Debussy: The Complete Preludes (Jumppanen)
ฝัง
- เผยแพร่เมื่อ 23 พ.ย. 2018
- One of the great peaks of the prelude literature for piano, alongside Chopin’s, Rachmaninoff’s and Scriabin’s (late) prelude sets. These works are consistently ingenious in the deployment of those devices that are now consistently associated with impressionism - modal colour, exotic scales (whole-tone, pentatonic, double harmonic, Hungarian), non-functional harmony (planing chords, purely colouristic intervals, hanging and extended chords), pedal points, timbral figuration. Interestingly, Book 2 is very different from Book 1: it’s far more pessimistic and abstract, so much so that it was greeted upon publication with some disappointment. Book 1’s fantasy has been replaced by a certain weary or ominous realism, and you get the feeling that Book 1 was more explicitly imagistic in nature, while Book 2 is symbolic - it’s going for what certain images and objects *mean*, rather than trying to depict them per se. Book 2 is also completely written on 3 staves - its sound is a bit more expansive and less propulsive, more delicately tiered.
Book 1
1: Dancers of Delphi - A languorous melody embedded in a chordal texture.
2: Sails/Veils - Whole-tone scale, then the pentatonic, then whole-tone scales again. Sailing-boats stuck to a pedal-point
3: The wind in the plain - A displaced trill trembling like grass on a plain. Flashes of lightning in the middle.
4: "The sounds and fragrances swirl through the evening air" - Harmonically rich, disfigured waltz
5: The hills of Anacapri - Luminous bells introduce an ecstatic tarantella
6: Footsteps in the snow - Possibly the bleakest soundscape in the preludes. Trudging footsteps form an ostinato in the LH. Ends in emptiness.
7: What the West Wind has seen - The frozen landscape descends into a maelstrom.
8: The girl with the flaxen hair - The most tonal prelude, recalling Debussy’s early style.
9: Interrupted serenade - A guitarist tries to serenade a potential lover, but is interrupted.
10: The submerged cathedral - First, bells stifled by the depths of the sea (given mixolydian, lydian, and then phrygian colour); as the cathedral begins to rise, full chiming bells, a sustained plainchant, then a booming organ pedal-point.
11: Puck’s dance - The mischief-maker from A Midsummer Night’s Dream. A loose gigue (in sonata form?) stuck through with dorian colour.
12: Minstrels - Banjo imitations interrupted by surprisingly blatant dominant-tonic pedals in G. A warmly sentimental lyric is introduced, as well as a drum-like theme.
Book 2
1: Mists - Fleeting shadows in the RH over a mystic, stunned chorale in the LH. The second theme is played in octaves separated by a desolate gulf in the middle of the keyboard.
2: Dead leaves - Dejected, inbent.
3: Wine door - Inspired a postcard Debussy received from De Falla of a Moorish wine-gate in Grenada. A playful evocation of an archaic habanera, underlaid with supressed violence.
4: The fairies are exquisite dancers - A fluttering dance alternatives with lyric passages.
5: Bruyères - Pastoral, with improvisatory figures that mimic birdcalls. Nostalgic and a bit lonely.
6: General Lavine - eccentric - Alternately comic and sentimental, crude and refined.
7: The terraces of moonlit audiences - Aching, rapt. Possibly inspired by a newspaper article about the coronation of George V as King of India, which concluded with the words: “…the audience was observing the events in a shimmering moonlight.”
8: Ondine - Ravel’s water nymph was hushed and candescent; Debussy’s is evasive, even, at points, slightly threatening.
9: Homage to S. Pickwick - Opening with a forceful but absurd parody of ‘God Save the Queen’, this prelude presents a sequence of contrasting musical styles, all linked only by their humour. Debussy was, for reasons only he will know, awfully fond of the British (see the little jig tune that the character whistles at 1:14:43 while walking into the distance).
10: Canopic jar - Debussy’s desk was occupied by two Egyptian canopic jars: this prelude is a meditation on death, but death held at a great distance, still and somehow hermetic. Even the sudden tonal shift in the fourth bar sounds inevitable, and the recurrent chromatic phrase centred on C# has the character of an incantation.
11: Alternating thirds - An etude, bone-dry.
