Hola Eugenio, muchas gracias por motivarme con tus palabras, significa mucho para mi! Me alegra que te haya gustado y que me hayas dejado un comentario de nuevo :)
Thank you very much, Pierro! I'm really happy you liked my interpretation, comments and positive feedback mean a lot to me, especially when it comes from good musicians like you! Un caro saluto dalla Germania, Luuu
Hi Tak, thank you so much for your comment, I really appreciate positive feedback, especially when it comes from awesome musicians as great as you! You too have a wonderful day and lots of fun working on your next video :)
Hi Fida, sorry for the late reply! I've been quite busy lately and didn't find the time to reply earlier. I'm glad you liked my interpretation, thanks a lot for your comment 🎶 😍🎶
Fantastic performance of this Tarrega's piece, even though it's not the most technical piece but you made the guitar sing beautifully and it was a really enjoyable listen 😊
Thanks a lot for watching and commenting, Nic! I am very happy you enjoyed my interpretation and I really appreciate your feedback 😊 I just checked out your channel and watched some of your videos: awesome work! I'll try to watch more videos soon :)
It's foreign for me to read the guitar talk in the description since I just throw the thing around🤣. I found your performance quite lovely and soulful. I have found that "soul" is not something that is necessarily learned through technique! 👍👍
Hey Daniel, nice to hear from you, I always enjoy reading your comments :) You're right, my talk about technique was quite nerdy, when I was writing it I thought it might be a bit too much, but I just couldn't contain it, jeje... 🤣 I had a very nice and interesting dialoge with @PhilMcKelliget in the comment section about all that technical stuff though! However, I'm really happy you liked my interpretation, "lovely and soulful" are big words I appreciate a lot! And I guess you're right, I know some musicans who have a great technique but no soul at all, and others have so much soul without caring much about technique... Lucky those who have both ;)
Qué modestia Luuu: dices que la pieza no es difícil de tocar, pese a las variaciones que incorporaste. Pero yo la sigo viendo como algo para un músico avanzado como tú. 😅 Además, ese final de armónicos que hiciste me encantó. 😀
Encantado de leerte, amigo, muchas gracias por tus palabras 😊 pues en teoría es verdad que no es demasiado difícil de tocar, pero ya me conoces y sabes que me gusta complicarme la vida, jeje... Bueno, supongo que es mejor intentar a tocar bien piezas fáciles, que tocar mal piezas difíciles, no? Un fuerte abrazo y saLuu2 :)
Strangely I’ve never played this piece, Luuu. Maybe I should have a go at the “Tarrega/Luuu version” (as it will come to be known by music critics) for an enhanced experience. Like you, I try to avoid using the third finger for melody lines as the second gives a much fatter sound. Have you had a look at Ana Vidovic’s right hand technique? - she rarely uses her third finger (including tremolo).
Hi Phil, I`m happy to hear I'm not the only one who avoids playing the melody line with the third finger. I had never heard about Ana Vidovic's right hand technique. I thought the professionals can achieve the same fat sound with the ring finger... But how can she play tremolo without using the third?! I'll have to look that up! In case you have a go at Tárregas study, let me know if you prefer the standart fingering for the position change from measure 11 to 12, which would be to finger the D on the second string with the index before changing its position to G on the 6th string. I know, it's a bit dificult to play the D with the middle finger, but if you change the hands angle by bringing your elbow closer to your body, it's absolutely posible, and it allows you to keep the index free for his mission of playing the G. However, to be honest I think when performing it for an audience I might prefer to just skip the two acompaniment notes, hehe... ;)
Yes, you're right, it's easy to find: th-cam.com/video/92FaULFFMag/w-d-xo.html ...but wow, that's really amazing! Many years ago I spent a lot of time practicing all the Tárrega and Barrios tremolo pieces, but I never managed to develop a strong enough tremolo tone to bring out the melody properly. Maybe it was because I played p,i,m,a, but when I play p,a,m,i it's much harder for me to be fast enough... What a surprise to see how loud and fast she can play using p,m ,i,m!
@@Luuu-Music I also notice that she rests the the a finger on the top string when playing tremolo on the second string. Actually, Vidovic does all sorts of things that you’re not meant to do. For example, if the second finger of her left hand is free when she’s doing a barre she uses it to press on her first finger to make it more secure. There’s a video of her as a five year old doing all these things. As they say, if it works don’t fix it.
