Jazz Vibes Lesson: "There Is No Greater Love" in EXTREME DETAIL!!!
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- เผยแพร่เมื่อ 8 พ.ค. 2018
- This video probably has too much information.
This lesson can be found in my Killer Jazz Vibes Book!
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"There Is No Greater Love" is one of the first jazz tunes I ever learned, and I still find it challenging. In this video, I did my best to show you what I've learned over the past 20 years of playing it.
I play the melody, then 2 choruses of solo. After that, I transcribed the solo and went through every single note to explain why I played it and how it relates to the harmony of the song.
After I transcribed the solo, I found 8 main concepts that I wanted to explain as a result, and they are:
1) Understanding the harmonic structure
2) Voicings with the melody on top
3) "Melody Jumble"
4) Arpeggio approach to soloing
5) Minor ii-V-i bebop lines
6) Altered Dominant Scale usage
7) Blues Scale Usage
8) The 'Octave' technique
If you enjoy my videos, I'd love it if you subscribe! And please tell me what new videos you would like to see in the comments. Enjoy! - Tim - เพลง
Great lesson Tim, thanks. Lots of stuff to practice 🙂
I remember when I wanted to play vibes in grade school and they explained to me why it is one of the technically hardest instruments
Thank you! very helpful
Great lesson. Thank you!
Such a great video ! Now, off to the practice room. Thanks so much !
Always Great❤️
The McCoy Tyner trio version from inception 🔥
Superb!!
Thanks for this video. Literally the only one I found on the internet! Such a gem. So helpful to hear how you broke down the voicings and what notes you used for the solos. 😊
Just great stuff.
Just found this video, and it was extremely useful for my jazz arranging class. Extremely well explained analysis, thank you very much for this!
Thanks!
Dig it all, Triads, some of them I also use like I love ém so yeah often, but still Handy and helpful + I do love Kenny ron+ Stan Getz also as one of my favourite inspiration, I like also the Ab713b9 = the G7 octatonic> alt of course creating the C7 as a sort of pygardian-resolution although it's still secondary...(Oscars approach)
Very cool but like said “ lots of information”.🤪
The sonny stitt's version is the best of all time
the one from the Paul Chamber's album "Go" !
Your videos can never have too much information! Except another cat appearance! ;) Actually i didn't find another version of the tune that I liked yet, will check trough... And another suggestion, i would love to see a video of that kind of an uptempo number, such as a charlie parker classic or something like that. i play a gig myself on saturday, will try to keep some of your concepts in mind! ;)
haha thanks! Yes but sometimes I ramble on and on... the original cut of this video was like 35 minutes (yikes). BUT I was thinking something about playing uptempo tunes would be a cool idea too. So thanks for suggesting it - I haven't quite decided what the next few videos will be (this is all by the seat of my pants, no real planning to speak of)
I enjoyed this video and practiced afterwards...
But could you help me creating a solo using blues scales but simple I'm New to this
Great Stuff! Is it possible to download the notation?
WHAT IS AABA??
That refers to the structure of the song. There are four 8-bar phrases. The first two are the same, therefore called the "A section. The third is different (the "B-section") and the 4th is the same as the first two ("A-section" again). A A B A.
Hi, how about Maria Cervantes, specially the one that Tito Puente played. Written by Nono Morales.
Ooh man - that's a good suggestion too. Tito was a great vibes player!
Hey Tim I was wondering if you had any tips for improv with 4 mallets. Right now I’m mainly doing big band improv but I thinks it looks so much cooler to do it with four mallets. I’m not really sure what the big band had to do with it but oh well😅
Hehe - I agree it looks a bit cooler with four mallets, but I don't really play that much differently when I'm holding four as opposed to two..I generally still use the two inner mallets like a two mallet player would, and only when I need a little more power or volume do I switch to using the outer right mallet (Burton style I guess).
Tim Collins haha thanks I guess it’s just be something I’ll need to get on a vibe and mess around with it
I’m trying to learn this more my college auditions and I need sheet music. Where can. I go to get that?
It’s in the Real Book- that’s probably the best place.
Tim Collins what is the real book and where can I find it. Also thanks for replying you’re an amazing player
If you google it you’ll find it. I think it’s Hal Leonard publishing.
A version I like is the one by Ahmad Jamal. I also like that you're spending some time at the piano to explain what's going on! I don't have a vibraphone nor do I have room for one atm (maybe planning to build one!) but I love to learn everything about it! Plus your piano comping is great!
As a request, could you do a tutorial on 50s tremolo easy listening vibraphone like is happening on this Jackie Gleason album (one of my favorite vibes album):
th-cam.com/video/K2ngPqXHjM0/w-d-xo.html
Thanks for everything you're doing Tim.
-David