No matter the origins, it's part of the common heritage of humanity. It has no nationality, no religion. It's just an eternal momentum to be shared by all those who open their heart to the beauty of true connection with Source. We're all linked. ❤❤❤
@@ancaflorentina1 Tamam da bu Türk Klasik Müziği ve makamlarıdır. O günki Türk Dünyasının parçası Dimitri Kantemiroglu ve sarayda egitim gördü. Evet Kantemiroğlu Moldovalı prenstir.
Love this.....I am a musician....and my family name was Anglicized from Kantymir to Ketemer when my great-grandfather came to Canada from Bukovina in 1902. I do not know if my descent was genetic or only nominal.
Cantemir was Romanian/ Moldavian. Bucovina was part of the Moldovan state until 1775. ps: where from Bucovina? where in AB? I live in Bucovina and Dimitrie Cantemir is the name of the street next to mine. I've been in FortMac during the last oil boom
@@michaelketemer9952 Interesting. That village is now in Ukraine, probably somewhere around the border, near Bucovina. The Romanian name would be ”Stăuceni”
desde Chile, admirada de tan bella musica e interpretes, como dice un señor, esto es herencia, patrimonio del mundo , para el mundo, felicitaciones, me imagino en esa epoca, bailando al ritmo cadencioso de estas notas que fluyen con tanta naturalidad de cada instrumento, gracias
Super! Bravo! Greetings from the Cantemir s country, Romania. We also have here a group callen Anton Pann that issued a double CD with Cantemir s music. Great!
@@umserserum The Romanian state was formed by the union of three provinces inhabited by Romanians (same language - Romanian, same religious belief - Orthodox Christians): Moldova, Wallachia (or Romanian Country) and Transylvania. The name Romania was adopted because the inhabitants of these lands, in their language, called themselves Romanians.
Many Armenian, Greek,Serbian,Jewish,Hungarian,Albanian and Moldavian composer like Cantemir did a lot contribution to Ottoman Music. Many nation embraced the Ottoman music and we are gratefull to them.
Compoziții minunate ale eruditului domnitor român Dimitrie Cantemir! ❤💛💙 Mulțumesc muzicienilor de înaltă clasă pentru interpretarea plină de căldură și sensibilitate, balsam pentru suflet!🎵🎼🎶🎻🪕🪘🪈 Recunoștintă celor care au postat acest concert 🙏
Transcendent. Easily taken for granted but the skill, devotion, spirit that these humans have put into crafting this for us all is truly phenomenal. Thank you, I will aim to purchase your entire catalogue.
@@petrtymp6113 This is a baseless claim. Turkish classical music originates from Semerkand and Bukhara thru a chain. Rums ( False Greeks) just blow nonsense. If its like that, why there is same melodies, tones, makams in Semerkand and Buhara today ? Explain
This is so beautiful, a balm for the soul! I first came across the music of Dimitrie Cantemir through Jordi Savall, and then Anton Pann Ensemble. Words cant describe how much I love this - so divine and peaceful, speaks to our common humanity. Thank you for sharing.
The most natural sounding and captivating interpretation of Cantemir and Safavid era music available today! Hopefully these old rhythmic cycles and compositional techniques can influence modern Persian dastgah music. I think the Qajar era lost some of this beauty in its rhythmic compositions, they seem to usually just stick to slow tasnifs and athletic chaharmezrabs almost all in 6/8. And these frame drums seem more suitable to Persian music than the modern daf, which I think is Kurdish in origin, or a solo tonbak, which often gets drowned out in larger ensembles.
While it is absolutely true that Qajar era music traded rhythmic complexity for the melodic exactitude of the dastgah system, many of Cantemir's compositions (especially Zenguleh pishrow, Bestenigar pishrow, Buzurg pishrow and Mahour pishrow) are of a different "school", so to speak (probably of late 17th century origin, mostly in Southeastern Europe and large cities in Turkey) with very complicated, sometimes almost "atonal" (for the lack of a better word) melodic lines and way slower tempos. We don't have much evidence of this school existing in Persia; compare with Muhayyer pishrow, Bousalik pishrow and any of his samais; which is in a style much more common with the rest of the art music repertoires of the period.
