NEW MASTERCLASS: Dvorak Cello Concerto 1st mvt
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- เผยแพร่เมื่อ 21 มี.ค. 2020
- NEW MASTERCLASS: Dvorak Concerto 1st movement
Highly requested and lots of fun to make: Here are my suggestions on the sextuplet section of the Dvorak Cello Concerto. Let me know what else you would like to work on from Dvorak!
Join this new series of Cello Masterclasses for all of us who are grounded because of COVID19 - let me know in the comment section what you want me to talk about in one of the next classes - เพลง
I wish this video existed 15 years ago... These kids today are so lucky :)
Could you make a part 2 on the 1st mvt about how to do the octaves thank you 😊 😍
I'm studying it right now, I really needed that fresh perspective!
And the especially the last page of Dvorak 1st mvt
Saw you had a youtube channel and immediately subbed. You are the undisputed king of Saint-Saens 2 imo
People pay hundreds for this info!! Thank you for your ideas and tips!
Thank you so much Johannes to be with us in these times of trouble and loneliness !!
Awesome tips! Would love to see you doing Piatti masterclasses! 😉 No. 12 for example.
Thank you for these masterclass sessions! I wonder about Lalo, first movement on how to approach or control the bow as it is not symmetrical. Thank you.
Thank you so much for the tips! They are really helpful and they are keeping me motivated everyday for practicing. Would it be possible to see a Materclass about the first movement of Walton concerto?
Many thanks again!
Such interesting background information about this passage! And awesome, super clear tips! Thank you so much!
This was SUPER helpful. Thank you so much!!!
Your TH-cam masterclasses are a dream come true!! ♥️
I love this cello concerto and it's amazing to see and hear it broken down like this! Thank you. (I am an adult beginner, so it will be a long ways before I can even try this music, but it is so inspiring.)
Amazing tips !!! Thank You
Well done.Concise and informative. Now all I have to do is finally learn this concerto...
Amazing mister moser. Thanks a lot! 🎉
Saludos cordiales desde Oaxaca México! Gracias por el video! Gracias por los subtítulos.🤝
excente maestro, gracias !
Thank you so much for these great tips! I'm excited to go practice! I was wondering if you had any tips for the very beginning? I have difficulty getting good articulation at the tip and big resonant chords after that. Thanks so much!
Dvořák Violin concerto is also very nice..Some nice melodies and piano quintet and quartets too.
this was very helpful, thanks
The cello player is like a tree moving in autumn, the music is like a the wind moving the tree...Acutually some complained in comments that the string players of some quartet are moving whole body from right to left when they play...I said it reminds the trees moving and the music is the wind in autumn.
So ein großartiger und großzügiger Maestro! Herzlichen Dank!!
Great class, thank you so much!!! I find difficult the second theme, is it supposed to be like the horn in the introduction o may we approach it in a different way? Makes me wonder if my bows are chosen accordingly or not...
You're such an amazing teacher, I've enjoyed every Masterclass 🤗 I learned a lot. I really love the way you play Dvořák! 🎶 🤗
Thanks👍👏🎶🥰🥰
GRACIAS POR LOS SUBTITULOS EN ESPANOL !!
Beautiful your performance 🎻💕but it looks difficult to use a bow like you 🤔😳🎻
Uhull!
Always the same concertos!
What about Lutoslawski, Johannes?
Johannes, at 3:55 you mention "when we play double stops the intonation is different than when we play individual notes". Why would this be? Maybe because we press the string with our bow heavier than single notes?
No, he is referring to methods of tuning. A piano is tuned to equal temperament, where the distance between every half step is exactly the same. However, this is not actual "true tuning" but it's very close. True tuning of chords would be following their harmonic ratios (ex 1:2 for an octave). You know that sound when a fifth is perfectly in tune and they almost blend together, like a hug? That sound is possible with almost every interval. When tuning double stops, you should use just intonation, where major thirds are smaller, minor thirds are bigger, etc. When playing melodies, we use Pythagorean tuning, a tuning method where half steps are emphasized. For example, you may play the C# of a D major scale higher than normal to emphasize the leading tone, or the F# higher to emphasize the major scale. You can test this by playing D E F#, and then play the F# with the A. Is your F# in tune with the A? Probably not, but it sounds in tune for the SCALE. If you play the F# in tune with the A, it will sound LOW for the scale, because our ears want to hear a HIGH F# for the scale. This is why tuning a chord to a tuner is not really accurate!!! If you're tuning a third D and F#, you can check the D with the tuner, but you should tune the F# with your ears until the beating disappears!
TL;DR: Strings use two tuning methods, Just intonation for chords and double stops and Pythagorean for scales. Read above for more detail about these methods.
Practice the way that your subconscious mind will record.