12: Fireworks - A dazzle through which a deformed recollection of the Marsellaise is heard. Virtuosic and brilliant, but in a brutal way, like light too bright to look at directly. - เพลง
![พาแม่บินครั้งแรก..เกือบวูบ! ให้เกาหลีเยียวยาใจ I Korea Ep.1 [Seoul] x อุงเอิง](http://i.ytimg.com/vi/waL3__dEQBU/mqdefault.jpg)
Jumppanen approaches these preludes armed with preternaturally fine dynamic control, a keen sense of shape & structure, and wonderful imagination (when the score says “caressingly”, you hear it, and Jumppanen is one of those who actually separates his mezzo-pianos, pianos, and pianissimos). The tempi in the slower preludes can get really very slow, but these are in service of colours that appear to stop time. And the characterisation you get in many of these is just perfect - the grand prismatic architecture of the ‘Submerged Cathedral’, the wry & slightly weird menace of ‘Wine Door’, the sparks of ‘Fireworks’, one moment festive & balmy, and the next mesmeric and dangerously close, so that you almost feel in danger of getting burnt. There are many great recordings of the preludes out there, but few are as haunting as this one.
Book 1:
00:00 - 1. Lent et grave (...Danseuses de Delphes, Dancers of Delphi)
03:46 - 2. Modéré (...Voiles, Sails/Veils)
07:38 - 3. Animé (...Le vent dans la plaine, The Wind in the Plain)
09:51 - 4. Modéré (...«Les sons et les parfums tournent dans l'air du soir», "The sounds and fragrances swirl through the evening air")
14:20 - 5. Très modéré (...Les collines d'Anacapri, The Hills of Anacapri)
17:51 - 6. Triste et lent (...Des pas sur la neige, Footsteps in the Snow)
22:08 - 7. Animé et tumultueux (...Ce qu'a vu le vent d'ouest, What the West Wind has Seen)
25:47 - 8. Très calme et doucement expressif (...La fille aux cheveux de lin, The Girl with the Flaxen Hair)
28:43 - 9. Modérément animé (...La sérénade interrompue, Interrupted Serenade)
31:25 - 10. Profondément calme (...La cathédrale engloutie, The Submerged Cathedral)
38:42 - 11. Capricieux et léger (...La danse de Puck, Puck's Dance)
41:32 - 12. Modéré (...Minstrels)
Book 2
44:03 - 1. Modéré (...Brouillards, Mists)
47:19 - 2. Lent et mélancolique (...Feuilles mortes, Dead Leaves)
51:03 - 3. Mouvement de Habanera (...La puerta del Vino, Wine Door)
54:31 - 4. Rapide et léger (...«Les fées sont d'exquises danseuses», "Fairies are exquisite dancers")
57:45 - 5. Calme (...Bruyères, Heather/Town in Eastern France)
1:01:05 - 6. Dans le style et le mouvement d'un Cakewalk (...Général Lavine - eccentric)
1:03:46 - 7. Lent (...La terrasse des audiences du clair de lune, The Terraces of Moonlight Audiences)
1:09:08 - 8. Scherzando (...Ondine)
1:12:45 - 9. Grave (...Hommage à S. Pickwick Esq. P.P.M.P.C., Homage to S. Pickwick)
1:15:24 - 10. Très calme et doucement triste (...Canope, Canopic Jar)
1:19:16 - 11. Modérément animé (...Les tierces alternées, Alternating Thirds)
1:21:48 - 12. Modérément animé (...Feux d'artifice, Fireworks)
Ashish Xiangyi Kumar
Didn't you upload Zimerman's take on the Preludes? Has it been deleted?
