Benjamin Bernheim ist eine Ausnahmeerscheinung. Letzten Dienstag durfte ich ihn im Werther am Operhaus Zürich erleben. Dieser Tenor bringt für diese Rolle alles mit, was zu einer wunderbaren Interpretation nötig ist. Legato, Piani, Spitzentöne, alles ist mit einer unglaublichen Leichtigkeit einfach da. B. Bernheim ist ein grossartiger Sänger!
enfin, je comprends tout ce qu'il chante ! ensuite, c'est très musical, il suit magnifiquement l'orchestre, et ne cherche pas à déborder de l'orchestre, qui doit prendre un plaisir non dissimulé, à mon avis. l'émotion est intacte, l'œuvre est respectée, l'intonation est excellente, c'est du pur plaisir de l'écouter.
…the type of tenor voices demanded, developed and rewarded in our time. The Golden Era created and rewarded big voices. The icons of those times are well known. I wouldn’t even dare to compare them. It is useless. Todays audiences request slim, slender lyrical voices, not the big house filling voices I have been used to. If a MDM type appeared, people would probably be embarrassed. Mr. Bernheim is a wonderful tenor. I wish him a smart role management to preserve and develop his potential. Characters on stage suiting his voice, not (only) his wallet or Marketing aspects. The greatest ones of the past did everything in the best interest of their voices. A Jussi Björling never sang anything not suitable for his unique voice. So he remained an angel singing for the world. All the best Mr. Bernheim!
Jussi Bjorling had absolutely the best technique ever. But, he did sing a wide variety of roles, including heavier Italian repertoire than one would expect for the slimmer nature of his voice (relative to MDM, Corelli, or Giacomini etc). Who knows what would have happened had he continued in that rep? He never really had a chance to ruin his voice as he died an early death of alcoholism in his 40s.
Ça fait six mois que j’essaye de chanter cette chanson à la perfection c’est très très difficile en tant que ténor mais j’arrive c’est trop bien. Je vais chanter dans une église à la Chapelle la reine au mois de décembre je suis fier de la présenter. Merci à toi Benjamin, c’est grâce à toique j’ai découvert cette chanson
These recordings are crazy thing for opera singers, because until I had opportunity to hear mister Bernheim in from hall recording, I was thinking he has beautiful sweet voice, but with no size and weight. But, of course, he has big voice, real lyric tenor with great timbre. If you want to know how somebody sings - go to opera house
❤❤❤👏👏👏Bravo!!!!!! Just saw him at the MET on 3/27 in Romeo et Juilette. He already took Europe by storm and won 2020 Europe Opera Award for Best Male Singer. His debut at the MET was delayed by two years due to COVID. He has a beautiful voice and his high notes are solid and thrilling. He also sings with a lot of sensivity. I am so glad he finally trusted his own voice and didn’t quit singing after struggling for a number of years. I already watched all three of his full operas posted on TH-cam and bought his two CDs. Can’t wait to see and hear more of his performances.
Только что посмотрела этого изумительного тенора в опере мет Ромео и Джульетта Совершенно счастлива что открыла для себя этот редкий бриллиант, какое элегантное, чистое исполнение, испытываю возвышение души
Et bien entendu on pourrait en citer des dizaines . en passant par Ernest Blanc, Michel dens ,Alain vanzo, .plus récents, alagna,, castronovo ., Julien behr ,j flores je ne peux pas tous les citer tous on chantes cet air magnifiquement ,
me parece que esto es lo mas importante para los joven cantantes: cuidar a su voz y respetar su repertorio. Vamos a ver que pasa en algunos años. Adoro a Alfredo Kraus todavía ;-).
Wonderful! It's so rare to find a singer nowadays who has both a beautiful voice and understands French style. Of course, Kaufmann and Beczala and others are great in this role, but they approach it from a different stylistic perspective.
Le acabo de conocer por aquí, tremendo talento, esa canción le cae como anillo al dedo, tiene matices que traen recuerdos de otros tenores de gran escala, clásico y con romanza más la I que vuela por el techo, tremendísimo .
This always makes me so unbelievable emotional😅 Much lobve to you, Benjamin, and the orchestra from London. It was an honor to listen to you, thank you!
Pourquoi me réveiller, ô souffle du printemps ? pourquoi me réveiller ? Sur mon front je sens tes caresses, Et pourtant bien proche est le temps Des orages et des tristesses ! Pourquoi me réveiller, ô souffle du printemps ? Demain dans le vallon viendra le voyageur Se souvenant de ma gloire première... Et ses yeux vainement chercheront ma splendeur, Ils ne trouveront plus que deuil et que misère ! Hélas ! Pourquoi me réveiller ô souffle du printemps !
