my laptop is practically begging me to stop doing this right now, but this is a really fun tutorial to watch and play along with!! thank you so much :D
2 things to concider: 1) work in an 8 bpc project (bottom project panel) 2) don't use the effect 'Fill' on the solid, just use a white solid (fill is a 32 bpc effect and shatter a 8 bpc) that's the way it worked for me.
Oh wow. I've always done the slow motion shatter effect by making a shatter and time remapping a pre-comp of it to be slower. Didn't realize it had a built in setting for that with viscosity. Thanks!
The remaining edge looks a little to clean and «digital». Perhaps one could apply the roughen edges effects to the solid layer? Or would you guys recommend another way to get the break off edge more organic?
hello. Currently, only white Fill is applied to the mask layer, but if you add a Turbulent Displace effect to it and change the options (eg Amount:10, Size:23, Complexity:10), you can express rough edges.
@@DRS659 haha! That sounds about right. And seems reasonable as a suggestion in a perfect world where we had more time to learn a new program from the buttom up. For now the amount of client work keeps us locked into what we know well, which is Adobe.
@@marikenogmartinmedia ok cool, I worked in FX for years using adobe, nova, blender, houdini etc. if your clients are satisfied then do you, but I taught myself how to use everything from youtube tutorials and worked on things from BMW adds to james cameron productions. With AE you are going to want to migrate to apps that produce better results to stay relevant in this industry before high school kids can download a free app and produce identical results with 2 clicks in 3 seconds and you are forced to compete in an over saturated market for peanuts......just something to keep in mind
you don't know how much your classes are valued by us thank you very much from an amazing heart thank you for the work in recording this top video class and teaching us greetings from Brazil and all the best to you
안녕하세요~! 답변이 늦었네요 ㅠ 다른 타이밍으로 부셔지게 하려면 가장 간단한 방법은 각각의 레이어를 만들어서 작업을 해야 합니다. 예를들어 3개의 위치에 다른 시차로 부셔 지게 하려면 3개의 레이어를 복사하고 각 레이어에 마스크를 설정하고 셔터 애니메이션을 다른 타이밍에 줘야 합니다.
How do I make it so different "Masks" break at different times rather than at the same time? Like in 6:36 without the User Interface stuff. Like is there some keyframe I can use to do this? Anyways great tutorial though!
Project file : drive.google.com/file/d/1x47SgVUsOAjvr4QoI3BxKRqeDryeiLjP/view?usp=sharing
Plus+ Project : th-cam.com/channels/neOmV-ve3Tm9Fn52e9bRnQ.htmljoin
this channel is definitely a hidden gem
wow thank you! 👍
my laptop is practically begging me to stop doing this right now, but this is a really fun tutorial to watch and play along with!! thank you so much :D
I never undestood this effects, And now I want to destruct everything ! Thanks a lot :)
2 things to concider: 1) work in an 8 bpc project (bottom project panel) 2) don't use the effect 'Fill' on the solid, just use a white solid (fill is a 32 bpc effect and shatter a 8 bpc) that's the way it worked for me.
Thank you for providing good information. 👍
Best AE tutorial I've ever come across
Gotta say one of the best tutorials I've seen so far
진짜 매회 에펙 기술 새로 나오기만을 기다립니다 너무 재밋네요!
Oh wow. I've always done the slow motion shatter effect by making a shatter and time remapping a pre-comp of it to be slower. Didn't realize it had a built in setting for that with viscosity. Thanks!
Fantastic!
Thanks!
Thank you so much! for supporting the channel. We look forward to providing you with more great information in the future. Thank you! 😊👍
Legendary content chief, keep it up 👍
That is so so so lovely! Thank you so much! What a tutorial!! ❤❤
You all time best teacher ❤😊
The remaining edge looks a little to clean and «digital». Perhaps one could apply the roughen edges effects to the solid layer? Or would you guys recommend another way to get the break off edge more organic?
hello. Currently, only white Fill is applied to the mask layer, but if you add a Turbulent Displace effect to it and change the options (eg Amount:10, Size:23, Complexity:10), you can express rough edges.
@@TutoView Thank you! That is a great way to do it. Great channel!
@@DRS659 haha! That sounds about right. And seems reasonable as a suggestion in a perfect world where we had more time to learn a new program from the buttom up. For now the amount of client work keeps us locked into what we know well, which is Adobe.
@@marikenogmartinmedia ok cool, I worked in FX for years using adobe, nova, blender, houdini etc.
if your clients are satisfied then do you, but I taught myself how to use everything from youtube tutorials and worked on things from BMW adds to james cameron productions. With AE you are going to want to migrate to apps that produce better results to stay relevant in this industry before high school kids can download a free app and produce identical results with 2 clicks in 3 seconds and you are forced to compete in an over saturated market for peanuts......just something to keep in mind
@@DRS659 so you don't using AE?
I've been looking for this!
Ty!!!!!
so useful!
thank you 👍😘
its amazing really superb shatter broken easy tutorial, wooooooooooooooow big video for me, biggest like , fully played and stay blessed Sir.
I didn't know I needed this. But now I want to try it.😅
Adding the small fragments did so much!
Great tutorial, thanks for sharing!
I love your tutorial. It's very helpful
Best tutorial ever!
you don't know how much your classes are valued by us thank you very much from an amazing heart thank you for the work in recording this top video class and teaching us greetings from Brazil and all the best to you
I'm glad you found it helpful. thank you! 😊
Nice tutorial as always!