I was about to ask your opinion on your preference between Zimerman's and Jumppanen's because they are both superb recordings in their own merits (although I say this with the knowledge that Zimerman's recordings have been negatively viewed by some to be too harsh and the like)
@@athanasiusleong3815 I have a CD with all the Preludes performed by Werner Haas and these are also great (in my opinion)
Was
Book 1
0:00:00 1. Dancers of Delphi
0:03:46 2. Sails/Veils
0:07:37 3. The Wind in the Plain
0:09:51 4. The Sounds and Frangrances Swirl Through the Evening Air
0:14:20 5. The Hills of Anacapri
0:17:50 6. Footsteps in the Snow
0:22:08 7. What the West Wind Has Seen
0:25:47 8. The Girl with the Flaxen Hair
0:28:43 9. Interrupted Serenade
0:31:25 10. The Submerged Cathedral
0:38:42 11. Puck's Dance
0:41:32 12. Minstrels
Book 2
0:44:03 1. Mists
0:47:19 2. Dead Leaves
0:51:02 3. Wine Door
0:54:31 4. The Fairies Are Exquisite Dancers
0:57:45. 5. Bruyères
1:01:05 6. General Lavine
1:03:46 7. The Terraces of Moonlit Audiences
1:09:07 8. Ondine
1:12:45 9. Homage to S. Pickwick
1:15:24 10. Canopic Jar
1:19:16 11. Alternating Thirds
1:21:48 12. Fireworks
00:00 №1 Dancers of Delphi
14:18 №5 The hills of Anacapri
25:45 №8 The girl with the flaxen hair
28:42 №9 Interrupted serenade
31:25 №10 The submerged cathedral
41:30 №
12 Minstrels
51:00 №15 Wine door
1:01:05 №18 General Lavine - eccentric
th-cam.com/video/kwuVUG8y-lU/w-d-xo.html
You are a seriously underrated gem when it comes to TH-cam as a whole. An absolute must for classical piano fans. Fantastic uploads as always.
Оче
Couldn't agree more with this
How is this underrated, this channel has been getting millions of views for years
@@BRNRDNCKIt should have far more views and subscribers than it has now.
00:01 Дельфийские танцовщицы
14:20 Холмы анакапри
17:50 Следы на снегу
25:47 Девушка с волосами цвета льна
28:43 Прерванная серенада
31:26 Затонувший собор
41:32 Менестрели
54:31 Феи
1:09:08 Ундина
1:21:48 Фейерверк
The Untitled Goose Game seriously has me wanting to finally learn all of these...and then put on a recital. I seriously was so excited when I heard Debussy Preludes.
If a game can get people into classical music that would be the greatest accomplishment. I'm sad I never knew about this, I love Debussy and had never heard of it. Thanks Goose Game!
Thank you Ashish for uploading these pieces with such quality. Your videos have the best audio quality of all sheet music channels, and you even write amazing descriptions with deep analysis. Thank you for giving us the most enjoyable sheet music video experience!
Its a very beautiful and imaginative piece, I was at a live concert and i felt so immersed. If its your first time listening these preludes you should close your eyes and think of the music and compare your interpretations to Debussy's as the preludes title is purposely in the end so you dont immediately know what Debussy's ment and instead figure it out by the harmony and the specifically placed notes.
I am so intrigued by this collection. It slowly reveals itself over multiple listens.
Finally! You're back!
Wow, I don't think I've ever heard a more potent rendering of these preludes by any other pianist that I'm aware of. Glad I discovered this pianist.
What is your opinion on Krystian Zimerman? I would just be really interested.
@@felixmladenov5428 I'm not a fan of his interpretation. Sounds too aggressive, curt, and dry at certain moments, especially in Les collines d'anacapri.
@@toothlesstoe I never thaught about that but after comparing some of the preludes with your words in mind (especially les collines) I was really shocked. The only one where I like Zimerman's sharp version more is La Danse de Puck. I will have to choose one of both recordings of the preludes for my personal hall of fame but I already am also really positively surprised by this pianist's understanding and already can identity with this interpretation pretty good.
Debussy is one of a handful of composers that I look to for musical calming (if that makes sense). This beautiful collection of works is a much needed respite. Thank you for posting.
It 100% makes sense
Such a lovely sound. I do love the rich deep sounds when you hear notes from the bottom octave on the piano -which is one reason I like Debussy's music. He tends to make use of the full length of the 88-note keyboard. One reason I lost interest in learning piano for a few years as a child was Dad's stupidity in getting a 73-note mini piano. Only after he died when I was 14 and I got my own proper piano did I start to go back to it again.
you have my subscription. thank you as always for the album-notes!
Brilliant playing by a pianist I had previously not heard of.