Unquestionably, young Mr. Bernheim has a remarkable lyric-tenor voice. This was taped during a rehearsal, so we assume but can't be sure that he had done vocalises to warm the voice. To my ears, his voice sounds "dry" and in the forte passages he sounds as if he's forcing. As a comparison I'd suggest hearing an earlier French tenor, Georges Thill, who was filmed rehearsing with a pianist: th-cam.com/video/ThUmVgD6GhA/w-d-xo.html
Lorsque l'on chante en Français, il convient d'éviter de ne pas prononcer les nasales car elles sont dénuées d'harmoniques. Ce défaut donne différentes couleurs dans la voix alors que le chanteur doit au contraire n'en avoir qu'une, homogène, composée de voyelles ouvertes très riches en harmoniques. Solution : prononcer à la place des nasales des voyelles ouvertes comme "O" et "A".
Voix forcée, mauvaise attaque de certains passages, variations désagréables dans la voix ... et il a l'air soulagé d'avoir fini ce qui prouve qu'il n'est pas à l'aise... je suis loin de l'enthousiasme des autres commentaires.
Beaucoup de problème technique vibrato trop lent voix en arrière dans les aiguës manque de resonateur voix trop lourde énorme pression sur le codes vocal enfin encore beaucoup de boulot dommage
@@sungpo-yu4662 I care and many people who actually know what real opera is. He can't deliver in an Opera house because that would require him to be a real opera singer. An no, Florez is not brilliant 🤦♂️
Sa voix est forcée il ne dégage pas d émotion, pas terrible. Allez écouter Aurélien à Orléans, c est d une qualité bien au dessus.. Ne lie pas vos commentaires
This always makes me so unbelievable emotional😅 Much lobve to you, Benjamin, and the orchestra from London. It was an honor to listen to you, thank you!
![VERDI : Rigoletto - "Ella mi fu rapita... Parmi leder le lagrime" by Benjamin Bernheim - Live [HD]](http://i.ytimg.com/vi/4gm4Dc9i0EY/mqdefault.jpg)
Have you ever had the chance to see Benjamin Bernheim perform on stage?
Not yet
No, unfortunately
No. 😢
YES in Faust!!!
Yes I have. Yestesday in Barcelona. His Rigoletto was an absolutely disaster and he had several problems with his voice
Benjamin Bernheim ist eine Ausnahmeerscheinung. Letzten Dienstag durfte ich ihn im Werther am Operhaus Zürich erleben. Dieser Tenor bringt für diese Rolle alles mit, was zu einer wunderbaren Interpretation nötig ist. Legato, Piani, Spitzentöne, alles ist mit einer unglaublichen Leichtigkeit einfach da. B. Bernheim ist ein grossartiger Sänger!
enfin, je comprends tout ce qu'il chante ! ensuite, c'est très musical, il suit magnifiquement l'orchestre, et ne cherche pas à déborder de l'orchestre, qui doit prendre un plaisir non dissimulé, à mon avis. l'émotion est intacte, l'œuvre est respectée, l'intonation est excellente, c'est du pur plaisir de l'écouter.
Bravissimo! Memories of Gedda!
…the type of tenor voices demanded, developed and rewarded in our time. The Golden Era created and rewarded big voices. The icons of those times are well known. I wouldn’t even dare to compare them. It is useless.
Todays audiences request slim, slender lyrical voices, not the big house filling voices I have been used to. If a MDM type appeared, people would probably be embarrassed. Mr. Bernheim is a wonderful tenor. I wish him a smart role management to preserve and develop his potential. Characters on stage suiting his voice, not (only) his wallet or Marketing aspects. The greatest ones of the past did everything in the best interest of their
voices. A Jussi Björling never sang anything not suitable for his unique voice. So he remained an angel singing for the world.
All the best Mr. Bernheim!
i saw sir Bernheim and his voice perfectely fill the room
Jussi Bjorling had absolutely the best technique ever. But, he did sing a wide variety of roles, including heavier Italian repertoire than one would expect for the slimmer nature of his voice (relative to MDM, Corelli, or Giacomini etc). Who knows what would have happened had he continued in that rep? He never really had a chance to ruin his voice as he died an early death of alcoholism in his 40s.
Je viens de le voir dans Werther à bordeaux! Quelle voix incroyable et très puissante! Magnifique interpretation
Quelle pureté ! C’est juste parfait, bravo !
Marvelous performance!!!
I love Benjamin Bernheim.
