This boss has an interesting history. Originally, they were part of a short story released outside of the game, but the whole short story got adapted into actual game content for the recent remaster. It also sort of shows as that mini-arc of the game is way more dialogue heavy and the boss has way more cutscenes and setpieces compared to the rest of the game.
This boss and the entire scenario was actually cut content from the game that they adapted into a short story so they wouldn't lose the plot point. Same thing with ending E although I don't believe ending E was cut content in the first place and was just a canon short story that was put into the game.
The fun thing about boss music in NieR, and automata, it always suits the battle, which is impressive because when you first do most boss battles in NieR you are missing the true context, but the song feels right with or without it. A vague example would be something like a boss having music with sad undertones, your first encounter it fits because you think the boss just killed a character. Then you get the context, the boss didn't kill the character, instead it was just nearby and trying to protect its friend, now the music fits for a whole new reason, you're persecuting someone innocent and by extension killing its friend. Worst of all, you have to do it regardless because intentionally or not they stand in the way of your goal.
This is one of the most brutal boss's I've ever fought in terms of my emotions being utterly destroyed and left sad and depressed. Though that's kind of a common theme with Nier games. They make you have emotions whether you want them or not.
So sadly there's a part missing from this song that plays somewhere around the middle. The boss puts everyone in a near-death state and starts charging an attack and the music changes for it iirc. But also interesting is that while the boss is charging the attack you can see angelic script which can actually be translated. Translation bellow because of spoilers if you're curious. The script can be translated to "I want to be human."
This is one of my favorite songs from the NieR series. There's something different about how Eastern game studios view the role of music in video games that just seems to be missing from most Western games, and it's a real shame. I hope we'll see more Western devs studios give music the attention it deserves.
I think western studio see music more like ambiant thing Japanese saw music as gameplay/story driven thing and i think it's the best way to do it ( like in cinema it's the same thing but more present in japanese game nowadays , even if old japanese games does it too , old game have tendency to use leitmotif like Soken does , look at the old FF for reference or Chrono trigger )
Well, some just do it better than others. Look at the Tales Series. Huge, sweeping scores like this, but nothing that is memorable or has this level of impact.
This plotline is probably one of the most faithful modern interpretation of the tragic old Little Mermaid folktale. Unfortunately this is also not the full version with the amazing closing section of the song :(
Fun Fact: This Boss (The Mermaid), the First Set of Armored Bosses (Hansel and Gretel), and a Dreaming Computer Tree (Sleeping Beauty) are Little Holdovers from the Original Concept for this game (that was scrapped pretty early on in production) that had a theme more centered around Fairy Tales. Obviously this wouldn't of been Disney's Renditions, more based off the Horror Story that are the Originals... (Seriously though the Originals for Fairy Tales are some Nightmare Inducing Stuff)
In terms of mechanical difficulty, this boss isn't too bad. She does tend to hit you a lot, but I never felt in true danger. I'd say a 4 or a 5/10. In terms of difficulty keeping morale & emotions in check, I'd put this at about an 8.5.
This boss in terms of difficulty I'd give a solid fuck around and find out/10. Not really hard, but it can blind side you if you're screwing about. And as usual for Nier it'll gut punch you in the feels even if you know it's coming.
Aw, this one misses a really cool bit that plays halfway into the song EDIT: Also, highly recommend the Nier series. Don't have to record or anything, just experience it.
This one was really amazing to join you to listen along for the first time! I only knew they added a new boss fight in the remastered version but I forgot that it would also mean new music!
The series is a bit chaotic (like it’s music) in terms of progression and each game has multiple endings. It all started with the PS2 game Drakengard: Ending E leads into the world of NieR Gestalt/Replicant, originally released in 2010. Gestalt was released in the west and follows “Father NieR” whilst Replicant was released in Japan and follows “Brother NieR”. NieR ending D then leads to the world of Automata and expanded upon via novels, musicals and other media. The NieR replicant you see here is a recent remaster that was released of the original game!