You are alive!!!! :,)
0:00 1. 델피의 무희들
3:46 2. 돛
25:48 8. 아마빛 머리의 처녀
31:25 10. 가라앉은 사원
This gives me GOOSEbumps
I get what you dif there
Thank you for posting dude!
51:01 Ворота Альгамбры
22:10 То, что видел западный ветер
3:47 Паруса
44:03 Туманы
7:37 Ветер на равнине
9:50 Звуки и запахи реют в вечернем воздухе
14:20 Холмы Анакапри
17:50 Шаги на снегу
This is spectacular, thank you !!
Somehow found this work when I Google searched "Legacy of Ys: Books I & II DS" and decided to TH-cam book 1. Amazing music!
Mists is such a cool piece, totally paints the right picture of the phenomenon.
an extraordinary musical vocabulary... beautiful
what a special piano harmony! my admiration
So ominous but serene at the same time.... I DONT KNOW HOW TO FEEL!!!!
Interesting to hear these from a (relatively) unknown pianist, thanks for shedding light on some deserving musicians! That being said, it would be great to compare this interesting interpretation with one of the more "established" recordings, such as the complete set by Paul Jacobs, Krystian Zimerman, or Stephen Osbourn. In any case...this music never gets old or repetitive to hear!
Really good description !
00:01 - 1
3:47 - 2
14:18 - 5
17:50 - 6
25:45 - 8
31:25 - 10
14:20 goose time
Just what I came here for.
It’s just such good music, also perfect for the game
The ad?
is debussy on that goose game? i've never played it (the game, also the prelude lol), but that's cool
@@comradeluigi8631 Most of it's soundtracks were selections from Debussy's preludes.
Thanks for your work
Something interesting about the two most lyrical preludes, The Girl With the Flaxen Hair and Bruyeres, the structures of the two pieces are quite similar. Both land on the IV chord and we hear the melody repeated in a higher octave toward the ends of both pieces.
Thank you so much for this.
No performance is as intriguing and captivating as Jumppanen’s performance
Jumppanen’s Debussy is inspirational and magnificent, and full of admiration and emotion
FromTokyo
thank you as always, where do you/can i get good reviews, or recommended recordings of classical music? thx
I love how poetic Debussy's directions are: "with the sound of distant horns" at the end of Sons et Parfums, "sounding like a melancholy, frozen landscape" in Des Pas Sur la Neige, "with profound calm, in a gently resounding mist" in La Cathedrale. These are some of my favorite pieces ever written, and Jumppanen plays them very well. I first heard Gieseking's recording of these, and Gieseking plays them far too quickly. I like the slower tempos, like in Collines, which allows you to really hear the notes of the song in it.
41:32 makes me want to bully a gardener
1:26:01 echoes of la marseillaise in the distance: "Aux armes citoyens"
J'adore le prélude bruyeres, c'est mon préfére d'eux.
Best youtube channel
Wonderful
41:32
The goose is loose.
do do dede dum dodo dedede dumdo dodododddeeddoddododdo ddoedededed thats da song
Do you plan on doing contemporary pieces like Messiaens Vingt Regards?
I never had a favorite composer before I stumbled upon your channel (its Franz Liszt now btw). Thank you for all of the uploads and the insightful commentary on the pieces and performers!
If you like Liszt I've got some scored rare pieces of his on my channel :D
Andrei Cristian Anghel It’s crazy how much I see you everywhere! Love your work
Nice
Claude Debussy's Preludes, played here with the sheet music by the extraordinary pianist, Jumppanen, are sensitive, nuanced, and moving. Enjoy the experience! The 2nd one at 3:45 has a mystical vibe.
How can you call Les tierces alternées a "bone dry etude"? The third is one of the more vibrant intervals, and the shading Debussy produces with it in that prelude is truly dazzling.