Oui oui oui magnifique ténor bravo
Ça fait six mois que j’essaye de chanter cette chanson à la perfection c’est très très difficile en tant que ténor mais j’arrive c’est trop bien. Je vais chanter dans une église à la Chapelle la reine au mois de décembre je suis fier de la présenter. Merci à toi Benjamin, c’est grâce à toique j’ai découvert cette chanson
Bravissimo! Wonderful artist 👏👏❤️❤️❤️❤️🔥
Thank you Deutsch Gramophone. It's a wonderful rendition. Tears and smiles. He's magnificent.
It's Absolutly. GENIUS!! - YES. Its Love...... To Voice. - this Artist!! - Please. Don't stop.. Please keep singing...
These recordings are crazy thing for opera singers, because until I had opportunity to hear mister Bernheim in from hall recording, I was thinking he has beautiful sweet voice, but with no size and weight. But, of course, he has big voice, real lyric tenor with great timbre. If you want to know how somebody sings - go to opera house
Quelle puissance !et que d'émotion !
❤❤❤👏👏👏Bravo!!!!!! Just saw him at the MET on 3/27 in Romeo et Juilette. He already took Europe by storm and won 2020 Europe Opera Award for Best Male Singer. His debut at the MET was delayed by two years due to COVID. He has a beautiful voice and his high notes are solid and thrilling. He also sings with a lot of sensivity. I am so glad he finally trusted his own voice and didn’t quit singing after struggling for a number of years. I already watched all three of his full operas posted on TH-cam and bought his two CDs. Can’t wait to see and hear more of his performances.
Bravossimo !!!
a delightful performance ♥️
extraordinario tenor lírico. Timbre, matices, sonidos, exquisitez....El arte del canto en una gran expresión.
Только что посмотрела этого изумительного тенора в опере мет Ромео и Джульетта Совершенно счастлива что открыла для себя этот редкий бриллиант, какое элегантное, чистое исполнение, испытываю возвышение души
я точно также чувствую увидавшая его в Ромео и Джульетта!!! 🤩
Gorgeous voice!
LE LYRISME DE GEDDA, LA FORCE DE KRAUS , UN FUTUR TRES GRAND , BRAVO MAESTRO
M. Gedda et M. Kraus ne vivent plus. Ils ont été grands interprètes du Werher
Et bien entendu on pourrait en citer des dizaines . en passant par Ernest Blanc, Michel dens ,Alain vanzo, .plus récents, alagna,, castronovo ., Julien behr ,j flores je ne peux pas tous les citer tous on chantes cet air magnifiquement ,
@@josemartin9974 Vous oubliez Georges Thill, un magnifique Werther
What a beautiful voice! Xxx ,Mireille
OMG, amazing!!! ❤️😍👏🏾👏🏾👏🏾👏🏾👏🏾
The best tenor in french opera today Such a fluid voiceForget Kauffmann he spits salive and pushes his voice!!!!
Bravo, Benjamin !!
No lo conocía, me agrado mucho, muy linda voz ,promete, ojalá tengo suerte y sepa cuidar su voz 👏👏👏👍👍👍
me parece que esto es lo mas importante para los joven cantantes: cuidar a su voz y respetar su repertorio. Vamos a ver que pasa en algunos años. Adoro a Alfredo Kraus todavía ;-).
Thank you!!!! He knows HOW to sing.
FANTASTICO EL WERTHER. MASSENET...BENJAMIO...❤❤❤😊😊😊😊😊.CARLOS.
Bravoooo
Great young tenor. 👏🏼👏🏼
I'm in love
Прекрасное исполнение !
Bravo 👏 👏 👏
Wonderful! It's so rare to find a singer nowadays who has both a beautiful voice and understands French style. Of course, Kaufmann and Beczala and others are great in this role, but they approach it from a different stylistic perspective.
Great performance. A great opera, if you get a chance, see it.
Good God! I had given up on singing since the 90s. He knows HOW to sing. What a scale!!! I could listen to him all day long. Not since Bjorling!
Que belleza y elegancia!!!
Bravissimo!!
Super chanteur. Le future Roberto
Am 19. August 2023 Bei den Salzburger Festspielen als Liedsänger TRAUMHAFT !!!!!
Le acabo de conocer por aquí, tremendo talento, esa canción le cae como anillo al dedo, tiene matices que traen recuerdos de otros tenores de gran escala, clásico y con romanza más la I que vuela por el techo, tremendísimo .
Ah, positioning of the cover to his top. I am so glad to hear that a young man has good training. Bestto him.
Fantastic!!❤
Thank you! 😄
О,это прекрасный голос и великолепный Вертер!
Браво👏👏👏
Wonderful ♥
Gorgeous.
Bravo !!
This always makes me so unbelievable emotional😅
Much lobve to you, Benjamin, and the orchestra from London. It was an honor to listen to you, thank you!