@PhilMcKelliget --- That's very interesting, I like players who achieve great results by using unconventional or even "forbidden" techniques 😋 And I would love to become a good tremolo player and play Tárrega's Recuerdos de la Alhambra and Barrios' Un sueño en la floresta again, but yesterday I tried the two finger tremolo and I'm afraid I'm not even getting close to the mediocre results I get from p-i-m-a... I guess what ever technique I choose, no pain, no gain 😜 Do you play tremolo? Btw, some time ago I found a channel with plenty of videos analyzing the techniques of great guitarrist. There's one about Ana Vidovic too, but I haven't watched it yet. So far, the most unconventional outlaw technique seems to have Yamandu Costa, haha... th-cam.com/video/vWOPaikWC78/w-d-xo.html&pp=ygUZYW5hbHl6aW5nIHRlY2huaXF1ZSBjb3N0YQ%3D%3D
Hallo Lutz! Ich habe leider keine direkte Kontaktmöglichkeit auf deinem youtube Kanal gefunden. Hier nochmal die Eckdaten meiner ersten Ausstellung "love is too beautiful" bei den Stadtwerken Münster, Hafenplatz: 19.8. bis 27.9. im Lichtgang hinter dem Foyer zu den Öffnungszeiten des Gebäudes (8 bis 16 Uhr Mo - Fr). Die Vernissage findet am 23.8. von 15 bis 17 Uhr statt. Schöne Grüße, Boris
Una preciosidad !!!! Muchas gracias Luuu. Por favor sigue mostrándonos tu arte .....BRAVO !!!!
Hola Eugenio, muchas gracias por motivarme con tus palabras, significa mucho para mi! Me alegra que te haya gustado y que me hayas dejado un comentario de nuevo :)
Esta también es muy hermosa ❤❤
Hermosa eres tu, querida ❤ Este tema lo grabé cuando me estuviste visitando en abril :)
Mil gracias por estar ahí, te adoRooo!
Thanks for sharing this lovely Tarrega song: enchanting classical guitar performance, Luuu!
Congratulations and greetings from Italy
Thank you very much, Pierro! I'm really happy you liked my interpretation, comments and positive feedback mean a lot to me, especially when it comes from good musicians like you! Un caro saluto dalla Germania, Luuu
Amazing performance my friend! very beautiful music and tone!
you have a magic finger haha :D thanks for sharing! Have a wonderful day
Hi Tak, thank you so much for your comment, I really appreciate positive feedback, especially when it comes from awesome musicians as great as you! You too have a wonderful day and lots of fun working on your next video :)
Woww...this is so beautiful, I really really love it 😍🎶🎧❤
Hi Fida, sorry for the late reply! I've been quite busy lately and didn't find the time to reply earlier. I'm glad you liked my interpretation, thanks a lot for your comment 🎶 😍🎶
Fantastic performance of this Tarrega's piece, even though it's not the most technical piece but you made the guitar sing beautifully and it was a really enjoyable listen 😊
Thanks a lot for watching and commenting, Nic! I am very happy you enjoyed my interpretation and I really appreciate your feedback 😊 I just checked out your channel and watched some of your videos: awesome work! I'll try to watch more videos soon :)
sounds great... such high quality 🎸😊👍
Thank you heaps, Joe 🙏 Have a nice day and lots of fun working on your next video :)
It's foreign for me to read the guitar talk in the description since I just throw the thing around🤣. I found your performance quite lovely and soulful. I have found that "soul" is not something that is necessarily learned through technique! 👍👍
Hey Daniel, nice to hear from you, I always enjoy reading your comments :)
You're right, my talk about technique was quite nerdy, when I was writing it I thought it might be a bit too much, but I just couldn't contain it, jeje... 🤣 I had a very nice and interesting dialoge with @PhilMcKelliget in the comment section about all that technical stuff though! However, I'm really happy you liked my interpretation, "lovely and soulful" are big words I appreciate a lot! And I guess you're right, I know some musicans who have a great technique but no soul at all, and others have so much soul without caring much about technique... Lucky those who have both ;)
Qué modestia Luuu: dices que la pieza no es difícil de tocar, pese a las variaciones que incorporaste. Pero yo la sigo viendo como algo para un músico avanzado como tú. 😅 Además, ese final de armónicos que hiciste me encantó. 😀
Encantado de leerte, amigo, muchas gracias por tus palabras 😊 pues en teoría es verdad que no es demasiado difícil de tocar, pero ya me conoces y sabes que me gusta complicarme la vida, jeje... Bueno, supongo que es mejor intentar a tocar bien piezas fáciles, que tocar mal piezas difíciles, no? Un fuerte abrazo y saLuu2 :)
I'm sincerely impressed-kudos to you!