Replicant is the most recent game and a remaster of the older version (sometimes called Gestalt as well depending on where it released) that is technically a prequal to Automata, the Nier crossover raid in FF14 starts Automata themed then replicant bosses show up and by the end it is Drakengard themed, which was the original game series that spawned the Neir series out of a joke ending.
nitpicky correction: Nier Replicant isn't a prequel, it's just the first/original game remastered. a prequel is a thing that's made after something and that takes place before the original thing.
After playing through the game quite a few times and getting all the endings, this boss is just so sad. The story behind me makes me almost burst in tears just thinking about it. 😭
Let's say most bosses aren't just some uber powerful lackey just placed in a castle to protect a treasure chest. Most are monsters created from their circumstance. Damn, writing this reminded me of Loyal Cerberus.
Ok so you ask why he doesn’t just punch it again that is because good old brother nier uses literal blood magic so he needs to get it really flowing to do cool stuff
This was my first ever game I played by Yoko Taro, only NieR Gestalt. (Which is basically the exact same game when it was originally released only they replaced the main character with an older man, the supporting younger girl is your daughter instead of your sister.) Playing the remade Replicant was a heck of an experience when I played this, it was brand new and I didn't expect any new content. Gestalt remains my uncontested favourite game, personally speaking. Mechanically, visually and such there are better games but on a personal level - nothing can top it.
Boss difficulty I would say about 6. But 10 when the camera glitches what happened to me a few times (boss appeared at a total different place somehow) I loved this boss and the story to it.
Hey Jesse, good job on all these reactions man, you are awesome! Just wanted to say there is another version of this song called "Fleeting Words - Family" that I think is worth a listen (doesn't have to be a reaction, but if you liked this you should give it a listen). It's a bit more melodic I would say and more emotional. Probably my favourite OST in NieR Replicant.
Not sure if anyone mentioned it but in the original NieR for the Xbox 360 and PS3, this was actually cut content that never made it into the game. When they did the remaster NieR: Replicant v1.22474487139... they went ahead and put this back into the game including making new music for it AND voice acted since they made EVERYTHING voiced (even one-liners from NPCs you probably won't ever talk to) which the original didn't do; only "important" scenes were voiced in the original. They didn't even reuse voice lines, everything was rerecorded with all the original voice actors/actresses too. Edit: But yeah this was easily my favorite track in the remake, every single version that showed up too which is like 5 different versions...
I hear you like piano? Highly recommend *Vague Hope* from Nier Automata and *The Ultimate Weapon* from Nier Gestalt. Also, amazing suggestion with Fleeting Words, one of my favorite tracks from any Nier game. Definitely recommend you check out the other slower paced version of this song on your own time if you liked it, it's absolutely beatiful.
To answer your question, difficulty 3/10. Personally don't find any boss in NIER that hard (with exception to both Emil bosses in Automata) That said they're amazing games with out of this world soundtracks
So hey i would highly suggest just checking out the first bit of the Ishgard theme in FFXIV "FFXIV OST Ishgard Day Theme ( Solid )" just because Fleeting Words has a cool musical reference to the track since NieR: Replicant 1.22 was made during the NieR: Automata crossover in FFXIV and since this track is completely original to the remake (1.22) Okabe added in this reference to the Ishgard theme.
I'm glad you mentioned this. Also, perhaps it could be a coincidence, but in 1.22's "Deep Crimson Foe" there is a certain familiar descending and ascending (like in Prelude) that wasn't present in the original version.
If it's coincidence, than it's a super big coincidence, that exatcly the same melody, from the same game company was referenced, in a new song, right after collaboration of those two games. How often can it happen? :P
@@morteaux3662 many songs sound similar, I really don't think Nier Replicant would lift the Ishgard melody for a boss, that's just so random and Nier has its own identity, it's just one part of the song
@@wolfspledge1762 I mean... no thats not a coincidence. Musical coincidences definitely do happen, but not within the same parent company, actively (as of time of release) crossovering games, with two directors that are good friends and both very involved in the music of their games. In a new track made after the crossover was decided. The only way to claim coincidence there is by clinging to the technicality of it not being outright said. Which is like needing someone to tell you it's raining.
