Perfectly logical, interlocked tempi: half note in the first half is the same as the quarter in part two. Symphonic logic, but utterly undramatic. Surprising choice from such a great master. Wonderful singer, beautiful legato which is probably easier at this tempi. There isn't a right or wrong here, it is if one finds it compelling and effective.
And nothing about Lisa Della Casa's acting here?? A very delicate matter, more than managed by here. She re-acts, but doesn't take any glory from Otto. Totally credible and moving. I love it!
It seems Otto Edelmann is not singing but is Leporello himself, as well as Lisa della Casa is not a singer, but donna Elvira...great voice, of course...
jaja - auch hier ... das Tempo ist eine Qual ... für Hörer und Sänger! Aber seine Stimme ist wirklich super und das Schauspiel beider auch - die Inszenierung sowieso!
The slow tempo is an equally valid solution compared to the more common faster tempi. Leporello is a comedic character, but why did mozart use a bass? There must be some intention for him to sound like a slow-witted idiot. Hence, using this kind of slow tempo best portrays this sort of image. But personally, I find the faster tempi more interesting.
you are discussing with somebody who IS an absolute authority in music, His Majesty Wilhelm Furtwaengler, would you call him and explain, you know the number direct line at side of The Creator, just ask the operator
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What a clear diction, great legato and cantilena! Really a perfection!
Edelmann was one of the greatest :)
Wonderful technique and beautiful preforms
What a great singer! And btw: I love these tempi :-)
Very enjoyable. Thanks for posting this here.
Perfectly logical, interlocked tempi: half note in the first half is the same as the quarter in part two. Symphonic logic, but utterly undramatic. Surprising choice from such a great master. Wonderful singer, beautiful legato which is probably easier at this tempi. There isn't a right or wrong here, it is if one finds it compelling and effective.
Little slow to my taste...but GRREAAAT!!! Muy espressivo! One MUST learn from this performance:) Thanks for posting it!
I guess Im kinda off topic but do anybody know a good website to watch newly released series online ?
Brilliant acting.
Great music,great singer
And nothing about Lisa Della Casa's acting here?? A very delicate matter, more than managed by here. She re-acts, but doesn't take any glory from Otto. Totally credible and moving. I love it!
I think he is the best Baron Ochs ever. You are so right.
It seems Otto Edelmann is not singing but is Leporello himself, as well as Lisa della Casa is not a singer, but donna Elvira...great voice, of course...
enorme! bravo.
bravo !!!
jaja - auch hier ... das Tempo ist eine Qual ... für Hörer und Sänger!
Aber seine Stimme ist wirklich super und das Schauspiel beider auch - die Inszenierung sowieso!
magnificent
The tempo is great! Allows to enjoy aria mouch longer - for both singer land listener :)
are his notes there in that catalogue xD
The slow tempo is an equally valid solution compared to the more common faster tempi. Leporello is a comedic character, but why did mozart use a bass? There must be some intention for him to sound like a slow-witted idiot. Hence, using this kind of slow tempo best portrays this sort of image. But personally, I find the faster tempi more interesting.
The opera was sung to 1950 and not 2008 where it accelerates the song because the stress of life took over.
No better ever.
Even "back then" this aria was usually performed at a fast tempo.
But he pulls off this tempo brilliantly.
you are discussing with somebody who IS an absolute authority in music, His Majesty Wilhelm Furtwaengler, would you call him and explain, you know the number direct line at side of The Creator, just ask the operator
i think is good...but i dont feel i like this kind of old style...maybe just as a document of good singing...
Not good, great
This cannot be considered singing.
?