00:00 Danseuses of delphes
3:46 Voiles
5:54 listen to those overtones scream.
screaming overtones is a nice oxymoron haha
3:49 - №2
25:48 - №8
31:25 - №10
1:15:24 - №22
Great version! But i think that Juppanen's interpretation is quite more rough and less sweet and charming than others. Many sweets and charming parts of this preludes (f.e. the tender motive of "La Sérénade interrompue") are played on a harshly way, and rougher parts like the West wind are played way to slow, and delicate, when if it's the wind, it must be savage and "détaché". The Cathédrale Engloutie is played slow and soft when it must be the Cathédrale going gloriously up and it's played fast and unpassioned when the climax-organ part comes in. Bruyères is played as well more improvisatory than deep. I think that each of these preludes are philosophical reflexions, and have to be played like this, deep, philosophical, humoristic sometimes and cautiously, elements that i didn't heard in Juppanen's interpretation. Anyways, when I saw the notification I remembered that Ashish uploaded Zimmerman's version as well. So, anyone knows what happened with Zimmerman's preludes video? :( I couldn't find it anywhere.
I agree w you this composer didn't fully intimate w the compositions. Also the footsteps in the snow he played too fast during most of the piece. He didn't really get the 'triplet within the triplet' in the motif for every half note. At the speed of his first triplet he plays he should be enlongating the rest of the half note much more.
00:01 Дельфийские танцовщицы
03:47 Паруса
07:37 Ветер на равнине
25:47 Девушка сволосами цвета льна
28:43 Прерванная серенада
31:25 Затонувший собор
41:32 Минестрели
2 т
44:03 Туманы
51:01 Ворота Альгабамы
01:19:16 Чередующиеся терции
Is there any better WFH music than Debussy? Thanks for this upload.
59:40 I though he was gonna play the star wars theme
First time I heard star wars theme i thought they were going to play Debussy's prelude.
Exactly
Que bien interprtado ,muy difil
I am responsible for half of the views. I've never been so obsessed with a collection of music before these preludes
Still am
I am obsessed with u
Still am
Still obsessed. Perfect music
Yardy know
Зошит 1
0:00:00 1. Дельфійські танцівниці
0:03:46 2. Вітрила
0:07:37 3. Вітер на рівнині
0:09:51 4. Звуки й аромати майорять у вечірньому повітрі
0:14:20 5. Пагорби Анакапрі
0:17:50 6. Кроки на снігу
0:22:08 7. Те, що бачить західний вітер
0:25:47 8. Дівчина з волоссям кольору льону
0:28:43 9. Перервана серенада
0:31:25 10. Затонулий собор
0:38:42 11. Танець Пека
0:41:32 12. Менестрелі
Зошит 2
0:44:03 1. Тумани
0:47:19 2. Мертве листя
0:51:02 3. Ворот Альгамбри
0:54:31 4. Феї - чарівні танцівниці
0:57:45. 5. Верес
1:01:05 6. Генерал Лявін
1:03:46 7. Тераса, осяяна місячним світлом
1:09:07 8. Ундіна
1:12:45 9. На знак пошани С.Піквіку
1:15:24 10. Канопа
1:19:16 11. Терції, що чергуються
1:21:48 12. Феєрверк
The Little Shepherd, Children's Corner Suite.....with a dose of Jimbo's Lullaby, and maybe a little ... of everything else.
My score for La Cathedrale has only the contra-C for the big tolling bell-sound during the climax, not a C octave. I wonder which is correct? I've heard both (with just the lowest C and with octaves) in various recordings.
No c octave. Mine and all other sheets I have seen only the one c
top 5 favorites IMHO:
5. Feux d'artifice
4. La terrace des audiences au clair de lune
3. Voiles
2. Ondine
1. La Cathedrale Engloutie (by a lot)
Mine:
5 - La danse de Puck
4 - Général Lavine
3 - Canope
2 - La terrasse des audiences au clair de lune
1 - Ondine
1 тетрадь
1 Дельфийские танцовщицы
2 Паруса
4 Звуки и ароматы кружатся в вечернем воздухе
6 Шаги на снегу
8 Девушка с волосами цвета льна
9 Прерванная серенада
10 Затонувший собор
11 Танец Пака
12 Менестрели
2 тетрадь
2 Мертвые листья
3 Ворота Альгамбры
6 Генерал Лявин - эксцентрик
8 Ундина
12 Фейерверк
0:01 Дельфийскип танцовщицы
3:47 Паруса
22:09 Что видел западный ветер
25:48 Девушка с волосами цвета льна
31:26 затонувший собор
'9: Interrupted serenade - A guitarist tries to serenade a potential lover, but is interrupted.' Really? Come on! "La serenade interrompue" is a clear hommage to the great Isaac Albéniz! If you listen to "El Albaicín" and then this prelude you will be able to notice Albéniz's influence on Debussy (at least on this piece and La Soriée dans Grenade). Anyway, great video descriptions: I really like these music channels :D
1:12:45 god save the queen anyone?
