Thanks! I'm glad you got some value from it. The transcription is notated at sounding pitch for analysis and study -- not for performance. I write articles and research papers on music, and this recording was the subject of one of those.
@@josh95263 Not true at all. I have a PhD in music theory and the standard for professional music theory analysis is to write it at sounding pitch. Just like when someone is writing an analysis of a Charlie Parker solo, it'll be notated in concert pitch, not Eb, and when analyzing a Beethoven symphony, all the instruments will be notated at concert pitch.
@@roberthodson also what would be completely amazing would be if you could combine the parts into something that can be played on a single piano with two hands, making it all 'pianistic' without sacrificing too much of the character of the original recording
Scott Lafaro. Genius bass player . One of a kind.
Yes he was; absolutely incredible. Thanks so much for the comment!
Bill and Oscar were the best.
Facts.
Love the transcription! It helped me a lot throughout my playing!!!
Hey -- thanks for sharing that!
Great transcription - thanks for sharing, it must have taken huge effort to put that together.
Thanks! Yes, it definitely took a lot of work.
Good transcription.
Amazing job on this classic number, thank you!!
Thanks so much!
@@roberthodsonSo enjoyable to listen while looking at the transcription, thanks for pulling back the curtain on the Wizard(s)!
Nicely done, thank you!
Thanks!
Awesome! Bass is a transposing instrument. Write it one octave higher.
Thanks! I'm glad you got some value from it. The transcription is notated at sounding pitch for analysis and study -- not for performance. I write articles and research papers on music, and this recording was the subject of one of those.
That’s still just incorrect notation. Nobody writes in concert pitch, even for analysis.
@@roberthodson you have an amazing ear.
@@josh95263 Not true at all. I have a PhD in music theory and the standard for professional music theory analysis is to write it at sounding pitch. Just like when someone is writing an analysis of a Charlie Parker solo, it'll be notated in concert pitch, not Eb, and when analyzing a Beethoven symphony, all the instruments will be notated at concert pitch.
@@chrisharrison809 Thanks, Chris! Gained through years of hard work!
Nice man, you should write the bass an octave down for the whole thing though, bass sounds an octave down from what it reads
That's a good idea! Thanks so much.
@@roberthodson also what would be completely amazing would be if you could combine the parts into something that can be played on a single piano with two hands, making it all 'pianistic' without sacrificing too much of the character of the original recording