Gnarly synth, selling fast and creating a buzz. I overheard people talking about it in a music shop the other day. Neither of them could find it, I smirked and nodded. Control in Brooklyn might still have some, that's where I ordered mine.
Awesome synth, guys. But i can't to find a store to buy it in whole Europe ((( I live in Russia, so i just drink vodka with my bear and play on balalayka, instead of your great synth :)
Those agressive FM tones at the end sound rad. Pretty much the sound I'm looking for. When I try some FM stuff on a Neutron the sound changes when I change the pitch, the FM doesn't track with the pitch if that's the correct terminology. If I make the patch from 3:15 and I play a different note, will it still sound the same? Kind of new to FM, not sure how that whole tracking thing works.
For that patch you would need to also change the frequency of the Slope generator to match via the Time CV input. Best results would be had by an unquantized sequencer output like from 0-Ctrl, where you could tune each step by ear.
@@MAKEN0ISEMUSIC so that means, the 0-coast fm-sounds are not possible to play totally from a MIDI keyboard. That’s also what I found by myself. That’s why, my question is, with a DPO and your other modules - is it possible to create tonally playable FM-Sounds, without repitch each step from a sequencer by ear?
@@BurkhardusX For a typical FM patch you will need to maintain the ratio between carrier and modulator as the carrier changes pitch, which means sequencing both. This is easy with any dual VCO (or set of two VCOs) because you can just mult your sequence/keyboard CV to both pitch inputs once you've dialed in the ratio. With the DPO you can also use the Lock param to set a soft sync that will keep them phase locked even if there is a slight tuning discrepancy across the sequencing range. The reason it is more difficult on the 0-Coast is that there is only one VCO; the Slope circuit does not typically track incoming CV at the v/oct curve, so using it for tuned FM is a little more complicated.
@@MAKEN0ISEMUSIC Final question: I read the DPO is no TZFM OSC, now I doubt if it is stable enough for playing melodic intervals on my keyboard even at higher FM index? Is the stability of the both, modulator and carrier, good enough? Especially, is the pitch tracking stable enough, to play FM sounds chromatically correct on my keyboard? When using a sequencer you could re-pitch every step, even if this is time consuming, but when playing the keyboard live, I need a very stable FM oscillator. Is the DPO capable of that, compared to other complex oscillators featuring TZFM?
I really love my 0-coast, and your video was really helpfull, thanks for that. ok i have a question if i configure MIDI A to receive channel 1 and MIDI B to receive channel 2. and after, i have one midi sequence send do midi A (ch1) Oscillator play the sequence (great) and after i launch a second midi sequence to midi B (ch2) and i patch midi b cv out to slope time input and midi B gate out to gate input and send EOC to Balance (with slope cycle on, like a second vco) can i listen the two different sequence with the balance mix ? I would probably have a gate problem no ? i use a keystep (like on your demo) and i very easy to change midi channel on the fly, and my dream is to play a loop sequence on midi A (ch1) and switch to midi B (ch2) and play (with the kbd play option on the keystep) on my first sequence by controlling the slop like a second oscillator... that's make sense for you ? sorry for my english i'm a french froggie.
yes i try it's work but i need to use a stackable patch to share the gate.. and of course it's note perfect because the main OSC and the SLOPE can note really make different sequence because they share the same gate... huum .. no other input that could be used as a gate ?
would love to see a video on the 0- coast as an efx processor
Gnarly synth, selling fast and creating a buzz. I overheard people talking about it in a music shop the other day. Neither of them could find it, I smirked and nodded. Control in Brooklyn might still have some, that's where I ordered mine.
no way :( saving now and hoping it doesn't go away forever.
Awesome synth, guys. But i can't to find a store to buy it in whole Europe ((( I live in Russia, so i just drink vodka with my bear and play on balalayka, instead of your great synth :)
call on synthman.ru/tag/make-noise/ and see if they could import one for you.
I got 0-Coast!!!
+deathofgrungeboy cheers!
Best comment on youtube
Орнул с коммента :-)))
Those agressive FM tones at the end sound rad. Pretty much the sound I'm looking for. When I try some FM stuff on a Neutron the sound changes when I change the pitch, the FM doesn't track with the pitch if that's the correct terminology. If I make the patch from 3:15 and I play a different note, will it still sound the same?
Kind of new to FM, not sure how that whole tracking thing works.
For that patch you would need to also change the frequency of the Slope generator to match via the Time CV input. Best results would be had by an unquantized sequencer output like from 0-Ctrl, where you could tune each step by ear.
@@MAKEN0ISEMUSIC Ah cool, thanks for the quick reply!
@@MAKEN0ISEMUSIC so that means, the 0-coast fm-sounds are not possible to play totally from a MIDI keyboard. That’s also what I found by myself. That’s why, my question is, with a DPO and your other modules - is it possible to create tonally playable FM-Sounds, without repitch each step from a sequencer by ear?
@@BurkhardusX For a typical FM patch you will need to maintain the ratio between carrier and modulator as the carrier changes pitch, which means sequencing both. This is easy with any dual VCO (or set of two VCOs) because you can just mult your sequence/keyboard CV to both pitch inputs once you've dialed in the ratio. With the DPO you can also use the Lock param to set a soft sync that will keep them phase locked even if there is a slight tuning discrepancy across the sequencing range. The reason it is more difficult on the 0-Coast is that there is only one VCO; the Slope circuit does not typically track incoming CV at the v/oct curve, so using it for tuned FM is a little more complicated.
@@MAKEN0ISEMUSIC Final question: I read the DPO is no TZFM OSC, now I doubt if it is stable enough for playing melodic intervals on my keyboard even at higher FM index? Is the stability of the both, modulator and carrier, good enough? Especially, is the pitch tracking stable enough, to play FM sounds chromatically correct on my keyboard? When using a sequencer you could re-pitch every step, even if this is time consuming, but when playing the keyboard live, I need a very stable FM oscillator. Is the DPO capable of that, compared to other complex oscillators featuring TZFM?
I really love my 0-coast, and your video was really helpfull, thanks for that.
ok i have a question if i configure MIDI A to receive channel 1 and MIDI B to receive channel 2.
and after, i have one midi sequence send do midi A (ch1) Oscillator play the sequence (great) and after i launch a second midi sequence to midi B (ch2) and i patch midi b cv out to slope time input and midi B gate out to gate input and send EOC to Balance (with slope cycle on, like a second vco) can i listen the two different sequence with the balance mix ? I would probably have a gate problem no ?
i use a keystep (like on your demo) and i very easy to change midi channel on the fly, and my dream is to play a loop sequence on midi A (ch1) and switch to midi B (ch2) and play (with the kbd play option on the keystep) on my first sequence by controlling the slop like a second oscillator... that's make sense for you ? sorry for my english i'm a french froggie.
This sounds possible... have you tried it?
yes i try it's work but i need to use a stackable patch to share the gate.. and of course it's note perfect because the main OSC and the SLOPE can note really make different sequence because they share the same gate... huum .. no other input that could be used as a gate ?
can you make this synth available on sweetwater?
www.sweetwater.com/store/detail/0-COAST?gclid=CjwKCAiA07PRBRBJEiwAS20SIAO9ZXLXD3L2ACsQAK2alaC2FWjlA-lmqozgmLU2daPZBOmtM5Os8RoC2Q8QAvD_BwE
Any Swedish distributors? Would love to get my hands on this beast. If not, contact 4sound.se.
escapefromnoise.com/en/manufacturer/make-noise/make-noise-0-coast/
Those lights are weird