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Live Mix ep. 7 | "Come With Me" by David Walker | Full ProTools Mixing Session
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- เผยแพร่เมื่อ 17 พ.ย. 2023
- We're already on 7 episodes of the Live Mix series! Thanks for the support so far, I have additions coming to future episodes that will assist with clarity as far as the information is concerned. Stay tuned!.
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In this series i show you how i take unmixed tracks to fully professionally mixed records. this is not a traditional tutorial series, more so a look inside my thought process while I mix.
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check me out here:
linktr.ee/davi...
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can you also do short videos on LIVE MASTER or cut a part of the main video to a separate master only video? i think that'd be great content to add in and easy shorter content to add for those that look out for those titles. awesome work!
Maybe in the future. I need to sharpen my mastering skills before I feel comfortable teaching it. Thanks for tuning in
@@davidtecalamusic another question. do you not send a mastered version to clients and only a mix? because the perception changes from a mix to a master i always questioned that.
@@junovue depends on what I get booked for and if they have another mastering engineer they’d rather work with. Usually for smaller artists I just mix it then master once the mix is approved if they want me to. Sometimes though, my bounce through the god particle is more than loud enough and sounds great that we just use that as the master. It’s really just a case by case basis
Can you help me understand the routing for the 4 parallel technique? I find that very interesting and want to try it. What result should we be looking to gain from this? 😊
Yeah so take your vocal or anything fr and route its output to a free bus. Then make a handful of auxes and assign their inputs to the same bus. Now the original track is directly feeding your new auxes.
On each aux I pick a compressor with a drastically different color than the last. Or sometimes it’s reverb/chorus/saturation/distortion. I then blend those new sounds in together to taste.
Personally I tend to have a parallel aux for the following on vocals:
-body (VCA compressor)
-bite/punch (FET compressor)
-warmth ( opto compressor )
-silk/smoothness ( also opto sometimes but this can vary, a tubetech CL1B would be great)
-grit/distortion (any distortion plugin. I like using a 1073 and cranking the input gain)
-chorus
-reverb
-delay (sometimes)
Hope this helps. I’m going to be using this technique a lot so the more you see me do it, it should start to make more sense!
@@davidtecalamusic yeah ima def stay tuned cause it’s kinda of mind boggling.
Basically you’re saying my signal flow should go:
vocal>vocal bus>into sends> sends back into the vocal bus?? That’s interesting lol