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Violin Gems
เข้าร่วมเมื่อ 30 พ.ย. 2020
MOZART Sinfonia Concertante Daishin Kashimoto Amihai Grosz Simon Rattle
From the Lucerne Culture and Congress Centre
Daishin Kashimoto Violin, Amihai Grosz Viola
Both as the soloist of an international orchestra and as a sought-after chamber musician, Daishin Kashimoto is a regular guest of major concert halls around the globe. In his decadelong role as first concert master of the Berliner Philharmoniker, this tremendous wealth of experience also benefits him in his equally adept role as a soloist, where he plays a wide repertoire ranging from classical to new music.
Daishin Kashimoto has appeared with the NHK Symphony Orchestra, Boston Symphony Orchestra, Orchestre National de France, the Bavarian, Hessian, and West German Radio Symphony Orchestras, the Orchestre de la Suisse Romande, and the St Petersburg Philharmonic Orchestra under conductors such as Mariss Jansons, Seiji Ozawa, Lorin Maazel, Yehudi Menuhin, Paavo Järvi, Myung-Whun Chung, Daniel Harding, and Philippe Jordan. He can also be heard as a soloist in concerts with the Berliner Philharmoniker. Past engagements include Mozart's Sinfonia Concertante at the Grafenegg and Lucerne Festivals, Prokofiev's Violin Concerto No. 1 under the baton of Sir Simon Rattle, and Tchaikovsky's Sérénade Mélancolique and Valse Scherzo at Berlin's Waldbühne under direction of Andris Nelsons.
As a chamber musician Daishin Kashimoto has appeared alongside Martha Argerich, Yuja Wang, Leif Ove Andsnes, Éric Le Sage, Alessio Bax, Emmanuel Pahud, Itamar Golan, Tabea Zimmermann, Yefim Bronfman, Claudio Bohórquez and Konstantin Lifschitz, among others. With Konstantin Lifschitz, he also recorded a highly acclaimed CD of Beethoven’s Violin Sonatas in 2014. His other recordings include a CD of Brahms’ Violin Concerto with the Staatskapelle Dresden under Myung Whun Chung for Sony Music.
His parents introduced him to various instruments early on, with the three-year-old opting for the violin and receiving his first lessons in Tokyo. After moving to the United States, Daishin Kashimoto was accepted, at the tender age of seven, as the youngest student to ever attend Julliard School's pre-college program; at age eleven he transferred to the Lübeck University of Music under Zakhar Bron, before becoming a student of Rainer Kussmaul at the Freiburg University of Music from 1999 to 2004. He also had great success in major competitions as a teenager, taking first prize at the Menuhin Junior International Competition in 1993, the Cologne Violin Competition in 1994, and in 1996 at the Vienna Fritz Kreisler and the Long-Thibaud Competitions. Daishin Kashimoto has been the artistic director of the Le Pont Music Festival in Ako and Himeji (Japan) since 2007. He plays an Andrea Guarneri violin from 1674.
---- DISCLAIMER ----
No copyright infringement intended. I do not own this video, nor do I make money from it. Everything belongs to its respective owner. If anyone has a problem with this video, please let me know and I will take it down.
Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Daishin Kashimoto Violin, Amihai Grosz Viola
Both as the soloist of an international orchestra and as a sought-after chamber musician, Daishin Kashimoto is a regular guest of major concert halls around the globe. In his decadelong role as first concert master of the Berliner Philharmoniker, this tremendous wealth of experience also benefits him in his equally adept role as a soloist, where he plays a wide repertoire ranging from classical to new music.
Daishin Kashimoto has appeared with the NHK Symphony Orchestra, Boston Symphony Orchestra, Orchestre National de France, the Bavarian, Hessian, and West German Radio Symphony Orchestras, the Orchestre de la Suisse Romande, and the St Petersburg Philharmonic Orchestra under conductors such as Mariss Jansons, Seiji Ozawa, Lorin Maazel, Yehudi Menuhin, Paavo Järvi, Myung-Whun Chung, Daniel Harding, and Philippe Jordan. He can also be heard as a soloist in concerts with the Berliner Philharmoniker. Past engagements include Mozart's Sinfonia Concertante at the Grafenegg and Lucerne Festivals, Prokofiev's Violin Concerto No. 1 under the baton of Sir Simon Rattle, and Tchaikovsky's Sérénade Mélancolique and Valse Scherzo at Berlin's Waldbühne under direction of Andris Nelsons.
As a chamber musician Daishin Kashimoto has appeared alongside Martha Argerich, Yuja Wang, Leif Ove Andsnes, Éric Le Sage, Alessio Bax, Emmanuel Pahud, Itamar Golan, Tabea Zimmermann, Yefim Bronfman, Claudio Bohórquez and Konstantin Lifschitz, among others. With Konstantin Lifschitz, he also recorded a highly acclaimed CD of Beethoven’s Violin Sonatas in 2014. His other recordings include a CD of Brahms’ Violin Concerto with the Staatskapelle Dresden under Myung Whun Chung for Sony Music.
His parents introduced him to various instruments early on, with the three-year-old opting for the violin and receiving his first lessons in Tokyo. After moving to the United States, Daishin Kashimoto was accepted, at the tender age of seven, as the youngest student to ever attend Julliard School's pre-college program; at age eleven he transferred to the Lübeck University of Music under Zakhar Bron, before becoming a student of Rainer Kussmaul at the Freiburg University of Music from 1999 to 2004. He also had great success in major competitions as a teenager, taking first prize at the Menuhin Junior International Competition in 1993, the Cologne Violin Competition in 1994, and in 1996 at the Vienna Fritz Kreisler and the Long-Thibaud Competitions. Daishin Kashimoto has been the artistic director of the Le Pont Music Festival in Ako and Himeji (Japan) since 2007. He plays an Andrea Guarneri violin from 1674.
