Mikhail Zlatopolsky th-cam.com/video/5UAOlFibEac/w-d-xo.html Tim Storms th-cam.com/video/tJcjCztvn70/w-d-xo.html Ken Turner th-cam.com/video/Hh46Nse-1C8/w-d-xo.html Steve Cross th-cam.com/video/t593a6yNsHQ/w-d-xo.html Paul David Kennamer th-cam.com/video/0e_yDunvnsw/w-d-xo.html J. D. Sumner th-cam.com/video/oNFqhTZ7Yk8/w-d-xo.html Jeff Chapman th-cam.com/video/UhIxXI56ku0/w-d-xo.html Tim Foust th-cam.com/video/cqL_ALIsHKA/w-d-xo.html Buddy Liles th-cam.com/video/6t82AwSjXnE/w-d-xo.html Duane Adams open.spotify.com/track/3qCEZ7QBFGDPUzpFF7CIR0?si=7mlGf9HFTCajBNOD0kz1Uw Christian Davis th-cam.com/video/MokY4bGTeS8/w-d-xo.html Alex Dmitrieff + Alexis Lukianov th-cam.com/video/6G83WEuo-NA/w-d-xo.html&t=4504 Mike Holcomb th-cam.com/video/aIPawrYHcmg/w-d-xo.html Joe Decker th-cam.com/video/d8ySsJEtfHY/w-d-xo.html Tuukka Haapaniemi th-cam.com/video/0BTwyOjpGaw/w-d-xo.html
Well... I tried. The quality of notes here isn’t great. Nobody really sings a C#1. There will probably be some mispitches. Accidentally forgot to mark the note in Joe’s clip. Bucketload of soz
@@jaybass2232 Sounds weird, but work on your higher register . It will help improve your range and also gives strength to you lower register . When singing low ,relax and sing , dont force out the notes. Try with scales going up and down.
Reuben Thomas Ight thanks I understand the relaxing part I’m great at that I don’t force notes out I’ve just practiced for years but thanks I will admit I’ve tried my higher register and will have to keep working on that more solid sound thanks btw🙂🙂
@@matthewdockray9745I kind of realised that Steve was using fry , when I heard his Bb1 in Amazing Grace. His tone was way too weak for some one to have modal low first octave notes. That bring said, Steve's got a beautiful fry.( Never thought I would say a sentence like this). You have any idea on his lowest modal note?
Reuben Thomas as I said in another comment, Thou Yang theorised he uses a very relaxed fry with lots of air, coupled with good studio mixing and bass boost. It’s hard to tell what his modal range is, but his full range showcased with rescue is Bb0-Eb4 I believe. Almost all of his notes are in backings, so we can’t really get a sense of his voice. I’ve heard him speak and he sounds like an average baritone. He’s only ever sung with rescue (he had two spells with them) and doesn’t sing at all outside of the group as far as I can tell. Here’s a clip of him singing live in studio down to G1 which is probably the best indicator of his natural bass sound is instagram.com/p/z2eMmkRXSh/?igshid=xmp5q4zf79xu
Always find it interesting, that so many low, low bass singers (including myself), C#1 is their lowest controlled note. But, Zlatopolsky is the only one who could it acoustically. That is mind blowing to think about. I am right at the cusp of being a true Oktavist (with an acoustic A1)... then there are people like Zlatopolsky and a few others, who can do it below F1.
fry. same as Steve Cross, Tim storms, Paul David Kennamer etc and all those low frying smooth basses at this pitch, but notably Cross and Adams. helped a lot with good mixing and bass boost etc etc
0:55 definitely not a profundo. I saw Thou Yang talk about him a bit. Best guess is good very relaxed fry technique with lots of air pushed out at the same time to make it smooth and very good audio mixing. 1:41 'Jesus make a believe out of me' live: th-cam.com/video/UhIxXI56ku0/w-d-xo.html studio: th-cam.com/video/zIVeNRa4-0Q/w-d-xo.html 3:09 hard to say. may be a mix off some sorts, but down that low, I don't really think it matters what technique you use. It's impressive getting a C#1 over a choir regardless of technique
@@matthewdockray9745 Thanks. (I edited my comment, I don't know if you notice). Also, what's the song Buddy Liles is singing? What type of subharmonics is Joe using?
