Können Tränen meiner Wangen Nichts erlangen, O, so nehmt mein Herz hinein! Aber laflt es bei den Fluten, Wenn die Wunden milde bluten, Auch die Opferschale sein!
@@ryanhaart you may be surprised but when the first "perfect" without noise CDs got out,the result was eerie and unnatural.So the recording firms decided to "add" some ...humanity noises to that perfection,one of these was the LP crackling.Sounds weird,but it's true!
Können Tränen meiner Wangen Si les larmes sur mes joues ne peuvent Nichts erlangen, Rien obtenir, O, so nehmt mein Herz hinein! Oh alors prenez mon cœur ! Aber lasst es bei den Fluten, Mais laissez-le, pour le flot, Wenn die Wunden milde bluten, Quand les blessures saigneront doucement, Auch die Opferschale sein! Être aussi la coupe d'offrande.
If you are a lousy judge, then I am as well. I find Hamari's work on the SMP to be a wonderful interpretation, beautifully rendered, and with true passion. Her work is even more evocative as seen through video. I listen over and over again to the glorious voice she puts to the great master.
+dringsong She gets the stamina by staying in excellent physical shape and practicing. Singing at this level is like professional sports - besides the creative/musical aspect there is also the athletic achievement of getting your body to perform at the highest level.
Se as lágrimas na minha face nada podem conseguir, oh, então tome meu coração! Mas permita que, diante do fluxo que das feridas suavemente sangram, seja como um prato de libação.
+Georg Andor "You can't live by rules alone... those who make the rules have no life" - K. Richter. Also please mind that K. Richter was considered the height of "historically informed" in his time. When, in his later years, some scholars started questioning his style, he addressed them with the above mentioned phrase, with which I agree.
+Leonardo Paoletti I totally agree with you: besides I think the Mattheus Passion conducted by Karl Richter far better than any other. This odd issue of the period instruments is odd.
Eserin yazılışından 300 yıl sonra dinliyor olduğumu (aylardır) hatırlayıp, duygulanıyorum. Koca evrende, büyük ihtimalle yalnızız. Şu var ki, çalışkan insanların diktiği zeytin ağaçları ve mizah bizim abzürtlüğe yegane karşı çıkışımız...
Je trouve cette interprétation géniale : la voix de J Hamari est superbe avec un timbre clair et puissant... Mais je n'arrive pas à trouver cet enregistrement en CD.......
I think Julia might be my favourite Bach contralto. Am I a lousy judge of singers or something? because she never seemed to receive the praise I think she deserved..
Ària 52 Si les llàgrimes del meu rostre. Quins sentiments sublims, emocions superiors, hi són presents! Un no es cansa mai tot escoltant-la i encara li queden més ganes per la propera vegada i així no parar.
IIf the tears upon my cheeks can Nought accomplish, Oh, then take my heart away! But then let amidst the streaming Of the wounds abundant bleeding Be the sacrificial cup!
Können Tränen meiner Wangen If the tears on my cheeks Nichts erlangen, can do nothing, O so nehmt mein Herz hinein! o then take my heart as well! Aber laßt es bei den Fluten, Yet let it be, in the flow, Wenn die Wunden milde bluten, as the wounds gently bleed, Auch die Opferschale sein. the offering-bowl as well.
I would love to hear Hamari's work on the Goennenwein (as an interpretation I seem unable to find). I personally favor Richter's tempo, despite many complaints to the contrary. The "Erbarme dich" is one of my favourites, but I have never had the chance to hear her work with Rilling. PS, I have my own horror stories of loaning a rare Gould recording to a girlfriend. Although I still have her recording of Mozart's Requiem. ;-p
50 Jahre ist diese Aufnahme alt. wieviele Sängerinnen wurden seitdem ausgebildet ? Die heutigen Sängerinnen sind meist Soprane mit technischen Defiziten, verdunkeln, knödeln, oder haben gar keine Farbe und Tiefe und singen lange nicht mit gleicher Passion und wenn, dann wirkt es schnell maniriert- ....meistens ist es langweilig. Was ist passiert ?!?!?