---- DISCLAIMER ----
No copyright infringement intended. I do not own this video, nor do I make money from it. Everything belongs to its respective owner. If anyone has a problem with this video, please let me know and I will take it down.
Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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One of the great artists of the 20th century.
樫本大進くん絶不調だな。音程外しまくり。凱旋公演で緊張でもしたんだろうか、こんな不調の樫本くんみたことないわ。
Этот одессит поставил целью через музыку прежде всего заявить миру о себе....вот в этом и разница советской скрипичной школы и американской...слушая Чайковского, не оставляло чувство - что Мильштейн лишь демонститует своё владение инструментом...а музыка где !?! Виртуозность должна быть не целью, а средством - вот главное для музыканта любого ранга...об этом надо помнить.
👍🏼👍🏼
👍🏼👍🏼
El video se corta en los compases finales, lástima. Además hay otras pequeñas fallas, una poco antes del corte final y otra poco antes de la entrada del solista en el movimiento lento. Kashimoto es muy bueno, y la orquesta de la NHK también. Ojalá lo puedan corregir.
One of the greatest ever violinists, at the top of his game - each note is like a jewel, and all for the purpose of a noble vision of what he wants to say with the music.
Wonderful film. I never knew about him before. Thank you
Jessye Norman is astounding. She’s my favourite of all time. This Brahms is stunning.
Qué belleza!! Congratulations from Buenos Aires.
Le chef Rattle a affaire a deux exellents solistes et peux donc s' occupert vivement de l'orchrstre trop fourni.! Dommage que le mouvrment rapide manque à l'écoute !
C'est probablement la plus élégante interprétation réussie grace à Rattle face à un orchestre trop fgurni et au positionnement bien choisi des solistes
YESSS!!!! Radovan!!!
toll
I don't get some of the responses, The audiences weren't rude at all. They were naturally showing a sense of wonder after hearing the performance.
Magnificent. 🌸🌸🌸💞🕊
Why do some of the Berlin Phil members smirk at times while they are playing? Do they catch other members messing slightly and then smirk? I see this so often.
Not sure why I haven't heard very much of this soloist before, but this is definitely one of my favorite recordings of the Saint Saens. Kashimoto's high-caliber technicality and musicality here makes this performance quite convincing to me!
What a joy. I'm 42 years old and thought I'd heard all of Brahms vocal works, but tonight I find this, and by Ms Norman too.
Play the British national anthem in the Netherlands. Come on. Your musicianship is excellent, but it's important to be mindful of common sense.
So elegant!
Очень хороший скрипач!❤❤❤
Which waltz is it that Jong-Gyung played?
Krivine likes a dragging tempo. Kogan is here about 53 years old, yet looks as frail as an 80 yr old. What a great violinist in his time. Exceptional. He plays tutti with the orchestra in the introduction - a nice way to get warmed up, I suppose, and not just stand there dangling the fiddle for 10 minutes of intro. Look at how tight his bow is screwed. You don't see that often.
挑戦してるだけすごい勇気 お客さんも理解度高くて優しい…
Williams Mary Lopez Eric Williams Michelle
Fantastic!
As so often with Milstein, their is too much nervousness in his playing. In all honesty, a child (be it a prodigy) like Himari does a better job. She really lets the music breathe.
The entire audience ought to be banned from ever attending another concert. Ignorance is no excuse
goosebumps
So disappointing not to hear it all.
UNA EXCELENTE Y HERMOSA INTERPRETACION , DE LA ORQUESTA Y SOLISTAS.
❤❤❤🌹
Aber das sind doch gar nicht die Emersons in diesem Video
Perfection itself! 👏👏👏
This is wonderful playing! Can we have the third movement too?
謝謝!偉大的獨奏!。⭐⭐⭐⭐⭐👍
What happened?! The video just ended suddenly at 26:53? Sometimes I hate TH-cam!
Amazing playing. What a great quartet!
Not even close to Roman Kim's rendition...
Hahahah the voilin sound funny hahahahahahaHAHAHAHAHAHHA!!!!
W.O.W..... just wow.... he made it seems light, effortless and clean! But the gymnastics from those fingers and bow is just.....stunning! Thank you.
This is what I call an ideal performance in every possible way. Certainly my favourite performance of this piece.
beautiful sound
Старость гадость.это гадость, а скорее всего проклятие семьи.
Bravo Maestro Ehnes, what a beautiful rendition of this poem. Thank you Sir
The fact that the audience was so disturbing that… Ning Feng missed a note
Wunderbar, wie respektvoll Blomstedt mit den Menschen umgeht. Da, wo es viel zu loben gibt, lobt er uneingeschränkte und mit persönlicher Freude. Aber auch, wenn etwas nicht so klappt, wie es sollte, bleibt er lieb und verbindlich, z.B. als der Hornist seinen letzten Ton bei der vorgeführten Stelle verkickst, lässt er es dabei bewenden und sagt zu ihm: "Sie schaffen das schon!"
Played beautifully and clean 😢
Благодарю! Браво👏👏👏👏👏👏👏👏👏👏