Anton Bruckner - Te Deum in C major
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- เผยแพร่เมื่อ 5 มิ.ย. 2024
- - Composer: Anton Bruckner (4 September 1824 -- 11 October 1896)
- Orchestra: Berliner Philharmoniker
- Choir: Chor der Deutschen Oper Berlin
- Conductor: Eugen Jochum
- Soloists: Maria Stader (soprano), Sieglinde Wagner (contralto), Ernst Haefliger (tenor), Peter Lagger (bass)
- Year of recording: 1965
Te Deum in C major, for soloists, chorus, orchestra & organ, WAB 45, written in 1881-1884.
00:00 - I. Te Deum laudamus
05:59 - II. Te ergo quaesumus
08:45 - III. Aeterna fac
10:12 - IV. Salvum fac populum tuum
16:11 - V. In te, Domine speravi
Although they speak much of the same language as the symphonies and masses, Anton Bruckner's other choral works tend toward a certain conciseness, being epic by implication. This can be said of his Te Deum, arguably the crown of his sacred music. Bruckner singled out this work as his own personal favorite, referring to it as "the pride of my life." It is certainly one of the most positive, joyous, and compelling ever to come from his pen and is believed to have been the last music of his that he attended in live performance. Composed from 1881 to 1884, it is contemporary with the Seventh Symphony, with which it shares some very significant thematic material. The Te Deum reflects the contemporary frame of mind of its composer, being one of elation and thankfulness for his long-delayed success and acceptance. The then-recent performance of the Fourth Symphony by the Vienna Philharmonic under Hans Richter had been the breakthrough for Bruckner.
As with the later Psalm 150, there are moments in the Te Deum where barbaric opulence coexists with intense spirituality, a quality harkening back to the Baroque arts.
- The work opens in blazing C major, propelled by a powerful open-fifths motive in the strings. The chorus and the rest of the ensemble enter as the music moves through processes and modulations distinctly Brucknerian.
- The following F minor section, "Te Ergo," is serene yet imploring in nature, featuring an expressive tenor solo and a solo violin which can hardly fail to bring to mind the "Benedictus" from Beethoven's Missa Solemnis.
- The central section, "Aeterna Fac," is in Bruckner's favored key of D minor and is almost apocalyptic in its fury. Propelled by a rhythmic device similar to one used in the Sixth Symphony and String Quintet, it draws on the full resources of the chorus and orchestra before coming to an abrupt unresolved cadence.
- The "Salvum Fac Populum" section follows essentially as a repeat of the "Te Ergo," this time with women's voices accompanying the tenor. This leads to the "Per Singulos" which recalls the fervor and energy of the opening.
- The overall symmetry of the work is now apparent, but the final section is an apotheosis built entirely on the words "In Te Domine Speravi. Non confundar in Aeternum" ("In Thee, Lord, I have trusted. Never let me be confounded"), words which form a motto for Bruckner's life work. The section culminates in a joyous fugue and is followed by an intensely haunting and impassioned chorale, the latter of which would later be used to great effect in the slow movement of the Seventh Symphony. The opening string figure returns as the full ensemble carries the Te Deum to a terse yet powerful conclusion.
Bruckner dedicated the piece "to God in gratitude for having safely brought me through so much anguish in Vienna". - เพลง
![Bruckner - Te Deum in C major - Jochum & BPO (1966) [remastered by Fafner]](/img/n.gif)
Bruckner was always very harsh on himself and critical of his work. But if he was alive today, and attended a performance of his own work, he would flat out cry with happiness and surprise at the standing ovation. He would know that he actually DIDNT suck as a composer.
I just discovered Anton Bruckner today.
Absolutely incredible.
It's rare to hear a piece recorded in the 60's sound so crisp. Immaculate performance and recording quality.
If Bruckner uses this kind of musical language when putting such harsh and intimidating music to such devotional words, I am further convinced of the Symphonies' similar devotional qualities when similar music is at hand. Harsh, minor key, and loud does not necessarily mean tragic and apocalyptic! Especially so in Bruckner. It seems like he is portraying divine power!- Daniel
by the contrary, in my opinion Bruckner perfectly penetrate the meaning of the text... so glorious... "first age" catholicism... (each one his fealing)
Jochum's performance may be 54 years old but it's hard to imagine it ever being bettered. The definitive Bruckner Te Deum.
