First piano interpretation of this masterpiece I really like. The player managed to keep a part of the humility and the mystery this sonate is made of...
You make a good point; however, like Haydn’s symphonies, the number of fantastic works is so great that too many are not as well known as they should be. This is yet another exceptional, sonata of the highest quality; it’s interesting that this sonata - originally conceived for the harpsichord - should sound so well on the piano - truly astonishing.
A Haydn se le interpreta poco, vivió al lado de Mozart, grandes amigos los dos, lo cual quizá hace que se opte más por Mozart, y Haydn fue un grandísimo compositor, personalmente estoy trabajando sus tríos. th-cam.com/video/Q71nbpk1FkI/w-d-xo.html
@@ohiomyfired Many, really. However, to begin with a few: K 232 performed by Chu-Fang Huang, K 217 & 218, K 437 & 438, K 554 & 555. Sandro Ivo Bartoli did the complete collection beautifully on piano, with really enlightening introductions, and Scott Ross' performance on harpdichord is just outstanding. Charles Avison arranged some sonatas as string concertos, also worth a listen. I hope you enjoy.
I hear the cleanest strikes/articulations in contemporary playing in your performance. Joined with an emotional intensity that is highly focused yet meditative, your performance never ceases to move and amaze me.
Listen to Scott Ross playing this in a harpsichord. A piano does NOT have the ability to give the timbres and effects and affects that Scarlatti meant. The music was written for the possibilities of the instrument on which it was to be performed. The piano can do things that a harpsichord cannot do but a harpsichord can also do things that a piano cannot do.
Si Scarlatti hubiera conocido el piano al igual que Bach, estarían maravillados con los pianos de hoy en día, el clavicémbalo está bien, pero el piano saca el alma a esta maravillosa música, de una manera que no puede hacer el clavicémbalo, yo escucho siempre el clave antes de interpretar a Scarlatti en el piano, pero creo que el piano consigue ir más allá, sin despreciar el clavicémbalo ni el clavicordio.por cierto en mi canal grabare alguna sonata muy poco conocida mañana,las sonatas del Padre Antonio Soler, amigo de Scarlatti también son una maravilla.
Эдуард Кунц исполнял эту сонату на конкурсе Чайковского неподражаемо.До сих пор помню впечатление,которое произвело на меня тогда его исполнение.Каждая "золотая"нота на своём месте..,и форма..и состояние. Не могу найти нигде эту видеозапись.Сейчас -это хорошее исполнение, чудесный звук,но, к сожалению что-то утратилось..(это только моё мнение). Безмерно уважаю этого замечательного музыканта.
Well said. Though I truly love the music of Mozart and Bach, there is a depth, beauty, and mystery that ultimately makes him my favorite composer of all.
Мне данное исполнение Эдуарда понравилось меньше, чем в дуэте его же с Юрием Медяником: th-cam.com/video/Ys2RTIbYf4g/w-d-xo.htmlm26s Посмею, однако, предложить вашему особо взыскательному и требовательному вниманию свою непрофессиональную (любительскую) эскиз-интерпретацию сего великого произведения Д. Скарлатти: th-cam.com/video/inLsr9WCf-A/w-d-xo.html - для вашего творческого и высоко профессионального осмысления и перевоплощения своими руками, может быть, если вы владеете фортепиано - или тут с навевающим соответствующее настроение видеорядом и фоновым шумом улицы: th-cam.com/video/C2ddGr2e45Q/w-d-xo.html (тут даже лучше оставляет впечатление, несмотря на наличие ляпов с попаданием в нужные клавиши рукой (это та же ровно запись, но без правок в аудио-редакторе просто))
Very Nice, but i dont always agree with the interprétation for some parts of the pièce : not enough contrast when the music is repeated (scores 16 and following, 23 and followings...) some times too much slow, ...and the end ... the Last chord in D at the right hand is toooooooo late ....very too much
No, the rhythmic nuance is perfect, as is the use of pedal. Any less and it would be square, boring and unexpressive. This is a gorgeous interpretation.