You have the coolest AE Tutorials!!
설명 아주 쉽게 해주심이 감솨!!! 구독좋아용!!!
감사합니다^^!
Great and spectacular tutorial to create. Thanks you. Carlos from Argentina
welcome~! 😘🖐
yoo that's actually smart way to use shatter effect!
Thx 4 the tutorial it was rly helpful.
bhai cooking ke leye bhi ese hi vedio banao
Your channel is real gem
cool ! great tut !!
Super bro.. thank u for teaching us
항상 감사합니다
thank you for your work! So creative!
Wow-wow-wow! This is AMAZING! Thank you very much for this tutorial. It's very helpful.
wow! I'm glad it helped 👍😘
Thank You I Really Need This
와 매번 볼때마다 새로운 것들을 알려주셔서 얼마나 감사한지 모릅니다ㅎㅎ 오늘도 잘 배우고갑니다!
도움이 되셨다니 다행입니다 ^^ 항상 시청해 주셔서 감사합니다
🎉❤❤❤super cool ！ 감사합니다！！！
This is beyond awesome 🤩🤩
Thanks man really appreciate it have a great day
Amazing work!!!
Hi! Really a beautiful tutorial...easy and fun to learn. Thanks for sharing!🎉
옵션들이 뭔지 잘 몰라서 대강 쓰고 있던 플러그인인데 이렇게 디테일하게 보니 상당히 멋지네요!!
항상 좋은 팁과 강좌 감사합니다!!
도움이 되셨다니 다행입니다^^ 항상 시청해 주셔서 감사합니다~!
Very fantastic bro.., Love it 👍
THANKS FRENDSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS
I subscribed right away because of this one! Thank you so much! I wanna see a tutorial how you make korean variety show title cards
Thanks for subscribing. In the future, we will provide various tutorials that will help you with real work.😘
não vejo a hora de fazer testes com esse efeito
foda demaizee, esse efeito é nativo ou plug in, sabe dizer?
@@ChristianWalter07 jah vem no after, é nativo... mas pelo menos na minha versão a de 2022
Step aside Houdini hahaha awesome tut
So cool!! Thanks!!
Thank you very much
Pretty cool, but is there a method to add noise to the edges of the fragmented piece so it's not so sharp?
'Fast Blur' the mask layer to soften the rough edges a bit.
Thanks! This is so great
Many thanks for your tutorials dude.
Nice work keep it up 👍
awesome tutorial, thanks!!
very extraordinary tutorial, very clear to learn, thank you sir
I can only say Thanks brilliant!
좋은 영상 항상 감사드립니다. ^^
시청해 주셔서 감사합니다^^
You are the best
Love your tutorials. Thank you!!
Thanks Thanks for the lesson=)
thanks for your sharing
THIS IS EXACTLY WHAT I NEEED I AM SO HAPPY!!!
Great tutorial is it also on ae 2019 version
thats insane💥💥💥💥💥
Hola. muy muy bueno!! lástima que no tienen traducción tus tutoriales. Saludos de Argentina. Carlos
amazing good job
Super! Thank's
Good job, thanks for sharing
Super useful 👌
thank you
You are awesome . Thank you.
바로 구독했습니다... 진짜 감사합니다..감사합니다...감사합니다.....
감사합니다^^ 앞으로 좋은 정보 많이 공유해 드리겠습니다^^
wow! thank you
오 이거 기본기능으로 가능한 효과였나요? 신기하네요 ㄷㄷ
시청해 주셔서 감사합니다^^ 앞으로 좋은정보 많이 공유해 드리겠습니다~!^^
FANTASTIC!
It’s so good. Thanks
많이배우고갑니다.그리고 추천이라도 남깁니다
도움이 되셨다니 다행입니다 ~^^ 감사합니다
Awsome 👌👌👌
AWESOME! Thank you
Parabéns pelo trabalho! Obrigado!
beautiful
thank you bro
AWESOME!!!!!! THANX MATE!!!!
can someone please explain me what did he do at 3:55
I just gave a key frame to the Radius to spread the fragments.
안녕하세요 유용한 영상 감사합니다!
혹시 크래커가 다른 타이밍으로 부셔지는 효과를 나타내려면 어떻게 해야 할까요?
안녕하세요~! 답변이 늦었네요 ㅠ 다른 타이밍으로 부셔지게 하려면 가장 간단한 방법은 각각의 레이어를 만들어서 작업을 해야 합니다. 예를들어 3개의 위치에 다른 시차로 부셔 지게 하려면 3개의 레이어를 복사하고 각 레이어에 마스크를 설정하고 셔터 애니메이션을 다른 타이밍에 줘야 합니다.
잘먹겠습니다~~
Do you have full course for motion graphics??
there is no full course tutorial. If I do it later, I'll let you know on the channel.
He jus put us all on
Brilliant, thanks
bro actually worked holy shit
finally thank you :)💗
So cool❤❤
Worked 120%
awesome u r the best
Cool, now how do you do that in Davinci?
Would you make A template in 3 - 5 effect Tutorial 🙏
How do I make it so different "Masks" break at different times rather than at the same time? Like in 6:36 without the User Interface stuff.
Like is there some keyframe I can use to do this?
Anyways great tutorial though!
I kept researching this method, but in the end I had no choice but to create two layers and merge them. (The demo was made that way too)