Automata is the sequel to RepliCant. NieR is the series and the name of the RepliCant protagonist. The NieR franchise is a spinoff of Drakengard. This fight in particular is new content added to the remake RepliCant got because Automata was such a massive success. The game was expected to be niche and forgotten, basically square humouring one of their directors. It ended up selling 4 million copies worldwide.
She just wanted to live with the postman dude. Louise just wanted to be beautiful, but as she says "How could I end up with such a... hideous... body... And yet... this world... This world is so full of beauty..." She was a fucking kid man
"I don't know the name of this character" made me laugh, he doesn't actually have a name. Most people refer to him as Nier, but in everything he's just "Protagonist". Nier Gestalt/Replicant (and the remake) are some of my favorite games, and the music is outstanding in them both as you're learning. And whilst the bosses are necessarily hard they're quite depressing when you know the story behind them. The games are probably the most depressing ones I've seen, lol. Fun fact about the protagonists in Yoko Taro (the main guy behind the Nier games), they always suck. In the Drakengard games you have rapists, pedophiles, cannibals, etc... as part of your party. Nier isn't much different it's just a bit more subtle and in a way you can mostly empathize with.
Yep. Protagonist in Nier is a HUGE bigot against the shades. If you don't attack the first shade he encounters, it never fights back. None of them will. You can't continue the story without killing it, but it says a lot that they never actually attack him until she's proven he'll kill them just for being a shade. Mind you, replicant doesn't have bad guys as party members. Kaine is a victim of bigotry. Being a half shade is really just an allegory for being intersex. Which was why the town she grew up in originally exiled her. And our best skelle boy is actually just a victim of genetic engineering. His story is incredibly sad, and he often shows a level of remorse for their attacks on the shades that protag never does.
@@ReiEmeraldTakedo they're not bad, but they're not good. They suck! Kaine, the worst of them, is down with genocide even though she knows what she's doing, Protag starts off kind but post timeskip he cares for basically nothing except killing shades and he's ruthless about it. Emil is the only one you could really argue is good as most evening with him is the result of other people experimenting on him. Don't forget what the shadowlords castle involved and who/what you kill during it.
@@Shiro2809 Yep. I dunno, I actually think Kaine's anger is justified, and remember that in the end, she makes that fundamentally contradicts that genocidal side of herself. Plus, can you really blame her for not liking the Shades when the one in her head is... you know... a psychopathic murderer?
@@ReiEmeraldTakedo No amount of anger is justified in willingly killing babies and saying "it doesn't matter". i love Kaine but let's not get things twisted. The people who made her suffer all died so killing the other innocent people just because they are shades is kind of ironic don't you think ?
The final fantasy 14 version of Kaine is great. A bit of a short loop tho, sadly. But a very good boss fight mechanically and a haunting track to accompany it.
Boss wasn't that difficult to be honest but Spoilers: . . . . . It was supposed to be used as a weapon against the final boss if the final boss chose not to follow through with the plan. So It's really powerful, lore wise
@@JessesAuditorium I understand you, I was looking for it everywhere and I couldn't find it, it's a shame because the other songs are a little different from this reaction, they don't have the drums in the background, anyway thank you very much for answering me, greetings!