I appreciate this womanly, fully voiced interpretation. Such a beautiful aria actually carries itself whatever voice qualities are brought to it. I also totally embrace the lighter vocal qualities, typical of the genre in the last 30 or so years. Fortunately, we are moving towards whole-person singing, i.e. women, not women holding back their fullness in order to sound like boys. Sometimes..... progress is good! :)
What a ridiculously snide, sanctimonious and ignorant comment. Do you understand what the part Julia Hamari is singing is about? I doubt, otherwise you wouldn't post something as laughable as that
From my college music manual: "Note: until well after Bach's time it was not considered proper for women to sing in church so that all the choral and solo parts of the Passion would have been sung by men and boys." Maybe Fliss is referring to this. Anyway, you should reconsider your comment etiquette
This is undoubtedly awesome... for a classic interpretation. Now our ears (particularly mine) are used to authentic interpretations, as close as possible from the original. I love Julia Hamari in Mozart's Requiem Karl Böhm version in 1971 for DG, but hearing her in this aria sounds painful for me. Now we have lots of countertenors who, imho, sing like angels in Heaven.
Thank you. I agree with all your comments, except I expect we'll now both agree we're not lousy judges.I've heard her on cd with Gonnenwein and with Rilling doing the SMP. Her "Erbarme" with Rilling is spell-binding, also because of the tone of the violin obbligato.I no longer have that recording, lent it to a girlfriend years ago -not a good idea.
This is a tremendously awful interpretation. Tempo and articulation are grandiose here, not tragic and intimate as the words necessitate. Her singing is the musical equivalent of typing in all-caps: no subtlety nor intonation -- I'd be surprised if she's on pitch more than half the time. I rarely care to dislike any videos on TH-cam, but this certainly deserves it. Good cinematography though.
Können Tränen meiner Wangen Nichts erlangen, O, so nehmt mein Herz hinein! Aber laflt es bei den Fluten, Wenn die Wunden milde bluten, Auch die Opferschale sein!
I could listen to this a million times, Bach at its best maybe over the Erbarme dich.
De acuerdo por conpleto. Para mí es el aria más bella de toda la Pasión. Yo también la escucho a menudo
Julia Hamari and Karl Richter high in the heavens. Wonderful aria 52 from de Passion
This is truly generous in spirit. Best interpretation I can find. Have listened many many times. It never gets old.
Also my favorite performance - very strident and demanding.
😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊
what a FANTASTIC Bach singer!
Ms. Hamari sings heavenly. A very gifted singer.
Können Tränen meiner Wangen
Nichts erlangen,
O, so nehmt mein Herz hinein!
Aber laflt es bei den Fluten,
Wenn die Wunden milde bluten,
Auch die Opferschale sein!
Beautiful piece from Bach.
I dedicate to my mother. Arlitta.
Julia Hamari is de allerbeste!
Sublime.....
Hamari, Hamari, Hamari...!!!
Recorded in 1971! So clear! Amazing!
The Seventies: The Golden Era of recording art.
Maybe you won´t believe it, but 1971 was not the Stone Age, you know!
Modern recordings are almost universally bad. Dynamically compressed, dull, flat, spaceless, unnatural sound. But no LP crackling
@@ryanhaart you may be surprised but when the first "perfect" without noise CDs got out,the result was eerie and unnatural.So the recording firms decided to "add" some ...humanity noises to that perfection,one of these was the LP crackling.Sounds weird,but it's true!
They had open reel tape decks back then, you know.
Können Tränen meiner Wangen
Si les larmes sur mes joues ne peuvent
Nichts erlangen,
Rien obtenir,
O, so nehmt mein Herz hinein!
Oh alors prenez mon cœur !
Aber lasst es bei den Fluten,
Mais laissez-le, pour le flot,
Wenn die Wunden milde bluten,
Quand les blessures saigneront doucement,
Auch die Opferschale sein!
Être aussi la coupe d'offrande.
It's out of this world!
Simply beautiful! 지난 몇 일 동안 하루에 한 번씩 계속 듣고 있어요
Hamari - what perfection - what a gift.
Magnificent;
Listening this aria again after 3 years - unbelievable still the best interpretation...
Ik houd ontzettend van haar prachtige stem!
She have got a colorful voice.
Has*
Wonderful Hamari♡
If you are a lousy judge, then I am as well. I find Hamari's work on the SMP to be a wonderful interpretation, beautifully rendered, and with true passion. Her work is even more evocative as seen through video. I listen over and over again to the glorious voice she puts to the great master.
