C'est probablement la plus élégante interprétation réussie grace à Rattle face à un orchestre trop fgurni et au positionnement bien choisi des solistes
Why do some of the Berlin Phil members smirk at times while they are playing? Do they catch other members messing slightly and then smirk? I see this so often.
Le chef Rattle a affaire a deux exellents solistes et peux donc s' occupert vivement de l'orchrstre trop fourni.! Dommage que le mouvrment rapide manque à l'écoute !
Orchestral style is too heavy. 3 basses, and sforzandi on most downbeats in tuttis. The score shows how carefully Mozart distributed the sfzs. The soloists don’t imitate this in the first concertantes but eventually go with Rattle’s driven approach so that the 1st movement often sounds heavy and congested.
![Wolfgang Amadeus Mozart: Sinfonia Concertante K. 364 [Lawrence Power & Nicola Benedetti]](http://i.ytimg.com/vi/JOINLwHe9Cs/mqdefault.jpg)
UNA EXCELENTE Y HERMOSA INTERPRETACION , DE LA ORQUESTA Y SOLISTAS.
Keep on coming with these Daisin Kashimoto uploads. Can never get enough of him but there's so little online
Gracias TH-cam por compartir esta bella y espectacular música que me permite ser mejor persona gracias TH-cam.
Благодарю!
Браво👏👏👏👏👏👏👏👏👏👏
So elegant!
What happened?! The video just ended suddenly at 26:53? Sometimes I hate TH-cam!
violinyousocute
This is wonderful playing! Can we have the third movement too?
C'est probablement la plus élégante interprétation réussie grace à Rattle face à un orchestre trop fgurni et au positionnement bien choisi des solistes
Why do some of the Berlin Phil members smirk at times while they are playing? Do they catch other members messing slightly and then smirk? I see this so often.
Le chef Rattle a affaire a deux exellents solistes et peux donc s' occupert vivement de l'orchrstre trop fourni.! Dommage que le mouvrment rapide manque à l'écoute !
So disappointing not to hear it all.
Orchestral style is too heavy. 3 basses, and sforzandi on most downbeats in tuttis. The score shows how carefully Mozart distributed the sfzs. The soloists don’t imitate this in the first concertantes but eventually go with Rattle’s driven approach so that the 1st movement often sounds heavy and congested.