today radio 3 review of versions of this oratorio mentioned this in passing as having a dry acoustic but played none of it. This is a superb version both in terms of soloists and spinetingling contribution of baroque trumpets in movements paced just as I imagine Bach would have wished
Si cantar a Bach ya es difícil con gran coro, más difícil es a una voz por parte...y sin embargo es mucho más audible siguiendo la técnica ovopipista que en su día diera a conocer Rifkin y que Kuijken pone en práctica....el ovopipismo ha puesto fin a esos coros estridentes e histéricos que todos conocemos.Creo que hoy dia interpretar la obra vocal de Bach con grandes coros o incluso con coros medianos está fuera de lugar.
asking as someone who isn't well informed in historic singing, is this much vibrato, or general manner of singing considered historical? or is it modern?
Although Sophie Karthauser has an incredible voice, she uses more vibrato than what one might consider 'historical" (e.g. singers such as Dorothee Mields or Maria Keohane use less). An interesting contrast with the very "historical" natural trumpets.
Good question! I recognize Jean-François Madeuf on 2nd trumpet and Graham Nicholson on 3rd trumpet. I had supposed that it might be the student of Madeuf's, Jérôme Princé. But a friend of mine who is a well-known professional baroque trumpet player disagrees and promises to let me know as soon as he recalls his name. The video, by the way, is from 2004, so they may have aged a bit since then. I will try to reply as soon as I know the facts.
Mr.Madeuf is a master of natural trumpet, but he still made many mistakes when playing the Brandenburg Concerto No.2, How great is the trumpet player of those days !?
today radio 3 review of versions of this oratorio mentioned this in passing as having a dry acoustic but played none of it. This is a superb version both in terms of soloists and spinetingling contribution of baroque trumpets in movements paced just as I imagine Bach would have wished
gioia e bellezza , infinite grazie .
Großartig!
Muchas gracias euro artschannell
Un placer verte de nuevo Batallador! Gracias a ti :)
Maravilloso!!!!
Ustedes son lo máximo, EuroArtsChannel.
Muchas gracias por tu comentario! :) Siempre nos alegra saber que disfrutan nuestro contenido!
Bravooo 👋👋👋👋
je KIFFE !
Por favor volteen la thumbnail, está agarrando el violín al revés 😧
Si cantar a Bach ya es difícil con gran coro, más difícil es a una voz por parte...y sin embargo es mucho más audible siguiendo la técnica ovopipista que en su día diera a conocer Rifkin y que Kuijken pone en práctica....el ovopipismo ha puesto fin a esos coros estridentes e histéricos que todos conocemos.Creo que hoy dia interpretar la obra vocal de Bach con grandes coros o incluso con coros medianos está fuera de lugar.
asking as someone who isn't well informed in historic singing, is this much vibrato, or general manner of singing considered historical? or is it modern?
Although Sophie Karthauser has an incredible voice, she uses more vibrato than what one might consider 'historical" (e.g. singers such as Dorothee Mields or Maria Keohane use less). An interesting contrast with the very "historical" natural trumpets.
Who is the first trumpeter? When Madeuf is the second...
Good question! I recognize Jean-François Madeuf on 2nd trumpet and Graham Nicholson on 3rd trumpet. I had supposed that it might be the student of Madeuf's, Jérôme Princé. But a friend of mine who is a well-known professional baroque trumpet player disagrees and promises to let me know as soon as he recalls his name. The video, by the way, is from 2004, so they may have aged a bit since then. I will try to reply as soon as I know the facts.
Thibaut Robinne!
you ever feel like english royalty
just listen to this here lol
no. go to Germany
Mr.Madeuf is a master of natural trumpet, but he still made many mistakes when playing the Brandenburg Concerto No.2,
How great is the trumpet player of those days !?