Puddle Jumping (Marshall Gilkes) from "Fukuda-Gumi feat. Marshall Gilkes"
ฝัง
- เผยแพร่เมื่อ 5 ก.พ. 2025
- Puddle Jumping
comp. Marshall Gilkes
solo
Marshall Gilkes (trombone)
⇒The Canadian (Ryo Otomo) from "Fukuda-Gumi feat. Marshall Gilkes"
• The Canadian (Ryo Otom...
⇒Always Forward (Marshall Gilkes) from "Fukuda-Gumi feat. Marshall Gilkes"
• Always Forward (Marsha...
Fukuda-Gumi Jazz Orchestra
Web:fukudagumi.myst...
Instagram: / fukudagumijazzorchestra
twitter: / fukuda_gumi
Woodwinds
Akira Sano
Riki Takayama
Tomohiro Tajiri
Jun Umegaki
Ryoma Suzuki
Trombone
Keita Kitazawa
Ryo Otomo
Hikaru Teraya
Yosuke Fukuda
Trumpet
Keita Takino
Kyotaro Hori
Nayu Watanabe
Natsumi Komoto
Otohito Fuse (piano)
Kazuki Otomo (guitar)
Tasuku Itsukaichi (bass)
Kent Watari (drums)
Thank you, Maestro, for taking the time to work with young aspiring musicians. They are very fortunate indeed to have shared a playing space and workshop with you.
He’s so unbelievable, so skilled
Virtuoso trombonista,bendiciones.
The Master Marshall Gilkes
Thanks hes loking older but sounding even better,, the high notes flow nice together now
Unbelieveable playing!
Incredible!!!
MG is the Balls!
It seems to me that this concert is about the kids and Marshall Gilkes' masterclass to them, not a critique of Mr. Gilkes' perfomance. Let's remember what the othet contributor said. It's about the kids. Make sense?
２年前なの スゲー すごすぎる 超１流
Music is an art, not a sport. Technical virtuosity is necessary to convey emotions, explore concepts and allow great creativity to flourish.
This must be a while ago because he’s still playing the Getzen not his new signature Shires.
That's right. This video was recorded on June 20, 2019.
As a trombonist of unbelievable brilliance I think Mr Gilkes tries to do too much at one t
I shall continue where I left off. He tries to do too much at one time. He has a phenomenal tone on the horn.
Unbelievably brilliant musician.
This solo is high on chops - low on musicality. He could learn a lot about artistry from Bob McChesney.
Likes B flat major doesn't he......................................
And? Can you play this well?
I'm pretty sure the only reason he writes opening excerpts in mostly Bb is the fact that pedals on a peashooter that is standard for tenor trombones only reach from Bb to E, and even then the F# and lower are just not well speaking notes. His range is definitely not defined by key, he has a lot of cadenza recordings in other keys, this is just his most popular one
Sounds like a criticism.
@@jesserodriguez9883 Just an opinion not a criticism................
I don’t know the situation here, but this is disrespectful to the kids. It’s always about kids…period. If he wants the spotlight he should get his own gigs.
Thank you for watching.
I'm band leader of this video"Fukuda-Gumi". I planed this live, choiced all pieces, and decided all solo spaces.
All responcibility for this concert is mine.
First of all, Marshall is great person. He is so polite and kind.
As you know, he is one of the greatest trombone player.
That time, he came to Japan as a member of Japanese Big Band. it is hard to believe, He didn't have any single solo.
Japanese Jazz Fans, Trombone players wanted to see his Solos. So, as you said, it might be too match solos, but audiences need his solos like this.
If you have time, please watch another video.
The Canadian:
th-cam.com/video/GliHfCx41ps/w-d-xo.html
This piece wrighten by band member, trombonist Ryo Otomo. It was great experience for us. It was good collaboration with him.
Finaly, did you said band member as kids?
Almost all member were over 25 year then.