Jesse's auditorium@ do you only react to videogame osts? Cause i have one amazing ost from my all time fav anime, hunterxhunter. Let me know if its okay or not
@@JessesAuditorium should i send it to you?, if its just the music is that less chance of copyright? Help me so i can send ya something that you might be able to use
@@JessesAuditorium th-cam.com/video/qE-eztGkLqI/w-d-xo.html An episode so insane that it has its own set ost, please have a listen and let know what you think, i want to show you the scene but i cant spoil the show for anyone who hasnt seen it, just know that it would blow anyone's mind
5:05 might be a little late but probably a 6/10. The game itself isn't really difficult especially when you level up some. I found towards the end of the game the only thing that can really damage you are the red and purple magic balls that some enemies shoot
@@Perrydigm97 well hard mode is at 2nd part kinda easy thanks to fishing money (try to do the aerie last because of the buff item shop) and Phoenix Spear but the first part is brutal
@@nickschneider9037 the only hard part about part 2 of the game is when enemies get armor and start taking 10+ hits to kill until you get a better weapon
@@Perrydigm97 well there is a the option of getting the 2handed fool weapon from papa nier memory door 3 just took me 4 hours to do not counting the 6 hours I needed for the other 2 doors xD
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"Is this how Nier does Boss Battles?" Oh honey.
Bipolar nightmare, my god. Beautiful chaos.
This boss has an interesting history.
Originally, they were part of a short story released outside of the game, but the whole short story got adapted into actual game content for the recent remaster.
It also sort of shows as that mini-arc of the game is way more dialogue heavy and the boss has way more cutscenes and setpieces compared to the rest of the game.
This boss and the entire scenario was actually cut content from the game that they adapted into a short story so they wouldn't lose the plot point. Same thing with ending E although I don't believe ending E was cut content in the first place and was just a canon short story that was put into the game.
@@gbtygfvyg Yeah, Ending E was the sequel novella that they decided to put into the remaster, and that was a great decision.
The fun thing about boss music in NieR, and automata, it always suits the battle, which is impressive because when you first do most boss battles in NieR you are missing the true context, but the song feels right with or without it. A vague example would be something like a boss having music with sad undertones, your first encounter it fits because you think the boss just killed a character. Then you get the context, the boss didn't kill the character, instead it was just nearby and trying to protect its friend, now the music fits for a whole new reason, you're persecuting someone innocent and by extension killing its friend. Worst of all, you have to do it regardless because intentionally or not they stand in the way of your goal.
This is one of the most brutal boss's I've ever fought in terms of my emotions being utterly destroyed and left sad and depressed.
Though that's kind of a common theme with Nier games. They make you have emotions whether you want them or not.
couple that with the fact that this song originated from the lighthouse lady who already has a sad history leading up to the postman/mermaid arc ahhh
So sadly there's a part missing from this song that plays somewhere around the middle. The boss puts everyone in a near-death state and starts charging an attack and the music changes for it iirc. But also interesting is that while the boss is charging the attack you can see angelic script which can actually be translated. Translation bellow because of spoilers if you're curious.
The script can be translated to "I want to be human."
This is one of my favorite songs from the NieR series. There's something different about how Eastern game studios view the role of music in video games that just seems to be missing from most Western games, and it's a real shame. I hope we'll see more Western devs studios give music the attention it deserves.
I think western studio see music more like ambiant thing
Japanese saw music as gameplay/story driven thing and i think it's the best way to do it ( like in cinema it's the same thing but more present in japanese game nowadays , even if old japanese games does it too , old game have tendency to use leitmotif like Soken does , look at the old FF for reference or Chrono trigger )
Well, some just do it better than others. Look at the Tales Series. Huge, sweeping scores like this, but nothing that is memorable or has this level of impact.
I mean..... we have they have the dragonborn song
Anime too... Look at how the Madoka Magica series used it's music...it still evokes emotion in me today
I think DOOM: Eternal is a niche, but right step in that direction of making music more intertwined with the gameplay of western media.
This plotline is probably one of the most faithful modern interpretation of the tragic old Little Mermaid folktale.
Unfortunately this is also not the full version with the amazing closing section of the song :(
Fun Fact: This Boss (The Mermaid), the First Set of Armored Bosses (Hansel and Gretel), and a Dreaming Computer Tree (Sleeping Beauty) are Little Holdovers from the Original Concept for this game (that was scrapped pretty early on in production) that had a theme more centered around Fairy Tales.
