original with an English translation here: www.lieder.net/lieder/get_text.html?TextId=8134
02:47! Percussionist gets the sack! ffs! Just then!
Die Dirigentin!Der Dirigent ist ein Mann!Frau ist Biologie!😖
Ich liebe blonde hübsche junge amateur Dirigentin.
She is the ideal cute young blonde conductor for Brahms. Men should just stop conducting. They dont have the sensibility.
I fully agree with you! Some time ago we saw Anja Bielmayer in The Hague with the Residentie Orchestra conducting Mahler IV; also Super!!!!!
Genial...