Lovely. But nothing to do with Scarlatti's intentions. When will we understand what baroque composers were saying...? The instrument they wrote for is an important part of the answer. Plus an understanding of how harpsichords speak...
Wunderschön! So zart. So innig. Ich versinke beim Zuhören und spüre jedem Ton nach...
Sublime interpretation of this sublime Sonata.
I felt that I was being transported to another world. Thank you for the performance.
Merveilleuse interprétation , d' un très grand pianiste, Eduard Kunz !!!
Lovely ... those little silences between phrases. This is indeed one of DS's jewels.
Скарлатти просто гений мистическио и волшебной интонации,обожаю его сонаты! Вы исполнили потрясающе великолепно и волшебно. ❤
First piano interpretation of this masterpiece I really like. The player managed to keep a part of the humility and the mystery this sonate is made of...
This sounds so reminiscent in guitar but so fragile in piano. Superb performance.
One of the most sublime sonatas by Scarlatti, which, among numerous others, should be much better known. Excellent performance.
You make a good point; however, like Haydn’s symphonies, the number of fantastic works is so great that too many are not as well known as they should be.
This is yet another exceptional, sonata of the highest quality; it’s interesting that this sonata - originally conceived for the harpsichord - should sound so well on the piano - truly astonishing.
@@elaineblackhurst1509 True. I believe Haydn is one of the most underrated composers. Thank you for your comment.
A Haydn se le interpreta poco, vivió al lado de Mozart, grandes amigos los dos, lo cual quizá hace que se opte más por Mozart, y Haydn fue un grandísimo compositor, personalmente estoy trabajando sus tríos. th-cam.com/video/Q71nbpk1FkI/w-d-xo.html
do you have other scarlattis to recommend listening to?
@@ohiomyfired Many, really. However, to begin with a few: K 232 performed by Chu-Fang Huang, K 217 & 218, K 437 & 438, K 554 & 555. Sandro Ivo Bartoli did the complete collection beautifully on piano, with really enlightening introductions, and Scott Ross' performance on harpdichord is just outstanding. Charles Avison arranged some sonatas as string concertos, also worth a listen. I hope you enjoy.
I hear the cleanest strikes/articulations in contemporary playing in your performance. Joined with an emotional intensity that is highly focused yet meditative, your performance never ceases to move and amaze me.
Listen to Scott Ross playing this in a harpsichord. A piano does NOT have the ability to give the timbres and effects and affects that Scarlatti meant. The music was written for the possibilities of the instrument on which it was to be performed. The piano can do things that a harpsichord cannot do but a harpsichord can also do things that a piano cannot do.
@@rrickarr I did. What are the timbres and effects and affects that Scarlatti meant? And why does the harpsicord express these things better?
Si Scarlatti hubiera conocido el piano al igual que Bach, estarían maravillados con los pianos de hoy en día, el clavicémbalo está bien, pero el piano saca el alma a esta maravillosa música, de una manera que no puede hacer el clavicémbalo, yo escucho siempre el clave antes de interpretar a Scarlatti en el piano, pero creo que el piano consigue ir más allá, sin despreciar el clavicémbalo ni el clavicordio.por cierto en mi canal grabare alguna sonata muy poco conocida mañana,las sonatas del Padre Antonio Soler, amigo de Scarlatti también son una maravilla.
Beautiful, heartfelt performance without any of the gestures associated with most young artists, bravo 👏
Close your eyes. Feel the music. Enjoy a perfect performance!
Cada vez mais admiro a inspiração e riqueza musical de Domenico Scarlatti!!!🌷
É um compositor da humanidade mais profunda. Eu o estimo mais e mais com os anos -- queiro muito encontrâ-lo no céu.
Thank you so much. This is a stunning interpretation!
Brought me to tears
I’m studying classical guitar and your sound is an inspiration
Эдуард Кунц исполнял эту сонату на конкурсе Чайковского неподражаемо.До сих пор помню впечатление,которое произвело на меня тогда его исполнение.Каждая "золотая"нота на своём месте..,и форма..и состояние. Не могу найти нигде эту видеозапись.Сейчас -это хорошее исполнение, чудесный звук,но, к сожалению что-то утратилось..(это только моё
мнение). Безмерно уважаю этого замечательного музыканта.