@@efruhte1692 I assumed there were all ‘ajamlar’, pieces that Cantemir attributed to Persian immigrant musicians in the Ottoman court. But I guess that’s because Constantinople did that one project Journey to the Summit featuring such compositions and they sounded similar, at least to my novice ears. So these pieces are more uniquely Ottoman in origin?
These are Cantenir’s own compositions, which he sprinkled into his anthology. We can identify two styles of composition in his corpus; one more in common with both Ottoman and Persian composers of the early to mid 17th century (the second style I mentioned in my previous message). The other one, which is more influenced by Byzantine styles as well as innovations native to the Ottomans in the late 17th century, is his more “mature” style (the first style I mentioned in my previous message).
@@efruhte1692 Thank you for explaining this! That's really interesting that he was an innovative composer in his own right, I thought he only invented a way to transcribe extant compositions. One last question for you, was any aspect of the melodies in the music he composed unique, or was it still based on the existing Ottoman/Persian makams?
@@bhag628 Well, since makams are deconstructive melodic entities which are not necessarily bound to any scale/progression or anything else, and rather function as conceptual categories; people often twisted the rules of a certain existing makam to its conceptual extreme (a good example of this is the sheer craziness that is Zaharya’s Bestenigâr Kâr) and created something very unique. Some pieces here (for ex. Zenguleh pishrow) do that to some extent, while others don’t. As for inventing new makams, we have no data to suggest that he created any.
"Time present and time past Are both perhaps present in time future, And time future contained in time past. If all time is eternally present All time is unredeemable." T.S. Eliot - 1943
Mi canción favorita de Cantemir es el Muhayyer Peshrev (o Muhayyer pishrow, como lo llaman aquí). Me gusta la versión de aquí y la de Jordi Savall. Es bonito tararearla cuando estoy en el trabajo. Es increíble como cada versión de esa canción tiene su sabor único.
Bazı insanlar ve zalimler dünyayı kendilerinin sanıyorlar Dünya hepimizin çiçek böcek canlı cansız demeden Kurtuluş yok tek başına Ya hep beraber Ya hiç birimiz BİZ BERABERKEN dünya daha güzel olacak Savaşa sömürüye son.vermeliyiz Birbirimizi sevmek varken Savaşlar niye ? DİN ve DEVLET bizi birbirimizden ayırdı Hadi gelin.BUTUNLESELİM zor değil biraz çalışalım bu konuda OLACAKTIR 🍓🍒🍎🍉🍆🌶️🌽🍅🍋🍇
neresi güzel? adam müzikleri düzenliyorum ayağına hırsızlık yapmış. Bu Klasik Türk musikisine aittir. Kantemirin müziklerini resmen fars müziğine uydurmuş ve saçma sapan bir şey çıkmış ortaya
This music popped onto my feed....and I must say, I have never been disappointed when this has happened...this music is so lovely and has an old world feel to it also. So much beautiful music and talented people all over our home on Mother Earth 🌎 ❤...Peace and Love to all of you my brothers and sisters ❤❤❤...and I just have to say I had to do a double take of the "gigantic guitar"...was it a tiny person playing...or was it gigantic guitar?? Lol Someone mentioned it in the comments that it is Called a "Theorbo"...without checking an Oxford dictionary to be more certain...the name seems to make reference to the God's in its first part...and certainly with its size, it could have been played by very large people, giants even...and maybe was so, for a part of history anyway. Thankfully they added a shorter part so mere mortals, average size humans, could actually play the Theorbo when it was passed down to them.😊😉😉 Lovely, lovely music. Thank you for sharing it 🙏❤️🦋
Cela ne change pas la réalité que vous faites de la musique Ottoman et pas grecque antique. Comme ma commentaire, pas du tout méchant, ne change rien à la qualité de la musique que vous faites et que j'écoute avec beaucoup de plaisir. Je vous en félicite. Et merci pour la commentaire de notre ami Jean-Pierre, meme si c'est un peu digne de miss monde qui ne veut que du bien du monde. 😜
Que hermosura de musica...estamos..abriendo..un..PORTAL,..que nos lleva a colocar..el..sitio..de ns. ALMA, atrapada..y..que..DIOS..nos..muestra..SU ROSTRO...SU DIVINIDAD..para benerarlo...GRACIAS.. es LA LLAVE , Amen amen amen..😮❤❤❤❤❤❤❤❤❤❤
No matter the origins, it's part of the common heritage of humanity. It has no nationality, no religion. It's just an eternal momentum to be shared by all those who open their heart to the beauty of true connection with Source.