@Steven Criscione I meant in terms of the context of it being in a choir/choral setting. I'd say technique in that instance isn't as important as you're more often creating a texture to add to the piece, rather than singing a note to be heard. just going around with a camera a foot in front of your voice frying Z#-12s isn't really that interesting or impressive in terms of sound, or performance context
@Steven Criscione mmm it's not quite the same imo. they are at least professional singers (most of the time) and it's usually within some sort of musical context. there's some reasoning in the description for how I decided to include notes
@@matthewdockray9745 Hey! I was wondering if you can put my C1, it's not the best, It has reverb, btw I really like the effort that you put in your videos. (Sorry I just read the description xD)
![[DRIP] ‘Woke Up In Tokyo (RUKA & ASA)’ PREVIEW](http://i.ytimg.com/vi/QN44lcR_VkI/mqdefault.jpg)
Mikhail Zlatopolsky th-cam.com/video/5UAOlFibEac/w-d-xo.html
Tim Storms th-cam.com/video/tJcjCztvn70/w-d-xo.html
Ken Turner th-cam.com/video/Hh46Nse-1C8/w-d-xo.html
Steve Cross th-cam.com/video/t593a6yNsHQ/w-d-xo.html
Paul David Kennamer th-cam.com/video/0e_yDunvnsw/w-d-xo.html
J. D. Sumner th-cam.com/video/oNFqhTZ7Yk8/w-d-xo.html
Jeff Chapman th-cam.com/video/UhIxXI56ku0/w-d-xo.html
Tim Foust th-cam.com/video/cqL_ALIsHKA/w-d-xo.html
Buddy Liles th-cam.com/video/6t82AwSjXnE/w-d-xo.html
Duane Adams open.spotify.com/track/3qCEZ7QBFGDPUzpFF7CIR0?si=7mlGf9HFTCajBNOD0kz1Uw
Christian Davis th-cam.com/video/MokY4bGTeS8/w-d-xo.html
Alex Dmitrieff + Alexis Lukianov th-cam.com/video/6G83WEuo-NA/w-d-xo.html&t=4504
Mike Holcomb th-cam.com/video/aIPawrYHcmg/w-d-xo.html
Joe Decker th-cam.com/video/d8ySsJEtfHY/w-d-xo.html
Tuukka Haapaniemi th-cam.com/video/0BTwyOjpGaw/w-d-xo.html
Well... I tried.
The quality of notes here isn’t great. Nobody really sings a C#1. There will probably be some mispitches.
Accidentally forgot to mark the note in Joe’s clip. Bucketload of soz
Matthew Dockray I am a basso profundity singer to I’ve been for 7 years what’s some great basso profundo warm ups if u don’t mind me asking??
@@jaybass2232 Sounds weird, but work on your higher register . It will help improve your range and also gives strength to you lower register . When singing low ,relax and sing , dont force out the notes. Try with scales going up and down.
Reuben Thomas Ight thanks I understand the relaxing part I’m great at that I don’t force notes out I’ve just practiced for years but thanks I will admit I’ve tried my higher register and will have to keep working on that more solid sound thanks btw🙂🙂
Thanks man 😂😂😂
Wow Steve Cross did it live!
Marcello Bass he’s a beast. C#1 and Bb0 live 🤯
Cole Fountain 🤯
Marcello Bass he does it all live. He’s no slacker
@@matthewdockray9745I kind of realised that Steve was using fry , when I heard his Bb1 in Amazing Grace. His tone was way too weak for some one to have modal low first octave notes. That bring said, Steve's got a beautiful fry.( Never thought I would say a sentence like this). You have any idea on his lowest modal note?
Reuben Thomas as I said in another comment, Thou Yang theorised he uses a very relaxed fry with lots of air, coupled with good studio mixing and bass boost.
It’s hard to tell what his modal range is, but his full range showcased with rescue is Bb0-Eb4 I believe. Almost all of his notes are in backings, so we can’t really get a sense of his voice. I’ve heard him speak and he sounds like an average baritone. He’s only ever sung with rescue (he had two spells with them) and doesn’t sing at all outside of the group as far as I can tell.