Singing this for the first time next week at Carnegie Hall. I've never heard it before a couple months ago and I'm sorry I haven't! It's such an amazing work and so rewarding to sing! Brava Bruckner for this glorious piece of heaven!
If you love Anton Bruckner, than you should really listen Gloria from his Grosse Messe (Mass no. 3). It is so majestic as this Te Deum :)
There is something so divine and eternal about this masterpiece! As if people could listen to this for thousands of years to come and it would never ever fail to impress!
Music usually makes you see pictures and sequences through your inner eye. Bruckner is different though. As if he goes straight for your strongest and purest emotions, giving the consciousness a glimpse of what even your inner eye isn't able to visualize.
Another interesting thing about this piece not mentioned by the uploader is Bruckner's remark "I will present to God the score of my Te Deum, and He will judge me mercifully." Bruckner really thought highly of this work, and for good reason.
Omg this is awesome!!! Bruckner was way ahead of his time, about 100 years. His music feels so modern and right today! I wish he would have known how appreciated he would become.
Had the honour to perform this yesterday!!! It shall remain an unforgettable experience!!! I am addicted to this work! Wish I could do it again!
I'm singing this for the first time on March 18th with Marlborough Choral Society. I only discovered the work inJanuary 2018 and it is wonderful to sing! I'm now hooked on Bruckner.
On his copy of the score, Gustav Mahler crossed out "für Chor, Soli und Orchester, Orgel ad libitum" (for choir, solos and orchestra, organ ad libitum) and wrote "für Engelzungen, Gottsucher, gequälte Herzen und im Feuer gereinigte Seelen!" (for the tongues of angels, heaven-blest, chastened hearts, and souls purified in the fire!)
Eisrael in egypte
Wrong composer, I think, lol.
@@joshscores3360 Well, Mahler was also a conductor. One can only imagine how powerful this must have sounded under his baton.
Thank you, I'm glad I didn't have to scroll down too far to find this quote. Mahler was not wrong. Bruckner is def underrated.
Bruckner thought this could finish his 9th if he didn't live to complete it......but this is a stand-alone masterpiece.
This Music was inspired in HEAVEN. I always get tears in my eyes when I hear IT
Glorious, life enhancing music wonderfully performed.
Heard this piece for the first time in 1974 when I was in San Diego, and fell in love with it.
GREAT performance -- thanks for sharing this with us on TH-cam!
+carp bear You're welcome!
Wow what an opening! This is wonderful.
WAW! Great interpretion and execution. I'm happy for discover this record. The Symp. 8 of Bruckner is very good in the hands of Jochum too.
Anton Bruckner:C-dúr Te Deum WAB 45
1.Te Deum laudamus (Allegro moderato) 00:05
2.Te ergo quaesumus (Moderato) 05:59
3.Aeterna fac (Allegro,maestoso,con forza) 08:45
4.Salvum fac populum tuum (Moderato) 10:12
5. In Te, Domine speravi (Moderamente allegro) 16:11
Maria Stader-szoprán
Sieglinde Wagner-alt
Ernst Haefliger-tenor
Peter Lagger-basszus
Berlini Állami Operaház Kórusa
Berlini Filharmonikus Zenekar
Vezényel:Eugen Jochum
This is a glorious piece of music!
+Kyler LaViollette I agree!
THANK YOU so much for posting this! I sang it with our University choir about thirty years ago. Now I can sing it again, thanks to your generously providing the score. In heaven!
PS. This piece is fabulous to listen to, but it's even better to be buried in the chorus and contributing to all that sound. ;)
On his copy of the score, Gustav Mahler crossed out "für Chor, Soli und Orchester, Orgel ad libitum" (for choir, solos and orchestra, organ ad libitum) and wrote "für Engelzungen, Gottsucher, gequälte Herzen und im Feuer gereinigte Seelen!" (for the tongues of angels, heaven-blest, chastened hearts, and souls purified in the fire! Ref: Roger Castillo
Symphony No10 with Choir !
thank you for your beautiful work
syncing the Score to the Recording
and the Text! (in Church Latin)
for an octogenarian like me
this is a miracle
xØx
jd
REALLY MAGNIFICENT !!!