We're all linked.
❤❤❤
yes yes yes from a montana 83 year old new born
I appreciate your comment by heart
That's why the Taliban and some fringe Christian groups in the USA want to see all music eradicated.
Sigur Dimitrie Cantemir face parte din cultura si istoria Românească ...deci?
@@ancaflorentina1 Tamam da bu Türk Klasik Müziği ve makamlarıdır. O günki Türk Dünyasının parçası Dimitri Kantemiroglu ve sarayda egitim gördü. Evet Kantemiroğlu Moldovalı prenstir.
Love this.....I am a musician....and my family name was Anglicized from Kantymir to Ketemer when my great-grandfather came to Canada from Bukovina in 1902. I do not know if my descent was genetic or only nominal.
Cantemir was Romanian/ Moldavian. Bucovina was part of the Moldovan state until 1775.
ps: where from Bucovina?
where in AB?
I live in Bucovina and Dimitrie Cantemir is the name of the street next to mine.
I've been in FortMac during the last oil boom
@@alexpaul6054 My grandfather's birth certificate has his village as Stavchany
@@michaelketemer9952 Interesting. That village is now in Ukraine, probably somewhere around the border, near Bucovina. The Romanian name would be ”Stăuceni”
desde Chile, admirada de tan bella musica e interpretes, como dice un señor, esto es herencia, patrimonio del mundo , para el mundo, felicitaciones, me imagino en esa epoca, bailando al ritmo cadencioso de estas notas que fluyen con tanta naturalidad de cada instrumento, gracias
با شنیدن این نواهای آسمانی روانم به پرواز در آمد. بسیار دلنشین.
Super! Bravo! Greetings from the Cantemir s country, Romania. We also have here a group callen Anton Pann that issued a double CD with Cantemir s music. Great!
❤
Cantemir's country Romania? I know of only one Cantemir and that's in Moldova.
@@umserserumHistorical Moldova includes both the present-day Republic of Moldova and the province of Moldova, part of the state of Romania.
@@Simona-Doina exactly, so why do you call that România? That region was always Moldova.
@@umserserum The Romanian state was formed by the union of three provinces inhabited by Romanians (same language - Romanian, same religious belief - Orthodox Christians): Moldova, Wallachia (or Romanian Country) and Transylvania. The name Romania was adopted because the inhabitants of these lands, in their language, called themselves Romanians.
جناب طبیسان گرامی درود بر شما همیشه شادکام و تندرست باشید 🙏🌹
Many Armenian, Greek,Serbian,Jewish,Hungarian,Albanian and Moldavian composer like Cantemir did a lot contribution to Ottoman Music. Many nation embraced the Ottoman music and we are gratefull to them.
Bosnian Sevdah-music...
....Greetings 💚
Greetings from Romania! Thank you for wonderful playing this divine music .Our prince Dimitrie Cantemir was a remarcable and gifted erudit .
Din păcate la noi nu se aud aceste melodii.
Compoziții minunate ale eruditului domnitor român Dimitrie Cantemir! ❤💛💙
Mulțumesc muzicienilor de înaltă clasă pentru interpretarea plină de căldură și sensibilitate, balsam pentru suflet!🎵🎼🎶🎻🪕🪘🪈
Recunoștintă celor care au postat acest concert 🙏
This music is so ancient and has many history behind being à création of many cultures that blended in the Levant région.
Dimitrie Cantemir is from modern Romania. Very far from the Levant!
@@BucharestBreak not so far and in the médiéval period till thé 18 century there was a huge oriental influence in Romania
Yes. There was a Greek - Byzantine influence from the families that were sent from the Phanar.