Ой я вам пришлю, оставьте mail
Согласна! Я до сих пор помню то исполнение и не могу его найти! Пришлите и мне пожалуйста! samosievayana@gmail.com
@@andreysergeevpianist3154 alena1969111@tut.by только сейчас дошел ваш коммент!Спасибо.Пришлите пожалуйста.
Запись из зала однако, это минус живая атмосфера зала
Wonderful playing, sensitive and touching.
A slightly different approach but with a strong focus and character, completely in the Italian baroque style and with a shocking end. Bravo maestro!
Mon dieu...Quel toucher délicat et posé, magnifique*+*+*... Merci
心に染み入りました
The artist has freedom of expression.
Beautiful, just beautiful….
Very poetic and beautiful interpretation.
Well said. Though I truly love the music of Mozart and Bach, there is a depth, beauty, and mystery that ultimately makes him my favorite composer of all.
Such a poetic performance!
Maravillosa versión. Enhorabuena
Gracias !
Extraordinario, bellísimo
Beautiful voicing and dynamics...truly artistic performance.
Such clean sound
Absolument extraordinaire. :)
Perfect !
Insanely good
Incredible.
Nobody flies under the radar like Scarlatti can
Sublime.
✨✨✨✨✨✨✨✨✨✨
Chaque sonatine Scarlatti est un traité de philosophie,
qui nous met en état de réfléchir sur nous et l'Univers
✨✨✨✨✨✨✨✨✨✨
una registrazione che è un'opera d'arte.. peccato per i rumori continui di un pubblico proprio non artista
Fantástico.
Magical
Exquisite
beautiful
So beautiful 🌹🌟
Мне данное исполнение Эдуарда понравилось меньше, чем в дуэте его же с Юрием Медяником: th-cam.com/video/Ys2RTIbYf4g/w-d-xo.htmlm26s
Посмею, однако, предложить вашему особо взыскательному и требовательному вниманию свою непрофессиональную (любительскую) эскиз-интерпретацию сего великого произведения Д. Скарлатти: th-cam.com/video/inLsr9WCf-A/w-d-xo.html - для вашего творческого и высоко профессионального осмысления и перевоплощения своими руками, может быть, если вы владеете фортепиано -
или тут с навевающим соответствующее настроение видеорядом и фоновым шумом улицы: th-cam.com/video/C2ddGr2e45Q/w-d-xo.html (тут даже лучше оставляет впечатление, несмотря на наличие ляпов с попаданием в нужные клавиши рукой (это та же ровно запись, но без правок в аудио-редакторе просто))
To fall in love with you is easy!👏👏🙋♀️🇨🇵🌼🌼🌼
💓
Muy interesante, el público estaba ruidoso ese día
He means it.
Easily the best looking pianist aside from the excellent Scarlatti playing.
Excellent performance, but my god was that crowd annoying.
Seems like somebody had to unwrap a bonbon no matter what.
极具意境
Very good interpretation. But the bars 42-45 are different from the Peter edition.
Very Nice, but i dont always agree with the interprétation for some parts of the pièce : not enough contrast when the music is repeated (scores 16 and following, 23 and followings...) some times too much slow, ...and the end ... the Last chord in D at the right hand is toooooooo late ....very too much
To me, I think that there is a tiny bit to much robusto in the performance. A good bit is good, but not a lot, for it is barquet after all
No, the rhythmic nuance is perfect, as is the use of pedal. Any less and it would be square, boring and unexpressive. This is a gorgeous interpretation.
do you mean rubato?
@@Flobert97 robusta
Lovely. But nothing to do with Scarlatti's intentions. When will we understand what baroque composers were saying...? The instrument they wrote for is an important part of the answer. Plus an understanding of how harpsichords speak...
When's the CD coming out?
What is this the noisiest audience doing????Eating their pop corn? Noisy and unappreciative bunch! They should stick to soccer!
What the f is the white-haired lady in the front doing, reading a book?
Sublime.