The only problem with gerald that prevent him being way bigger youtuber is how he "eat" some letters when he talk or not pronouncing it clearly..aother than that he is so underrated ...keep up the great work man..especially the cameras reviews,yours are the best!!
This is genuinely the greatest meeting-of-the-minds between two of my favorite creators and knowledge bases for photography/cinematography cameras. No bias toward brands, just opinions based on user experience and factual evidence found through trial and error and research. One of the best educational videos in this space, hands down.
Good talk. The rolling shutter bit I liked, especially since I own a Z Cam E2C, and while a few publications passed on it due to bad rolling shutter, I didn't think of it of it being as big an issue as they claimed when I actually had it in my hands.
I don't care for 8k, I think the more important thing (in reference to Canon's next cameras) I'm excited to see at least 4k60, 10-bit, and Canon Colors combined.
I thought Prores is available even to window users now. I have both a macbook pro and a windows laptop and with the new update I was able to export ProRes. That's what I majorly use now for my intermediate codec.
Wouldn't Canon's WDR profile be their "lightly cooked" third option, between Log and Standard? I leave my XF405 in WDR for everything and it works out well. Good DR and enough room to tweak color and contrast a bit.
ProRes is available for both Windows 10 and MacOS users in Adobe Premiere Pro. It’s been like that for over a year now. Apple does not support legacy DNxHD codecs anymore because of the change from 32 to a 64 bit operating system.
Already a @Gerald Undone subscriber, but now also +1 for Tyler Stalman. I gotta say, I dig the vibe of your interview space. Lighting is perfect - can you share details of your lighting setup for this shoot?
Why does everyone ignore the Nikon z6? I know in the past nikon didnt do video well but that has changed. Nikon z6 with the ninja v is a great camera for video.
HELLO EVERYONE HERE. WISHING GOOD HEALTH OR RESTORATION OF IT DURING THIS TIME: This video was very informative! QUESTION: I have a friend who has a podcast and his video does not look as clear. Are there any reasonable cameras he can use? Or tips to balance the resolution? I would love to help him by letting know your knowledge! Kudos to you two!
It's sad that instead of prioritizing things like dynamic range, better codec and global shutter, companies are just pumping out more and more resolution. I get why they do it; 8K is easier to sell than global shutter and if they added everything to their "photo" cameras then their "video" camera division will have to shut down. But it's sad anyway.
The problem with global shutter is that it uses the same tech as dual base iso. You can't have both in a camera, unfortunately. I'd personally rather have a dual base iso, but I can see an argument for global shutter.
Full frame is highly hyped right now. The AF systems can’t perform well enough to shoot a talking head scene at anything below f2 with lights behind the subject without distracting pulsing or lens breathing (see Phillip Blooms FX9 video). Cinema shooting everything in or around f5.6 and certain shots at f2.8...why? Because shallow depth of field on everything is bad cinema! So what’s the point then? People absolutely obsessed with full frame f1.2 blurry everything and totally forget what makes a pleasing scene. Gerald said it himself. “You just stop down and bump the ISO on full frame”. Meanwhile I can shoot the same scene on say a GH5 or APSC with a f1.7 lens and achieve the same depth of field, with a faster aperture and lower ISO. What’s the point? The real competitive edge with FF? Fast wide angle lenses and really large MP counts. That’s it. Buy a FF. Try to shoot below f2. Can’t do it with AF. Turn off AF. Background to blurry. Stop down and bump ISO. You’ve now crippled all the advantages of your FF camera. 🤷♂️ It’s absolute madness. It’s like buying a Ferrari to commute in bumper to bumper traffic. Feels good. Pretty dumb.
I hear what you’re saying, but I think you’ll find many full frame shooters that are having a great experience with it. Lack of depth of field is a real problem in some cases but not all.
There is no good or bad, its all subjective. However, you could argue appreciate and inappropriate. Shallow DOF is grossly overused and in many cases, completely unnecessary.
I don't know about you, but I like listening to these two nerds talk about cameras. I might be biased though. 😜🍌
I learned a lot from their wisdom, more people should take their advice (especially camera companies)
I loved it! And I Only understood about 4% of the conversation
The only problem with gerald that prevent him being way bigger youtuber is how he "eat" some letters when he talk or not pronouncing it clearly..aother than that he is so underrated ...keep up the great work man..especially the cameras reviews,yours are the best!!
You're crazy!
looks like Tyler tried to reduce your sound quality to assert his dominance, lol. Great conversation guys, as always.
This is genuinely the greatest meeting-of-the-minds between two of my favorite creators and knowledge bases for photography/cinematography cameras. No bias toward brands, just opinions based on user experience and factual evidence found through trial and error and research. One of the best educational videos in this space, hands down.
One of the best conversations about the tools & features needed in cameras for various media projects. Bravo guys!
Good talk. The rolling shutter bit I liked, especially since I own a Z Cam E2C, and while a few publications passed on it due to bad rolling shutter, I didn't think of it of it being as big an issue as they claimed when I actually had it in my hands.
I don't care for 8k, I think the more important thing (in reference to Canon's next cameras) I'm excited to see at least 4k60, 10-bit, and Canon Colors combined.
I'm guessing you have bought the R6?
Great episode.
But am I the only one missing the high end of Geralds voice? His mic doesn't sound somewhat clear with my headphones...
It's because of the mic. Boom mics aren't designed for indoor use as they cause phasing.
Pls tell us how you colour grade your videos......from start to finish...