Here’s a clip of him singing live in studio down to G1 which is probably the best indicator of his natural bass sound is instagram.com/p/z2eMmkRXSh/?igshid=xmp5q4zf79xu
0:53 that’s insane if it’s not lip synced
Yeah innit. I’m fairly certain they don’t lip sync. There’s a few inconsistencies in sound and quality compared to the studio version
It sounds like it’s an octave up from the recorded
Mason Watson it’s not. He performs all the live stuff the same as studio. Down to Bb0
Always find it interesting, that so many low, low bass singers (including myself), C#1 is their lowest controlled note. But, Zlatopolsky is the only one who could it acoustically. That is mind blowing to think about. I am right at the cusp of being a true Oktavist (with an acoustic A1)... then there are people like Zlatopolsky and a few others, who can do it below F1.
Jeff Chapman is king
Singers that should be in the c1 compilation: Corey Taylor. Jd sumner. Tim storms.
All 3 of them already are :)
@@matthewdockray9745 will there be a 0th octave
LegoBlox Railfan no
@@matthewdockray9745 k thanks
LegoBlox Railfan I do have plans for making a mega low note compilation at some point which will probably venture down to C0
What tecnique does Duane Adams use for D1s and C#1s?
fry. same as Steve Cross, Tim storms, Paul David Kennamer etc and all those low frying smooth basses at this pitch, but notably Cross and Adams. helped a lot with good mixing and bass boost etc etc
@@matthewdockray9745 well yes
Ale Bormio he also used to sing tenor very comfortably with the group sometimes, hence why he’s one of Tim Foust’s idols
@@matthewdockray9745 Makes so much sense.
Make a video with B0 notes
Julio Soto a bunch of B0 notes will be in the next video. There’s not a whole bunch to choose from
i know i want so much links but i cant find it 3:41 and 1:32 please link
1:32 th-cam.com/video/UhIxXI56ku0/w-d-xo.html
3:41 th-cam.com/video/0BTwyOjpGaw/w-d-xo.html
Hey!
Edit1, 2 & 3: 0:55 How can he be so smooth? Is him a profondo? 3:09 Was it chest-voice? 1:41 Song name please.
0:55 definitely not a profundo. I saw Thou Yang talk about him a bit. Best guess is good very relaxed fry technique with lots of air pushed out at the same time to make it smooth and very good audio mixing.
1:41 'Jesus make a believe out of me'
live: th-cam.com/video/UhIxXI56ku0/w-d-xo.html
studio: th-cam.com/video/zIVeNRa4-0Q/w-d-xo.html
3:09 hard to say. may be a mix off some sorts, but down that low, I don't really think it matters what technique you use. It's impressive getting a C#1 over a choir regardless of technique
@@matthewdockray9745 Thanks. (I edited my comment, I don't know if you notice). Also, what's the song Buddy Liles is singing? What type of subharmonics is Joe using?
@Steven Criscione I meant in terms of the context of it being in a choir/choral setting. I'd say technique in that instance isn't as important as you're more often creating a texture to add to the piece, rather than singing a note to be heard. just going around with a camera a foot in front of your voice frying Z#-12s isn't really that interesting or impressive in terms of sound, or performance context
@Steven Criscione mmm it's not quite the same imo. they are at least professional singers (most of the time) and it's usually within some sort of musical context. there's some reasoning in the description for how I decided to include notes
@@matthewdockray9745 Hey! I was wondering if you can put my C1, it's not the best, It has reverb, btw I really like the effort that you put in your videos. (Sorry I just read the description xD)
0:52
2.25 where can I find this?
Trevor Hooley Spotify link here open.spotify.com/track/3qCEZ7QBFGDPUzpFF7CIR0?si=uXwd4xq_TLS2kO6TPX0BSA can’t seem to find a full version on TH-cam
@@matthewdockray9745 yeah I've looked on TH-cam but can't find it. Thanks for the link!!
2:10, what song?
th-cam.com/video/6t82AwSjXnE/w-d-xo.html