@@BucharestBreak not only that, but also à turkish one in Dobrudja région for example.
@@edenender tatars were there.
Another beautiful, beautiful concert. Thank you so much. :)
I just discovered Cantemir's life and music. This is beyond wonderful! It should enjoy much more interest in Europe and the Americas.
Роскошный рассвет Константинополя, великолепие и мощь истории! Браво! :)
qu'elle bonheur de vous écoutez !
Mulțumesc ❤
músicos e musicistas impressionantes! sem palavras, apenas gratidão por conhecê-los e poder ouvir esse néctar de música. 🙏🎶🔥
Transcendent. Easily taken for granted but the skill, devotion, spirit that these humans have put into crafting this for us all is truly phenomenal. Thank you, I will aim to purchase your entire catalogue.
Ekibinizi can- u gönülden tebrik ve takdir ediyoruz... Her şey için müteşekkiriz... Selamlar...
Merci. Induces trance state and transmits peace and spiritual connection.
Bravo Kiya for your masterful arrangement! An intoxicating performance by master musicians!!
Amazing and mesmerizing work by a talented group of musicians. I really enjoyed listening.
ΚΑΛΗΜΈΡΑ
Εξαιρετική δουλειά 😍😍🎸🎺🎵🎻🥁
magnífico!!! fico imaginando estas músicas sendo tocadas em volta da fogueiras pelos seus antepassados
And maybe even our Christ the Lord has heard them at the wedding in Kanna Galilean
Bravo! Bravo! Bravo! Maravilhosos!
Turkish Classical Music is an immense ocean without boundaries.
its actually Byzantine.
@@petrtymp6113 This is a baseless claim. Turkish classical music originates from Semerkand and Bukhara thru a chain. Rums ( False Greeks) just blow nonsense.
If its like that, why there is same melodies, tones, makams in Semerkand and Buhara today ? Explain
بسیار زیبا و دلنشین. دلتون گرم، غمهاتون کم.
Love the varied instruments and the different stages of which you played them x❤
Maravilhoso!Amei !Parabéns e Gratidão infinita pela música belíssima !Fiquei arrepiada de tanta emoção e beleza.
Stupendo!
Always impressive and touching.
This is so beautiful, a balm for the soul! I first came across the music of Dimitrie Cantemir through Jordi Savall, and then Anton Pann Ensemble. Words cant describe how much I love this - so divine and peaceful, speaks to our common humanity. Thank you for sharing.
The most natural sounding and captivating interpretation of Cantemir and Safavid era music available today! Hopefully these old rhythmic cycles and compositional techniques can influence modern Persian dastgah music. I think the Qajar era lost some of this beauty in its rhythmic compositions, they seem to usually just stick to slow tasnifs and athletic chaharmezrabs almost all in 6/8. And these frame drums seem more suitable to Persian music than the modern daf, which I think is Kurdish in origin, or a solo tonbak, which often gets drowned out in larger ensembles.
While it is absolutely true that Qajar era music traded rhythmic complexity for the melodic exactitude of the dastgah system, many of Cantemir's compositions (especially Zenguleh pishrow, Bestenigar pishrow, Buzurg pishrow and Mahour pishrow) are of a different "school", so to speak (probably of late 17th century origin, mostly in Southeastern Europe and large cities in Turkey) with very complicated, sometimes almost "atonal" (for the lack of a better word) melodic lines and way slower tempos. We don't have much evidence of this school existing in Persia; compare with Muhayyer pishrow, Bousalik pishrow and any of his samais; which is in a style much more common with the rest of the art music repertoires of the period.
@@efruhte1692 I assumed there were all ‘ajamlar’, pieces that Cantemir attributed to Persian immigrant musicians in the Ottoman court. But I guess that’s because Constantinople did that one project Journey to the Summit featuring such compositions and they sounded similar, at least to my novice ears. So these pieces are more uniquely Ottoman in origin?
These are Cantenir’s own compositions, which he sprinkled into his anthology. We can identify two styles of composition in his corpus; one more in common with both Ottoman and Persian composers of the early to mid 17th century (the second style I mentioned in my previous message). The other one, which is more influenced by Byzantine styles as well as innovations native to the Ottomans in the late 17th century, is his more “mature” style (the first style I mentioned in my previous message).