BACH, GRAND MASTER OF MUSIC.
Très bel enregistrement, J HAMARI a une voix superbe....
Stunning -the purity of this is breath-taking. 1971 recording.
Maybe you won´t believe it, but 1971 was not the Stone Age, you know!
1971!! she was 29!!
Me asusta un poco tanta belleza. Me queda grande pero no puedo dejar de oirlo. Esto es algo verdaderamente importante. Mucho.
god's voice if he could ever speak. Thank you Julia, thank you JS
Remarquables dynamique et nuances. La voix de Julia Hamari est vraiment très belle. Un enregistrement merveilleux qu'on ne se lasse pas d'écouter.
:D at the fan comments. She is my favourite female singer. No idea where she gets that kind of stamina, it's just . . . Hypnotic
o_O
+dringsong She gets the stamina by staying in excellent physical shape and practicing. Singing at this level is like professional sports - besides the creative/musical aspect there is also the athletic achievement of getting your body to perform at the highest level.
MAGNIFICA!!
I generally appreciate baroc interprétations but i have to confess this one moves me a lot!..it is deep warm and genuine!i love it!
Simple Supreme Superb Sublime Service. PurePrayer Praise. Marvellous Mysterious Masterpiece. ChristCall Choir
I am in love with Hamari
Karl Richter: unsurpassed Bach interpreter. Julia Hamari: genius deserves genius.
I was one when this was recorded; I'm 50 now. This is absolutely timeless❤️❤️❤️. Amazing rendition!!!
Se as lágrimas na minha face
nada podem conseguir,
oh, então tome meu coração!
Mas permita que, diante do fluxo
que das feridas suavemente sangram,
seja como um prato de libação.
Hamari, la mejor. Y esta aria también la mejor y más poética.
¡Hermosísima y magistral interpretación!
Aj DIosss, tanta belleza acumulada en menos de 8 minutos!
muy bueno
Unbestroitten die beste Aufnahme
Absolutely divine.
Yes, exactly divine! ....love Hamari
Божественно
What a heavenly piece of music...
Maravilhoso!
Although I am big fan of historically informed performance, I must admit that I love this video.
+Georg Andor "You can't live by rules alone... those who make the rules have no life" - K. Richter. Also please mind that K. Richter was considered the height of "historically informed" in his time. When, in his later years, some scholars started questioning his style, he addressed them with the above mentioned phrase, with which I agree.
+Leonardo Paoletti I totally agree with you: besides I think the Mattheus Passion conducted by Karl Richter far better than any other. This odd issue of the period instruments is odd.
Just wow
une splendeur musicale
Sublime.
Bellissima sinfonia
Gyönyörű!
God sei dank
Desde chile digo que esta es una de las interpretaciones más celestiales que e escuchado de bach..... Gracias por subir video 👍🌲🇨🇱
Unica!
Eserin yazılışından 300 yıl sonra dinliyor olduğumu (aylardır) hatırlayıp, duygulanıyorum. Koca evrende, büyük ihtimalle yalnızız. Şu var ki, çalışkan insanların diktiği zeytin ağaçları ve mizah bizim abzürtlüğe yegane karşı çıkışımız...
Juste parfait.
最好聽的咏嘆調
Viva la musica preciosa
Meravigliosa...musica, Julia,
I find that the conductor looks a bit like the actor Colin Firth 😊😂
Magnificent passage of the passion according to St Matthew otherwise. I adore.
Само совершенство 'выше только БОГ ...............
Karl, Julia, a Bach gallaxián!
Wow!!!
Je trouve cette interprétation géniale : la voix de J Hamari est superbe avec un timbre clair et puissant...
Mais je n'arrive pas à trouver cet enregistrement en CD.......
DANK AF!!!!
멋지다
I think Julia might be my favourite Bach contralto. Am I a lousy judge of singers or something? because she never seemed to receive the praise I think she deserved..
Her talent is not of this world..
Wow!
Yes Leeza, it is beautiful :) Luke
Ària 52 Si les llàgrimes del meu rostre. Quins sentiments sublims, emocions superiors, hi són presents! Un no es cansa mai tot escoltant-la i encara li queden més ganes per la propera vegada i així no parar.