Aren't impressionism and prelude's a perfect combination?
47:19 reminiscent of scarbo and le gibet.
27:43 One of the greatest deceptive cadences of all time
One rezon I am listening this is my odsłuch of music literature. This is huge hłam.
IT'S REAL GOOSE HOURS
"les fees sont d'exquises danseuses" is very reminiscent of Ravel's "noctuelles" i find
This Debussy guy is awesome, when's his next album coming out?
Heard his last mixtape is a bop
I talked with him a few times, he said to check out Ravel if no new albums were coming later that month.
It'll be "Debussy Unplugged", just like the last 3 :-D
1:21:04
My ears are telling me there are misread accidentals in bar 29-30 of Feuilles mortes. I think he's playing D#'s instead of Es in the second chord in each group - should be B#-E-G natural-B#. Perhaps also in the preceding bars. Can someone check?!
👏👏👏👏👏
DeGOOSEy
1:22:20 hmmmm, sounds like Liszt's "Scherzo und Marsch"
sounds like flight of the bumble b-flat by Ben Lee
Just sound a little bit like Liszt.. but absolutly not like his Scherzo ..
03:46
09:51
31:25
The Girl With the Flaxen Hair and Submerged Cathedral are the best pieces.
Preciosos preludios ,estoy bien gracias ,y tu ? Lindo dia
Debussy is like the rain.
Whats the easiest prelude ???? ( mu english is too Bad)
Des Pas sur la Neige, and La Fille aux Cheveux de lin are the easiest, although Des Pas requires very good tonal control to sound interesting. La Fille is usually the first prelude taught. Also Danseuses de Delphes is fairly easy.
If I were going to rank Book I in order from easiest -> hardest it would go 8, 6, 1, 10, 4, 2, 12, 9, 3, 11, 5, 7. La Cathedrale gets harder if you have small hands, and seriously tests your pedalling, but it's technically not so difficult. West Wind is the hardest of the set by a *lot*.
Book II would go 5, 10, 9, 2, 6, 1, 3, 7, 8, 11, 4, 12, and again, Fireworks is the hardest. Supposed to be the hardest prelude in the set but I think West Wind is hardest. La Fille and Des Pas are easier than anything in book 2.
Boi you is a savage, scirabins 'late' preludes 😂
Power Gaming lol, I am wondering which late set. The op 74? I thought op 11 was more iconic
@@kwkarlwang nah I mean in the description it said that his late preludes were iconic - so he kust don't care bout the others😂
@Tyler Gerhardt in the description Ashish meantions other great preludes and he said scirabins late preludes, so he's saying the early one aren't that great.
@@powergaming3429 no I think that both sets are great, perhaps Ashish intended that the op.74 are more iconic since they're more original and written in Scriabin's "official" style if you know what I mean
Interestingly enough, the doubled bass line at 1:12:46 sounds like god save the queen.
it's a direct quotation of god save the queen. Prelude #9 is titled "Hommage à S. Pickwick Esq. P.P.M.P.C" referencing the titular character of Charles Dickens’ The Pickwick Papers so Debussy is bringing in a bunch of "English" associations and vibes
44:03
You can hear the pianist breathe heavily during the Cathédrale Engloutie x)
1:01:05 Book II Prelude Nº6
57:45 Book II Prelude N°5
17:50 Book I Prelude Nº6
31:25 #10
18:21
28:44 Min. :)
Where can i find these sheets?
try imslp?
Is the sheet music archive still a thing? Haven't thought of that site in forever.
@@cjg8763 if you're referring to Imslp yep, it's still active
1:12:46
* cries in 61 keys *
Oh Debussy...
25:47 38:42 41:32
Si se apaga ,,me ponen PAUSA
25:47
Gorgeous
Paavali Jumppanen is great! And so is Debussy!
Hi, I don't know if you know this, but your videos are often interrupted by ads.
47:20
If only Untitled Goose Game had more levels
What do you mean?