@@efruhte1692 Thank you for explaining this! That's really interesting that he was an innovative composer in his own right, I thought he only invented a way to transcribe extant compositions. One last question for you, was any aspect of the melodies in the music he composed unique, or was it still based on the existing Ottoman/Persian makams?
@@bhag628 Well, since makams are deconstructive melodic entities which are not necessarily bound to any scale/progression or anything else, and rather function as conceptual categories; people often twisted the rules of a certain existing makam to its conceptual extreme (a good example of this is the sheer craziness that is Zaharya’s Bestenigâr Kâr) and created something very unique. Some pieces here (for ex. Zenguleh pishrow) do that to some extent, while others don’t. As for inventing new makams, we have no data to suggest that he created any.
BRAVO! Merci. Concert magnifique, très belle musique!
ΜΠΡΑΒΟ !
wonderful music ❤
EXCELENTE BANDA, EXCELENTE OBRA, EXCELENTE CREACIÓN. BELLEZA EN SU MÁXIMO EXPLENDOR
Beautiful playing and powerful singing.
Keep doing you . 🎉
22:40 için geldim, dinleyip gidiyorum; o kadar güzel yorumlamışsınız ki, ömrümü yiyen parçalardan.
Gracias por esa música maravillosa, les abrazo desde Colombia
Maravillosos sonidos, acordes desconocidos a mí oído latino ... Gracias, Gracias , gracias
Saludos desde BA Argentina !!!
Saludos 🙏❤️🙏
I got introduced to Cantermir music by Jordi Savall. Since them I am a big fan. I really liked you performance.
Brilliant interpretations 👏👏👏🧡🧡🧡! Awesome music 🥰.
♥ Splendide musique et splendides musiciens. J'adore.
Love the sound of old world instruments.
Spectacular, infinite thanks for creating and sharing your music!!!!!!Greetings from Colombia.
Heart smiling all day long!!
ALL DAY!! 💗
Awesome 👌 🎉
ESPECTACULAR!!!!!!!!!
Danke ❤❤❤
BRAVO 1000000000000000000000000000000000000000000000000000000000000000000000
Thank you so much
MERCI❤🔥❤🔥❤🔥🙏🙏🙏
the sound of ney in the background impressed my heart so much :)
Amazing concert. Thank you for making this available and I wish you can bring this program to Toronto.
I second that
Que bello,gracias.
This music is supercool!
Kiya Tabass is one of the finest
Best wishes and sallam from Aga Khan Museum Toronto Canada
Una gran reflexion. .musical...un gran saudo desde Iquique Chile..
Красиво и тепло:спасибо
Пожалуйста
Just wonderful
Μπράβο αδέρφια!!!
Beyiniyle izliyorum. Sanatkarlara başarılar dilerim.
Bravo, très joli, très touchant
Espectaculares !
Felicitări, pentru ceea ce realizați!
beautiful, I loved the sound
❤ que maravilla, muchas gracias 🙏 Divino!!!
Thank you for this performance of such wonderful music.
Sublime!!
Não canso de ouvir❤ os músicos respiram juntos ,tudo muito organico uma música indescritível!
ABSOLUTELY AWESOME ❤
Just exquisite! Thank you!
Very beautiful! ❤️🙏
Profundo... ❤
"Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable."
T.S. Eliot - 1943
Adoro
Mi canción favorita de Cantemir es el Muhayyer Peshrev (o Muhayyer pishrow, como lo llaman aquí). Me gusta la versión de aquí y la de Jordi Savall. Es bonito tararearla cuando estoy en el trabajo. Es increíble como cada versión de esa canción tiene su sabor único.
Excellent ❤
So good! Amazing!
Belíssimas músicas!...se fechar os olhos, quase dá pra fazer uma regressão a vidas passadas (desculpe o exagero...rsrs)
Just amazing, incredible ❤
MULTUMIM!!❤
Tebrikler. Fevkaladenin fevkinde...
