Probably one his most famous pieces..Shenandoah. Its playable but the more difficult jazz style moments arent easy to emulate without resorting to 75% spd on his live performances. Your open face style of instruction is more accessible than most..save Texas Blues Alley. @@mularkeymusic
Thanks for the lesson. I am curious what Tony would typically play over the changes? For example this works great over the G (1 chord), when he switches to the C (4 chord), and the D (5 chord), does he stay in this type of G minor pentatonic scale over the C and focus more on the notes in the C Major Scale, or move toward a C Minor Pentatonic or Major Pentatonic based scale for the C? And the D could be more like a Dominant so how did this guide where Tony was going? Much appreciated. Also are you missing the B on the A string, 2nd fret?
Excellent question. I keep meaning to expand on this with more videos but have been short of time. This works well over the one especially but I would try going back to G major scale for IV (C) and V (D). There are other progressions that this scale falls more into place with like 1,3 (Bb in this case),4 chords. The homework would be listening to specific songs, noting the progression and when he’s taping into this scale. Hopefully that helps! I’ll try to expand on it in a future video. Yes! Good catch. I added in the resources but couldn’t in the video :/ take care!
Yes and yes! There’s a couple extra notes and it’s played over a major progression. Then there’s some unique phrasing like his staggered 16th note runs and what not. Best of luck!
The most useful TR lesson on YT despite the brevity.
Wow, thank you!! Let me know what would be most useful for me to expand on, maybe I’ll do one that dives deeper. Thanks for the feedback!
Probably one his most famous pieces..Shenandoah. Its playable but the more difficult jazz style moments arent easy to emulate without resorting to 75% spd on his live performances. Your open face style of instruction is more accessible than most..save Texas Blues Alley. @@mularkeymusic
Great lesson. Cheers
Thank you, glad you enjoyed. Cheers!
Awesome thanks 👍
Thank you so much!
Glad it helped!
Thanks
Thanks for the lesson. I am curious what Tony would typically play over the changes? For example this works great over the G (1 chord), when he switches to the C (4 chord), and the D (5 chord), does he stay in this type of G minor pentatonic scale over the C and focus more on the notes in the C Major Scale, or move toward a C Minor Pentatonic or Major Pentatonic based scale for the C? And the D could be more like a Dominant so how did this guide where Tony was going? Much appreciated. Also are you missing the B on the A string, 2nd fret?
Excellent question. I keep meaning to expand on this with more videos but have been short of time. This works well over the one especially but I would try going back to G major scale for IV (C) and V (D). There are other progressions that this scale falls more into place with like 1,3 (Bb in this case),4 chords. The homework would be listening to specific songs, noting the progression and when he’s taping into this scale. Hopefully that helps! I’ll try to expand on it in a future video.
Yes! Good catch. I added in the resources but couldn’t in the video :/ take care!
@@mularkeymusic Awesome. Thanks for the advice.
I’m currently learning my pentatonic minor box patterns are these the same thing only modified? Is that first section an open scale form?
Yes and yes! There’s a couple extra notes and it’s played over a major progression. Then there’s some unique phrasing like his staggered 16th note runs and what not. Best of luck!
Thx, but: flat 5 is not C# but Db.
😂👏