Obviously this wouldn't of been Disney's Renditions, more based off the Horror Story that are the Originals... (Seriously though the Originals for Fairy Tales are some Nightmare Inducing Stuff)
Hansel and Gretel had a great theme too. Love Blu-bird. 🙂
In terms of mechanical difficulty, this boss isn't too bad. She does tend to hit you a lot, but I never felt in true danger. I'd say a 4 or a 5/10. In terms of difficulty keeping morale & emotions in check, I'd put this at about an 8.5.
This boss in terms of difficulty I'd give a solid fuck around and find out/10.
Not really hard, but it can blind side you if you're screwing about. And as usual for Nier it'll gut punch you in the feels even if you know it's coming.
Aw, this one misses a really cool bit that plays halfway into the song
EDIT: Also, highly recommend the Nier series. Don't have to record or anything, just experience it.
I did request the full version on patreon but someone requested this one first :'C. r.i.p.
Yeah the softer vocal part is a crime to miss.
In case you dont know, this is a remix of the Ishgard theme of FF XIV.
Lots of Nier stuff covered. I hope you cover Shadowlord from Nier someday. That's like my all time favorite song
This one was really amazing to join you to listen along for the first time! I only knew they added a new boss fight in the remastered version but I forgot that it would also mean new music!
Nier Replicant is my Game of the Year 2021
The series is a bit chaotic (like it’s music) in terms of progression and each game has multiple endings.
It all started with the PS2 game Drakengard: Ending E leads into the world of NieR Gestalt/Replicant, originally released in 2010.
Gestalt was released in the west and follows “Father NieR” whilst Replicant was released in Japan and follows “Brother NieR”.
NieR ending D then leads to the world of Automata and expanded upon via novels, musicals and other media.
The NieR replicant you see here is a recent remaster that was released of the original game!
i know he reacted to the automata version, but I want him to react to Grandma from this game cause that song is just beautiful
i just find you today and love you reacting to video games OST and now Nier OST?
you earned a subscribe for that
Replicant is the most recent game and a remaster of the older version (sometimes called Gestalt as well depending on where it released) that is technically a prequal to Automata, the Nier crossover raid in FF14 starts Automata themed then replicant bosses show up and by the end it is Drakengard themed, which was the original game series that spawned the Neir series out of a joke ending.
nitpicky correction: Nier Replicant isn't a prequel, it's just the first/original game remastered. a prequel is a thing that's made after something and that takes place before the original thing.
The boss battle is actually yourself, holding back your emotions while playing this game.
After playing through the game quite a few times and getting all the endings, this boss is just so sad. The story behind me makes me almost burst in tears just thinking about it. 😭
Let's say most bosses aren't just some uber powerful lackey just placed in a castle to protect a treasure chest. Most are monsters created from their circumstance.
Damn, writing this reminded me of Loyal Cerberus.
"I feel like I'm late to the party." Better late than never.
Ok so you ask why he doesn’t just punch it again that is because good old brother nier uses literal blood magic so he needs to get it really flowing to do cool stuff
Nier is the title name of the series and the words after it like Replicant, Automata, Reincarnation are the title of the games
This was my first ever game I played by Yoko Taro, only NieR Gestalt. (Which is basically the exact same game when it was originally released only they replaced the main character with an older man, the supporting younger girl is your daughter instead of your sister.) Playing the remade Replicant was a heck of an experience when I played this, it was brand new and I didn't expect any new content. Gestalt remains my uncontested favourite game, personally speaking. Mechanically, visually and such there are better games but on a personal level - nothing can top it.
Boss difficulty I would say about 6.
But 10 when the camera glitches what happened to me a few times (boss appeared at a total different place somehow)
I loved this boss and the story to it.
Hey Jesse, good job on all these reactions man, you are awesome!
Just wanted to say there is another version of this song called "Fleeting Words - Family" that I think is worth a listen (doesn't have to be a reaction, but if you liked this you should give it a listen). It's a bit more melodic I would say and more emotional. Probably my favourite OST in NieR Replicant.