IIf the tears upon my cheeks can Nought accomplish, Oh, then take my heart away! But then let amidst the streaming Of the wounds abundant bleeding Be the sacrificial cup!
リヒター かっこいい！この映像は人類の財産
csodálatos
Yes we do :)
God Compos the music . Angel sings.
Would love lyrics for interpretation😊 I've listened to this probably more than 200 times....
One of the closing tunes of The Bureau... the tiny Hungarian connections... of the spy world :)
💖💐
Können Tränen meiner Wangen
If the tears on my cheeks
Nichts erlangen,
can do nothing,
O so nehmt mein Herz hinein!
o then take my heart as well!
Aber laßt es bei den Fluten,
Yet let it be, in the flow,
Wenn die Wunden milde bluten,
as the wounds gently bleed,
Auch die Opferschale sein.
the offering-bowl as well.
I would love to hear Hamari's work on the Goennenwein (as an interpretation I seem unable to find). I personally favor Richter's tempo, despite many complaints to the contrary. The "Erbarme dich" is one of my favourites, but I have never had the chance to hear her work with Rilling.
PS, I have my own horror stories of loaning a rare Gould recording to a girlfriend. Although I still have her recording of Mozart's Requiem. ;-p
50 Jahre ist diese Aufnahme alt. wieviele Sängerinnen wurden seitdem ausgebildet ? Die heutigen Sängerinnen sind meist Soprane mit technischen Defiziten, verdunkeln, knödeln, oder haben gar keine Farbe und Tiefe und singen lange nicht mit gleicher Passion und wenn, dann wirkt es schnell maniriert- ....meistens ist es langweilig. Was ist passiert ?!?!?
So ist das.
I appreciate this womanly, fully voiced interpretation. Such a beautiful aria actually carries itself whatever voice qualities are brought to it. I also totally embrace the lighter vocal qualities, typical of the genre in the last 30 or so years. Fortunately, we are moving towards whole-person singing, i.e. women, not women holding back their fullness in order to sound like boys. Sometimes..... progress is good! :)
What a ridiculously snide, sanctimonious and ignorant comment. Do you understand what the part Julia Hamari is singing is about? I doubt, otherwise you wouldn't post something as laughable as that
From my college music manual: "Note: until well after Bach's time it was not considered proper for women to sing in church so that all the choral and solo parts of the Passion would have been sung by men and boys." Maybe Fliss is referring to this. Anyway, you should reconsider your comment etiquette
Qu'est-ce que ce commentaire sexiste et parano vient faire là !
This is undoubtedly awesome... for a classic interpretation. Now our ears (particularly mine) are used to authentic interpretations, as close as possible from the original. I love Julia Hamari in Mozart's Requiem Karl Böhm version in 1971 for DG, but hearing her in this aria sounds painful for me. Now we have lots of countertenors who, imho, sing like angels in Heaven.
Thank you. I agree with all your comments, except I expect we'll now both agree we're not lousy judges.I've heard her on cd with Gonnenwein and with Rilling doing the SMP. Her "Erbarme" with Rilling is spell-binding, also because of the tone of the violin obbligato.I no longer have that recording, lent it to a girlfriend years ago -not a good idea.
can someone please post line by line English translation? thanks.
Linda is as naughty... sorry I mean beautiful... as this music is beautiful
Njena faca je zastrašujuća
だんだんテンポが遅くなっている。おもしろい。
Diep ontroerend.
could use a little more vibrato /s
Linda is very naughty :) xxxx
Johannes Passion Bach
Matthaus passion
Very strict , very german …
Only, 100000. bad. Iam dont speak English. Sorry.
we hear you loud and clear
This is a tremendously awful interpretation. Tempo and articulation are grandiose here, not tragic and intimate as the words necessitate. Her singing is the musical equivalent of typing in all-caps: no subtlety nor intonation -- I'd be surprised if she's on pitch more than half the time. I rarely care to dislike any videos on TH-cam, but this certainly deserves it. Good cinematography though.
Können Tränen meiner Wangen
Nichts erlangen,
O, so nehmt mein Herz hinein!
Aber laflt es bei den Fluten,
Wenn die Wunden milde bluten,
Auch die Opferschale sein!