My favorite piece. Listen to it almost everyday. Glory to God our Savior!
Bruckner scuote ogni atomo di materia e spirito. E questo Te Deum mi conduce a commozione, eccitazione, esaltazione, prostrazione, ardimento. Solo la musica, solo Bruckner può, potevano. Thanks for sharing.
What?
¡Cantantes angelicales! Gracias por esta obra maestra.
According to Hans Roelofs' critical discography, out of more than 100 performances of Bruckner's Te Deum, Eugen Jochum's performance of 1965 remains still the reference performance.
+Réginald Hulhoven Yes, which is exactly the reason I chose this recording! :)
+olla-vogala When Bruckner was unable to finish his 9th symphony, he suggested that this Te Deum be used as the 4th movement. This has been tried, but seems not to have caught on.
Harry Andruschak
I didn't know that. Are there any recordings at all where it is used as 4th movement?
+olla-vogala The more than 100 recordings of Bruckner's Te Deum are mainly added to a Bruckner's Mass or other religious works, less often to a symphony (mainly No. 7). See Roelofs' critical discography of the Te Deum ( www.brucknerdiskografie.nl/php/index.php?pag=100 ). I am not aware of a recording, in which it would be specifically used as the 4th movement of Symphony No. 9.
Tonight, Ricardo Muti will be conducting the Bruckner 9th and the te deum in just that configuration at a Chicago Symphony concert........can't wait to hear it.
This powerful performance is nothing short of magnificent! What an immense treat. Thank you for posting.
So amazing.
Oh my God....... this is heavenly.
Beautiful!!
このようなコンデンススコアによって、複雑なポリフォニーを主体とするブルックナー音楽の和声語法を、一目で理解することができます。
貴重なご投稿をありがとうございます！
Linda, essa obra de Bruckner!!!
Capolavoro assoluto!
To quote Bob Simpson, "a work of almost barbaric grandeur".
when i am in a mood, ie not a good one, some thunderous glory invoking the majesty of God Almighty, the Holy and Terrible, hits the spot.
as in just now.
thanks for the upload. it has been a favourite of mine for some years now
Deo Gloria!
“I will be composing a Te Deum.”
“Oh, lovely! In what key will you write it,”
“Yes.”
11 mai 2020 ; work without me !! Too old for work, Too young to die !!
Many thanks!
+His Most Gracious Excellency Saxo Ungrammaticus I You're most welcome!
Absolutely Beautiful!!!!!
This are eternal musik
Holy SHIT, the beginning of this song is like PREPARE FOR WAR
More-so with the third movement (Aeterna fac).
Of course not
What are we waiting for? Deus vult!
So fucking underrated
That low D at 13:49....
Yeah, like only one or two basses really hit it and it and it sounded so sweet.
Is there a credit for the analysis? I may be overlooking it.
Thank you for syncing up music with the recording. You even used the imslp edition!
Te Deum laudamus.
Lordy! Wow!
Was für ein Geschrei.
Best performance i've hitherto listened to.
No.9 4th
19c 음악 - [합창음악]
[2.가톨릭 합창곡]
브루크너 - [테 데움]
The organ makes this 100x better!
Great! But where is the organ?
Non confundar in aeternum!!! Thank you LORD!!
aeterna fac!,,
!!!
1:51
20:20
I'm Neville!
i sang this with a lung infection...it wasn't fun... but it was interesting
this is gods music
no great music was ever composed by an atheist
facts from vienna austria
where it all began
gluck, haydn, mozart, beethoven, schubert, bruckner, brahms, j strauss. schönberg, alban berg, von von webern
Ah yes, my favorite composer, von von Webern. His contributions to the 4th vietnam school of music is quite notable.
Creepy
Please explain.
Why?
this is gods Music. bruckner was not an Atheist. no great Music was ever composed by an Atheist. Facts from vienna Austria, wher it all began. hayden, Mozart, Beethoven, schubert, bruckner, Brahms, j.strauss, Schönberg, berg, webern,