Aww, thank you very much for listening and giving me a positiv feedback, I'm happy you liked it :)
Beautiful guitar solo : )
Hi Vera, thanks a lot for listening and commenting 😊 I look forward to seeing your next video! Have a nice day :)
Ottima performance. Complimenti
Ciao amico mio, grazie mille, sono stato molto contento del tuo commento :)
Strangely I’ve never played this piece, Luuu. Maybe I should have a go at the “Tarrega/Luuu version” (as it will come to be known by music critics) for an enhanced experience. Like you, I try to avoid using the third finger for melody lines as the second gives a much fatter sound. Have you had a look at Ana Vidovic’s right hand technique? - she rarely uses her third finger (including tremolo).
Hi Phil, I`m happy to hear I'm not the only one who avoids playing the melody line with the third finger. I had never heard about Ana Vidovic's right hand technique. I thought the professionals can achieve the same fat sound with the ring finger... But how can she play tremolo without using the third?! I'll have to look that up! In case you have a go at Tárregas study, let me know if you prefer the standart fingering for the position change from measure 11 to 12, which would be to finger the D on the second string with the index before changing its position to G on the 6th string. I know, it's a bit dificult to play the D with the middle finger, but if you change the hands angle by bringing your elbow closer to your body, it's absolutely posible, and it allows you to keep the index free for his mission of playing the G. However, to be honest I think when performing it for an audience I might prefer to just skip the two acompaniment notes, hehe... ;)
@@Luuu-Music I’m sure if you typed vidovic tremolo into TH-cam you’d get loads of responses.
Yes, you're right, it's easy to find: th-cam.com/video/92FaULFFMag/w-d-xo.html ...but wow, that's really amazing! Many years ago I spent a lot of time practicing all the Tárrega and Barrios tremolo pieces, but I never managed to develop a strong enough tremolo tone to bring out the melody properly. Maybe it was because I played p,i,m,a, but when I play p,a,m,i it's much harder for me to be fast enough... What a surprise to see how loud and fast she can play using p,m ,i,m!
@@Luuu-Music I also notice that she rests the the a finger on the top string when playing tremolo on the second string. Actually, Vidovic does all sorts of things that you’re not meant to do. For example, if the second finger of her left hand is free when she’s doing a barre she uses it to press on her first finger to make it more secure. There’s a video of her as a five year old doing all these things. As they say, if it works don’t fix it.
@PhilMcKelliget --- That's very interesting, I like players who achieve great results by using unconventional or even "forbidden" techniques 😋 And I would love to become a good tremolo player and play Tárrega's Recuerdos de la Alhambra and Barrios' Un sueño en la floresta again, but yesterday I tried the two finger tremolo and I'm afraid I'm not even getting close to the mediocre results I get from p-i-m-a... I guess what ever technique I choose, no pain, no gain 😜 Do you play tremolo? Btw, some time ago I found a channel with plenty of videos analyzing the techniques of great guitarrist. There's one about Ana Vidovic too, but I haven't watched it yet. So far, the most unconventional outlaw technique seems to have Yamandu Costa, haha... th-cam.com/video/vWOPaikWC78/w-d-xo.html&pp=ygUZYW5hbHl6aW5nIHRlY2huaXF1ZSBjb3N0YQ%3D%3D
Hallo Lutz! Ich habe leider keine direkte Kontaktmöglichkeit auf deinem youtube Kanal gefunden. Hier nochmal die Eckdaten meiner ersten Ausstellung "love is too beautiful" bei den Stadtwerken Münster, Hafenplatz: 19.8. bis 27.9. im Lichtgang hinter dem Foyer zu den Öffnungszeiten des Gebäudes (8 bis 16 Uhr Mo - Fr). Die Vernissage findet am 23.8. von 15 bis 17 Uhr statt. Schöne Grüße, Boris
Hallo Boris, danke für die Einladung :)
Ich hoffe es lässt sich einrichten, dass ich zur Vernissage komme!
Liebe Grüße, Luu