בעזרתו יתברך,
The Divine Music i know ❤💙💚6️⃣6️⃣🇺🇸🇮🇹💋🪴
Çiçek bahçesinde yiz Her ses güzel ❤
Bazı insanlar ve zalimler dünyayı kendilerinin sanıyorlar Dünya hepimizin çiçek böcek canlı cansız demeden Kurtuluş yok tek başına Ya hep beraber Ya hiç birimiz BİZ BERABERKEN dünya daha güzel olacak Savaşa sömürüye son.vermeliyiz Birbirimizi sevmek varken Savaşlar niye ? DİN ve DEVLET bizi birbirimizden ayırdı Hadi gelin.BUTUNLESELİM zor değil biraz çalışalım bu konuda OLACAKTIR 🍓🍒🍎🍉🍆🌶️🌽🍅🍋🍇
neresi güzel? adam müzikleri düzenliyorum ayağına hırsızlık yapmış. Bu Klasik Türk musikisine aittir. Kantemirin müziklerini resmen fars müziğine uydurmuş ve saçma sapan bir şey çıkmış ortaya
درودبرشما تمام سارها ایرانی واهنگ هم ایرانیست ما بی نهایت این اهنگ رادرایران شنیده ایم سپاسگزارم
This music popped onto my feed....and I must say, I have never been disappointed when this has happened...this music is so lovely and has an old world feel to it also. So much beautiful music and talented people all over our home on Mother Earth 🌎 ❤...Peace and Love to all of you my brothers and sisters ❤❤❤...and I just have to say I had to do a double take of the "gigantic guitar"...was it a tiny person playing...or was it gigantic guitar?? Lol Someone mentioned it in the comments that it is Called a "Theorbo"...without checking an Oxford dictionary to be more certain...the name seems to make reference to the God's in its first part...and certainly with its size, it could have been played by very large people, giants even...and maybe was so, for a part of history anyway.
Thankfully they added a shorter part so mere mortals, average size humans, could actually play the Theorbo when it was passed down to them.😊😉😉 Lovely, lovely music. Thank you for sharing it 🙏❤️🦋
Dimitrie Cantemir was a Moldavia prince, now part of România.
This is 100 percent Iranian traditional music, I am so happy for all the people around Iran that share this style of music. Very rich and beautiful.❤
Wrong, 100%! King Cantemir never go in persian empire!
Cela ne change pas la réalité que vous faites de la musique Ottoman et pas grecque antique. Comme ma commentaire, pas du tout méchant, ne change rien à la qualité de la musique que vous faites et que j'écoute avec beaucoup de plaisir. Je vous en félicite. Et merci pour la commentaire de notre ami Jean-Pierre, meme si c'est un peu digne de miss monde qui ne veut que du bien du monde. 😜
Que hermosura de musica...estamos..abriendo..un..PORTAL,..que nos lleva a colocar..el..sitio..de ns. ALMA, atrapada..y..que..DIOS..nos..muestra..SU ROSTRO...SU DIVINIDAD..para benerarlo...GRACIAS..
es LA LLAVE , Amen amen amen..😮❤❤❤❤❤❤❤❤❤❤
Even if Cantemir composed a piece of music like this, I get the impression they are imprivising around the original theme.
🌺❤️🌺
🌴🌳💚🌴
😢❤❤❤
🌹
Frumos pentru toată lumea,
inclusiv pentru turcii care ne-au ocupat câteva secole !
R. I. P. / Dimitrie Cantemir /1673-1723/ Amintire Veșnică !
I was in Montreal just yesterday... Because my flight to Ottawa was detoured because of a fog :)
Zach lau cam on nha
wonderful as always. i wonder what the 2 drums are known as in the duet?
בעזרתו יתברך,
Hello to the Prince from House Of David & Shlomo, Kings Of Israel.❤💙💚6️⃣6️⃣🇺🇸🇮🇹💋🪴
Cantemir produced in the genre of Classical Turkish Music. This is mostly an Iranian interpretation.
Thanks for your comment. Music is all about interpretation 😊
And not to mention the influence of Persian music on Turkish music.
adam resmen müziğimizi düzenleme ayağına çalmış ve uyduruk bir şey çıkmış ortaya.