Not sure if anyone mentioned it but in the original NieR for the Xbox 360 and PS3, this was actually cut content that never made it into the game. When they did the remaster NieR: Replicant v1.22474487139... they went ahead and put this back into the game including making new music for it AND voice acted since they made EVERYTHING voiced (even one-liners from NPCs you probably won't ever talk to) which the original didn't do; only "important" scenes were voiced in the original. They didn't even reuse voice lines, everything was rerecorded with all the original voice actors/actresses too.
Edit:
But yeah this was easily my favorite track in the remake, every single version that showed up too which is like 5 different versions...
now that you listen to this version might wanna try Fleeting Words - Family by Calorie Game Music it's a more softer version of this one
I hear you like piano? Highly recommend *Vague Hope* from Nier Automata and *The Ultimate Weapon* from Nier Gestalt.
Also, amazing suggestion with Fleeting Words, one of my favorite tracks from any Nier game. Definitely recommend you check out the other slower paced version of this song on your own time if you liked it, it's absolutely beatiful.
To answer your question, difficulty 3/10. Personally don't find any boss in NIER that hard (with exception to both Emil bosses in Automata) That said they're amazing games with out of this world soundtracks
So hey i would highly suggest just checking out the first bit of the Ishgard theme in FFXIV "FFXIV OST Ishgard Day Theme ( Solid )" just because Fleeting Words has a cool musical reference to the track since NieR: Replicant 1.22 was made during the NieR: Automata crossover in FFXIV and since this track is completely original to the remake (1.22) Okabe added in this reference to the Ishgard theme.
I'm glad you mentioned this. Also, perhaps it could be a coincidence, but in 1.22's "Deep Crimson Foe" there is a certain familiar descending and ascending (like in Prelude) that wasn't present in the original version.
I don't think that's ever been confirmed and is likely just a coincidence
If it's coincidence, than it's a super big coincidence, that exatcly the same melody, from the same game company was referenced, in a new song, right after collaboration of those two games. How often can it happen? :P
@@morteaux3662 many songs sound similar, I really don't think Nier Replicant would lift the Ishgard melody for a boss, that's just so random and Nier has its own identity, it's just one part of the song
@@wolfspledge1762 I mean... no thats not a coincidence. Musical coincidences definitely do happen, but not within the same parent company, actively (as of time of release) crossovering games, with two directors that are good friends and both very involved in the music of their games. In a new track made after the crossover was decided. The only way to claim coincidence there is by clinging to the technicality of it not being outright said. Which is like needing someone to tell you it's raining.
Automata is the sequel to RepliCant. NieR is the series and the name of the RepliCant protagonist. The NieR franchise is a spinoff of Drakengard.
This fight in particular is new content added to the remake RepliCant got because Automata was such a massive success. The game was expected to be niche and forgotten, basically square humouring one of their directors. It ended up selling 4 million copies worldwide.
This boss like most in nier has a tragic back story
Damn, this isn't even the whole song. The end of the song slows down and is great
She just wanted to live with the postman dude. Louise just wanted to be beautiful, but as she says
"How could I end up with such a... hideous... body...
And yet... this world... This world is so full of beauty..."
She was a fucking kid man
"I don't know the name of this character" made me laugh, he doesn't actually have a name. Most people refer to him as Nier, but in everything he's just "Protagonist".
Nier Gestalt/Replicant (and the remake) are some of my favorite games, and the music is outstanding in them both as you're learning. And whilst the bosses are necessarily hard they're quite depressing when you know the story behind them. The games are probably the most depressing ones I've seen, lol.
Fun fact about the protagonists in Yoko Taro (the main guy behind the Nier games), they always suck. In the Drakengard games you have rapists, pedophiles, cannibals, etc... as part of your party. Nier isn't much different it's just a bit more subtle and in a way you can mostly empathize with.
Yep. Protagonist in Nier is a HUGE bigot against the shades. If you don't attack the first shade he encounters, it never fights back. None of them will. You can't continue the story without killing it, but it says a lot that they never actually attack him until she's proven he'll kill them just for being a shade.