Great video Tyler. Enjoying listening to this. Thanks for sharing!
Really loved this podcast style discussion. Please definitely do more!
I love being talked around in circles until I’m dizzy by these guys, they’re such good resources for news and knowledge. Thanks for everything you do!
13:28 yes! I hate the tilt vs flip debate, because the a99 and compromise solutions like it give all types of users what they need
I thought Prores is available even to window users now. I have both a macbook pro and a windows laptop and with the new update I was able to export ProRes. That's what I majorly use now for my intermediate codec.
From what software? I've never heard that
Sean van Berlo premier pro
@@SeanvanBerlo Premiere CC
This is the best podcast or video I've ever seen. So freaking informative...
What’s the camera you guys shot this on? Great look
Wouldn't Canon's WDR profile be their "lightly cooked" third option, between Log and Standard? I leave my XF405 in WDR for everything and it works out well. Good DR and enough room to tweak color and contrast a bit.
Does megapixels matters in terms of video ?
Loved this episode , great job Tyler
ProRes is available for both Windows 10 and MacOS users in Adobe Premiere Pro. It’s been like that for over a year now. Apple does not support legacy DNxHD codecs anymore because of the change from 32 to a 64 bit operating system.
Already a @Gerald Undone subscriber, but now also +1 for Tyler Stalman. I gotta say, I dig the vibe of your interview space. Lighting is perfect - can you share details of your lighting setup for this shoot?
full frame is a pain in the butt when pulling focus for automatic or doing by hand! And most camera monitoring is not high res enough.
Great content. Thanks!
What was this shot on? Colors look great ... and the lighting is great too.
Color starts with lighting. In fact, everything save sound is dependent on lighting. Word to the wise.
They were talking about profiles and Tyler's camera has a different grading.
It was disturbing once that caught my eye.
No one noticed that????
We need your pixel 4 camera test
Which is your camara tyler
Are you gonna review all the S20s cameras?
No mention of AF. Understandable from Gerald, given his BM use, but interesting nonetheless.
Why does everyone ignore the Nikon z6? I know in the past nikon didnt do video well but that has changed. Nikon z6 with the ninja v is a great camera for video.
HELLO EVERYONE HERE. WISHING GOOD HEALTH OR RESTORATION OF IT DURING THIS TIME: This video was very informative! QUESTION: I have a friend who has a podcast and his video does not look as clear. Are there any reasonable cameras he can use? Or tips to balance the resolution? I would love to help him by letting know your knowledge! Kudos to you two!
Your questions are too ambiguous. Go to google and look up the technical term.
Thank you @krane!!!! I appreciate it! Will do!👌🏽
Reallly wish you threw nikon, especially with he z6, into that conversation.
Hey man!
Thanks for the great video
🎥 I'm very new to all of this
Hopefully it made all made sense, let us know if you have any questions!
I am too! Learning before purchasing! @Siete
You guys forgot dynamic range!
Wooooooooooo! Gerald!!
My editing hardware can’t even handle 200mbps 4K let alone anything available today denser than that!
It's sad that instead of prioritizing things like dynamic range, better codec and global shutter, companies are just pumping out more and more resolution. I get why they do it; 8K is easier to sell than global shutter and if they added everything to their "photo" cameras then their "video" camera division will have to shut down. But it's sad anyway.
Prasad Naik its basic marketing 101. Bigger sensor = better (it doesn’t). 8K = better image (it doesn’t). FF = better (it doesn’t for 95% of typical shooting scenarios). More MP = better (for photography yes!)
@@finnillson4808 They do it because resolution is the easy part. The other stuff is not.
The problem with global shutter is that it uses the same tech as dual base iso. You can't have both in a camera, unfortunately. I'd personally rather have a dual base iso, but I can see an argument for global shutter.
I love the content but please oh please you gotta have matching microphones. Gerald's sounded like he has stuffy nose.
Let’s get some separation....
Pre-recorded
when you always watch 4k even full Hd looks like shit :D appreciate the video it looks so soft
Full frame is highly hyped right now. The AF systems can’t perform well enough to shoot a talking head scene at anything below f2 with lights behind the subject without distracting pulsing or lens breathing (see Phillip Blooms FX9 video).
Cinema shooting everything in or around f5.6 and certain shots at f2.8...why? Because shallow depth of field on everything is bad cinema!
So what’s the point then? People absolutely obsessed with full frame f1.2 blurry everything and totally forget what makes a pleasing scene.
Gerald said it himself. “You just stop down and bump the ISO on full frame”. Meanwhile I can shoot the same scene on say a GH5 or APSC with a f1.7 lens and achieve the same depth of field, with a faster aperture and lower ISO. What’s the point?
The real competitive edge with FF? Fast wide angle lenses and really large MP counts. That’s it.
Buy a FF. Try to shoot below f2. Can’t do it with AF. Turn off AF. Background to blurry. Stop down and bump ISO. You’ve now crippled all the advantages of your FF camera. 🤷♂️
It’s absolute madness. It’s like buying a Ferrari to commute in bumper to bumper traffic. Feels good. Pretty dumb.
I hear what you’re saying, but I think you’ll find many full frame shooters that are having a great experience with it. Lack of depth of field is a real problem in some cases but not all.
There is no good or bad, its all subjective. However, you could argue appreciate and inappropriate. Shallow DOF is grossly overused and in many cases, completely unnecessary.
So basically just get an XT4 haha!
It’s an amazing choice right, but still has it’s tradeoffs. Not everyone can live with APS-C.
First