Bravo!!!!
Bravo!
Pourquoi me réveiller,
ô souffle du printemps ?
pourquoi me réveiller ?
Sur mon front je sens tes caresses,
Et pourtant bien proche est le temps
Des orages et des tristesses !
Pourquoi me réveiller,
ô souffle du printemps ?
Demain dans le vallon viendra le voyageur
Se souvenant de ma gloire première...
Et ses yeux vainement chercheront
ma splendeur,
Ils ne trouveront plus
que deuil et que misère !
Hélas !
Pourquoi me réveiller
ô souffle du printemps !
Artista raffinatissimo.Espressivo,intenso e mai fuori le righe
Canta maravilhosamente bem !!! 🏆👍
I heard Gedda sing this aria and well done to Mr Bernheim I am looking forward to hearing you at La Scala in this role.
Superbe!
juste merci
Bravo~!!
Che sensibilità !!!!!
Bravo
VOZ MAZNIFICA..MUCHO GUSTOO.❤❤😊😊😊😊
❤❤🎉🎉here we go🎉
Avec Soghomonyan ( baryton/tenor ) et Bernheim nous sommes assurés pour les années à venir🙏🙏🙏
美しい！しかもなんて綺麗なsotto voce…
声は輝かしいけど音程もとても良いからオーケストラの奏でる旋律と一緒に歌っている感じが音楽的にもとってもいいよね…素敵だなぁ…
Non c'est un ténor, pas une basse
Contrast this beauty with current events in the US. Just what I needed this morning, AMEN to TH-cam algorithms
He was brilliant in La Scala this year .
Magnífico!!!!
He has a German name but he is France. However, he still has such a beautiful voice with amazing technic 🎉❤
Thank you!
Bravissimo, interpretazione ineccepibile!
Good! Still Corelli's morendo at the end is hardly ever now possible...
cool
Unquestionably, young Mr. Bernheim has a remarkable lyric-tenor voice. This was taped during a rehearsal, so we assume but can't be sure that he had done vocalises to warm the voice. To my ears, his voice sounds "dry" and in the forte passages he sounds as if he's forcing. As a comparison I'd suggest hearing an earlier French tenor, Georges Thill, who was filmed rehearsing with a pianist:
th-cam.com/video/ThUmVgD6GhA/w-d-xo.html
Over his shoulder for much of this, that brass instrument appears to be a cimbasso which produces those lowest tones.
Гранде тенор👏👏👏
Spellbinding!!
2:18 Clearly he got the timing wrong - it happens.
2:25 his high note almost broke
Luis pouvais tout chanter il était ce quil chanter n'en déplaise
Lorsque l'on chante en Français, il convient d'éviter de ne pas prononcer les nasales car elles sont dénuées d'harmoniques. Ce défaut donne différentes couleurs dans la voix alors que le chanteur doit au contraire n'en avoir qu'une, homogène, composée de voyelles ouvertes très riches en harmoniques.
Solution : prononcer à la place des nasales des voyelles ouvertes comme "O" et "A".
잘한다.
그러나 김상곤 버전보다는 한 수 아래다
😂😂😂
He should take lessons from Roberto Alagna!
Voix forcée, mauvaise attaque de certains passages, variations désagréables dans la voix ... et il a l'air soulagé d'avoir fini ce qui prouve qu'il n'est pas à l'aise... je suis loin de l'enthousiasme des autres commentaires.
Beaucoup de problème technique vibrato trop lent voix en arrière dans les aiguës manque de resonateur voix trop lourde énorme pression sur le codes vocal enfin encore beaucoup de boulot dommage
This is just glorified musical theater singing. Where are the opera singers?
You are 100% correct
Sébastien c‘est toi? 🤣
@@aggl423 Oui!
As long as he can deliver in opera house who cares ... You can say the same to J. D. Florez, but he is brilliant.
@@sungpo-yu4662 I care and many people who actually know what real opera is. He can't deliver in an Opera house because that would require him to be a real opera singer. An no, Florez is not brilliant 🤦♂️
Sa voix est forcée il ne dégage pas d émotion, pas terrible. Allez écouter Aurélien à Orléans, c est d une qualité bien au dessus..
Ne lie pas vos commentaires
Bella voce,bel timbro, fraseggio accettabile,ottime mezze voci e falsetto, peccato per i due acuti indietro il secondo lo stava pure steccando.
This always makes me so unbelievable emotional😅
Much lobve to you, Benjamin, and the orchestra from London. It was an honor to listen to you, thank you!
Bravooooo
Bravo
Bravo !
Bravo!
Bravo
Bravo!
Bravo