Mind you, replicant doesn't have bad guys as party members. Kaine is a victim of bigotry. Being a half shade is really just an allegory for being intersex. Which was why the town she grew up in originally exiled her. And our best skelle boy is actually just a victim of genetic engineering. His story is incredibly sad, and he often shows a level of remorse for their attacks on the shades that protag never does.
@@kyeda Also accurate.
@@ReiEmeraldTakedo they're not bad, but they're not good. They suck! Kaine, the worst of them, is down with genocide even though she knows what she's doing, Protag starts off kind but post timeskip he cares for basically nothing except killing shades and he's ruthless about it. Emil is the only one you could really argue is good as most evening with him is the result of other people experimenting on him.
Don't forget what the shadowlords castle involved and who/what you kill during it.
@@Shiro2809 Yep. I dunno, I actually think Kaine's anger is justified, and remember that in the end, she makes that fundamentally contradicts that genocidal side of herself. Plus, can you really blame her for not liking the Shades when the one in her head is... you know... a psychopathic murderer?
@@ReiEmeraldTakedo No amount of anger is justified in willingly killing babies and saying "it doesn't matter". i love Kaine but let's not get things twisted. The people who made her suffer all died so killing the other innocent people just because they are shades is kind of ironic don't you think ?
"I don't know the name of this character" *points at Nier*
I mean i don't blame you, but it still felt funny.
The final fantasy 14 version of Kaine is great. A bit of a short loop tho, sadly. But a very good boss fight mechanically and a haunting track to accompany it.
Idk why but you really remind me of this one guy from coffee stain studios (satisfactory)
The version is incomplete. The part with the emotional chorus is missing. Right after 3:21 / 5:09
oh please react to Shadowlord's Castle Roar and Cold Steel Coffin
Boss wasn't that difficult to be honest but
Spoilers:
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It was supposed to be used as a weapon against the final boss if the final boss chose not to follow through with the plan. So It's really powerful, lore wise
At times, this sounds like the Heavensward theme from FFXIV... No complaints here. 😁
Laughed so hard when Alex M pointed that out and now I can't unhear it!
Jesse what is the link of that gameplay video you react to? I would appreciate it very much also good reaction greetings from Argentina!
Don't think it's around anymore :/
@@JessesAuditorium I understand you, I was looking for it everywhere and I couldn't find it, it's a shame because the other songs are a little different from this reaction, they don't have the drums in the background, anyway thank you very much for answering me, greetings!
Jesse's auditorium@ do you only react to videogame osts? Cause i have one amazing ost from my all time fav anime, hunterxhunter. Let me know if its okay or not
Yes, sorry! Anime and other media is a nightmare with copyright strikes :/
@@JessesAuditorium should i send it to you?, if its just the music is that less chance of copyright? Help me so i can send ya something that you might be able to use
@@matthewlugo2417 You can submit it in the discord for me to check out. Unfortunately I can only react to VGM OST!
@@JessesAuditorium so i cant send it here?
@@JessesAuditorium th-cam.com/video/qE-eztGkLqI/w-d-xo.html
An episode so insane that it has its own set ost, please have a listen and let know what you think, i want to show you the scene but i cant spoil the show for anyone who hasnt seen it, just know that it would blow anyone's mind
5:05 might be a little late but probably a 6/10. The game itself isn't really difficult especially when you level up some. I found towards the end of the game the only thing that can really damage you are the red and purple magic balls that some enemies shoot
Play on hard mode boy
@@nickschneider9037 After playing through on normal 4 times to get ending E, I'm good on that
@@Perrydigm97 well hard mode is at 2nd part kinda easy thanks to fishing money (try to do the aerie last because of the buff item shop) and Phoenix Spear but the first part is brutal
@@nickschneider9037 the only hard part about part 2 of the game is when enemies get armor and start taking 10+ hits to kill until you get a better weapon
@@Perrydigm97 well there is a the option of getting the 2handed fool weapon from papa nier memory door 3 just took me 4 hours to do not counting the 6 hours I needed for the other 2 doors xD