วีดีโอ

Thanks!

Pure gold! Thank you sir!

Be willing to make ugly sounds, please❤ Thank you

You are a music angel 😇🎉❤ utube JOHN BAVAS Η ΜΑΝΑ ΜΟΥ ΜΕ ΔΕΡΝΕΙ

great 🤩

This is SO beautiful. THANK YOU!

Quite incredible. You have managed to explain navigating the passaggio in the simplest terms that I can understand and apply successfully by copying what you show. Over the last 30 years I've had about 4 different so-called teachers and none of them have managed to show me. I'm now singing through the passaggio with relative ease and I know with further practice I will master it once and for all and not be afraid every time I have to approach those notes. Thank you so much. Also to explain that for the higher notes above A that you need to open the mouth is a revelation. First time I tried it I sung and easy B natural and C for the first time ever without straining. I was always keeping my mouth closed for those high notes. Your other videos about the importance of chord closure have also been a revelation and I have been practicing that to great effect.

Hello Mr Jose. I'm a mezzo soprano. Pls I need your guidance. I have middle voice problems. When I sing in my middle voice it's tight and it cracks. Pls what do I do? My low notes are fine. Top notes: fine too. Just the middle of my voice. It around G4 to C5. Pls help me. Thank you 🙏🏿

Jose, thanks a lot for all your videos. I've always had a question for a professional opera singer like you. It's interesting how Pavarotti almost doesn't blink during his "Nessun Dorma" with the 3 tenors. Some other singers do it as well. Do you have any "data" on that?

Dame clases

Que afortunados esos turistas. Bravo! 👏🏻👏🏻👏🏻👏🏻👏🏻

👏👏👍👍🫶🫶

🎉 utube JOHN BAVAS Σ'ΑΥΤΟ ΤΟ ΔΡΌΜΟ

I'm sorry, I don't think everything is entirely correct. I sing in one register and no more passaggio. The vocal cord does not have two divisions, but consists of one band per side. These can be of different lengths because of the different halves of the body and mix the sound. Your change comes from not being relaxed enough, hence the change to head voice. The fact is and remains that the intensity of the sound must sound the same from C5 to C3! If you mix in head voice the way you explain, then you only change the expression and intensity. But if there are too many changes, especially in the phrase, the viewer has stress while listening and so does the singer. Nevertheless, your voice sounds great and a lot of it makes sense. The larynx must also be open when inhaling, so always!

The best teacher for our voice🎉and the most handsome 🎉 utube John Bavas Crazy

I want to join the confused tenor society 🖐🏻😃

❤️🇱🇨!!!

Crushed that 🔥

This is so encouraging and inspiring ❤

This IS great, I Like it.

Even properly trained opera singers ruin their voices

great stuff as always, thank you so much Jose and Jack!

Oh my gosh I wish you made videos for sopranos! You have an amazing teaching gift for singers!

Bravo!👏👍

I am an amateur classical singer and I'm going through this connection process right now! I love your videos because they reassure me about the "normality" of what I go through and also the one suggesting exploring the break was a brilliant idea!

Can I have the score of very last phrase😅

Bravo!!!

Fantastic work transposing to English singing such an Italian opera!!! Bravissimo Jose👏🏻👏🏻👏🏻

Wonderful voice and singing! French diction though sounding funny to my French ears... my own English prononciation would probably sound far more weird to yours😂 Thank you for your mostly appreciated vids!!

14:50 magic trick

I'm gonna have to disagree about a closed mouth. Have you ever watched Leontyne Price? Open mouth. Open throat.

God! excelent no other words., thanks❤❤❤

당신은 설명은 맞는말인데 정작 목으로 갑니다. 헤드보이스가 아니고 목으로 가는보이스 입니다 목으로 가지말고 헤드보이스로 가야되죠! 한마디로 가는길이 잘못됬어요! 이빨 앞에서 시작해서 마스케라 헤드보이스로 가야되죠! 당신은 말은 맞게하지만 정작 본인은 목으로 갑니다. 정도는.심하지 않지만 더 아반띠가 필요합니다 소리를 낼때 고음으로 갈수록 포지션이 바뀌어여.파사지오도 앞에서 연구개위로가면서 파사지오가 되야되지요 당신은.고음이 진행할수록.포지션이.목으로 들어갑니다. 앞 포지션에서 연구개.해드보이스로 잔행햐야되죠! 내가 말한 차이를 느끼지 못할수도 있어요. 이게 함정입니다 제 말이 이해안갈수 있지만 당신이 현명하다면 제말을 깊게 생각해야할것 입니다. 이빨앞 마스케라 헤드로 잘 가게되면 당신은 힘이.많이들지 않고 노래를 할수있을것입니다. 그리고 음들이 가는길이 정확하다면 음에서 보석들이 쏟아질 겁니다! 가창자에게에도 청중에게도! 마지막으로 마스케라와 헤드가 없으면 당신은 본인에게도 청중에게도 감동을 줄수 없습니다.(제가.말한 감동은 다른차원의 감동입니다.) 죽을때까지 연구.탐구하세요!

I’ve always found the vowel “e” the most difficult to sing in the high registers. Any help with that?

Man you’re a great teacher 🙌🏾🔥 thanks

Great interview! I appreciate this so much. Thank you 🎉

This was such a fantastic listen. Really inspiring to hear the passion you both have for the voice. Thanks!

Good stuff 👌🏻

I really do love your videos! I’m a professional singer and vocal teacher for over thirty years and I really can say:you are right right right!

What a great and clear explanation.

Very helpful.

Thank You so much for this lovely and extremely useful, enlightening conversation!

You did Nabucco?! I ADORE Maria Callas as Abigaille! Well, to be honest, I love her musicianship in everything she did! ...I think that you just pulled an Arden Kaywin! I've been watching her videos, and she is all about changing your mindset. Think of mistakes as tools for growth. Allow yourself to be perfectly imperfect. I have discovered recently that by embracing my mistakes in life as tools to grow stronger from, it is helping my singing as well! :) I think that I mentioned in your video about the passaggio that I want to start practicing Marchesi's bel canto vocal exercises. I started yesterday, and the first exercise is just a single note held for 3 beats, and breathing on the 4th beat. You are supposed to pay special attention to how you onset. It should be effortless, decided, and without jerkiness. For the female voice, it starts on middle C, and goes up chromatically to around F5. For me, it is helpful to envision each dotted half note as 12 sixteenth notes connected together. Your vowel grows progressively taller and more resonant the longer you sing. By thinking of it as several short notes connected together, you are already kind of in coloratura soprano mindset, and you are less likely to drag up vocal weight as you go up through both passaggios. Oh. Women's voices have 2 passaggios for anyone who doesn't know. Why am I saying all of this? It goes right along with what you said about allowing the larynx to be free to vibrate, and shedding vocal weight as you ascend in pitch... Take care. Thanks for making this video! Susan

Your vídeos are great. I would like to ask you, is your tongue position learned or you found it to just sound better for your tone? Im saying this cause I noted you like to keep the tip of your tongue "floating" instead of resting down.

Thank you. Very humble .Well explained

I get that this video is for already knowledgeable singers. The amount of frustrated singers out there because their teachers only tell them to focus on the breathing. Note to begginers: Yes, breathing matters, of course, but the actual singing happens inside the throat. The muscles inside there need to be trained and taught how to work together and what to do to be a team. You don't become a great singer or develop/grow a voice by learning how to breath only.

What do you think about vocal teacher David Jones?

What do you think about vocal teacher David Jones?

Thank you so much for sharing all this helpful information with such a passion and energy! Two great people and professionals, respect!