I say it again but I find it really wonderfull. Notes flow in the air and we hear that the voice is not push it comes naturally. I think here is the secret be natural and above all never force. If I compare it to great names like Gigli, Mc Cormack, Raimondi, Tucker, Fischiella ... it sounds like that a great technic. Congratulations for this wonderfull Aria bravo maestro
Your voice, the expressiveness, the phrasing, the music just flows out of you. You are definitely among the top tenors your generation. You have a great career ahead of you. Always get goosebumps listening to you sing. Bravo! 👏👏👏👏
Hello , I have a question to you ! Please can you answer on it ? why does the singers sing the vowels in the opera inexplicably? the 'U' is replaced by the ‘A’ and ‘O’ mixes, the high 'I' is transferred to the E and A mixes. I never understood that. Regards. Mike
to facilitate singing the vowels. It's very difficult to sing certain vowels high in the voice and the singer can strangle him/herself if they don't modify them.
¡Fantastic sound! I would tell the conductor to slow the tempo for the aria a little bit. It's too fast and it won't let you expand your phrases comfortably. And I would make my phrases' ending vowels a tiny bit longer such as to not cut them off. The cabaletta was fantastic although also the conductor went a bit tight tempo-wise and basically had no flexibilty for you. ¡Great finale with a resounding high note! ¡Congratulations!
Bello, continua a lavorare con la maschera e la chiarezza e qualità metallica del suono potrà migliorare ancora di più, soprattutto nel registro medio. Però si sente già che stai cantando in modo più naturale e rilassato rispetto a 2/3 anni fa. Progress!
The reason for the intonation problems lies in Jose's lack of awareness of how the crico thyroideus is treated. Comparable to the tired hand of a string player, the tension muscle does not move actively enough. Andreas, Operntenor
That is so wrong... Only because you can name some muscles does not mean you understand proper vocal function. Here is a very musical singer who is rehearsing an aria probaly after hours of singing already. If its a bit flat here and there who cares? He sounds exicting!
I say it again but I find it really wonderfull. Notes flow in the air and we hear that the voice is not push it comes naturally. I think here is the secret be natural and above all never force. If I compare it to great names like Gigli, Mc Cormack, Raimondi, Tucker, Fischiella ... it sounds like that a great technic. Congratulations for this wonderfull Aria
bravo maestro
Your voice, the expressiveness, the phrasing, the music just flows out of you. You are definitely among the top tenors your generation. You have a great career ahead of you. Always get goosebumps listening to you sing. Bravo! 👏👏👏👏
i've been wanting to hear you sing, after all the things i've learnt from you, i was interested in hearing you, and man, you sing beautifully.
i love Traviata so much....and your voice is so pretty and gorgeous and controlled!!!
It's been a pleasure to be a part of this production as a chorus member 😺
This is my favorite repertoire for you I’ve heard so far. Fantastic!
Bravo Jose !!
Bravo ! Nice nice nice open-covered fa in "cui presso a lei Io rinasce .." !
Bravo!!
Bella Voce Corposa e Robusta !! 👍
Enorme
lovely voice! why do you cover your ear?
Killer-part is way too slow, conductor is messing with you )😂
Hello , I have a question to you ! Please can you answer on it ? why does the singers sing the vowels in the opera inexplicably? the 'U' is replaced by the ‘A’ and ‘O’ mixes, the high 'I' is transferred to the E and A mixes. I never understood that. Regards. Mike
to facilitate singing the vowels. It's very difficult to sing certain vowels high in the voice and the singer can strangle him/herself if they don't modify them.
¡Fantastic sound! I would tell the conductor to slow the tempo for the aria a little bit. It's too fast and it won't let you expand your phrases comfortably. And I would make my phrases' ending vowels a tiny bit longer such as to not cut them off. The cabaletta was fantastic although also the conductor went a bit tight tempo-wise and basically had no flexibilty for you. ¡Great finale with a resounding high note! ¡Congratulations!
Traviata the rest of this year for Jose! 2 productions i see (one just one night)
@@smurf902 quite a few more next season…stay tuned
Wow! Genuine Kauffmann hand👍
@@juha4595 😂
Bello, continua a lavorare con la maschera e la chiarezza e qualità metallica del suono potrà migliorare ancora di più, soprattutto nel registro medio.
Però si sente già che stai cantando in modo più naturale e rilassato rispetto a 2/3 anni fa. Progress!
@@gleamingrake7689 👍
The reason for the intonation problems lies in Jose's lack of awareness of how the crico thyroideus is treated. Comparable to the tired hand of a string player, the tension muscle does not move actively enough. Andreas, Operntenor
That is so wrong... Only because you can name some muscles does not mean you understand proper vocal function.
Here is a very musical singer who is rehearsing an aria probaly after hours of singing already. If its a bit flat here and there who cares? He sounds exicting!
Let’s hear the application of that technique through your singing!
enlighten us with your own rendition
@@andreasschwarz4114 we’re waiting for your application of that technique from you!